The Drums of Jeopardy Part 39

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She had to run after him. Had she hesitated they might have become separated. Hated jewels? No, no! There should be no questions, verbal or mental, this night. She presently forced him to slow down. "Not so fast!

We must never become separated," she warned. "Our safety--such as it is--lies in being together."

"I'm an a.s.s. Perhaps my head is ratty without my realizing it. I fancy I'm like a dog that's been kicked; I'm trying to run away from the pain.

What's this tomb?"

"The Metropolitan Opera House."

As they were pa.s.sing a thin, wailing sound came to the ears of both.

Seated with his back to the wall was a blind fiddler with a tin cup strapped to a knee. He was out of bounds; he had no right on Broadway; but he possessed a singular advantage over the law. He could not be forced to move on without his guide--if he were honestly blind. Hundreds of people were pa.s.sing; but the fiddler's "Last Rose of Summer" wasn't worth a cent. His cup was empty.

"The poor thing!" said Kitty.

"Wait!" Hawksley approached the fiddler, exchanged a few words with him, and the blind man surrendered his fiddle.

"Give me your hat!" cried Kitty, delighted.

Carefully Hawksley pried loose his derby and handed it to Kitty. No stab of pain; something to find that out. He turned the instrument, tucked it under his chin and began "Traumerei." Kitty, smiling, extended the hat.

Just the sort of interlude to make the adventure memorable. She knew this thoroughfare. Shortly there would be a crowd, and the fiddler's cup would overflow--that is, if the police did not interfere too soon.

As for the owner of the wretched fiddle, he raised his head, his mouth opened. Up there, somewhere, a door to heaven had opened.

True to her expectations a crowd slowly gathered. The beauty of the girl and the dark, handsome face of the musician, his picturesque bare head, were sufficient for these cynical pa.s.sers-by. They understood. Operatic celebrities, having a little fun on their own. So quarters and dimes and nickels began to patter into Cutty's ancient derby hat. Broadway will always contribute generously toward a novelty of this order. Famous names were tossed about in undertones.

Entered then the enemy of the proletariat. Kitty, being a New Yorker born, had had her weather eye roving. The bra.s.s-b.u.t.toned minion of the law was always around when a bit of innocent fun was going on. As the policeman reached the inner rim of the audience the last notes of Handel's "Largo" were fading on the ear.

"What's this?" demanded the policeman.

"It's all over, sir," answered Kitty, smiling.

"Can't have this on Broadway, miss. Obstruction." He could not speak gruffly in the face of such beauty--especially with a Broadway crowd at his back.

"It's all over. Just let me put this money in the blind man's cup."

Kitty poured her coins into the receptacle. At the same time Hawksley laid the fiddle in the blind man's lap. Then he turned to Kitty and boomed a long Russian phrase at her. Her quick wit caught the intent.

"You see, he doesn't understand that this cannot be done in New York. I couldn't explain."

"All right, miss; but don't do it again." The policeman grinned.

"And please don't be harsh with the blind man. Just tell him he mustn't play on Broadway again. Thank you!"

She linked her arm in Hawksley's, and they went on; and the crowd dissolved; only the policeman and the blind man remained, the one contemplating his duty and the other his vision of heaven.

"What a lark!" exclaimed Hawksley.

"Were you asking me for your hat?"

"I was telling the bobby to go to the devil!"

They laughed like children.

"March hares!" he said.

"No. April fools! Good heavens, the time! Twenty minutes to seven. Our dinner!"

"We'll take a taxi.... Dash it!"

"What's wrong?"

"Not a bally copper in my pockets!"

"And I left my handbag on the sideboard! We'll have to walk. If we hurry we can just about make it."

Meantime, there lay in wait for them--this pair of April fools--a taxicab. It stood snugly against the curb opposite the entrance to Cutty's apartment. The door was slightly ajar.

The driver watched the south corner; the three men inside never took their gaze off the north corner.

"But, I say, hasn't this been a jolly lark?"

"If we had known we could have borrowed a dollar from the blind man; he'd never have missed it."

CHAPTER XXVII

Champagne in the gla.s.s is a beautiful thing to see. So is water, the morning after. That is the fault with frolic; there is always an inescapable rebound. The most violent love drops into humdrum tolerance.

A pessimist is only a poor devil who has antic.i.p.ated the inevitable; he has his headache at the start. Mental champagnes have their aftermaths even as the juice of the grape.

Hawksley and Kitty, hurrying back, began to taste lees. They began to see things, too--menace in every loiterer, threat in every alley. They had had a glorious lark; somewhere beyond would be the piper with an appalling bill. They exaggerated the dangers, multiplied them; perhaps wisely. There would be no let-down in their vigilance until they reached haven. But this state of mind they covered with smiling masks, banter, bursts of laughter, and flashes of wit.

They were both genuinely frightened, but with unselfish fear. Kitty's fear was not for herself but for Johnny Two-Hawks. If anything happened the blame would rightly be hers. With that head he wasn't strictly accountable for what he did; she was. A firm negative on her part and he would never have left the apartment. And his fear was wholly for this astonis.h.i.+ng girl. He had recklessly thrust her into grave danger. Who knew, better than he, the implacable hate of the men who sought to kill him?

Moreover, his strength was leaving him. There was an alarming weakness in his legs, purely physical. He had overdone, and if need rose he would not be able to protect her. d.a.m.nable fool! But she had known. That was the odd phase of it. She hadn't come blindly. What mood had urged her to share the danger along with the lark? Somehow, she was always just beyond his reach, this girl. He would never forget that fan popping out of the pistol, the egg burning in the pan.

The apartment was only three blocks away when Kitty decided to drop her mask. "I'd give a good deal to see a policeman. They are never around when you really want them. Johnny Two-Hawks, I'm a little fool! You wouldn't have left the apartment but for me. Will you forgive me?"

"It is I who should ask forgiveness. I say, how much farther is it?"

"Only about two blocks; but they may be long ones. Let's step into this doorway for a moment. I see a taxicab. It looks to be standing opposite the building. Don't like it. Suppose we watch it for a few minutes?"

Hawksley was grateful for the respite; and together they stared at the unwinking red eye of the tail light. But no man approached the cab or left it.

"I believe I've hit upon a plan," said Kitty. "Certainly we have not been followed. In that event they would have had a dozen chances. If someone saw us leave together, naturally they will expect us to return together. We'll walk to the corner of our block, then turn east; but I shall remain just out of sight while you will go round the block.

Fifteen minutes should carry you to the south corner. I'll be on watch for you. The moment you turn I'll walk toward you. It will give us a bit of a handicap in case that taxi is a menace. If any one appears, run for it. Where's the cane you had?"

"What a jolly a.s.s I am! I remember now. I left the stick against the wall of the opera house. Blockhead! With a stick, now!... I'm hopeless!"

"Never mind. Let's start. That taxi may be perfectly honest. It's our guilty consciences that are peopling the shadows with goblins. What really bothers us is that we have broken our word to the kindliest man in all this world."

The Drums of Jeopardy Part 39

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The Drums of Jeopardy Part 39 summary

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