The Long Trick Part 1
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The Long Trick.
by Lewis Anselm da Costa Ritchie.
FOREWORD
DEAR N AND M,
This is the first opportunity I have had of answering your letter, although I am hardly to blame since you chose to write anonymously and leave me with no better clue to your address than the Tunbridge Wells postmark.
Fee! Fi! Fo! Fum! I am sorry about Torps, though. I admit his death was a mistake, and I fancy my Publisher thought so too: but we cannot very well bring him to life again, like Sherlock Holmes. So please cheer up, and remember that there are just as many fine fellows in the ink-pot as ever came out of it.
I have borne in mind the final paragraph of your letter, which said, "We do beseech you not to kill the India-rubber Man." In fact, I originally meant him to be the hero of this book. But as the book progressed I found the melancholy conviction growing on me that the India-rubber Man had become infernally dull. A pair of cynical bachelors like you will, I know, attribute this to marriage and poor Betty. For my part I am inclined to put it down to advancing years.
I have just finished the book, and, turning over the pages, found myself wondering how you will like it. It has been written in so many different moods and places and noises and temperatures that the general effect is rather patchwork. But, after all, it was written chiefly for the amus.e.m.e.nt of two people, and (as I believe all story-books ought to be written) out of some curiosity on the Author's part to know "what happened next."
Thus, you see, I strive to disarm all critics at the outset by the a.s.sumption of an ingenuous indifference to anything they can say. But there is one portion of the book on which I have expended so much thought and care that I am willing to defy criticism on the subject. I refer to the Dedication.
You probably skip Dedications, but they interest me, and I have studied them a good deal. They are generally arranged in columns like untidy addition sums, and no two lines are the same length. This is very important. At the end you arrive, as it were by a series of stepping-stones, at the climax. And there you are.
No. Let the critics say what they will about the book: but I hold that the Dedication is It.
Yours sincerely,
"Bartimeus"
_October_, 1917.
THE LONG TRICK
CHAPTER I
BACK FROM THE LAND
Towards eight o'clock the fog that had hung threateningly over the City all the afternoon descended like a pall.
It was a mild evening in February, and inside the huge echoing vault of King's Cross station the shaded arc lamps threw little pools of light along the departure platform where the Highland Express stood. The blinds of the carriage windows were already drawn, but here and there a circle of subdued light strayed out and was engulfed almost at once by the murky darkness. Sounds out of the unseen reached the ear m.u.f.fled and confused: a motor horn hooted near the entrance, and quite close at hand a horse's hoofs clattered and rang on the cobbled paving-stones. The persistent hiss of escaping steam at the far end of the station seemed to fill the air until it was presently drowned by the ear-piercing screech of an engine: high up in the darkness ahead one of a bright cl.u.s.ter of red lights holding their own against the fog, changed to green. The whistle stopped abruptly, and the voice of a boy, pa.s.sing along the crowded platform, claimed all Sound for its own.
"_Chor-or-or-clicks!_" he cried in a not unmusical jodelling treble, "_Chorclicks!--Cigarettes!_"
The platform was thronged by bluejackets and marines, for on this particular evening the period of leave, granted by some battles.h.i.+p in the North, had expired. They streamed out of refreshment rooms and entrance halls, their faces lit for a moment as they pa.s.sed under successive arc lights, crowding round the carriage doors where their friends and relations gathered in leave-taking. Most of them carried little bundles tied up in black silk handkerchiefs and paper parcels whose elusive contents usually appeared to take a leguminous form, and something of the traditional romance of their calling came with them out of the blackness of that February night. It was reflected in the upturned admiring faces of their women-folk, and acknowledged by some of the younger men themselves, with the adoption of an air of studied recklessness.
Some wore the head-gear of enraptured civilian acquaintances and sang in undertones of unrequited love. Others stopped in one of the friendly circles of light to pa.s.s round bottled beer, until an elderly female, bearing tracts, scattered them into the shadows. They left her standing, slightly bewildered, with the empty bottle in her hands. She had the air, for all the world, of a member of the audience suddenly abandoned on a conjurer's stage.
In the shelter of one of the great pillars that rose up into the darkness a bearded light o' love stopped and emptied his pockets of their silver and coppers into the hands of the human derelict that had been his companion through the past week. "'Ere you are, Sally," he said, "take what's left. You ain't 'arf been a bad ole sort, mate," and kissed her and turned away as she slipped back into the night where she belonged.
Farther along in the crowd an Ordinary Seaman, tall and debonair and sleek of hair, bade osculatory farewell to a mother, an aunt, a fiancee and two sisters.
"'Ere," finally interrupted his chum, "'ere, Alf, where do I come in?"
"You carry on an' kiss Auntie," replied his friend, and applied himself to his fiancee's pretty upturned mouth. This the chum promptly did, following up the coup, amid hysterical laughter and face-slapping, by swiftly embracing the mother and sisters.
"You sailors!" said the friend's mother delightedly, straightening her hat.
"Don Jewans, all of 'em," confirmed the aunt, recovering the power of speech of which a temporary displacement of false teeth had robbed her.
"Glad there wasn't no sailors down our way when I was a girl, or I shouldn't be 'ere now." A sally greeted by renewed merriment.
Indifferent to the laughter and horse-play near them a grave-faced Petty Officer stood by the door of his carriage saying good-bye to his wife and children before returning to another nine months' exile. A little boy in a sailor-suit clung to the woman's skirt and gazed admiringly into the face of the man he had been taught to call "Daddie"--the jovial visitor who came to stay with them for a week once a year or so, after whose departure his mother always cried so bitterly, writer of the letters she pressed against her cheek and locked away in the yellow tin box under the bed....
She held another child in her arms--a wide-eyed mite that stared up into the murk overhead with preternatural solemnity. Their talk, of an inarticulate simplicity, is no concern of ours. The little group has been recorded because of the woman. Mechanically rocking the child in her arms, with her neat clothes and brave little bits of finery, with, above all, her anxious, pathetic smile as she looked up into the face of her man, she stood there for a symbol of all that the warring Navy demands of its women-folk.
Beyond them, where the first-cla.s.s carriages and sleeping saloons began, the platform became quieter and less crowded. Several Naval and one or two Military officers walked to and fro, or stood at the doors of their compartments superintending the stowage of their luggage; a little way back from the light thrown from the carriage windows, two figures, a man and a girl, stood talking in low voices.
Presently the man stepped under one of the overhanging lamps and consulted his wrist.w.a.tch. The light of the arc-lamp, falling on the shoulder-straps of his uniform great-coat, indicated his rank, which was that of Lieutenant-Commander.
"We've got five minutes more," he said.
The girl nodded.
"I know. I've been ticking off the minutes for the last week--in my head, I mean." She smiled, a rather wan little smile. Her companion slipped his arm inside hers, and together they walked towards the train.
"Come and look at my cabin, Betty, and--let's see everything's there."
He helped her into the corridor, and, following, encountered the uniformed attendant. The man held a notebook in his hand.
"Are you Mr. Standish, sir?" he inquired, consulting his notebook.
"That's my name as a rule," was the reply. "At the moment though, it's Mud--spelt M-U-D. Which is my abode?"
"This way, sir." The attendant led the way along the corridor and pushed open the door of the narrow sleeping compartment. "Here you are, sir."
He eyed the officer's companion with a professionally rea.s.suring air, as much as to say, "He'll be all right in there, don't you worry." It certainly looked very snug and comfortable with the shaded light above the neat bunk and dark upholstery.
"Ah," said the traveller, "we just wanted to--er--see everything was all right."
"Quite so, sir. Plenty of time--lady not travelling, I presume? I'll come along when we're due to start and let you know." He closed the door with un.o.btrusive tact.
The lady in question surveyed the apartment with the tender scrutiny of a mother about to relinquish her offspring to the rough usage of an unfamiliar world.
"Bunje, darling," she said, and bent and brushed the pillow with her lips. "That's so that you'll sleep tight and not let the bogies bite."
She smiled into her husband's eyes rather tremulously. "And take care of yourself as hard as ever you can. Remember your leg and your poor old head." His cap lay on the bunk, and she raised a slender forefinger to trace the outline of the s.h.i.+ny scar above his temple. "I've mended you so nicely."
"I'll take care of myself all right, and you won't cry, will you, Betty, when I've gone? Promise--say: 'Sure-as-I'm-standing-here-I-won't-cry,'
or I'll call the guard!"
"I--I can't promise not to cry a tiny bit," faltered Betty, "but I promise to try not to cry much. And you will write and let me know when I can come North and be near you, won't you?" A sudden thought struck her. "Bunje, will they censor your letters? How awful! And mine too?
The Long Trick Part 1
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The Long Trick Part 1 summary
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