Furze the Cruel Part 3

"Duppence, master. 'Tis all I has now you'm torn the cloam and got my rabbit-skins. If it warn't for the duppence I don't know what me and Ju would du."

"Hand it over," said Pendoggat.

"I can't, master. I can't," whispered Brightly, gulping like a dying fish.

"Hand it over, or I'll strangle ye." Then in a fit of pa.s.sion he dragged Brightly right across the saddle and tore his pocket open. The two copper coins fell into his hand. He dropped Brightly upon the red and yellow fragments, which cut his raw hands, then hit his horse, and rode on triumphing. He had punished the miserable little dealer in rubbish; and he fancied Brightly would not venture to frighten his horse again.

Pendoggat rode up to the high moor and felt the wind. He was about to strike his horse into a canter, when a spectre started out of the gloom, a wizened face reached his knee, an agonised voice cried: "Give I back my duppence, master. Give I back my duppence."

Pendoggat s.h.i.+vered. He did not enjoy the sound of that voice, or the sight of that face. He thought of death when he saw that face. Brightly was only one of the mean things of the earth, and mean things make a fuss about trifles. That face and that voice all over the loss of twopence! Probably the wretched thing was mad. Honest men are often frightened when they see lunatics.

"Us be cruel hungry, master. Us have eaten nought all day. Us have lost our cloam and our rabbit-skins. Give I back my duppence, master. I'll work for ye to-morrow."

Pendoggat hit his horse, and the animal cantered away, and the spectre troubled him no longer. He wiped his chin again and felt satisfied. He had made a poor creature suffer. There was a certain amount of crude pleasure in that thought. But why had that face and voice suggested death, the death of a man who has used his power to deprive a poor wretch of his vineyard? Pendoggat flung the rabbit-skins into the gaping pit of a mine-shaft and cantered on. He was a free man; he was a commoner; the rivers and the rocks were his.

Brightly stumbled back to the hedge to reclaim his empty basket. He talked to Ju for a little, and tried to understand things, but couldn't.

He would have to start all over again. He discovered a turnip, which had probably rolled out of a cart and was therefore any one's property, and he filled his stomach with that. Ju raked a bone bearing a few sinews out of a rubbish-heap. So they might have done worse.

At the top of the village was an old cow-barn. Above was a loft containing a little dry fern. Brightly and Ju lodged there. It was quite away from other buildings, standing well out upon the moor, therefore n.o.body heard a queer piping voice, singing and feasting on the quaint doggerel far into the night--

"Jerusalem the golden, Wi' milk and honey blest...

CHAPTER III

ABOUT PASTOR AND MASTER

Unpleasant creatures are so plentiful in the world that they cannot be overlooked. Were there only a few they might be ignored; but they throng, they thrust themselves forward, they shout to attract attention, they push the decent-looking out of the way. The ugliest women make the most noise; the ugliest men shove to the front in a crowd; the ugliest insects make their way into bed-chambers. Why Nature made so much ugliness, side by side with so much that is beautiful, only Nature knows. Some countries are made detestable to live in by the presence of hideous creatures. There is the fire-ant of the Amazon valley, which will put human beings to flight. There is the Mygale spider, covered with poisonous red hair, its body the size of a duck's egg, the spread of its legs covering eight inches, which scuttles into a room by moonlight and casts a horrible shadow upon the bed. There is the wolf-spider which, if a man pa.s.ses near its lair, will leap out and pursue him, and bite him if it can. There are so many of these repulsive things that they cannot be disregarded. Some things can be kept out of the way: abattoirs, operating-theatres, vivisection-h.e.l.ls. People ignore and forget these, because they are not seen; but the man wolf-spider cannot be forgotten, because he leaps out and pursues those that come near his lurking-place.

Nothing in the entire system of creation can be more inexplicable than the persistent cruelty of Nature. Death there must be, but Nature resents a painless death. Animals not only kill but torture those which are inferior to them. Mason-wasps deliberately vivisect spiders, which are insects extremely tenacious of life. It is the same all the way along the scale up to and including man. Nature does her work with b.l.o.o.d.y hands; birth, life, death, become a miserable dabble of blood and pa.s.sion. Some people shut their eyes to it all; others cannot; others add to it; churches with their tolling bells and black ma.s.ses revel in the mystic side of it.

There is not a person living who has not done an act of cruelty. It is impossible to refrain from it. However kindly the soul may be Nature will whisper b.l.o.o.d.y messages; and some day there is sure to be a temporary breakdown. In a town the wretched business is not much seen.

It lurks in the dark corners, like the Mygale spider, and comes out perhaps at moonlight to cast its shadow upon the bed. On the spa.r.s.ely inhabited moor it is visible, for it cannot hide away so easily, and it tries less because it is fiercer. It is like the wolf-spider which dashes out in a mad fury. Upon a wild upland pa.s.sions are fiercer, just as physical strength is greater. Everything seems to suggest the dark end of the scale; the rain is more furious, the clouds are blacker, the wind is mightier, the rivers are colder; Nature is at full strength. She is wild and lawless, and men are often wild and lawless too. Tender lilies would not live upon the moor, and it is no use looking for them.

They are down in the valleys. Upon the moor there is the granite, the spiny gorse, the rugged heather. It is no use looking for the qualities of the lily in those men who are made of the granite, and gorse, and heather.

Pendoggat was the sort of man who might have melted into tears at hearing a violin played, and then have kicked the performer down a wheal if he asked for a copper. Nature turns out a lot of contradictory work like that. She never troubles to fit the joints together. Had any one told Pendoggat he was a cruel man, he would first of all have stunned the speaker into silence, and then have wondered whatever the man had been driving at. It is a peculiarity of cruelty that it does not comprehend cruelty. No argument will persuade a rabbit-trapper that the wretched animals suffer in the iron jaws of his traps. The man who skins an eel alive, and curses it because it won't keep still, cannot be brought to understand that he is doing anything inhuman. Perhaps he will admit he had never given the subject a thought; more probably he will regard the apostle of mercy as a madman. The only way to enlighten such men is to skin them alive, or compel them to tear themselves to death in an iron trap; and there are, unfortunately, laws to prevent that. The only just law ever made was the _lex talionis_, and Nature recognises that frequently. Pendoggat trapped rabbits in his fields, and if they were not dead when he found them he left them as a rule. The traps were supposed to kill them in time, and the longer they were in dying the longer their flesh would keep. That was the way he looked at it. Quite a practical way.

Very likely Pendoggat was of Spanish extraction in spite of his Cornish name. The average Cornishman has a thoroughly good heart, and is, if he be of the true stock, invariably fair. The Cornish man or maid who is dark owes something to foreign blood. There are in Cornwall many men and women so strikingly dark as to attract attention at once; and if their ancestry could be traced back a couple of hundred years it might be found that a Spanish name occurred. While the stout men of Devon were chasing the Armada up channel and plucking the Admiral's feathers one by one, and the patriotic Manacles were doing Cornwall's share by giving the big galleons a hearty welcome, many a s.h.i.+pwrecked sailor found his way into the cottages of fishermen and wreckers, and with the aid of a pocketful of gold pieces made themselves at home. Some possibly were able to return to Spain; others probably seduced their protectors' young women; others were lawfully wedded; others settled down in their new land and took a Cornish name. It is a difficult piece of history to trace, and much must remain pure hypothesis; but it is fairly certain that had there been no Spanish Armada to invade England, and to send Queen Elizabeth to her writing-tablets to reel off a lot of badly-rhymed doggerel in imitation of Master Spenser, there would also have been no Farmer Pendoggat dwelling at Helmen Barton in the parish of Lydford and sub-parish of St. Mary Tavy, as a commoner of Dartmoor and a tenant in name of Elizabeth's descendant the Duke of Cornwall.

There was nothing of a sinister nature about the Barton. Even its name meant simply in its original Celtic the place of the high stone; _hel_ being a corruption of _huhel_, and _men_ one of the various later forms of _maen_; just as huhel twr, the high tor, has now become Hel Tor.

Wherever people have been given a chance of dragging in the devil and his dwelling-place they have taken it; actuated, perhaps, by the same motive which impelled the old dame to make a profound reverence whenever the name of the ghostly enemy was mentioned, as she didn't know what would be her fate in a future state, so thought it wise to try and propitiate both sides. The Barton was a long low house of granite, damp and ugly. No architect could make a house built of granite look pleasant; no art could prevent the tough stone from sweating. It was tiled, which made it look colder still. Creepers would not crawl up its walls on account of the winds. One half of the Barton was crowded with windows, the other half appeared to be a blank wall. A good many farm-houses are built upon that plan, the stable and loft being a continuation of the dwelling-house, and to all outward appearance a part of it. There was not a tree near the place. The farm was in a fuzzy hollow; above was a fuzzy down. It ought to have been called Furzeland, a name which is borne by a tiny hamlet in mid-Devon, which n.o.body has ever heard of, where the furze does not grow. The high stone which had named the place--probably a menhir--had disappeared long ago. Some former tenant would have broken it up and built it into a wall. The commoners' creed is a simple one, and runs thus: "Sometimes I believe in G.o.d who made Dartmoor. I cling to my privileges of mining, turbary, and quarrying. I take whatever I can find on the moor, and give no man pay or thanks. I reverence my landlord, and straighten his boundary walls when he, isn't looking. The granite is mine, and the peat, and the rivers, and the fish in them, and so are the cattle upon the hills, if no other man can put forward a better claim. No foreign devil shall share my privileges. If any man offers to scratch my back he must pay vor't. Amen."

It was fitting that a man like Pendoggat should live among the furze, farm in the furze, fight with the furze. He resembled it in its fierceness, its spitefulness, its tenacity of life; but not in its beauty and fragrance. He brought forth no golden blossoms. There was no thorn-protected fragrance in him. He was always struggling with the furze, without realising that it must defeat him in the end. He burnt it, but up it came in the spring. He grubbed it up, but portions of the root escaped and sent forth new growth. He would reclaim a patch, but directly he turned his back upon it to attack a fresh piece the furze returned. To eradicate furze upon a moor was not one of the labours allotted to Hercules. He would have found it worse than cutting off the heads of the water-snake. Pendoggat had fought for twenty years, and the enemy was still undefeated; he would die, and the gorse would go on; for he was only a hardy annual, and the gorse is a perennial, as eternal as the rivers and the granite. It bristled upon every side of the Barton, the greater gorse as well as the lesser, and it was in flower all the year round, as though boasting of its indomitable strength and vitality.

On the west side, where the moorland dipped and made an opening for the winds from Tavy Cleave, a long narrow brake remained untouched to make a shelter for the house. The gorse there was high and thick, and its ropy stems were as big round as a man's wrist. Pendoggat would have grievously a.s.saulted any man who dared to fire that brake.

People who talked scandal in the twin villages, namely, the entire population, wondered whether Mrs. Pendoggat was really as respectable as she looked. They decided against her, as they were not the sort of people to give any one the benefit of a doubt. They were right, however, for Annie Pendoggat had no claim to the latter part of her name. She was really Annie Crocker, a degraded member of one of those three famous families--Cruwys and Copplestone being the other two--who reached their zenith before the Norman invasion. She had come to Pendoggat as housekeeper, and could not get away from him; neither could he dismiss her. She was a little woman, with a sharp face and a soft voice; much too soft, people said. She could insult any one in a manner which suggested that she loved them. She had been fond of her master in her snake-like way. She still admired his brute strength, and what she thought was his courage. He had never lifted up his hand against her; and when he threatened to, she would remark in her soft way that the long brake of gorse darkened the kitchen dreadfully, and she thought she would go and set a match to it. That always brought Pendoggat to his senses.

It was a quiet life at the Barton. Pendoggat had no society, except that of some minister whom he might bring back to dinner on Sundays. On that day he attended chapel twice. He also went on Wednesday, when he sometimes preached. His sermons were about a cruel G.o.d ruling the world by cruelty, and preparing a state of cruelty for every one who didn't attend chapel twice on Sundays and once during the week. He believed in what he said. He also believed he was himself secure from such a punishment; just as certain ignorant Catholics sincerely rely on the power of a priest to forgive their sins. Pendoggat thought that he was free to act as he pleased, so long as he didn't miss his attendances at chapel. If he cheated a man, and missed chapel, his soul would be in danger; but if he attended chapel the sin was automatically forgiven. It was a strange form of theology, but not an uncommon one. Many excellent people tend towards it. Pious old ladies will do all they can to induce young men to attend church. It does not appear to trouble them much if the young men read comic papers, wink at the girls, or slumber audibly, while they are there. The great point has been gained. The young men are in church; therefore they are religious. The young man who goes for a walk to the top of the highest tor to watch the sunset is a vile creature who will be d.a.m.ned some day.

The Barton had its parlour, and Pendoggat practised the entire ritual connected with that mysterious apartment. No Dartmoor farm-house would have the slightest pretensions to be regarded as a civilised home without the parlour. Its rites and ceremonies remain unwritten, and yet every farmer knows them, and practises them with the precision of a Catholic priest obeying his rubrics, or with the zeal of an Anglican parson defying his. It must be the best room in the house, and it must be kept locked and regarded as holy ground. The windows must not be opened lest fresh air should enter, and equally dangerous sunlight must be excluded by blinds and curtains and a high bank of moribund plants.

The furniture is permitted to vary, with the exception of a few ornaments which must be found in every house as a mark of stability and respectability. There must be a piano which cannot be used for purposes of music, and a lamp which is not to be lighted. Whatever books the house contains must be arranged in a manner pleasing to the householder, and they must never be opened. There is a central table, and upon it recline alb.u.ms containing photographs of the family at different stages of their careers, together with those of ancestors; and these photographs have little value if they are not yellow and faded to denote their antiquity. In the centre of the table must appear a strange device; a stuffed bird in a gla.s.s case, a piece of coral on a mat, or some recognised family heirloom. The pictures must be strongly coloured and should have a religious accent. As Germany has achieved surprising results in the matter of colour, the pictures are usually from that fatherland. Ruined temples on the Nile are a favourite subject; only the temples should resemble dilapidated barns, and the Nile bear a distinct likeness to a duck pond. Upon the mantel must stand a clock which has not gone within living memory, and some a.s.sorted crockery which if viewed continuously in a strong light will bring on neuralgia. A copy of a penny novelette, and a sheet of music-hall songs lying about, denote literary and musical tastes; but these are unusual. There is generally a family Bible, used to support a large sh.e.l.l, or a framed photograph of the master in his prime of life; and this is opened from time to time to record a birth, marriage, or death. The pattern of the wall-paper must be decided and easily discernible; scarlet flowers on a yellow background are always satisfactory.

The ceremony of entering the parlour takes place usually on Sunday.

There is a Greater Entry and a Lesser Entry. The lesser takes place after tea. The master in his best clothes, his face and hands washed, although that point is not always insisted upon, carefully shaven, or with well-groomed beard, as the case may be, his boots removed after the manner of a Mussulman, enters the holy place, sits stiffly upon a chair without daring to lean back lest he should disturb the antimaca.s.sar, lights his pipe, and revels in the odour of respectability. He does not really enjoy himself, but after a time he grows more confident and ventures to cross his legs. From time to time he rises, goes out, walks along the pa.s.sage, and spits out of the front door. The greater entry takes place after chapel. The entire family a.s.semble by the light of the kitchen lamp and say wicked things about their neighbours. Sometimes guests are introduced, and these display independence in various ways, chiefly by leaning back in their chairs and shuffling their boots on the carpet. The ceremonies come to a close at an early hour; the members of the family file out; father, leaving last, locks the door. The parlour is closed for another week.

Pendoggat's parlour was orthodox; only more cold and severe than most.

The wall-paper was stained with moisture, and the big open fire-place always smoked. The master thought himself better than the neighbouring commoners, and none of them were ever invited to enter his sanctuary. In a way he was their superior. He could write a good hand, and read anything, and he spoke better than his neighbours. It is curious that of two commoners, educated and brought up in exactly the same way, one will speak broad dialect and the other good English. There was naturally very little society for Pendoggat. He lived in his own atmosphere as a philosopher might have done. He encouraged his minister to visit him, but he had a good reason for that. Weak-minded ministers are valuable a.s.sets and good advertising agents; for, if their congregations do not exactly trust them, they will at least follow them, which is more than they will do for any one else.

The sanct.i.ty of the parlour may be violated on weekdays; either upon the occasion of some chapel festival, or when a visitor of higher rank than a farmer calls. When Pendoggat reached the Barton he knew at once that the place was haunted by a visiting body, because the blinds were up.

Annie Crocker met him in the yard, which in local parlance was known as the court, and said: "The Maggot's waiting for ye in the parlour. Been there nigh upon an hour. He'm singing Lighten our Darkness by now, I reckon, vor't be getting whist in there, and he'm alone where I set 'en, and told 'en to bide till you come along."

"Given him no tea?" said Pendoggat, appearing to address the stones at his feet rather than the woman. That was his usual way; n.o.body ever saw Pendoggat's eyes. They saw only a black moustache, a scowl, and a moving jaw.

"No, nothing," said Annie. "No meat for maggots here. Let 'en go and eat dirt. Bad enough to have 'en in the house. He'm as slimy as a slug."

"Shut your noise, woman," said Pendoggat. "Take the horse in, and slip his bridle off."

"Tak' 'en in yourself, man," she snapped, turning towards the house.

Pendoggat repeated his command in a gentler voice; and this time he was obeyed. Annie led the horse away, and the master went in.

The Reverend Eli Pezzack was the Maggot, so called because of his singularly unhealthy complexion. Dartmoor folk have rich red or brown faces--the hard weather sees to that--but Eli was not a son of the moor.

It was believed that he had originated in London of West-country parents. He had none of the moorman's native sharpness. He was a tall, clammy individual, with flabby hands dun and cold like mid-Devon clay; and he was so clumsy that if he had entered a room containing only a single article of furniture he would have been certain to fall against it. He was no humbug, and tried to practise what he taught. He was lamentably ignorant, but didn't know it, and he never employed a word of one syllable when he could find anything longer. He admired and respected Pendoggat, making the common mistake with ignorant men of believing physical strength to be the same thing as moral strength. He agreed with those grammarians who have maintained that the eighth letter of the alphabet is superfluous.

"Sorry to have kept ye sitting in the dark," said Pendoggat as he entered the parlour.

"The darkness has not been superlative, Mr. Pendoggat," said Eli, as he stumbled over the best chair while trying to shake hands. "The lunar radiance has trespa.s.sed pleasantly into the apartment and beguiled the time of lingering with pleasant fancies." He had composed that sentence during "the time of lingering," but knew he would not be able to maintain that high standard when he was called on to speak extempore.

"'The darkness is no darkness at all, but the night is as clear as the day,'" quoted Pendoggat with considerable fervour, as he drew aside the curtains to admit more moonlight.

"True, Mr. Pendoggat," said Eli. "We know who uttered that sublime contemplation."

This was a rash statement, but was made with conviction, and accepted apparently in the same spirit.

"You know why I asked you to come along here. I'm going to build up your fortune and mine," said Pendoggat. "Let us seek a blessing."

Eli tumbled zealously over a leg of the table, gathered himself into a kneeling posture, clasped his clay-like hands, and prayed aloud with fervour and without aspirates for several minutes. When Pendoggat considered that the blessing had been obtained he dammed up the flow of words with a stertorous "Amen." Then they stood upon their feet and got to business.

"Seems there's no oil in this lamp," said the master, referring not to the pastor, but to the lamp of state which was never used.

"We do not require it, Mr. Pendoggat," came the answer. "We stand in G.o.d's light, the moonlight. That is sufficient for two honest men to see each other's faces by."

Pendoggat ought to have winced, but did not, merely because he had so little knowledge of himself. He didn't know he was a brute, just as Peter and Mary did not know they were savages. Grandfather the clock knew nearly as much about his internal organism as they did about theirs.

"I want money," said Pendoggat sharply. "The chapel wants money. You want money. You're thinking of getting married?"