The Workingman's Paradise Part 8

She led the way along a short paved path, down three or four stone steps, then turned sharply along a small narrow verandah. At the end of the verandah was a door. Nellie felt in the darkness for the bell-b.u.t.ton and gave two sharp rings.

"Where are you taking me, Nellie?" he asked. "This is too swell a place for me. It looks as though everybody was gone to bed."

In truth he was beginning to think of secret societies and mysterious midnight meetings. Only Nellie had not mentioned anything of the kind and he felt ashamed of acknowledging his suspicions by enquiring, in case it should turn out to be otherwise. Besides, what did it matter? There was no secret society which he was not ready to join if Nellie was in it, for Nellie knew more about such things than he did. It was exactly the place for meetings, he thought, looking round. n.o.body would have dreamt that it was only half an hour ago that they two had left Paddy's Market. Here was the scent of damp earth and green trees and heavily perfumed flowers; the rustling of leaves; the fresh breath of the salt ocean. In the darkness, he could see only a semi-circling ma.s.s of foliage under the sombre sky, no other houses nor sign of such. He could not even hear the rumbling of the Sydney streets nor the hoa.r.s.e whispering of the crowded city; not even a single footfall on the road they had come down. For the faint lap-lap-lapping of water filled the pauses, when the puffy breeze failed to play on its leafy pipes. Here a Mazzini might hide himself and here the malcontents of Sydney might gather in safety to plot and plan for the overthrow of a hateful and hated "law and order." So he thought.

"Oh, they're not gone to bed," replied Nellie, confidently. "They live at the back. It overlooks the harbour that side. And you'll soon see they're not as swell as they look. They're splendid people. Don't be afraid to say just what you think."

"I'm not afraid of that, if you're not."

"Ah, there's someone."

An inside door opened and closed again, then they heard a heavy footstep coming, which paused for a moment, whereat a flood of colour streamed through a stained gla.s.s fanlight over the door.

"That's Mr. Stratton," announced Nellie.

Next moment the door at which they stood was opened by a bearded man, wearing loose grey coat and slippers.

"h.e.l.lo, Nellie!" exclaimed this possible conspirator, opening the door wide. "Connie said it was your ring. Come straight in, both of you. Good evening, sir. Nellie's friends are our friends and we've heard so much of Ned Hawkins that we seem to have known you a long while." He held out his hand and shook Ned's warmly, giving a strong, clinging, friendly grip, not waiting for any introduction. "Of course, this is Mr. Hawkins, Nellie?" he enquired, seriously, turning to that young woman, whose hands he took in both of his while looking quizzingly from Ned to her and back to Ned again.

"Yes, of course," she answered, laughing. Ned laughed. The possible conspirator laughed as he answered, dropping her hands and turning to shut the door.

"Well, it mightn't have been. By the way, Nellie, you must have sent an astral warning that you were coming along. We were just talking about you."

They had been discussing Nellie in the Stratton circle, as our best friends will when we are so fortunate as to interest them.

In the pretty sitting-room that overlooked the rippling water, Mrs.

Stratton perched on the music stool, was giving, amid many interjections, an animated account of the opera: a dark-haired, grey-eyed, full-lipped woman of 30 or so, with decidedly large nose and broad rounded forehead, somewhat under the medium height apparently but pleasingly plump as her evening dress disclosed. She talked rapidly, in a sweet expressive voice that had a strange charm. Her audience consisted of an ugly little man, with greyish hair, who stood at a bookcase in the corner and made his remarks over his shoulder; a gloomy young man, who sat in a reclining chair, with his arm hanging listlessly by his side; and a tall dark-moustached handsome man, broadly built, who sat on the edge of a table smoking a wooden pipe, and who, from his observations, had evidently accompanied her home from the theatre after the second act.

There was also her husband, who leant over her, his back turned to the others, unhooking her fur-edged opera cloak, a tall fair brown bearded man, evidently the elder by some years, whose blue eyes were half hidden beneath a strongly projected forehead. He fumbled with the hooks of the cloak, pa.s.sing his hands beneath it, smiling slyly at her the while. She, flus.h.i.+ng like a girl at the touch, talked away while pressing her knee responsively against his. It was a little love scene being enacted of which the others were all unconscious unless for a general impression that this long-married couple were as foolishly in love as ever and indulged still in all the mild raptures of lovers.

"Ever so much obliged," she said, pausing in her talk and looking at him at last, as he drew the cloak from her shoulders.

"You should be," he responded, straightening himself out. "It's quite a labour unhooking one of you fine ladies."

"Don't call me names, Harry, or I'll get somebody else to take it off next time. I'm afraid it's love's labour lost. It's quite chilly, and I think I'll wrap it round me."

"Well, if you will go about half undressed," he commented, putting the cloak round her again.

"Half undressed! You are silly. The worst of this room is there's no fire in it. I think one needs a fire even in summer time, when it's damp, to take the chill off. Besides, as Nellie says, a blazing fire is the most beautiful picture you can put in a room."

"Isn't Nellie coming to-night?" asked the man who smoked the wooden pipe.

"Why, of course, Ford. Haven't I told you she said on Thursday that she would come and bring the wild untamed bushman with her? Nellie always keeps her word."

"She's a wonderful girl," remarked Ford.

"Wonderful? Why wonderful is no name for it," declared Stratton, lighting a cigar at one of the piano candles. "She is extraordinary."

"I tell Nellie, sometimes, that I shall get jealous of her, Harry gets quite excited over her virtues, and thinks she has no faults, while poor I am continually offending the consistencies."

"Who is Nellie?" enquired the ugly little man, turning round suddenly from the book case which he had been industriously ransacking.

"I like Geisner," observed Mrs. Stratton, pointing at the little man. "He sees everything, he hears everything, he makes himself at home, and when he wants to know anything he asks a straightforward question. I think you've met her, though, Geisner."

"Perhaps. What is her other name?"

"Lawton--Nellie Lawton. She came here once or twice when you were here before, I think, and for the last year or so she's been our--our-- what do you call it, Harry? You know--the thing that South Sea Islanders think is the soul of a chief."

"You're ahead of me, Connie. But it doesn't matter; go on."

"There's nothing to go on about. You ought to recollect her, Geisner. I'm sure you met her here."

"I think I do. Wasn't she a tall, between-colours girl, quite young, with a sad face and queer stern mouth--a trifle cruel, the mouth, if I recollect. She used to sit across there by the piano, in a plain black dress, and no colour at all except one of your roses."

"Good gracious! What a memory! Have you got us all ticketed away like that?"

"It's habit," pleaded Geisner. "She didn't say anything, and only that she had a strong face, I shouldn't have noticed her. Has she developed?"

"Something extraordinary," struck in Stratton, puffing great clouds of smoke. "She speaks French, she reads music, she writes uncommonly good English, and in some incomprehensible way she has formed her own ideas of Art. Not bad for a dress-making girl who lives in a Sydney back street and sometimes works sixteen hours a day, is it?"

"Well, no. Only you must recollect, Stratton, that if she's been in your place pretty often, most of the people she meets here must have given her a wrinkle or two."

"You're always in opposition, Geisner," declared Mrs. Stratton. "I never heard you agree with anybody else's statement yet. Nellie is wonderful.

You can't shake our faith in that. There is but one Womanity and Nellie is its prophet."

"It's all right about her getting wrinkles here, Geisner," contributed Ford, "for of course she has. It was what made her, Mrs. Stratton getting hold of her. But at the same time she is extraordinary. When she's been stirred up I've beard her tackle the best of the men who come here and down them. On their own ground too. I don't see how on earth she has managed to do it in the time. She's only twenty now."

"I'll tell you, if you'll light the little gas stove for me, Ford, and put the kettle on," said Mrs. Stratton, drawing her cloak more tightly round her shoulders. "I know some of you men don't believe it, but it is the truth nevertheless that Feeling is higher than Reason. Isn't it chilly? You see, after all, you can only reason as to why you feel. Well, Nellie feels. She is an artist. She has got a soul."

"What do you call an artist?" queried Geisner, partly for the sake of the argument, partly to see the little woman flare up.

"An artist is one who feels--that's all. Some people can fas.h.i.+on an image in wood or stone, or clay, or paint, or ink, and then they imagine that they are the only artists, when in reality three-quarters of them aren't artists at all but the most miserable mimics and imitators-- highly trained monkeys, you know. Nellie is an artist. She can understand dumb animals and hear music in the wind and the waves, and all sorts of things. And to her the world is one living thing, and she can enjoy its joys and worry over its sorrows, and she understands more than most why people act as they do because she feels enough to put herself in their place. She is such an artist that she not only feels herself but impels those she meets to feel. Besides, she has a freshness that is rare nowadays. I'm very fond of Nellie."

"Evidently," said Geisner; "I've got quite interested. Is she dressmaking still?"

"Yes; I wanted her to come and live with us but she wouldn't. Then Harry got her a better situation in one of the government departments. You know how those things are fixed. But she wouldn't have it. You see she is trying to get the girls into unions."

"Then she is in the movement?" asked Geisner, looking up quickly.

Mrs. Stratton lifted her eye-brows. "In the movement! Why, haven't you understood? My dear Geisner, here we've been talking for fifteen minutes and--there's Nellie's ring. Harry, go and open the door while I pour the coffee."

The opera cloak dropped from her bare shoulders as she rose from the stool. She had fine shoulders, and altogether was of fas.h.i.+onable appearance, excepting that there was about her the impalpable, but none the less p.r.o.nounced, air of the woman who a.s.sociates with men as a comrade. As she crossed the room to the verandah she stopped beside the gloomy young man, who had said nothing. He looked up at her affectionately.

"You are wrong to worry," she said, softly. "Besides, it makes you bad company. You haven't spoken to a soul since we came in. For a punishment come and cut the lemon."

They went out on to the verandah together, her hand resting on his arm.

There, on a broad shelf, a kettle of water was already boiling over a gas stove.