Alas! Part 50

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"They are like lovers still," continues Elizabeth softly; "it is very pretty when people are lovers still after nearly thirty years."

"And you--you write letters?"

"No, I do not; I have not anyone to write to."

A pang of shame at his unworthy suspicion, coupled with a sense of astonishment at her simple confession of friendlessness, prevent his speaking; and it is she who goes on:

"I was writing an Italian exercise; I began to learn Italian in Florence"--with the inevitable low sigh that always accompanies her mention of that name--"and to-day, for something to do, I took it up again. It has been a long day, has not it? Oh, _what_ a long day!"

"_Long!_" repeats Jim emphatically; "it might choose to call itself a _day_; but many a century has been shorter."

"Someone was playing battledore and shuttlec.o.c.k in the hall. I wonder to what number they kept it up? how many years it is since I have played battledore and shuttlec.o.c.k!"

There is a suppressed envy in her tone, which tells how far from disagreeable the innocent noisy pastime to which she alludes would be to her even now. She has sat down again on the straight-backed chair from whose elevation she had commanded her Italian studies; a large grayish cloak, lined and heavily collared, and bordered with fur, hangs, unfastened at the throat, about her. Out of the dark beaver her delicate neck and head rise, like a pale primrose from out of piled dead oak-leaves in a yet wintry wood. Through the door, which he has left open behind him, come bursts of maniac mirth from the votaries of Dumb Crambo.

"What a noise they are making!"

"I should think they were!"

"I wonder what they are doing?"

"I can inform you on that point; they are playing Dumb Crambo."

She repeats the words after him with a lingering intonation, in which there again is, or, at least, he thinks that he detects it, a tinge of envy.

"Dumb Crambo!"

"Would you like to join them?"

"No"--slowly--"not quite that; but--it sounds ridiculous--but I should like to play Dumb Crambo again. We used"--in an affectionate, lingering tone--"to play it when we were children."

It is the first time that she has ever voluntarily alluded to the Moat, and he calls to mind her earnest prohibition addressed to him at Florence against any mention of it.

"I know you did; once or twice I played with you."

"_You?_"

She starts. It is evident that the unimportant fact of his having taken part in their games has quite escaped her; but, a moment later, her soft and courteous nature evidently making her fear that he will look upon her obliviousness as unkind--

"Oh yes, to be sure!" Then again lapsing into reminiscence, "What odd words we used to choose sometimes--words that n.o.body could guess! I wonder what words they have chosen?"

He thinks of saying jocosely, "Shall I go and ask them?" but refrains, because he fears it would put it into her head to send him away.

A sort of piercing squeal makes itself heard from the _salon_.

"Do you think that that can be meant for a _pig_?" asks Elizabeth, her line ears p.r.i.c.ked in unaffected interest. "Oh!"--with a return of uneasiness--"I wish that they would not make so much noise; father does so dislike noise. They might as well have put it off till to-morrow."

"Why would to-morrow's noise be more endurable than to-night's?"

"It would not have mattered to-morrow; father will not be here; he is going to Hammam Rhira."

Burgoyne's jaw drops. Is this the alternative course decided upon by

Mrs. Le Marchant? Having failed to dislodge him from Algiers, is she going to remove herself and her daughter out of his reach?

"Do you mean--are you _all_ going to Hammam Rhira to-morrow?--_all_ going away?"

Is it some effect of light from the rose-shaded lamp that makes it seem to him as if a tiny smile, and a yet smaller blush, swept over Elizabeth's face at the aghastness of his tone--an aghastness much more marked than he had intended it should be.

"Not to-morrow; not all of us. Father and mammy are going there for a couple of nights to see what the place is like--one hears such contradictory accounts; and if they are pleased with it--"

"Yes?"

"If they are pleased with it we shall all probably move on there in a day or two."

He would like to be sure that this sentence ends with a sigh, but a prodigious storm of hand-clapping from the extempore theatre prevents his hearing whether it has that regretful finish.

"And they are going to leave you behind?"

"Why not? there would not be much use in taking me; and, as I tell you, they love being _tete-a-tete_."

"And you love being alone?"

The moment that the question is out of his mouth, he realizes its full unkindness. He is perfectly aware that she does _not_ like being alone; that she is naturally a most sociable little being; that, even now, these frightened five minutes of unsatisfactory broken talk with himself have made her look less chilled, less wobegone, less white. Her answer, if it can be looked upon as one, must be taken by him as a rebuke. It is only that she says nervously:

"One certainly does hear dreadfully plainly here with the door open."

Her tone is of the gentlest, her look no angrier than a dove's, and yet he would be obtuser than he is if he did not at once comprehend that her remark implies a wish that he should presently shut that door behind him on the outside. He complies. With that newly-gained knowledge as to to-morrow's Hammam Rhira, he can afford to comply.

The next morning's light reveals that the weather, pleased with having so indisputably proved its power of being odious, has recovered its good-humour.

Beyond the tree-tops a radiant sea is seen laughing far below; and the wet red tiles on the little terrace s.h.i.+ne like jewels. A sea even more wonderful than radiant; no servile copy of the sky and clouds to-day, but with astonis.h.i.+ng colours of its own--a faint yet glorious green for a part of its watery breadth; then what our poverty compels us to call blue; and then a great tablecloth of inky purple, which looks so solid that the tiny white boats that are crossing it seem to be sailing on dry land. From amongst the glossy green of the wooded hill, mosque and campagne start out, dazzling, in their recovered l.u.s.tre; one cool entrancing villa in especial, backed with a broken line of dusky stone-pines, stands, snowy-arcaded, enthroned high up among the verdure.

Jim is very anxious to be out of the way at the hour of the Le Marchants' departure. He has a panic fear of being waylaid by the mother, and having some earnest supplication addressed to him to abstain, during her absence, from any converse with Elizabeth. He is not quite clear at what time they will set off, so, to insure himself against mistakes, he resolves to spend the morning and lunch at the Villa Wilson. Arrived there, he is shown by an Arab man-servant into the court, and, finding it empty, sinks down into a cane chair, and lets his eyes wander round to the fountain, lullingly dripping into its basin; to the tiles, the white-arched doorways, carved in low relief, and themselves so low that it must be a humble-statured person who enters them without stooping. What a home for love in idleness! Who can picture any of the vulgar work of the world done in such a house? any harder labour ever entered upon than a listening to some lady singing "with ravis.h.i.+ng division to her lute"?

The lady who presently joins Jim appears, by her ruffled air, to have been engaged upon no such soothing occupation as luting to a rec.u.mbent lover.

"You will not mind staying here?" asks Cecilia; "Dr. Crump is in the drawing-room with Sybilla; I am sure that you do not want to see Dr.

Crump!"

"I cannot express how little I wish it."

"I cannot think what has happened to Sybilla"--wrinkling up her forehead into annoyed furrows--"but she is so dreadfully sprightly when he is there; she never was sprightly with Dr. Coldstream, and he is such an impossible man!--the sort of man who, when first he comes in, always says, 'Well, how are we this morning?' Do not you think that it stamps a man to say 'How are we?'"

"I think it does."

"He talks such nonsense to her!"--with irritation--"he tells her that he, too, is a bundle of nerves! if you could only see him! And one day he told her that when first he came here he had seen the Angel of Death waving his fans above her head! and she swallows it all!"

Alas! Part 50

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Alas! Part 50 summary

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