House of Torment Part 20
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"Robert! Robert!" she said in a high, excited voice. "John Hull, that was servant to our dear Doctor, is in this house. The men have him in the kitchen--word has just been sent up to me. What shall we do? Dear Lizzie--she is more tranquil now, and bearing her cross very bravely--dear Lizzie had thought not to see him again. Will it be well that we should have him up? Think you the child can bear seeing him?"
The lady had piped this out in a rush of excited words. Then suddenly she saw Johnnie, who had turned round and stood by the fire, bowing. His face was drawn and white, and he was trembling.
"Catherine," Mr. Cressemer said, "strange things are happening to-night, of which I must speak with you anon. But this is Mr. John Commendone, son of our dear Knight of Kent, who hath come to see me, and who haply or by design of G.o.d was forced to witness the death of Dr. Rowland this morning."
Johnnie made a low bow, the little lady a lower curtsey.
Then, heedless of all etiquette, with the tears streaming down her cheeks, she trotted up to the young man and caught hold of both his hands, looking up at him with the saddest, kindest face he had ever seen.
"Oh, boy, boy," she said, "thou hast come at the right time. We know with what constancy the Doctor died, but our lamb will be well content to hear of it from kindly lips, for she is very strong and stedfast, the pretty dear! And thou hast a good face, and surely art a true son of thy father, Sir Henry of Commendone."
CHAPTER VI
A KING AND A VICTIM. TWO GRIM MEN
There was a "Red Ma.s.s," a votive Ma.s.s of the Holy Ghost, sung on the next morning in the Tower.
The King and Queen, with all the Court, were present.
Johnnie knelt with the gentlemen attached to the persons of the King and Queen, the gentlemen ushers behind them, and then the military officers of the guard.
The _Veni Creator Spiritus_ was intoned by the Chancellor, and the music of the Ma.s.s was that of Dom Giovanni Palestrina, director of sacred music at the Vatican at that time.
The music, which by its dignity and beauty had alone prevented the Council of Trent from prohibiting polyphonic music at the Ma.s.s, had a marvellous appeal to the Esquire. It was founded upon a _canto fermo_, a melody of an ancient plain song of the Middle Ages, and used in High Ma.s.s from a very remote period.
The six movements of the Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei were of a superlative technical excellence. The trained ear, the musical mind, were alike enthralled by them. Tinel, Waddington, and Christopher Tye had written no music then, and the mellow angelic harmonies of Messer Palestrina were all new and fresh in their inspiration of dignity, grandeur, and devotion, most precious incense, as it were, about the feet of the Lord.
The Bishop of London was celebrant, and Father Deza deacon. The Queen and King received in the one Kind, while two of the re-established Carthusians from Sheen, and two Brigittine monks from Sion, held a white cloth before Their Graces.
This was not liked by many there--it had always been the privilege of peers.
But of this Commendone knew nothing. The hour was for him one of the deepest devotion and solemnity. He had not slept all the night long. For a few moments he had seen Elizabeth, had spoken with her, had held her by the hand. His life was utterly and absolutely changed. His mind, excited with want of sleep, irrevocably stamped and impressed by the occupation of the last two days, was caught up by the exquisite music into a pa.s.sionate surrender of self as he vowed his life to G.o.d and his lady.
Earth and all it held--save only her--was utterly dissolved and swept away. An unspeakable peace and stillness was in his heart.
Much, we read, is required from those to whom much is given, and Johnnie was to go through places far more terrible than the Valley of the Shadow of Death ever is to most men before he saw the Dawn.
When the Ma.s.s was said--the final "_Missa est_" was to ring in the young man's ears for many a long day--he went to breakfast. He took nothing in the Common Room, however, but John Hull brought him food in his own chamber.
The man's brown, keen face beamed with happiness. He was like some faithful dog that had lost one master and found another. He could not do enough for Johnnie now--after the visit to Mr. Cressemer's house. He took charge of him as if he had been his man for years. There was a quiet a.s.sumption which secretly delighted Commendone. There they were, master and man, a relations.h.i.+p fixed and settled.
On that afternoon there was to be a tournament in the tilting yard, and Johnnie meant to ride--he had nearly carried away the ring at the last joust. Hull knew of it--in a few hours the fellow seemed to have fallen into his place in an extraordinary fas.h.i.+on--and he had been busy with his master's armour since early dawn.
While Johnnie was making his breakfast, though he would very willingly have been alone, and indeed had retired for that very purpose, Hull came bustling in and out of the armour-room his face a brown wedge of pleasure and excitement. The _volante piece_, the _mentonniere_, the _grande-garde_ of his master's exquisite suite of light Milan armour shone like a newly-minted coin. The black and lacquered _cuira.s.se_, with a line of light blue enamel where it would meet the gorget, was oiled and polished--he had somehow found the little box of bandrols with the Commendone colour and cypher which were to be tied above the coronels of Johnnie's lances.
And all the time John Hull chattered and worked, perfectly happy, perfectly at home. Already, to Commendone's intense amus.e.m.e.nt, the man had become dictatorial--as old and trusted servants are. He had got some powder of resin, and was about to pour it into the jointed steel gauntlet of the lance hand.
"It gives the grip, master," he said. "By this means the hand fitteth better to the joints of the steel."
"But 'tis never used that I know of. 'Tis not like the grip of a bare hand on the ash stave of a pike...."
There was a technical discussion, which ended in Johnnie's defeat--at least, John Hull calmly powdered the inside of the glaive.
He was got rid of at last, sent to his meal with the other serving-men, and Commendone was left alone. He had an hour to himself, an hour in which to recall the brief but perfect joy of the night before.
They had taken him to Elizabeth after supper, his good host and hostess.
There was something piteously sweet in the tall slim girl in her black dress--the dear young mouth trembling, the blue eyes full of a mist of unshed tears, the hair ripest wheat or brownest barley.
She had taken his hand--hers was like cool white ivory--and listened to him as a sister might.
He had sat beside her, and told her of her father's glorious death. His dark and always rather melancholy face had been lit with sympathy and tenderness. Quite unconscious of his own grace and grave young dignity, he had dwelt upon the Martyr's joy at setting out upon his last journey, with an incomparable delicacy and perfection of phrase.
His voice, though he knew it not, was full of music. His extreme good looks, the refinement and purity of his face, came to the poor child with a wonderful message of consolation.
When he told her how a brutal yeoman had thrown a f.a.ggot at the Archdeacon, she shuddered and moaned a little.
Mr. Cressemer and his sister looked at Johnnie with reproach.
But he had done it of set purpose. "And then, Mistress Elizabeth," he continued, "the Doctor said, 'Friend, I have harm enough. What needeth that?'"
His hand had been upon his knee. She caught it up between her own--innocent, as to a brother, unutterably sweet.
"Oh, dear Father!" she cried. "It is just what he would have said. It is so like him!"
"It is liker Christ our Lord," Robert Cressemer broke in, his deep voice shaking with sorrow. "For what, indeed, said He at His cruel nailing?
'[Greek: Pater, aphes autois ou gar oidasi ti poiusi.]'"
... And then they had sent Johnnie away, marvelling at the goodness, shrewdness, and knowledge of the Alderman, with his whole being one sob of love, pity, and protection for his dear simple mourner--so crystal clear, so sisterlike and sweet!
It was time to go upon duty.
Johnnie looked at his thick oval watch--a "Nuremberg Egg," as it was called in those days--cut short his reverie of sweet remembrance, and went straight to the King Consort's wing of the Palace.
When he was come into the King's room he found him alone with Torrome, his valet, sitting in a big leather-covered arm-chair, his ruff and doublet taken off, and wearing a long dressing-gown of brown stuff, a friar's gown it almost seemed.
The melancholy yellow face brightened somewhat as the Esquire came in.
"I am home again, Senor," he said in Spanish, though "_en casa_" was the word he used for home, and that had a certain pathos in it. "There is a _torneo_, a _justa_, after dinner, so they tell me. I had wished to ride myself, but I am weary from our _viajero_ into the country. I shall sit with the Queen, and you, Senor, will attend me."
He must have seen a slight, fleeting look of disappointment upon Commendone's face.
Himself, as the envoy Suriano said of him in 1548, "deficient in that energy which becometh a man, sluggish in body and timid in martial enterprise," he nevertheless affected an exaggerated interest in manly sports. He had, it is true, mingled in some tournaments at Brussels in the past, and Calvera says that he broke his lances, "very much to the satisfaction of his father and aunts." But in England, at any rate, he had done nothing of the sort, and his voice to Commendone was almost apologetic.
House of Torment Part 20
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House of Torment Part 20 summary
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