Ulysses Part 30

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They're so particular. Lay me in my native earth. Bit of clay from the holy land. Only a mother and deadborn child ever buried in the one coffin. I see what it means. I see. To protect him as long as possible even in the earth. The Irishman's house is his coffin. Embalming in catacombs, mummies the same idea.

Mr Bloom stood far back, his hat in his hand, counting the bared heads.

Twelve. I'm thirteen. No. The chap in the macintosh is thirteen. Death's number. Where the deuce did he pop out of? He wasn't in the chapel, that I'll swear. Silly superst.i.tion that about thirteen.

Nice soft tweed Ned Lambert has in that suit. Tinge of purple. I had one like that when we lived in Lombard street west. Dressy fellow he was once. Used to change three suits in the day. Must get that grey suit of mine turned by Mesias. h.e.l.lo. It's dyed. His wife I forgot he's not married or his landlady ought to have picked out those threads for him.

The coffin dived out of sight, eased down by the men straddled on the gravetrestles. They struggled up and out: and all uncovered. Twenty.

Pause.

If we were all suddenly somebody else.

Far away a donkey brayed. Rain. No such a.s.s. Never see a dead one, they say. Shame of death. They hide. Also poor papa went away.

Gentle sweet air blew round the bared heads in a whisper. Whisper. The boy by the gravehead held his wreath with both hands staring quietly in the black open s.p.a.ce. Mr Bloom moved behind the portly kindly caretaker.

Wellcut frockcoat. Weighing them up perhaps to see which will go next.

Well, it is a long rest. Feel no more. It's the moment you feel. Must be d.a.m.ned unpleasant. Can't believe it at first. Mistake must be: someone else. Try the house opposite. Wait, I wanted to. I haven't yet. Then darkened deathchamber. Light they want. Whispering around you. Would you like to see a priest? Then rambling and wandering. Delirium all you hid all your life. The death struggle. His sleep is not natural. Press his lower eyelid. Watching is his nose pointed is his jaw sinking are the soles of his feet yellow. Pull the pillow away and finish it off on the floor since he's doomed. Devil in that picture of sinner's death showing him a woman. Dying to embrace her in his s.h.i.+rt. Last act of _Lucia.

Shall i nevermore behold thee_? Bam! He expires. Gone at last. People talk about you a bit: forget you. Don't forget to pray for him. Remember him in your prayers. Even Parnell. Ivy day dying out. Then they follow: dropping into a hole, one after the other.

We are praying now for the repose of his soul. Hoping you're well and not in h.e.l.l. Nice change of air. Out of the fryingpan of life into the fire of purgatory.

Does he ever think of the hole waiting for himself? They say you do when you s.h.i.+ver in the sun. Someone walking over it. Callboy's warning. Near you. Mine over there towards Finglas, the plot I bought. Mamma, poor mamma, and little Rudy.

The gravediggers took up their spades and flung heavy clods of clay in on the coffin. Mr Bloom turned away his face. And if he was alive all the time? Whew! By jingo, that would be awful! No, no: he is dead, of course. Of course he is dead. Monday he died. They ought to have some law to pierce the heart and make sure or an electric clock or a telephone in the coffin and some kind of a canvas airhole. Flag of distress. Three days. Rather long to keep them in summer. Just as well to get shut of them as soon as you are sure there's no.

The clay fell softer. Begin to be forgotten. Out of sight, out of mind.

The caretaker moved away a few paces and put on his hat. Had enough of it. The mourners took heart of grace, one by one, covering themselves without show. Mr Bloom put on his hat and saw the portly figure make its way deftly through the maze of graves. Quietly, sure of his ground, he traversed the dismal fields.

Hynes jotting down something in his notebook. Ah, the names. But he knows them all. No: coming to me.

--I am just taking the names, Hynes said below his breath. What is your christian name? I'm not sure.

--L, Mr Bloom said. Leopold. And you might put down M'Coy's name too. He asked me to.

--Charley, Hynes said writing. I know. He was on the _Freeman_ once.

So he was before he got the job in the morgue under Louis Byrne. Good idea a postmortem for doctors. Find out what they imagine they know.

He died of a Tuesday. Got the run. Levanted with the cash of a few ads.

Charley, you're my darling. That was why he asked me to. O well, does no harm. I saw to that, M'Coy. Thanks, old chap: much obliged. Leave him under an obligation: costs nothing.

--And tell us, Hynes said, do you know that fellow in the, fellow was over there in the...

He looked around.

--Macintosh. Yes, I saw him, Mr Bloom said. Where is he now?

--M'Intosh, Hynes said scribbling. I don't know who he is. Is that his name?

He moved away, looking about him.

--No, Mr Bloom began, turning and stopping. I say, Hynes!

Didn't hear. What? Where has he disappeared to? Not a sign. Well of all the. Has anybody here seen? Kay ee double ell. Become invisible. Good Lord, what became of him?

A seventh gravedigger came beside Mr Bloom to take up an idle spade.

--O, excuse me!

He stepped aside nimbly.

Clay, brown, damp, began to be seen in the hole. It rose. Nearly over.

A mound of damp clods rose more, rose, and the gravediggers rested their spades. All uncovered again for a few instants. The boy propped his wreath against a corner: the brother-in-law his on a lump. The gravediggers put on their caps and carried their earthy spades towards the barrow. Then knocked the blades lightly on the turf: clean. One bent to pluck from the haft a long tuft of gra.s.s. One, leaving his mates, walked slowly on with shouldered weapon, its blade blueglancing.

Silently at the gravehead another coiled the coffinband. His navelcord.

The brother-in-law, turning away, placed something in his free hand.

Thanks in silence. Sorry, sir: trouble. Headshake. I know that. For yourselves just.

The mourners moved away slowly without aim, by devious paths, staying at whiles to read a name on a tomb.

--Let us go round by the chief's grave, Hynes said. We have time.

--Let us, Mr Power said.

They turned to the right, following their slow thoughts. With awe Mr Power's blank voice spoke:

--Some say he is not in that grave at all. That the coffin was filled with stones. That one day he will come again.

Hynes shook his head.

--Parnell will never come again, he said. He's there, all that was mortal of him. Peace to his ashes.

Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really? Plant him and have done with him. Like down a coalshoot. Then lump them together to save time. All souls' day. Twentyseventh I'll be at his grave. Ten s.h.i.+llings for the gardener. He keeps it free of weeds.

Old man himself. Bent down double with his shears clipping. Near death's door. Who pa.s.sed away. Who departed this life. As if they did it of their own accord. Got the shove, all of them. Who kicked the bucket. More interesting if they told you what they were. So and So, wheelwright. I travelled for cork lino. I paid five s.h.i.+llings in the pound. Or a woman's with her saucepan. I cooked good Irish stew.

Eulogy in a country churchyard it ought to be that poem of whose is it Wordsworth or Thomas Campbell. Entered into rest the protestants put it.

Old Dr Murren's. The great physician called him home. Well it's G.o.d's acre for them. Nice country residence. Newly plastered and painted.

Ideal spot to have a quiet smoke and read the _Church Times._ Marriage ads they never try to beautify. Rusty wreaths hung on k.n.o.bs, garlands of bronzefoil. Better value that for the money. Still, the flowers are more poetical. The other gets rather tiresome, never withering. Expresses nothing. Immortelles.

A bird sat tamely perched on a poplar branch. Like stuffed. Like the wedding present alderman Hooper gave us. Hoo! Not a budge out of him.

Knows there are no catapults to let fly at him. Dead animal even sadder.

Silly-Milly burying the little dead bird in the kitchen matchbox, a daisychain and bits of broken chainies on the grave.

The Sacred Heart that is: showing it. Heart on his sleeve. Ought to be sideways and red it should be painted like a real heart. Ireland was dedicated to it or whatever that. Seems anything but pleased. Why this infliction? Would birds come then and peck like the boy with the basket of fruit but he said no because they ought to have been afraid of the boy. Apollo that was.

How many! All these here once walked round Dublin. Faithful departed. As you are now so once were we.

Besides how could you remember everybody? Eyes, walk, voice. Well, the voice, yes: gramophone. Have a gramophone in every grave or keep it in the house. After dinner on a Sunday. Put on poor old greatgrandfather.

Kraahraark! h.e.l.loh.e.l.loh.e.l.lo amawfullyglad kraark awfullygladaseeagain h.e.l.loh.e.l.lo amawf krpthsth. Remind you of the voice like the photograph reminds you of the face. Otherwise you couldn't remember the face after fifteen years, say. For instance who? For instance some fellow that died when I was in Wisdom Hely's.

Rtststr! A rattle of pebbles. Wait. Stop!

Ulysses Part 30

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Ulysses Part 30 summary

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