The First Violin Part 12

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"You may join the verein, _mein Fraulein_--yes. Please come this way with me. Pardon, Fraulein Stockhausen--another time. I am sorry to say I have business at present."

A black look from a pretty brunette, who had advanced with an engaging smile and an open score to ask him some question, greeted this very composed rebuff of her advance. The black look was directed at me--guiltless.

Without taking any notice of the other, he led Anna and me to a small inner room, where there was a desk and writing materials.

"Your name, if you will be good enough?"

"Wedderburn."

"Your _Vorname_, though--your first name."

"My Christian name--oh, May."

"M--a--_na_! Perhaps you will be so good as to write it yourself, and the street and number of the house in which you live."

I complied.

"Have you been here long?"

"Not quite a week."

"Do you intend to make any stay?"

"Some months, probably."

"Humph! If you wish to make any progress in music, you must stay much longer."

"It--I--it depends upon other people how long I remain."

He smiled slightly, and his smile was not unpleasant; it lighted up the darkness of his face in an agreeable manner.

"So I should suppose. I will call upon you to-morrow at four in the afternoon. I should like to have a little conversation with you about your voice. Adieu, _meine Damen_."

With a slight bow which sufficiently dismissed us, he turned to the desk again, and we went away.

Our homeward walk was a somewhat silent one. Anna certainly asked me suddenly where I had learned to sing.

"I have not learned properly. I can't help singing."

"I did not know you had a voice like that," said she again.

"Like what?"

"Herr von Francius will tell you all about it to-morrow," said she, abruptly.

"What a strange man Herr von Francius is!" said I. "Is he clever?"

"Oh, very clever."

"At first I did not like him. Now I think I do, though."

She made no answer for a few minutes; then said:

"He is an excellent teacher."

CHAPTER IX.

HERR VON FRANCIUS.

When Miss Hallam heard from Anna Sartorius that my singing had evidently struck Herr von Francius, and of his intended visit, she looked pleased--so pleased that I was surprised.

He came the following afternoon, at the time he had specified. Now, in the broad daylight, and apart from his official, professional manner, I found the Herr Direktor still different from the man of last night, and yet the same. He looked even younger now than on the estrade last night, and quiet though his demeanor was, attuned to a gentlemanly calm and evenness, there was still the one thing, the cool, hard glance left, to unite him with the dark, somewhat sinister-looking personage who had cast his eyes round our circle last night, and told us to sing as if we were d.a.m.ned.

"Miss Hallam, this is Herr von Francius," said I. "He speaks English," I added.

Von Francius glanced from her to me with a somewhat inquiring expression.

Miss Hallam received him graciously, and they talked about all sorts of trifles, while I sat by in seemly silence, till at last Miss Hallam said:

"Can you give me any opinion upon Miss Wedderburn's voice?"

"Scarcely, until I have given it another trial. She seems to have had no training."

"No, that is true," she said, and proceeded to inform him casually that she wished me to have every advantage I could get from my stay in Elberthal, and must put the matter into his hands. Von Francius looked pleased.

For my part, I was deeply moved. Miss Hallam's generosity to one so stupid and ignorant touched me nearly.

Von Francius, pausing a short time, at last said:

"I must try her voice again, as I remarked. Last night I was struck with her sense of the dramatic point of what we were singing--a quality which I do not too often find in my pupils. I think, _mein Fraulein_, that with care and study you might take a place on the stage."

"The stage!" I repeated, startled, and thinking of Courvoisier's words.

But von Francius had been reckoning without his host. When Miss Hallam spoke of "putting the matter into his hands," she understood the words in her own sense.

"The stage!" said she, with a slight s.h.i.+ver. "That is quite out of the question. Miss Wedderburn is a young lady--not an actress."

"So! Then it is impossible to be both in your country?" said he, with polite sarcasm. "I spoke as simple _Kunstler_--artist--I was not thinking of anything else. I do not think the _gnadiges Fraulein_ will ever make a good singer of mere songs. She requires emotion to bring out her best powers--a little pa.s.sion--a little scope for acting and abandon before she can attain the full extent of her talent."

He spoke in the most perfectly matter-of-fact way, and I trembled. I feared lest this display of what Miss Hallam would consider little short of indecent laxity and Bohemianism, would shock her so much that I should lose everything by it. It was not so, however.

"Pa.s.sion--abandon! I think you can not understand what you are talking about!" said she. "My dear sir, you must understand that those kind of things may be all very well for one set of people, but not for that cla.s.s to which Miss Wedderburn belongs. Her father is a clergyman"--von Fraucius bowed, as if he did not quite see what that had to do with it--"in short, that idea is impossible. I tell you plainly. She may learn as much as she likes, but she will never be allowed to go upon the stage."

"Then she may teach?" said he, inquiringly.

The First Violin Part 12

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The First Violin Part 12 summary

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