Once Upon A Time Part 23
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"They didn't!" cried Aldrich, truthfully and triumphantly. "They kidnapped you and Moya because they thought they could square themselves with _you_. But they didn't want _me!_" The issue had been fairly stated, and no longer with self-respect could I remain silent.
"We don't want you now!" I said. "Can't you understand," I went on with as much self-restraint as I could muster, "we are willing and anxious to explain ourselves to Lord Ivy, or even to you, but we don't want to explain to the police? My friend thought you and Lord Ivy were crooks, escaping. You think _we_ are crooks, escaping. You both--"
Aldrich snorted contemptuously.
"That's a likely story!" he cried. "No wonder you don't want to tell _that_ to the police!"
From the bow came an exclamation, and Lady Moya rose to her feet.
"Phil!" she said, "you bore me!" She picked her way across the thwart to where Kinney sat at the stroke oar.
"My brother and I often row together," she said; "I will take your place."
When she had seated herself we were so near that her eyes looked directly into mine. Drawing in the oars, she leaned upon them and smiled.
"Now, then," she commanded, "tell us all about it."
Before I could speak there came from behind her a sudden radiance, and as though a curtain had been s.n.a.t.c.hed aside, the fog flew apart, and the sun, dripping, crimson, and gorgeous, sprang from the waters. From the others there was a cry of wonder and delight, and from Lord Ivy a shriek of incredulous laughter.
Lady Moya clapped her hands joyfully and pointed past me. I turned and looked. Directly behind me, not fifty feet from us, was a shelving beach and a stone wharf, and above it a vine-covered cottage, from the chimney of which smoke curled cheerily. Had the yawl, while Lady Moya was taking the oars, _not_ swung in a circle, and had the sun _not_ risen, in three minutes more we would have b.u.mped ourselves into the State of Connecticut. The cottage stood on one horn of a tiny harbor. Beyond it, weather-beaten s.h.i.+ngled houses, sail-lofts, and wharfs stretched cosily in a half-circle. Back of them rose splendid elms and the delicate spire of a church, and from the unruffled surface of the harbor the masts of many fis.h.i.+ng-boats. Across the water, on a gra.s.s-grown point, a whitewashed light-house blushed in the crimson glory of the sun. Except for an oyster-man in his boat at the end of the wharf, and the smoke from the chimney of his cottage, the little village slept, the harbor slept. It was a picture of perfect content, confidence, and peace. "Oh!"
cried the Lady Moya, "how pretty, how pretty!"
Lord Ivy swung the bow about and raced toward the wharf. The others stood up and cheered hysterically.
At the sound and at the sight of us emerging so mysteriously from the fog, the man in the fis.h.i.+ng-boat raised himself to his full height and stared as incredulously as though he beheld a mermaid. He was an old man, but straight and tall, and the oysterman's boots stretching to his hips made him appear even taller than he was. He had a bristling white beard and his face was tanned to a fierce copper color, but his eyes were blue and young and gentle. They lit suddenly with excitement and sympathy.
"Are you from the _Patience?_" he shouted. In chorus we answered that we were, and Ivy pulled the yawl alongside the fisherman's boat.
But already the old man had turned and, making a megaphone of his hands, was shouting to the cottage.
"Mother!" he cried, "mother, here are folks from the wreck. Get coffee and blankets and--and bacon--and eggs!"
"May the Lord bless him!" exclaimed the Lady Moya devoutly.
But Aldrich, excited and eager, pulled out a roll of bills and shook them at the man.
"Do you want to earn ten dollars?" he demanded; "then chase yourself to the village and bring the constable."
Lady Moya exclaimed bitterly, Lord Ivy swore, Kinney in despair uttered a dismal howl and dropped his head in his hands.
"It's no use, Mr. Aldrich," I said. Seated in the stern, the others had hidden me from the fisherman. Now I stood up and he saw me. I laid one hand on his, and pointed to the tin badge on his suspender.
"He is the village constable himself," I explained. I turned to the lovely lady. "Lady Moya," I said, "I want to introduce you to my father!" I pointed to the vine-covered cottage.
"That's my home," I said. I pointed to the sleeping town. "That," I told her, "is the village of Fairport. Most of it belongs to father. You are all very welcome."
PEACE MANOEUVRES
The scout stood where three roads cut three green tunnels in the pine woods, and met at his feet. Above his head an aged sign-post pointed impartially to East Carver, South Carver, and Carver Centre, and left the choice to him.
The scout scowled and bit nervously at his gauntlet. The choice was difficult, and there was no one with whom he could take counsel. The three sun-shot roads lay empty, and the other scouts, who, with him, had left the main column at sunrise, he had ordered back. They were to report that on the right flank, so far, at least, as Middleboro, there was no sign of the enemy. What lay beyond, it now was his duty to discover. The three empty roads spread before him like a picture puzzle, smiling at his predicament. Whichever one he followed left two unguarded. Should he creep upon for choice Carver Centre, the enemy, masked by a mile of fir trees, might advance from Carver or South Carver, and obviously he could not follow three roads at the same time.
He considered the better strategy would be to wait where he was, where the three roads met, and allow the enemy himself to disclose his position. To the scout this course was most distasteful. He a.s.sured himself that this was so because, while it were the safer course, it wasted time and lacked initiative. But in his heart he knew that was not the reason, and to his heart his head answered that when one's country is at war, when fields and firesides are trampled by the iron heels of the invader, a scout should act not according to the dictates of his heart, but in the service of his native land. In the case of this particular patriot, the man and scout were at odds. As one of the Bicycle Squad of the Boston Corps of Cadets, the scout knew what, at this momentous crisis in her history, the commonwealth of Ma.s.sachusetts demanded of him. It was that he sit tight and wait for the hated foreigners from New York City, New Jersey, and Connecticut to show themselves. But the man knew, and had known for several years, that on the road to Carver was the summer home of one Beatrice Farrar. As Private Lathrop it was no part of his duty to know that. As a man and a lover, and a rejected lover at that, he could not think of anything else. Struggling between love and duty the scout basely decided to leave the momentous question to chance. In the front tire of his bicycle was a puncture, temporarily effaced by a plug. Laying the bicycle on the ground, Lathrop spun the front wheel swiftly.
"If," he decided, "the wheel stops with the puncture pointing at Carver Centre, I'll advance upon Carver Centre. Should it point to either of the two other villages, I'll stop here."
"It's a two to one shot against me, any way," he growled.
Kneeling in the road he spun the wheel, and as intently as at Monte Carlo and Palm Beach he had waited for other wheels to determine his fortune, he watched it come to rest. It stopped with the plug pointing back to Middleboro.
The scout told himself he was ent.i.tled to another trial. Again he spun the wheel. Again the spokes flashed in the sun. Again the puncture rested on the road to Middleboro.
"If it does that once more," thought the scout, "it's a warning that there is trouble ahead for me at Carver, and all the little Carvers."
For the third time the wheel flashed, but as he waited for the impetus to die, the sound of galloping hoofs broke sharply on the silence. The scout threw himself and his bicycle over the nearest stone wall, and, unlimbering his rifle, pointed it down the road.
He saw approaching a small boy, in a white ap.r.o.n, seated in a white wagon, on which was painted, "Pies and Pastry. East Wareham." The boy dragged his horse to an abrupt halt.
"Don't point that at me!" shouted the boy.
"Where do you come from?" demanded the scout.
"Wareham," said the baker.
"Are you carrying any one concealed in that wagon?"
As though to make sure the baker's boy glanced apprehensively into the depths of his cart, and then answered that in the wagon he carried nothing but fresh-baked bread. To the trained nostrils of the scout this already was evident. Before sunrise he had breakfasted on hard tack and muddy coffee, and the odor of crullers and mince pie, still warm, a.s.sailed him cruelly. He a.s.sumed a fierce and terrible aspect.
"Where are you going?" he challenged.
"To Carver Centre," said the boy.
To chance Lathrop had left the decision. He believed the fates had answered.
Dragging his bicycle over the stone wall, he fell into the road.
"Go on," he commanded. "I'll use your cart for a screen. I'll creep behind the enemy before he sees me."
The baker's boy frowned unhappily.
"But supposing," he argued, "they see you first, will they shoot?"
The scout waved his hand carelessly.
"Of course," he cried.
Once Upon A Time Part 23
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Once Upon A Time Part 23 summary
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