The Mystery of Edwin Drood Part 23

Mr. Sapsea's importance has received enhancement, for he has become Mayor of Cloisterham. Without mayors, and many of them, it cannot be disputed that the whole framework of society-Mr. Sapsea is confident that he invented that forcible figure-would fall to pieces. Mayors have been knighted for 'going up' with addresses: explosive machines intrepidly discharging shot and sh.e.l.l into the English Grammar. Mr. Sapsea may 'go up' with an address. Rise, Sir Thomas Sapsea! Of such is the salt of the earth.

Mr. Sapsea has improved the acquaintance of Mr. Jasper, since their first meeting to partake of port, epitaph, backgammon, beef, and salad. Mr. Sapsea has been received at the gatehouse with kindred hospitality; and on that occasion Mr. Jasper seated himself at the piano, and sang to him, tickling his ears-figuratively-long enough to present a considerable area for tickling. What Mr. Sapsea likes in that young man is, that he is always ready to profit by the wisdom of his elders, and that he is sound, sir, at the core. In proof of which, he sang to Mr. Sapsea that evening, no kickshaw ditties, favourites with national enemies, but gave him the genuine George the Third home-brewed; exhorting him (as 'my brave boys') to reduce to a smashed condition all other islands but this island, and all continents, peninsulas, isthmuses, promontories, and other geographical forms of land soever, besides sweeping the seas in all directions. In short, he rendered it pretty clear that Providence made a distinct mistake in originating so small a nation of hearts of oak, and so many other verminous peoples.

Mr. Sapsea, walking slowly this moist evening near the churchyard with his hands behind him, on the look-out for a blus.h.i.+ng and retiring stranger, turns a corner, and comes instead into the goodly presence of the Dean, conversing with the Verger and Mr. Jasper. Mr. Sapsea makes his obeisance, and is instantly stricken far more ecclesiastical than any Archbishop of York or Canterbury.

'You are evidently going to write a book about us, Mr. Jasper,' quoth the Dean; 'to write a book about us. Well! We are very ancient, and we ought to make a good book. We are not so richly endowed in possessions as in age; but perhaps you will put that in your book, among other things, and call attention to our wrongs.'

Mr. Tope, as in duty bound, is greatly entertained by this.

'I really have no intention at all, sir,' replies Jasper, 'of turning author or archaeologist. It is but a whim of mine. And even for my whim, Mr. Sapsea here is more accountable than I am.'

'How so, Mr. Mayor?' says the Dean, with a nod of good-natured recognition of his Fetch. 'How is that, Mr. Mayor?'

'I am not aware,' Mr. Sapsea remarks, looking about him for information, 'to what the Very Reverend the Dean does me the honour of referring.' And then falls to studying his original in minute points of detail.

'Durdles,' Mr. Tope hints.

'Ay!' the Dean echoes; 'Durdles, Durdles!'

'The truth is, sir,' explains Jasper, 'that my curiosity in the man was first really stimulated by Mr. Sapsea. Mr. Sapsea's knowledge of mankind and power of drawing out whatever is recluse or odd around him, first led to my bestowing a second thought upon the man: though of course I had met him constantly about. You would not be surprised by this, Mr. Dean, if you had seen Mr. Sapsea deal with him in his own parlour, as I did.'

'O!' cries Sapsea, picking up the ball thrown to him with ineffable complacency and pomposity; 'yes, yes. The Very Reverend the Dean refers to that? Yes. I happened to bring Durdles and Mr. Jasper together. I regard Durdles as a Character.'

'A character, Mr. Sapsea, that with a few skilful touches you turn inside out,' says Jasper.

'Nay, not quite that,' returns the lumbering auctioneer. 'I may have a little influence over him, perhaps; and a little insight into his character, perhaps. The Very Reverend the Dean will please to bear in mind that I have seen the world.' Here Mr. Sapsea gets a little behind the Dean, to inspect his coat-b.u.t.tons.

'Well!' says the Dean, looking about him to see what has become of his copyist: 'I hope, Mr. Mayor, you will use your study and knowledge of Durdles to the good purpose of exhorting him not to break our worthy and respected Choir-Master's neck; we cannot afford it; his head and voice are much too valuable to us.'

Mr. Tope is again highly entertained, and, having fallen into respectful convulsions of laughter, subsides into a deferential murmur, importing that surely any gentleman would deem it a pleasure and an honour to have his neck broken, in return for such a compliment from such a source.

'I will take it upon myself, sir,' observes Sapsea loftily, 'to answer for Mr. Jasper's neck. I will tell Durdles to be careful of it. He will mind what I say. How is it at present endangered?' he inquires, looking about him with magnificent patronage.

'Only by my making a moonlight expedition with Durdles among the tombs, vaults, towers, and ruins,' returns Jasper. 'You remember suggesting, when you brought us together, that, as a lover of the picturesque, it might be worth my while?'

'I remember!' replies the auctioneer. And the solemn idiot really believes that he does remember.

'Profiting by your hint,' pursues Jasper, 'I have had some day-rambles with the extraordinary old fellow, and we are to make a moonlight hole-and-corner exploration to-night.'

'And here he is,' says the Dean.

Durdles with his dinner-bundle in his hand, is indeed beheld slouching towards them. Slouching nearer, and perceiving the Dean, he pulls off his hat, and is slouching away with it under his arm, when Mr. Sapsea stops him.

'Mind you take care of my friend,' is the injunction Mr. Sapsea lays upon him.

'What friend o' yourn is dead?' asks Durdles. 'No orders has come in for any friend o' yourn.'

'I mean my live friend there.'

'O! him?' says Durdles. 'He can take care of himself, can Mister Jarsper.'

'But do you take care of him too,' says Sapsea.

Whom Durdles (there being command in his tone) surlily surveys from head to foot.

'With submission to his Reverence the Dean, if you'll mind what concerns you, Mr. Sapsea, Durdles he'll mind what concerns him.'

'You're out of temper,' says Mr. Sapsea, winking to the company to observe how smoothly he will manage him. 'My friend concerns me, and Mr. Jasper is my friend. And you are my friend.'

'Don't you get into a bad habit of boasting,' retorts Durdles, with a grave cautionary nod. 'It'll grow upon you.'

'You are out of temper,' says Sapsea again; reddening, but again sinking to the company.

'I own to it,' returns Durdles; 'I don't like liberties.'

Mr. Sapsea winks a third wink to the company, as who should say: 'I think you will agree with me that I have settled his business;' and stalks out of the controversy.

Durdles then gives the Dean a good evening, and adding, as he puts his hat on, 'You'll find me at home, Mister Jarsper, as agreed, when you want me; I'm a-going home to clean myself,' soon slouches out of sight. This going home to clean himself is one of the man's incomprehensible compromises with inexorable facts; he, and his hat, and his boots, and his clothes, never showing any trace of cleaning, but being uniformly in one condition of dust and grit.

The lamplighter now dotting the quiet Close with specks of light, and running at a great rate up and down his little ladder with that object-his little ladder under the sacred shadow of whose inconvenience generations had grown up, and which all Cloisterham would have stood aghast at the idea of abolis.h.i.+ng-the Dean withdraws to his dinner, Mr. Tope to his tea, and Mr. Jasper to his piano. There, with no light but that of the fire, he sits chanting choir-music in a low and beautiful voice, for two or three hours; in short, until it has been for some time dark, and the moon is about to rise.

Then he closes his piano softly, softly changes his coat for a pea-jacket, with a goodly wicker-cased bottle in its largest pocket, and putting on a low-crowned, flap-brimmed hat, goes softly out. Why does he move so softly to-night? No outward reason is apparent for it. Can there be any sympathetic reason crouching darkly within him?

Repairing to Durdles's unfinished house, or hole in the city wall, and seeing a light within it, he softly picks his course among the gravestones, monuments, and stony lumber of the yard, already touched here and there, sidewise, by the rising moon. The two journeymen have left their two great saws sticking in their blocks of stone; and two skeleton journeymen out of the Dance of Death might be grinning in the shadow of their sheltering sentry-boxes, about to slash away at cutting out the gravestones of the next two people destined to die in Cloisterham. Likely enough, the two think little of that now, being alive, and perhaps merry. Curious, to make a guess at the two;-or say one of the two!

'Ho! Durdles!'

The light moves, and he appears with it at the door. He would seem to have been 'cleaning himself' with the aid of a bottle, jug, and tumbler; for no other cleansing instruments are visible in the bare brick room with rafters overhead and no plastered ceiling, into which he shows his visitor.

'Are you ready?'

'I am ready, Mister Jarsper. Let the old 'uns come out if they dare, when we go among their tombs. My spirit is ready for 'em.'

'Do you mean animal spirits, or ardent?'

'The one's the t'other,' answers Durdles, 'and I mean 'em both.'

He takes a lantern from a hook, puts a match or two in his pocket wherewith to light it, should there be need; and they go out together, dinner-bundle and all.

Surely an unaccountable sort of expedition! That Durdles himself, who is always prowling among old graves, and ruins, like a Ghoul-that he should be stealing forth to climb, and dive, and wander without an object, is nothing extraordinary; but that the Choir-Master or any one else should hold it worth his while to be with him, and to study moonlight effects in such company is another affair. Surely an unaccountable sort of expedition, therefore!

"Ware that there mound by the yard-gate, Mister Jarsper.'

'I see it. What is it?'

'Lime.'