City of Endless Night Part 12

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It was a queer ensemble, this life in the Black Utopia of Berlin, a combination of a world of rigid mechanistic automatism in the regular routine of living with rioting individual license in recreational pleasure. The Free Level seemed some ancient Bagdad, some Bourbon Court, some Monte Carlo set here, an oasis of flouris.h.i.+ng vice in a desert of sterile law-made, machine-executed efficiency and puritanically ordered life. Aided by a hundred ingenious wheels and games of chance, men and women gambled with the coin and credit of the level. These games were presided over by crafty women whose years were too advanced to permit of a more personal means of extracting a living from the grosser pa.s.sions of man. Some of these aged dames were, I found, quite highly regarded and their establishments had become the rendezvous for many younger women who by some arrangement that I could not fathom plied their traffic in commercialized love under the guidance of these subtler women who had graduated from the school of long experience in preying upon man.

But only the more brilliant women could so establish themselves for the years of their decline. There were others, many others, whose beauty had faded without an increase in wit, and these seemed to be serving their more fortunate sisters, both old and young, in various menial capacities. It was a strange anachronism in this world where men's more weighty affairs had been so perfectly socialized, to find woman retaining, evidently by men's permission, the individualistic right to exploit her weaker sister.

The thing confounded me, and yet I recalled the well known views of our sociological historians who held that it was woman's greater individualism that had checked the socialistic tendencies of the world.

Had the Germans then achieved and maintained their rigid socialistic order by retaining this incongruous vestige of feminine commercialism as a safety valve for the individualistic instincts of the race?

They called it the Free Level, and I marvelled at the nature of this freedom. Freedom for licentiousness, for the getting and losing of money at the wheels of fortune, freedom for temporary gluttony and the mild intoxication of their flat, ill-flavoured synthetic beer. A tragic symbol it seemed to me of the ign.o.bility of man's nature, that he will be a slave in all the loftier aspects of living if he can but retain his freedom for his vices and corruptions. Had the Germans then, like the villain of the moral play, a necessary part in the tragedy of man; did they exist to show the other races of the earth the way they should not go? But the philosophy of this conception collapsed when I recalled that for more than a century the world had lost all sight of the villain and yet had not in the least deteriorated from a lack of the horrible example.

From these vaguer speculations concerning the Free Level of Berlin that existed like a malformed vestigial organ in the body of that socialized state, my mind came back to the more human, more personal side of the problem thus presented me. I wanted to know more of the lives of these women who maintained Germany's remnant of individualism.

To what extent, I asked myself, have the true instincts of womanhood and the normal love of man and child been smothered out of the lives of these girls? What secret rebellions are they nursing in their hearts? I wondered, too, from what source they came, and why they were selected for this life, for Zimmern had not adequately enlightened me on this point.

Pondering thus on the secret workings in the hearts of these girls, I sat one evening amid the sensuous beauty of the Hall of Flowers. I marvelled at how little the Germans seemed to appreciate it, for it was far less crowded than were the more tawdry places of revelry. Here within gla.s.s encircling walls, preserved through centuries of artificial existence, feeding from pots of synthetic soil and stimulated by perpetual light, marvellous botanical creations flourished and flowered in prodigal profusion. Ponderous warm-hued lilies floated on the sprinkled surface of the fountain pool. Orchids, dangling from the metal lattice, hung their sensuous blossoms in vapour-laden air. Luxurious vines, climatized to this unreal world, clambered over cosy arbours, or clung with gripping fingers to the mossy concrete pillars.

~2~

I was sitting thus in moody silence watching the play of the fountain, when, through the mist, I saw the lonely figure of a girl standing in the shadows of a viny bower. She was toying idly with the swaying tendrils. Her hair was the unfaded gold of youth. Her pale dress of silvery grey, unmarred by any clash of colour, hung closely about a form of wraith-like slenderness.

I arose and walked slowly toward her. As I approached she turned toward me a face of flawless girlish beauty, and then as quickly turned away as if seeking a means of escape.

"I did not mean to intrude," I said.

She did not answer, but when I turned to go, to my surprise, she stepped forward and walked at my side.

"Why do you come here alone?" she asked shyly, lifting a pensive questioning face.

"Because I am tired of all this tawdry noise. But you," I said, "surely you are not tired of it? You cannot have been here long."

"No," she replied, "I have not. Only thirty days"; and her blue eyes gleamed with childish pride.

"And that is why you seem so different from them all?"

Timidly she placed her hand upon my arm. "So you," she said gratefully, "you understand that I am not like them-that is, not yet."

"You do not act like them," I replied, "and what is more, you act as if you did not want to be like them. It surely cannot be merely that you are new here. The other girls when they come seem so eager for this life, to which they have long been trained. Were you not trained for it also?"

"Yes," she admitted, "they tried to train me for it, but they could not kill my artist's soul, for I was not like these others, born of a strain wherein women can only be mothers, or, if rejected for that, come here.

I was born to be a musician, a group where women may be something more than mere females."

"Then why are you here?" I asked.

"Because," she faltered, "my voice was imperfect. I have, you see, the soul of an artist but lack the physical means to give that soul expression. And so they transferred me to the school for free women, where I have been courted by the young men of the Royal House. But of course you understand all that."

"Yes," I said, "I know something of it; but my work has always so absorbed me that I have not had time to think of these matters. In fact, I come to the Free Level much less than most men."

For a moment, it seemed, her eyes hardened in cunning suspicion, but as I returned her intent gaze I could fathom only the doubts and fears of childish innocence.

"Please let us sit down," I said; "it is so beautiful here; and then tell me all about yourself, how you have lived your childhood, and what your problems are. It may be that I can help you."

"There is not much to tell," she sighed, as she seated herself beside me. "I was only eight years old when the musical examiners condemned my voice and so I do not remember much about the music school. In the other school where they train girls for the life on the Free Level, they taught us dancing, and how to be beautiful, and always they told us that we must learn these things so that the men would love us. But the only men we ever saw were the doctors. They were always old and serious and I could not understand how I could ever love men. But our teachers would tell us that the other men would be different. They would be handsome and young and would dance with us and bring us fine presents. If we were pleasing in their sight they would take us away, and we should each have an apartment of our own, and many dresses with beautiful colours, and there would be a whole level full of wonderful things and we could go about as we pleased, and dance and feast and all life would be love and joy and laughter.

"Then, on the 'Great Day,' when we had our first individual dresses--for before we had always worn uniforms--the men came. They were young military officers and members of the Royal House who are permitted to select girls for their own exclusive love. We were all very shy at first, but many of the girls made friends with the men and some of them went away that first day. And after that the men came as often as they liked and I learned to dance with them, and they made love to me and told me I was very beautiful. Yet somehow I did not want to go with them. We had been told that we would love the men who loved us. I don't know why, but I didn't love any of them. And so the two years pa.s.sed and they told me I must come here alone. And so here I am."

"And now that you are here," I said, "have you not, among all these men found one that you could love?"

"No," she said, with a tremor in her voice, "but they say I must."

"And how," I asked, "do they enforce that rule? Does any one require you--to accept the men?"

"Yes," she replied. "I must do that--or starve."

"And how do you live now?" I asked.

"They gave me money when I came here, a hundred marks. And they make me pay to eat and when my money is gone I cannot eat unless I get more. And the men have all the money, and they pay. They have offered to pay me, but I refused to take their checks, and they think me stupid."

The child-like explanation of her lot touched the strings of my heart.

"And how long," I asked, "is this money that is given you when you come here supposed to last?"

"Not more than twenty days," she answered.

"But you," I said, "have been here thirty days!"

She looked at me and smiled proudly. "But I," she said, "only eat one meal a day. Do you not see how thin I am?"

The realization that any one in this scientifically fed city could be hungry was to me appalling. Yet here was a girl living amidst luxurious beauty, upon whom society was using the old argument of hunger to force her acceptance of the love of man.

I rose and held out my hand. "You shall eat again today," I said.

"I would rather not," she demurred. "I have not yet accepted favours from any man."

"But you must. You are hungry," I protested. "The problem of your existence here cannot be put off much longer. We will go eat and then we will try and find some solution."

Without further objection she walked with me. We found a secluded booth in a dining hall. I ordered the best dinner that Berlin had to offer.

During the intervals of silence in our rather halting dinner conversation, I wrestled with the situation. I had desired to gain insight into the lives of these girls. Yet now that the opportunity was presented I did not altogether relish the role in which it placed me.

The apparent innocence of the confiding girl seemed to open an easy way for a personal conquest--and yet, perhaps because it was so obvious and easy, I rebelled at the unfairness of it. To rescue her, to aid her to escape--in a free world one might have considered these more obvious moves, but here there was no place for her to escape to, no higher social justice to which appeal could be made. Either I must accept her as a personal responsibility, with what that might involve, or desert her to her fate. Both seemed cowardly--yet such were the horns of the dilemma and a choice must be made. Here at least was an opportunity to make use of the funds that lay in the bank to the credit of the name I bore, and for which I had found so little use. So I decided to offer her money, and to insist that it was not offered as the purchase price of love.

"You must let me help you," I said, "you must let me give you money."

"But I do not want your money," she replied. "It would only postpone my troubles. Even if I do accept your money, I would have to accept money from other men also, for you cannot pay for the whole of a woman's living."

"Why not," I asked, "does any rule forbid it?"

"No rule, but can so young a man as you afford it?"

"How much does it take for you to live here?"

"About five marks a day."

City of Endless Night Part 12

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City of Endless Night Part 12 summary

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