Light In August Part 7

"For sweet Jesus," Max said. "I was just going to give Romeo a drink on the house."

"Does he want one?" the blonde woman said. Even when she addressed Joe directly it was as if she still spoke to Max. "Do you want a drink?"

"Don't hold him in suspense because of his past behavior. Tell him it's on the house."

"I don't know," Joe said. "I never tried it."

"Never tried anything on the house," Max said. "For sweet Jesus." He had not looked at Joe once again after he entered the room. Again it was as if they talked at and because of him, in a language which he did not understand.

"Come on," the blonde woman said. "Come on, now."

They went out. The blonde woman had never looked at him at all, and the man, without looking at him, had never ceased. Then they were gone. Joe stood beside the bureau. In the middle of the floor the waitress stood, downlooking, with the open box of candy in her hand. The room was close, smelling of stale scent. Joe had never seen it before. He had not believed that he ever would. The shades were drawn. The single bulb burned at the end of a cord, shaded by a magazine page pinned about it and already turned brown from the heat. "It's all right," he said. "It's all right." She didn't answer nor move. He thought of the darkness outside, the night in which they had been alone before. "Let's go," he said.

"Go?" she said. Then he looked at her. "Go where?" she said. "What for?" Still he did not understand her. He watched her come to the bureau and set the box of candy upon it. While he watched, she began to take her clothes off, ripping them off and flinging them down.

He said, "Here? In here?" It was the first time he had ever seen a naked woman, though he had been her lover for a month. But even then he did not even know that he had not known what to expect to see.

That night they talked. They lay in the bed, in the dark, talking. Or he talked, that is. All the time he was thinking, 'Jesus. Jesus. So this is it. He lay naked too, beside her, touching her with his hand and talking about her. Not about where she had come from and what she had even done, but about her body as if no one had ever done this before, with her or with anyone else. It was as if with speech he were learning about women's bodies, with the curiosity of a child. She told him about the sickness of the first night. It did not shock him now. Like the nakedness and the physical shape, it was like something which had never happened or existed before. So he told her in turn what he knew to tell. He told about the negro girl in the mill shed on that afternoon three years ago. He told her quietly and peacefully, lying beside her, touching her. Perhaps he could not even have said if she listened or not. Then he said, 'You noticed my skin, my hair," waiting for her to answer, his hand slow on her body.

She whispered also. "Yes. I thought maybe you were a foreigner. That you never come from around here."

"It's different from that, even. More than just a foreigner. You can't guess."

"What? How more different?"

"Guess."

Their voices were quiet. It was still, quiet; night now known, not to be desired, pined for. "I can't. What are you?"

His hand was slow and quiet on her invisible flank. He did not answer at once. It was not as if he were tantalising her. It was as if he just had not thought to speak on. She asked him again. Then he told her. "I got some n.i.g.g.e.r blood in me."

Then she lay perfectly still, with a different stillness. But he did not seem to notice it. He lay peacefully too, his hand slow up and down her flank. "You're what?" she said.

"I think I got some n.i.g.g.e.r blood in me." His eyes were closed, his hand slow and unceasing. "I don't know. I believe I have."

She did not move. She said at once: "You're lying."

"All right," he said, not moving, his hand not ceasing.

"I don't believe it," her voice said in the darkness.

"All right," he said, his hand not ceasing.

The next Sat.u.r.day he took another half dollar from Mrs. McEachern's hiding place and gave it to the waitress. A day or two later he had reason to believe that Mrs. McEachern had missed the money and that she suspected him of having taken it. Because she lay in wait for him until he knew that she knew that McEachern would not interrupt them. Then she said, "Joe." He paused and looked at her, knowing that she would not be looking at him. She said, not looking at him, her voice flat, level: "I know how a young man growing up needs money. More than p-Mr. McEachern gives you. ..." He looked at her, until her voice ceased and died away. Apparently he was waiting for it to cease. Then he said, "Money? What do I want with money?"

On the next Sat.u.r.day he earned two dollars chopping wood for a neighbor. He lied to McEachern about where he was going and where he had been and what he had done there. He gave the money to the waitress. McEachern found out about the work. Perhaps he believed that Joe had hidden the money. Mrs. McEachern may have told him so.

Perhaps two nights a week Joe and the waitress went to her room. He did not know at first that anyone else had ever done that. Perhaps he believed that some peculiar dispensation had been made in his favor, for his sake. Very likely until the last he still believed that Max and Mame had to be placated, not for the actual fact, but because of his presence there. But he did not see them again in the house, though he knew that they were there. But he did not know for certain if they knew that he was there or had ever returned after the night of the candy.

Usually they met outside, went somewhere else or just loitered on the way to where she lived. Perhaps he believed up to the last that he had suggested it. Then one night she did not meet him where he waited. He waited until the clock in the courthouse struck twelve. Then he went on to where she lived. He had never done that before, though even then he could not have said that she had ever forbidden him to come there unless she was with him. But he went there that night, expecting to find the house dark and asleep. The house was dark, but it was not asleep. He knew that, that beyond the dark shades of her room people were not asleep and that she was not there alone. How he knew it he could not have said. Neither would he admit what he knew. 'It's just Max,' he thought. 'It's just Max.' But he knew better. He knew that there was a man in the room with her. He did not see her for two weeks, though he knew that she was waiting for him. Then one night he was at the corner when she appeared. He struck her, without warning, feeling her flesh. He knew then what even yet he had not believed. "Oh," she cried. He struck her again. "Not here!" she whispered. "Not here!" Then he found that she was crying. He had not cried since he could remember. He cried, cursing her, striking her. Then she was holding him. Even the reason for striking her was gone then. "Now, now," she said. "Now, now."

They did not leave the corner even that night. They did not walk on loitering nor leave the road. They sat on a sloping gra.s.sbank and talked. She talked this time, telling him. It did not take much telling. He could see now what he discovered that he had known all the time: the idle men in the restaurant, with their cigarettes bobbing as they spoke to her in pa.s.sing, and she going back and forth, constant, downlooking, and abject. Listening to her voice, he seemed to smell the odorreek of all anonymous men above dirt. Her head was a little lowered as she talked, the big hands still on her lap. He could not see, of course. He did not have to see. "I thought you knew," she said.

"No," he said. "I reckon I didn't."

"I thought you did"

"No," he said. "I don't reckon I did."

Two weeks later he had begun to smoke, squinting his face against the smoke, and he drank too. He would drink at night with Max and Mame and sometimes three or four other men and usually another woman or two, sometimes from the town, but usually strangers who would come in from Memphis and stay a week or a month, as waitresses behind the restaurant counter where the idle men gathered all day. He did not always know their names, but he could c.o.c.k his hat as they did; during the evenings behind the drawn shades of the diningroom at Max's he c.o.c.ked it so and spoke of the waitress to the others, even in her presence, in his loud, drunken, despairing young voice, calling her his wh.o.r.e. Now and then in Max's car he took her to dances in the country, always careful that McEachern should not hear about it. "I don't know which he would be madder at," he told her; "at you or at the dancing." Once they had to put him to bed, helpless, in the house where he had not even ever dreamed at one time that he could enter. The next morning the waitress drove him out home before daylight so he could get into the house before he was caught. And during the day McEachern watched him with dour and grudging approval.

"But you have still plenty of time to make me regret that heifer," McEachern said.

Chapter 9.

McEachern lay in bed. The room was dark, but he was not asleep. He lay beside Mrs. McEachern, whom he did believe to be sleeping, thinking fast and hard, thinking, 'The suit has been worn. But when. It could not have been during the day, because he is beneath my eyes, except on Sat.u.r.day afternoons. But on any Sat.u.r.day afternoon he could go to the barn, remove and hide the fit clothing which I require him to wear, and then don apparel which he would and could need only as some adjunct to sinning.' It was as if he knew then, had been told. That would infer then that the garments were worn in secret, and therefore in all likelihood, at night. And if that were so, he refused to believe that the boy had other than one purpose: lechery. He had never committed lechery himself and he had not once failed to refuse to listen to anyone who talked about it. Yet within about thirty minutes of intensive thinking he knew almost as much of Joe's doings as Joe himself could have told him, with the exception of names and places. Very likely he would not have believed those even from Joe's mouth, since men of his kind usually have just as firmly fixed convictions about the mechanics, the theatring of evil as about those of good. Thus bigotry and clairvoyance were practically one, only the bigotry was a little slow, for as Joe, descending on his rope, slid like a fast shadow across the open and moonfilled window behind which McEachern lay, McEachern did not at once recognise him or perhaps believe what he saw, even though he could see the very rope itself. And when he got to the window Joe had already drawn the rope back and made it fast and was now on his way toward the barn. As McEachern watched him from the window, he felt something of that pure and impersonal outrage which a judge must feel were he to see a man on trial for his life lean and spit on the bailiff's sleeve.

Hidden in the shadows of the lane halfway between the house and the road, he could see Joe at the mouth of the lane. He too heard the car and saw it come up and stop and Joe get into it. Possibly he did not even care who else was in it. Perhaps he already knew, and his purpose had been merely to see in which direction it went. Perhaps he believed that he knew that too, since the car could have gone almost anywhere in a country full of possible destinations with roads that led to them. Because he turned now back toward the house, walking fast, in that same pure and impersonal outrage, as if he believed so that he would be guided by some greater and purer outrage that he would not even need to doubt personal faculties. In carpet slippers, without a hat, his nights.h.i.+rt thrust into his trousers and his braces dangling, he went straight as an arrow to the stable and saddled his big, old, strong white horse and returned back down the lane and to the road at a heavy gallop, though Mrs. McEachern from the kitchen door called his name when he rode out of the lot. He turned into the road at that slow and ponderous gallop, the two of them, man and beast, leaning a little stiffly forward as though in some juggernautish simulation of terrific speed though the actual speed itself was absent, as if in that cold and implacable and undeviating conviction of both omnipotence and clairvoyance of which they both partook known destination and speed were not necessary.

He rode at that same speed straight to the place which he sought and which he had found out of a whole night and almost a whole half of a county, though it was not that far distant. He had gone hardly four miles when he heard music ahead and then he saw beside the road lights in a school house, a oneroom building. He had known where the building was, but he had had neither reason nor manner of knowing that there would be a dance held in it. But he rode straight to it and into the random shadows of parked cars and buggies and saddled horses and mules which filled the grove which surrounded the school, and dismounted almost before the horse had stopped. He did not even tether it. He got down, and in the carpet slippers and the dangling braces and his round head and his short, blunt, outraged beard ran toward the open door and the open windows where the music came and where kerosenelit shadows pa.s.sed in a certain orderly uproar.

Perhaps, if he were thinking at all, he believed that he had been guided and were now being propelled by some militant Michael Himself as he entered the room. Apparently his eyes were not even momentarily at fault with the sudden light and the motion as he thrust among bodies with turned heads as, followed by a wake of astonishment and incipient pandemonium, he ran toward the youth whom he had adopted of his own free will and whom he had tried to raise as he was convinced was right. Joe and the waitress were dancing and Joe had not seen him yet. The woman had never seen him but once, but perhaps she remembered him, or perhaps his appearance now was enough. Because she stopped dancing and upon her face came an expression very like horror, which Joe saw and turned. As he turned, McEachern was upon them. Neither had McEachern ever seen the woman but once, and very likely then he had not looked at her, just as he had refused to listen when men spoke of fornication. Yet he went straight to her, ignoring Joe for the moment. "Away, Jezebel!" he said. His voice thundered, into the shocked silence, the shocked surrounding faces beneath the kerosene lamps, into the ceased music, into the peaceful moonlit night of young summer. "Away, harlot!"

Perhaps it did not seem to him that he had been moving fast nor that his voice was loud. Very likely he seemed to himself to be standing just and rocklike and with neither haste nor anger while on all sides the s.l.u.ttishness of weak human men seethed in a long sigh of terror about the actual representative of the wrathful and retributive Throne. Perhaps they were not even his hands which struck at the face of the youth whom he had nurtured and sheltered and clothed from a child, and perhaps when the face ducked the blow and came up again it was not the face of that child. But he could not have been surprised at that, since it was not that child's face which he was concerned with: it was the face of Satan, which he knew as well. And when, staring at the face, he walked steadily toward it with his hand still raised, very likely he walked toward it in the furious and dreamlike exaltation of a martyr who has already been absolved, into the descending chair which Joe swung at his head, and into nothingness. Perhaps the nothingness astonished him a little, but not much, and not for long.

Then to Joe it all rushed away, roaring, dying, leaving him in the center of the floor, the shattered chair clutched in his hand, looking down at his adopted father. McEachern lay on his back. He looked quite peaceful now. He appeared to sleep: bluntheaded, indomitable even in repose, even the blood on his forehead peaceful and quiet.

Joe was breathing hard. He could hear it, and also something else, thin and shrill and far away. He seemed to listen to it for a long time before he recognised it for a voice, a woman's voice. He looked and saw two men holding her and she writhing and struggling, her hair shaken forward, her white face wrung and ugly beneath the splotches of savage paint, her mouth a small jagged hole filled with shrieking. "Calling me a harlot!" she screamed, wrenching at the men who held her. "That old son of a b.i.t.c.h! Let go! Let go!" Then her voice stopped making words again and just screamed; she writhed and threshed, trying to bite the hands of the men who struggled with her.

Still carrying the shattered chair Joe walked toward her. About the walls, huddling, clotted, the others watched him the girls in stiff offcolors and mail-order stockings and heels; the men, young men in illcut and boardlike garments also from the mail-order, with hard, ruined hands and eyes already revealing a heritage of patient brooding upon endless furrows and the slow b.u.t.tocks of mules. Joe began to run, brandis.h.i.+ng the chair. "Let her go!" he said. At once she ceased struggling and turned on him the fury, the shrieking, as if she had just seen him, realised that he was also there.

"And you! You brought me here. G.o.dd.a.m.n b.a.s.t.a.r.d clodhopper. b.a.s.t.a.r.d you! Son of a b.i.t.c.h you and him too. Putting him at me that never ever saw-" Joe did not appear to be running at anyone in particular, and his face was quite calm beneath the uplifted chair. The others fell back from about the woman, freeing her, though she continued to wrench her arms as if she did not yet realise it.

"Get out of here!" Joe shouted. He whirled, swinging the chair; yet his face was still quite calm. "Back!" he said, though no one had moved toward him at all. They were all as still and as silent as the man on the floor. He swung the chair, backing now toward the door. "Stand back! I said I would kill him some day! I told him so!" He swung the chair about him, calmfaced, backing toward the door. "Don't a one of you move, now," he said, looking steadily and ceaselessly at faces that might have been masks. Then he flung the chair down and whirled and sprang out the door, into soft, dappled moonlight. He overtook the waitress as she was getting into the car in which they had come. He was panting, yet his voice was calm too: a sleeping face merely breathing hard enough to make sounds. "Get on back to town," he said. "I'll be there soon as I ..." Apparently he was not aware of what he was saying nor of what was happening; when the woman turned suddenly in the door of the car and began to beat him in the face he did not move, his voice did not change: "Yes. That's right. I'll be there soon as I-" Then he turned and ran, while she was still striking at him.

I He could not have, known where McEachern had left the horse, nor for certain if it was even there. Yet he ran straight to it, with something of his adopted father's complete faith in an infallibility in events. He got onto it and swung it back toward the road. The car had already turned into the road. He saw the taillight diminish and disappear.

The old, strong, farmbred horse returned home at its slow and steady canter. The youth upon its back rode lightly, balanced lightly, leaning well forward, exulting perhaps at that moment as Faustus had, of having put behind now at once and for all the Shalt Not, of being free at last of honor and law. In the motion the sweet sharp sweat of the horse blew, sulphuric; the invisible wind flew past. He cried aloud, "I have done it! I have done it! I told them I would!"

He entered the lane and rode through the moonlight up to the house without slowing. He had thought it would be dark, but it was not. He did not pause; the careful and hidden rope were as much a part of his dead life now as honor and hope, and the old wearying woman who had been one of his enemies for thirteen years and who was now awake, waiting for him. The light was in hers and McEachern's bedroom and she was standing in the door, with a shawl over her nightdress. "Joe?" she said. He came down the hall fast. His face looked as McEachern had seen it as the chair fell. Perhaps she could not yet see it good. "What is it?" she said. "Paw rode away on the horse. I heard ..." She saw his face then. But she did not even have time to step back. He did not strike her; his hand on her arm was quite gentle. It was just hurried, getting her out of the path, out of the door. He swept her aside as he might have a curtain across the door.

"He's at a dance," he said. "Get away, old woman." She turned, clutching the shawl with one hand, her other against the door face as she fell back, watching him as he crossed the room and began to run up the stairs which mounted to his attic. Without stopping he looked back. Then she could see his teeth s.h.i.+ning in the lamp. "At a dance, you hear? He's not dancing, though." He laughed back, into the lamp; he turned his head and his laughing, running on up the stairs, vanis.h.i.+ng as he ran, vanis.h.i.+ng upward from the head down as if he were running headfirst and laughing into something that was obliterating him like a picture in chalk being erased from a blackboard.

She followed, toiling up the stairs. She began to follow almost as soon as he pa.s.sed her, as if that implacable urgency which had carried her husband away had returned like a cloak on the shoulders of the boy and had been pa.s.sed from him in turn to her. She dragged herself up the cramped stair, clutching the rail with one hand and the shawl with the other. She was not speaking, not calling to him. It was as though she were a phantom obeying the command sent back by the absent master. Joe had not lighted his lamp. But the room was filled with refracted moonglow, and even without that very likely she could have told what he was doing. She held herself upright by the wall, fumbling her hand along the wall until she reached the bed and sank onto it, sitting. It had taken her some time, because when she looked toward where the loose plank was, he was already approaching toward the bed, where the moonlight fell directly, and she watched him empty the tin can onto the bed and sweep the small ma.s.s of coins and bills into his hand and ram the hand into his pocket. Only then did he look at her as she sat, backfallen a little now, propped on one arm and holding the shawl with the other hand. "I didn't ask you for it," he said. "Remember that. I didn't ask, because I was afraid you would give it to me. I just took it. Don't forget that." He was turning almost before his voice ceased. She watched him turn into the lamplight which fell up the stair, descending. He pa.s.sed out of sight, but she could still hear him. She heard him in the hall again, fast, and after a while she heard the horse again, galloping; and after a while the sound of the horse ceased.

A clock was striking one somewhere when Joe urged the now spent old horse through the main street of town. The horse had been breathing hard for some time now, but Joe still held it at a stumbling trot with a heavy stick that fell rhythmically across its rump. It was not a switch: it was a section of broom handle which had been driven into Mrs. McEachern's flower bed in front of the house for something to grow on. Though the horse was still going through the motion of galloping, it was not moving much faster than a man could walk. The stick too rose and fell with the same spent and terrific slowness, the youth on the horse's back leaning forward as if he did not know that the horse had flagged, or as though to lift forward and onward the failing beast whose slow hooves rang with a measured hollow sound through the empty and moondappled street. It-the horse and the rider-had a strange, dreamy effect, like a moving picture in slow motion as it galloped steady and flagging up the street and toward the old corner where he used to wait, less urgent perhaps but not less eager, and more young.

The horse was not even trotting now, on stiff legs, its breathing deep and labored and rasping, each breath a groan. The stick still fell; as the progress of the horse slowed, the speed of the stick increased in exact ratio. But the horse slowed, sheering into the curb. Joe pulled at its head, beating it, but it slowed into the curb and stopped, shadowdappled, its head down, trembling, its breathing almost like a human voice. Yet still the rider leaned forward in the arrested saddle, in the att.i.tude of terrific speed, beating the horse across the rump with the stick. Save for the rise and fall of the stick and the groaning respirations of the animal, they might have been an equestrian statue strayed from its pedestal and come to rest in an att.i.tude of ultimate exhaustion in a quiet and empty street splotched and dappled by moonshadows.

Joe descended. He went to the horse's head and began to tug it, as if he would drag it into motion by main strength and then spring onto its back. The horse did not move. He desisted; he seemed to be leaning a little toward the horse. Again they were motionless: the spent beast and the youth, facing one another, their heads quite near, as if carved in an att.i.tude of listening or of prayer or of consultation. Then Joe raised the stick and fell to beating the horse about its motionless head. He beat it steadily until the stick broke. He continued to strike it with a fragment not much longer than his hand. But perhaps he realised that he was inflicting no pain, or perhaps his arm grew tired at last, because he threw the stick away and turned, whirled, already in full stride. He did not look back. Diminis.h.i.+ng, his white s.h.i.+rt pulsing and fading in the moonshadows, he ran as completely out of the life of the horse as if it had never existed.

He pa.s.sed the corner where he used to wait. If he noticed, thought, at all, he must have said,My G.o.d how long. How long ago that was. The street curved into the gravel road. He had almost a mile yet to go, so he ran not fast but carefully, steadily, his face lowered a little as if he contemplated the spurned road beneath his feet, his elbows at his sides like a trained runner. The road curved on, moonblanched, bordered at wide intervals by the small, random, new, terrible little houses in which people who came yesterday from nowhere and tomorrow will be gone wherenot, dwell on the edges of towns. They were all dark save the one toward which he ran.

He reached the house and turned from the road, running, his feet measured and loud in the late silence. Perhaps he could see already the waitress, in a dark dress for travelling, with her hat on and her bag packed, waiting. (How they were to go anywhere, by what means depart, likely he had never thought.) And perhaps Max and Maine too, likely undressed-Max coatless or maybe even in his unders.h.i.+rt, and Maine in the light blue kimono-the two of them bustling about in that loud, cheerful, seeing-someone-off way. But actually he was not thinking at all, since he had never told the waitress to get ready to leave at all. Perhaps he believed that he had told her, or that she should know, since his recent doings and his future plans must have seemed to him simple enough for anyone to understand. Perhaps he even believed that he had told her he was going home in order to get money when she got into the car.

He ran onto the porch. Heretofore, even during his heyday in the house, his impulse had been always to glide from the road and into the shadow of the porch and into the house itself where he was expected, as swiftly and inconspicuously as possible. He knocked. There was a light in her room, and another at the end of the hall, as he had expected; and voices from beyond the curtained windows too, several voices which he could discern to be intent rather than cheerful: that he expected too, thinking Perhaps they think I am not coming. That d.a.m.n horse. That d.a.m.n horse He knocked again, louder, putting his hand on the k.n.o.b, shaking it, pressing his face against the curtained gla.s.s in the front door. The voices ceased. Then there was no sound whatever from within the house. The two lights, the lighted shade to her room and the opaque curtain in the door, burned with a steady and unwavering glare, as if all the people in the house had suddenly died when he touched the k.n.o.b. He knocked again, with scarce interval between; he was still knocking when the door (no shadow had fallen upon the curtain and no step had approached beyond it) fled suddenly and silently from under his rapping hand. He was already stepping across the threshold as if he were attached to the door, when Max emerged from behind it, blocking it. He was completely dressed, even to the hat. "Well, well, well," he said. His voice was not loud, and it was almost as if he had drawn Joe swiftly into the hall and shut the door and locked it before Joe knew that he was inside. Yet his voice held again that ambiguous quality, that quality hearty and completely empty and completely without pleasure or mirth, like a sh.e.l.l, like something he carried before his face and watched Joe through it, which in the past had caused Joe to look at Max with something between puzzlement and anger. "Here's Romeo at last," he said. "The Beale Street Playboy." Then he spoke a little louder, saying Romeo quite loud. "Come in and meet the folks."

Joe was already moving toward the door which he knew, very nearly running again, if he had ever actually stopped. He was not listening to Max. He had never heard of Beale Street, that three or four Memphis city blocks in comparison with which Harlem is a movie set. Joe had not looked at anything. Because suddenly he saw the blonde woman standing in the hall at the rear. He had not seen her emerge into the hall at all, yet it was empty when he entered. And then suddenly she was standing there. She was dressed, in a dark skirt, and she held a hat in her hand. And just beyond an open dark door beside him was a pile of luggage, several bags. Perhaps he did not see them. Or perhaps looking saw once, faster than thought, I didn't think she would have that many. Perhaps he thought then for the first time that they had nothing to travel in, thinking How can I carry all those But he did not pause, already turning toward the door which he knew. It was only as he put his hand on the door that he became aware of complete silence beyond it, a silence which he at eighteen knew that it would take more than one person to make. But he did not pause; perhaps he was not even aware that the hall was empty again, that the blonde woman had vanished again without his having seen or heard her move.

He opened the door. He was running now; that is, as a man might run far ahead of himself and his knowing in the act of stopping stock still. The waitress sat on the bed as he had seen her sitting so many times. She wore the dark dress and the hat, as he had expected, known. She sat with her face lowered, not even looking at the door when it opened, a cigarette burning in one still hand that looked almost monstrous in its immobility against the dark dress. And in the same instant he saw the second man. He had never seen the man before. But he did not realise this now. It was only later that he remembered that, and remembered the piled luggage in the dark room which he had looked at for an instant while thought went faster than seeing.

The stranger sat on the bed too, also smoking. His hat was tipped forward so that the shadow of the brim fell across his mouth. He was not old, yet he did not look young either. He and Max might have been brothers in the sense that any two white men strayed suddenly into an African village might look like brothers to them who live there. His face, his chin where the light fell upon it, was still. Whether or not the stranger was looking at him, Joe did not know. And that Max was standing just behind him Joe did not know either. And he heard their actual voices without knowing what they said, without even listening: Ask him.

How would he know. Perhaps he heard the words. But likely not. Likely they were as yet no more significant than the rasping of insects beyond the closedrawn window, or the packed bags which he had looked at and had not yet seen. He cleared out right afterward, Bobbie said, He might know. Let's find out if we can just what we are running from, at least.

Though Joe had not moved since he entered, he was still running. When Max touched his shoulder he turned as if he had been halted in midstride. He had not been aware that Max was even in the room. He looked at Max over his shoulder with a kind of furious annoyance. "Let's have it, kid," Max said. "What about it?"

"What about what?" Joe said.

"The old guy. Do you think you croaked him? Let's have it straight. You don't want to get Bobbie in a jam."

"Bobbie," Joe said, thinking, Bobbie. Bobbie. He turned, running again; this time Max caught his shoulder, though not hard.

"Come on," Max said. "Ain't we all friends here? Did you croak him?"

"Croak him?" Joe said, in that fretted tone of impatience and restraint, as if he were being detained and questioned by a child.

The stranger spoke. "The one you crowned with the chair. Is he dead?"

"Dead?" Joe said. He looked at the stranger. When he did so, he saw the waitress again and he ran again. He actually moved now. He had completely dismissed the two men from his mind. He went to the bed, dragging at his pocket, on his face an expression both exalted and victorious. The waitress did not look at him. She had not looked at him once since he entered, though very likely he had completely forgot that. She had not moved; the cigarette still burned in her hand. Her motionless hand looked as big and dead and pale as a piece of cooking meat. Again someone grasped him by the shoulder. It was the stranger now. The stranger and Max stood shoulder to shoulder, looking at Joe.

"Quit stalling," the stranger said. "If you croaked the guy, say so. It can't be any secret long. They are bound to hear about it by next month at the outside."

"I don't know, I tell you!" Joe said. He looked from one to the other, fretted but not yet glaring. "I hit him. He fell down. I told him I was going to do it someday." He looked from one to the other of the still, almost identical faces. He began to jerk his shoulder under the stranger's hand.

Max spoke. "What did you come here for, then?"

"What did-" Joe said. "What did I ..." he said, in a tone of fainting amazement, glaring from face to face with a sort of outraged yet still patient exasperation. "What did I come for? I came to get Bobbie. Do you think that I-when I went all the way home to get the money to get married-" Again he completely forgot, dismissed them. He jerked free and turned to the woman with once more that expression oblivious, exalted, and proud. Very likely at that moment the two men were blown as completely out of his life as two sc.r.a.ps of paper. Very likely he was not even aware when Max went to the door and called and a moment later the blonde woman entered. He was bending above the bed upon which sat the immobile and downlooking waitress, stooping above her, dragging the wadded ma.s.s of coins and bills from his pocket, onto her lap and onto the bed beside her. "Here! Look at it. Look. I've got. See?"

Then the wind blew upon him again, like in the school house three hours ago among the gaped faces there of which he had for the time been oblivious. He stood in a quiet, dreamlike state, erect now where the upward spring of the sitting waitress had knocked him, and saw her, on her feet, gather up the wadded and scattered money and fling it; he saw quietly her face strained, the mouth screaming, the eyes screaming too. He alone of them all seemed to himself quiet, calm; his voice alone quiet enough to register upon the ear: "You mean you won't?" he said. "You mean, you won't?"

It was very much like it had been in the school house: someone holding her as she struggled and shrieked, her hair wild with the jerking and tossing of her head; her face, even her mouth, in contrast to the hair as still as a dead mouth in a dead face. "b.a.s.t.a.r.d! Son of a b.i.t.c.h! Getting me into a jam, that always treated you like you were a white man. A white man!"

But very likely to him even yet it was just noise, not registering at all: just a part of the long wind. He just stared at her, at the face which he had never seen before, saying quietly (whether aloud or not, he could not have said) in a slow amazement: Why, I committed murder for her. I even stole for her, as if he had just heard of it, thought of it, been told that he had done it.

Then she too seemed to blow out of his life on the long wind like a third sc.r.a.p of paper. He began to swing his arm as if the hand still clutched the shattered chair. The blonde woman had been in the room some time. He saw her for the first time, without surprise, having apparently materialised out of thin air, motionless, with that diamondsurfaced tranquillity which invested her with a respectability as implacable and calm as the white lifted glove of a policeman, not a hair out of place. She now wore the pale blue kimono over the dark garment for travelling. She said quietly: "Take him. Let's get out of here. There'll be a cop out here soon. They'll know where to look for him."

Perhaps Joe did not hear her at all, nor the screaming waitress: "He told me himself he was a n.i.g.g.e.r! The son of a b.i.t.c.h! Me f-ing for nothing a n.i.g.g.e.r son of a b.i.t.c.h that would get me in a jam with clodhopper police. At a clodhopper dance!" Perhaps he heard only the long wind, as, swinging his hand as though it still clutched the chair, he sprang forward upon the two men. Very likely he did not even know that they were already moving toward him. Because with something of the exaltation of his adopted father he sprang full and of his own accord into the stranger's fist. Perhaps he did not feel either blow, though the stranger struck him twice in the face before he reached the floor, where like the man whom he had struck down, he lay upon his back, quite still. But he was not out because his eyes were still open, looking quietly up at them. There was nothing in his eyes at all, no pain, no surprise. But apparently he could not move; he just lay there with a profoundly contemplative expression, looking quietly up at the two men, and the blonde woman still as immobile and completely finished and surfaced as a cast statue. Perhaps he could not hear the voices either, or perhaps he did and they once more had no more significance than the dry buzzing of the steady insects beyond the window: b.i.t.c.hing up as sweet a little setup as I could have wanted.

He ought to stay away from b.i.t.c.hes.

He can't help himself. He was born too close to one.

Is he really a n.i.g.g.e.r? He don't look like one.

That's what he told Bobbie one night. But I guess she still don't know any more about what he is than he does. These country b.a.s.t.a.r.ds are liable to be anything.

We'll find out. We'll see if his blood is black. Lying peaceful and still Joe watched the stranger lean down and lift his head from the floor and strike him again in the face, this time with a short slas.h.i.+ng blow. After a moment he licked his lip a little, somewhat as a child might lick a cooking spoon. He watched the stranger's hand go back. But it did not fall.

That's enough. Let's get on to Memphis.

Just one more. Joe lay quietly and watched the hand. Then Max was beside the stranger, stooping too. We'll need a little more blood to tell for sure.

Sure. He don't need to worry. This one is on the house too.

The hand did not fall. Then the blonde woman was there too. She was holding the stranger's lifted arm by the wrist. I said that will do.

Chapter 10.

Knowing not grieving remembers a thousand savage and lonely streets. They run from that night when he lay and heard the final footfall and then the final door (they did not even turn the light out) and then lay quietly, on his back, with open eyes while above the suspended globe burned with aching and unwavering glare as though in the house where all the people had died. He did not know how long he lay there. He was not thinking at all, not suffering. Perhaps he was conscious of somewhere within him the two severed wireends of volition and sentience lying, not touching now, waiting to touch, to knit anew so that he could move. While they finished their preparations to depart they stepped now and then across him, like people about to vacate a house forever will across some object which they intend to leave. Here Bobbie here kid here's your comb you forgot it here's Romeo's chicken feed too Jesus he must have tapped the Sunday school till on the way out its Bobbie's now didn't you see him give it to her didn't you see old bighearted that's right pick it up kid you can keep it as an installment or a souvenir or something what don't she want it well say that's too bad now that's tough but we can't leave it lay here on the floor it'll rot a hole in the floor it's already helped to rot one hole pretty big for its size pretty big for any size hey Bobbie hey kid sure I'll just keep it for Bobbie like h.e.l.l you will well I mean I'll keep half of it for Bobbie leave it there you b.a.s.t.a.r.ds what do you want with it it belongs to him well for sweet Jesus what does he want with it he doesn't use money he doesn't need it ask Bobbie if he needs money they give it to him that the rest of us have to pay for it leave it there I said like h.e.l.l this ain't mine to leave it's Bobbie's it ain't yours neither unless sweet Jesus you're going to tell me he owes you jack too that he has been f-ing you too behind my back on credit I said leave it go chase yourself it ain't but five or six bucks apiece; Then the blonde woman stood above him and stooping, he watching quietly, she lifted her skirt and took from the top of her stocking a flat folded sheaf of banknotes and removed one and stopped and thrust it into the fob pocket of his trousers. Then she was gone. get on get out of here you ain't ready yet yourself you got to put that kimono in and close your bag and powder your face again bring my bag and hat in here go on now and you take Bobbie and them other bags and get in the car and wait for me and Max you think I'm going to leave either one of you here alone to steal that one off of him too go on now get out of here; Then they were gone: the final feet, the final, door. Then he heard the car drown the noise of the insects, riding above, sinking to the level, sinking below the level so that he heard only the insects. He lay there beneath the light. He could not move yet, as he could look without actually seeing, hear without actually knowing; the two wireends not yet knit as he lay peacefully, licking his lips now and then as a child does.

Then the wireends knit and made connection. He did not know the exact instant, save that suddenly he was aware of his ringing head, and he sat up slowly, discovering himself again, getting to his feet. He was dizzy; the room went round him, slowly and smoothly as thinking, so that thinking said, Not yet. But he still felt no pain, not even when, propped before the bureau, he examined in the gla.s.s his swollen and b.l.o.o.d.y face and touched his face. "Sweet Jesus," he said. "They sure beat me up." He was not thinking yet; it had not yet risen that far, I reckon I better get out of here. I reckon I better get out of here. He went toward the door, his hands out before him like a blind man or a sleepwalker. He was in the hall without having remembered pa.s.sing through the door, and he found himself in another bedroom while he still hoped perhaps not believed that he was moving toward the front door. It was small too. Yet it still seemed to be filled with the presence of the blonde woman, its very cramped harsh walls bulged outward with that militant and diamondsurfaced respectability. On the bare bureau sat a pint bottle almost full of whiskey. He drank it, slowly, not feeling the fire at all, holding himself upright by holding to the bureau. The whiskey went down his throat cold as mola.s.ses, without taste. He set the empty bottle down and leaned on the bureau, his head lowered, not thinking, waiting perhaps without knowing it, perhaps not even waiting. Then the whiskey began to burn in him and he began to shake his head slowly from side to side, while thinking became one with the slow, hot coiling and recoiling of his entrails: 'I got to get out of here. He reentered the hall. Now it was his head that was clear and his body that would not behave. He had to coax it along the hall, sliding it along one wall toward the front, thinking, 'Come on, now; pull yourself together. I got to get out.' Thinking If I can just get it outside, into the air, the cool air, the cool dark He watched his hands fumbling at the door, trying to help them, to coax and control them. 'Anyway, they didn't lock it on me,' he thought. 'Sweet Jesus, I could not have got out until morning then. It never would have opened a window and climbed through it. He opened the door at last and pa.s.sed out and closed the door behind him, arguing again with his body which did not want to bother to close the door, having to be forced to close it upon the empty house where the two lights burned with their dead and unwavering glare, not knowing that the house was empty and not caring, not caring anymore for silence and desolation than they had cared for the cheap and brutal nights of stale oftused gla.s.ses and stale oftused beds. His body was acquiescing better, becoming docile. He stepped from the dark porch, into the moonlight, and with his b.l.o.o.d.y head and his empty stomach hot, savage, and courageous with whiskey, he entered the street which was to run for fifteen years.

The whiskey died away in time and was renewed and died again, but the street ran on. From that night the thousand streets ran as one street, with imperceptible corners and changes of scene, broken by intervals of begged and stolen rides, on trains and trucks, and on country wagons with he at twenty and twenty-five and thirty sitting on the seat with his still, hard face and the clothes (even when soiled and worn) of a city man and the driver of the wagon not knowing who or what the pa.s.senger was and not daring to ask. The street ran into Oklahoma and Missouri and as far south as Mexico and then back north to Chicago and Detroit and then back south again and at last to Mississippi. It was fifteen years long: it ran between the savage and spurious board fronts of oil towns where, his inevitable serge clothing and light shoes black with bottomless mud, he ate crude food from tin dishes that cost him ten and fifteen dollars a meal and paid for them with a roll of banknotes the size of a bullfrog and stained too with the rich mud that seemed as bottomless as the gold which it excreted. It ran through yellow wheat fields waving beneath the fierce yellow days of labor and hard sleep in haystacks beneath the cold mad moon of September, and the brittle stars: he was in turn laborer, miner, prospector, gambling tout; he enlisted in the army, served four months and deserted and was never caught. And always, sooner or later, the street ran through cities, through an identical and wellnigh interchangeable section of cities without remembered names, where beneath the dark and equivocal and symbolical archways of midnight he bedded with the women and paid them when he had the money, and when he did not have it he bedded anyway and then told them that he was a negro. For a while it worked; that was while he was still in the south. It was quite simple, quite easy. Usually all he risked was a cursing from the woman and the matron of the house, though now and then he was beaten unconscious by other patrons, to waken later in the street or in the jail.

That was while he was still in the (comparatively speaking) south. Because one night it did not work. He rose from the bed and told the woman that he was a negro. "You are?" she said. "I thought maybe you were just another wop or something." She looked at him, without particular interest; then she evidently saw something in his face: she said, "What about it? You look all right. You ought to seen the s.h.i.+ne I turned out just before your turn came." She was looking at him. She was quite still now. "Say, what do you think this dump is, anyhow? The Ritz hotel?" Then she quit talking. She was watching his face and she began to move backward slowly before him, staring at him, her face draining, her mouth open to scream. Then she did scream. It took two policemen to subdue him. At first they thought that the woman was dead.

He was sick after that. He did not know until then that there were white women who would take a man with a black skin. He stayed sick for two years. Sometimes he would remember how he had once tricked or teased white men into calling him a negro in order to fight them, to beat them or be beaten; now he fought the negro who called him white. He was in the north now, in Chicago and then Detroit. He lived with negroes, shunning white people. He ate with them, slept with them, belligerent, unpredictable, uncommunicative. He now lived as man and wife with a woman who resembled an ebony carving. At night he would lie in bed beside her, sleepless, beginning to breathe deep and hard. He would do it deliberately, feeling, even watching, his white chest arch deeper and deeper within his ribcage, trying to breathe into himself the dark odor, the dark and inscrutable thinking and being of negroes, with each suspiration trying to expel from himself the white blood and the white thinking and being. And all the while his nostrils at the odor which he was trying to make his own would whiten and tauten, his whole being writhe and strain with physical outrage and spiritual denial.

He thought that it was loneliness which he was trying to escape and not himself. But the street ran on: catlike, one place was the same as another to him. But in none of them could he be quiet. But the street ran on in its moods and phases, always empty: he might have seen himself as in numberless avatars, in silence, doomed with motion, driven by the courage of flagged and spurred despair; by the despair of courage whose opportunities had to be flagged and spurred. He was thirty-three years old.

One afternoon the street had become a Mississippi country road. He had been put off a southbound freight train near a small town. He did not know the name of the town; he didn't care what word it used for name. He didn't even see it, anyway. He skirted it, following the woods, and came to the road and looked in both directions. It was not a gravelled road, though it looked to be fairly well used. He saw several negro cabins scattered here and there along it; then he saw, about a half mile away, a larger house. It was a big house set in a grove of trees; obviously a place of some pretensions at one time. But now the trees needed pruning and the house had not been painted in years. But he could tell that it was inhabited, and he had not eaten in twenty-four hours. 'That one might do,' he thought.

But he did not approach it at once, though the afternoon was drawing on. Instead he turned his back upon it and went on in the other direction, in his soiled white s.h.i.+rt and worn serge trousers and his cracked, dusty, townshaped shoes, his cloth cap set at an arrogant angle above a three-day's stubble. Yet even then he did not look like a tramp; at least apparently not to the negro boy whom he met presently coming up the road and swinging a tin bucket. He stopped the boy. "Who lives in the big house back there?" he said.

"That where Miz Burden stay at."