The Florentine Painters of the Renaissance Part 22

S. CLEMENTE. Frescoes: Episodes from Lives of SS. Ambrose and Catherine of Alexandria; Crucifixion (some of these frescoes are completely repainted).

Scotland.

GOSFORD HOUSE, EARL OF WEMYSS. Annunciation.

Todi.

S. FORTUNATO, FOURTH CHAPEL R. Fresco: Madonna with two Angels.

MICHELANGELO BUONARROTI.

1475-1564. Pupil of Ghirlandaio; influenced by the works of Jacopo della Quercia, Donatello, and Signorelli.

Florence.

UFFIZI, 1139. _Tondo_: Holy Family.

London.

790. Deposition (unfinished).

Rome.

VATICAN, SIXTINE CHAPEL. Frescoes: On Ceiling, 1508-1512. W. WALL.

Last Judgment. 1534-1541.

CAPPELLA PAOLINA. Frescoes: Conversion of Paul; Martyrdom of St.

Peter. L.

SCULPTURE.

Berlin.

Small Marble Apollo.

Bologna.

S. DOMENICO. S. Petronio; An Angel (for Ark of St. Dominic). 1494.

Bruges.

NOTRE DAME. Madonna. Finished before August, 1506.

Florence.

ACADEMY. David. 1504. Life size model of reclining Male Figure.

COURT. St. Matthew. 1504.

BARGELLO. Bacchus. E. Bust of Brutus. _Tondo_, Relief: Madonna.

Apollo.

COURT. Victory.

BOBOLI GARDENS, GROTTO. Four unfinished Figures.

CASA BUONARROTI. Reliefs: Centaurs and Lapithae. E. Madonna. E.

DUOMO, BEHIND HIGH ALTAR. _Pieta_. L.

S. LORENZO, NEW SACRISTY. Madonna; Tombs of Lorenzo dei Medici, Duke of Urbino, and Giuliano, Duke of Nemours. Left unfinished 1534.

London.

BURLINGTON HOUSE, DIPLOMA GALLERY. _Tondo_, Relief: Madonna.

VICTORIA AND ALBERT MUSEUM. Cupid.

BEIT COLLECTION. Young Athlete (bronze).

Milan.

PRINCE TRIVULZIO. Small Slave (bronze).

Paris.

ROOM OF RENAISSANCE SCULPTURE. Two Slaves.

Rome.

PALAZZO RONDANINI. _Pieta_ (unfinished). L.

S. MARIA SOPRA MINERVA. Christ with Cross. Finished 1521.

ST. PETER'S. _Pieta_. 1499.

S. PIETRO IN VINCOLI. Moses, Rachel, and Leah.

St. Petersburg.

Crouching Boy.

MONACO see LORENZO.

ANDREA ORCAGNA AND HIS BROTHERS.

Andrea, 1308(?)-1368. Pupil of Andrea Pisano; follower of Giotto; influenced by Ambrogio Lorenzetti of Siena.

Of the brothers, Nardo, who died in 1365, was scarcely his inferior.

The only painting certainly from Andrea's hand is the altarpiece at S.

Maria Novella. The frescoes in the same church are probably by Nardo.

Budapest.

50. Madonna and Angels.

Florence.

ACADEMY, 14. Vision of St. Bernard and Saints.

40. Trinity with Evangelist and St. Romuald. 1365.

UFFIZI, 10. St. Bartholomew and Angel (?). E.

29. Coronation of the Virgin.

THIRD TUSCAN ROOM. 20. St. Matthew Triptych. Begun in 1367.

MR. B. BERENSON. St. Benedict receiving a Novice.

BADIA, CAPPELLA BONSI. Descent of Holy Spirit.

S. CROCE, SACRISTY. Madonna with SS. Gregory and Job. 1365.

S. MARIA NOVELLA, L. TRANSEPT. Altarpiece. 1357. Frescoes: Paradise; Last Judgment; h.e.l.l.

CLOISTER. Frescoes: Annunciation to Joachim and Anne; Meeting of Same; Birth of Virgin; Presentation of Virgin in Temple; Full length figures of Saints.

CERTOSA (near Florence), CHAPEL. Madonna.

London.

569-578. Coronation and Saints, with nine smaller panels representing the Trinity, Angels, and Gospel Scenes.

New Haven (U. S. A.).

JARVES COLLECTION, 25. Baptist.

26. St. Peter.

Palermo.

BARON CHIARAMONTE-BORDONARO. Madonna.

SCULPTURE (by Andrea).

Berlin.

VON KAUFMANN COLLECTION. Head of female Saint.

Florence.

BARGELLO. 139. Angel playing Viol.

OR SAN MICHELE. Tabernacle. Finished 1359.

FRANCESCO PESELLINO.