Adventurings in the Psychical Part 1

Adventurings in the Psychical.

by H. Addington Bruce.

PREFACE

The present volume is somewhat in the nature of a sequel to "The Riddle of Personality," published six years ago. In that book I reviewed the results of modern psychological research in the realm of the abnormal and the seemingly supernormal, with the special purpose of making clear their bearings on the problem of the nature and possibilities of man.

Having this special purpose in mind, it was inadvisable to attempt any topical and detailed treatment of the phenomena made the subject of scientific investigation. Such a method of treatment, no matter how it might have added to the interest of the book, would inevitably have obscured its message to the reader.

Now, however, I have undertaken this very thing, in the hope both of reinforcing the view of personality set forth in the earlier work, and of contributing something towards a wider knowledge of the progress science is making in the naturalization of the supernatural, to borrow Mr. Frank Podmore's happy phrase. Especially have I tried to bring out the exceedingly practical character of many of the discoveries made by those scientists who, despite the often contemptuous criticism of their colleagues, have valiantly persisted in their adventurings in the psychical. The world has undoubtedly been the gainer, and richly the gainer, by their labors; and it surely is well worth while to survey in some detail the field they have explored and the results of their explorations.

H. ADDINGTON BRUCE.

CAMBRIDGE, Ma.s.sACHUSETTS, February, 1914.

CHAPTER I

GHOSTS AND THEIR MEANING

A witty Frenchwoman was once asked if she believed in ghosts.

"No, not at all," was her reply. "But I am terribly afraid of them."

Most people feel precisely this way about ghosts, though few are candid enough to acknowledge it. In broad daylight, or when seated before a cheery fire among a group of congenial friends, it is easy to be skeptical, and to regard ghosts as mere products of imagination, superst.i.tion, credulity, hysteria, or indigestion. But it is notorious that even the most skeptical are liable to creepy sensations and sometimes outright panic if they experience "uncanny" sights or sounds in the darkness of the night, or in lonely, uninhabited places.

Churchyards have never been popular resorts of those who go for a stroll in the cool of the evening. And let a house once get the reputation of being "haunted," it is next to impossible to find tenants for it.

Yet this almost universal att.i.tude is entirely and fundamentally wrong.

There is no reason for being afraid of ghosts, and there are many reasons for believing in them.

I do not, of course, mean to say that all ghosts are real ghosts. There are plenty of bogus ghosts, and there always will be, as long as men eat and drink too much, play practical jokes on one another, and allow their houses to become run down and infested by rats and mice.

A single rat, scampering at midnight over the loose planks of an old attic, has often been quite sufficient to produce a counterfeit "poltergeist," or troublesome ghost, of a highly impressive character.

So, too, a pillow-slip swaying from a clothesline is apt to seem most ghostly to a gentleman returning home from a late supper. Ghosts, like much else in this amazing world of ours, have to be pretty sharply scrutinized.

And the point is that, after centuries of contemptuous neglect, they have at last been made the subject of investigation by men and women competent for the task--persons trained in the cautious methods of scientific inquiry, and insisting upon the strictest evidential standards, but devoid of prejudice or prepossession. Their researches are still in progress, but they have already demonstrated that amid a mult.i.tude of sham ghosts there are perfectly authentic apparitions, displaying credentials too convincing to be denied.

What is still more important, the labors of these scientific ghostologists--especially of those enrolled in the famous English Society for Psychical Research--have also resulted in throwing much light on the nature, origin, and habits of real ghosts.

Usually, it seems, a genuine ghost is seen or heard but once or twice, and then, having accomplished its purpose, it departs to return no more.

But there are plenty of well-attested cases in which a ghost attaches itself to a house or family, and keeps up its haunting for years, sometimes for centuries.

Take, for example, an experience that befell Miss Goodrich-Freer, at the time a most active member of the Society for Psychical Research, in Hampton Court Palace. This old building is unquestionably one of the most famous of all haunted houses. It dates back to the time of the first Tudors, and according to tradition is haunted by several ghosts, notably the ghosts of Jane Seymour, Henry VIII's third queen; Catharine Howard, whose spirit is said to go shrieking along the gallery where she vainly begged brutal King Henry to spare her life; and Sybil Penn, King Edward VI's foster-mother. Twice of late years the Howard ghost--or something that pa.s.sed for it--has been heard, once by Lady Eastlake, and once by Mrs. Cavendish Boyle. The latter was sleeping in an apartment next to the haunted gallery--which has long been unoccupied and used only as a storeroom for old pictures--when she was suddenly awakened by a loud and most unearthly shriek proceeding from that quarter, followed immediately by perfect silence. Lady Eastlake's experience was exactly similar.

Both ladies, of course, may have heard a real shriek, possibly coming from some nightmare-tormented occupant of the palace. But no explanation of this sort is adequate in the case of Miss Goodrich-Freer, who pa.s.sed a night at Hampton Court for the sole purpose of ascertaining whether or not there was any foundation for its ghostly legends.

The room she selected for her vigil was one especially reputed to be haunted, and opened into a second room, the door between the two, however, being blocked by a heavy piece of furniture. Thus the only means of entrance into her room was by a door from the corridor, and this she locked and bolted. After which, feeling confident that nothing but a real ghost could get in to trouble her, she settled down to read an essay on "Shall We Degrade Our Standard of Value?" a subject manifestly free from matters likely to occasion nervousness.

In fact, the essay was so dull that by half past one Miss Goodrich-Freer, not able to keep awake longer, undressed, dropped into bed, and was almost instantly asleep. Several hours later she was aroused by a noise as of some one opening the furniture-barricaded door.

At this she put out her hand to reach a match-box which she knew was lying on a table at the head of the bed.

"I did not reach the matches," she reports. "It seemed to me that a detaining hand was laid on mine. I withdrew it quickly and gazed around into the darkness. Some minutes pa.s.sed in blackness and silence. I had the sensation of a presence in the room, and finally, mindful of the tradition that a ghost should be spoken to, I said gently: 'Is any one there? Can I do anything for you?' I remembered that the last person who entertained the ghost had said: 'Go away, I don't want you,' and I hoped that my visitor would admire my better manners and be responsive.

However, there was no answer, no sound of any kind."

Now Miss Goodrich-Freer left the bed and felt all around the room in the dark, until satisfied that she was alone. The corridor door was still locked and bolted; the piece of furniture against the inner door was in place. So she returned to bed. Almost at once a soft light began to glow with increasing brightness. It seemed to radiate from a central point, which gradually took form and became a tall, slender woman, moving slowly across the room. At the foot of the bed she stopped, so that the amazed observer had time to examine her profile and general appearance.

"Her face," Miss Goodrich-Freer says, "was insipidly pretty, that of a woman from thirty to thirty-five years of age, her figure slight, her dress of a soft, dark material, having a full skirt and broad sash or soft waistband tied high up almost under her arms, a crossed or draped handkerchief over the shoulders and sleeves which I noticed fitted very tight below the elbow. In spite of all this definiteness I was conscious that the figure was unsubstantial, and felt quite guilty of absurdity in asking once more: 'Will you let me help you? Can I be of any use to you?'

"My voice sounded preternaturally loud, but I felt no surprise at noticing that it produced no effect upon my visitor. She stood still for perhaps two minutes, though it is very difficult to estimate time on such occasions. Then she raised her hands, which were long and white, and held them before her as she sank upon her knees and slowly buried her face in the palms in an att.i.tude of prayer--when quite suddenly the light went out, and I was alone in the darkness.

"I felt that the scene was ended, the curtain drawn, and had no hesitation in lighting the candle at my side.... The clock struck four."

Again investigation showed that the corridor door was locked and bolted as she had left it, and the inner door still firmly barricaded.

Consequently, skeptical though she had been when she arrived at Hampton Court Palace, Miss Goodrich-Freer in leaving it entertained no doubt that she had witnessed a genuine psychical manifestation.

The same conclusion was forced upon two ladies, Miss Elizabeth Morison and Miss Frances Lamont, in connection with a visit paid by them to another famous haunted house, the Pet.i.t Trianon at Versailles, the favorite summer home of that unfortunate queen Marie Antoinette, whose ghost, as well as the ghosts of her attendants, has long been alleged to be visible at times in and around it. Miss Morison and Miss Lamont had been sightseeing in the royal palace, but tiring of this had set off, in the early afternoon, to walk to the Trianon. Neither of them knew just where it was located, but taking the general direction indicated on Baedeker's map, they finally came to a broad drive, which, had they only known it, would have led them directly to their destination. As it was, they crossed the drive and went up a narrow lane through a thick wood to a point where three paths diverged. Here they began to have a series of experiences which, comparatively insignificant in themselves, had a sequel so amazing that it would be incredible were it not that the veracity of both ladies has been established beyond question.[1]

[1] In a prefatory note to the book, "An Adventure," in which these ladies detail their experience, their publishers, Messrs. Macmillan and Company, of London, guarantee "that the authors have put down what happened to them as faithfully and accurately as was in their power." Their good faith is also vouched for by a reviewer in _The Spectator_.

Ahead of them, on the middle path, they saw two men clad in curious, old-fas.h.i.+oned costumes of long, greenish coats, knee breeches, and small, three-cornered hats. Taking them for gardeners, they asked to be shown the way, and were told to go straight ahead. This brought them to a little clearing that had in it a light garden kiosk, circular and like a bandstand, near which a man was seated. As they approached, he turned his head and stared at them, and his expression was so repellent that they felt greatly frightened. The next instant, coming from they knew not where, and breathless as if from running, a second man appeared, and speaking in French of a peculiar accent, ordered them brusquely to turn to the right, saying that the Trianon lay in that direction. Just as they reached it, they were again intercepted, this time by a young man who stepped out of a rear door, banged it behind him, and with a somewhat insolent air guided them to the main entrance of the palace.

While they were hurrying thither, Miss Morison noticed a lady, seated below a terrace, holding out a paper as though reading at arm's length.

She glanced up as they pa.s.sed, and Miss Morison, observing with surprise the peculiar cut of her gown, saw that she had a pretty "though not young" face.

"I looked straight at her," she adds in the published statement she has made regarding their adventure, "but some indescribable feeling made me turn away, disturbed at her being there."

Afterwards this "indescribable feeling" was accounted for when Miss Morison identified in a rare portrait of Marie Antoinette the lady she had seen seated below the terrace!

Still more remarkable, subsequent visits to the Trianon brought to both ladies the startling knowledge that the actual surroundings of the place and the place itself differ vastly from what they saw that summer afternoon. The woods they entered are not there, and have not been there in the memory of man; the paths they trod have long been effaced; there is no kiosk, nor does anybody living, except Miss Morison and Miss Lamont, remember having seen one in the Trianon grounds; on the very spot where Miss Morison saw the lady in the peculiar dress a large bush is growing; and the rear door, out of which stepped the young man who guided them around to the front, opens from an old chapel that has been in a ruinous condition for many years, the door itself being "bolted, barred, and cobwebbed," and unused since the time of Marie Antoinette.

On the other hand, their personal researches in the archives of France have brought to light so many confirmatory facts that both Miss Morison and Miss Lamont are firmly persuaded that the Trianon, its environment, and its people were once exactly as they appeared to them; and that in very truth they saw the place as it looked, not at the time they first visited it, but in the closing years of the French Monarchy, more than a century before.

That historic German ghost, the White Lady of the Hohenzollerns, would likewise seem to have more than a legendary basis. Her mission, apparently, is to announce the death of some member of the Hohenzollern family, and her most frequent haunting-place is the royal palace at Berlin. She was seen as early as 1628, and since the time of Frederick the Great her appearance has been regularly chronicled on the eve of the death of the King of Prussia.

For the matter of that, there are not a few families whose ancestral homes, according to tradition, are haunted by death-announcing ghosts.

This is particularly the case with certain distinguished British families. Two white owls perching on the roof of the family mansion are taken as a sure omen of death in the Arundel of Wardour family.

The Yorks.h.i.+re Middletons, a Catholic family, are said to be warned of approaching death by the apparition of a Benedictine nun. Equally noteworthy as a spectral messenger of tragedy is the so-called Drummer of Cortachy Castle, a Scottish ghost that haunts the ancient stronghold of the Ogilvys, Earls of Airlie, but is in evidence only when an Ogilvy is about to die.

The story goes that, hundreds of years ago, when the Scots were little better than barbarians, a Highland chieftain sent a drummer to Cortachy Castle with a message that was not at all to the liking of the Ogilvy of that time. As an appropriate token of his displeasure, he seized the luckless drummer, stuffed him into his drum--he must have been a very small drummer, and have carried a very big drum--and hurled him from the topmost battlements of the castle, breaking his neck.

Just before he was tossed off, the drummer threatened to make a ghost of himself, and haunt the Ogilvys forevermore. He has been, it would seem, as good as his word. Every once in a while ghostly drumming is heard at Cortachy Castle, and always the death of an Ogilvy follows.

An especially impressive account of one instance of this peculiar and most unpleasant haunting has been left by a Miss Dalrymple, who happened to be a guest at Cortachy during Christmas week of 1844.

It was her first visit to the Castle, and she was entirely unaware of the existence of the family ghost. On the evening of her arrival, while dressing for dinner, she was startled by hearing under her window music like the m.u.f.fled beating of a drum. She looked out, but could see nothing, and presently the drumming died away. For the time she thought no more of it, but at dinner she turned to her host, the Earl of Airlie, and asked: