Gone Fishing Part 2

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Barney hesitated aware that Fredericks had remained in the hall just beyond the study. But Fredericks obviously was in McAllen's confidence. His eavesdropping could do no harm.

"It means this, doctor--" Barney began, amiably enough; and he proceeded to tell McAllen precisely what the photographs meant.

McAllen broke in protestingly two or three times, then let Barney conclude his account of the steps he had taken to verify his farfetched hunch on the pier without further comment. After a few minutes Barney heard Fredericks' steps moving away, and then a door closing softly somewhere, and he s.h.i.+fted his position a trifle so that his right side was now toward the hall door. The little revolver was in the right-hand coat pocket. Even then Barney had no real concern that McAllen or Fredericks would attempt to resort to violence, but when people are acutely disturbed--and McAllen at least was--almost anything can happen.

When Barney finished, McAllen stared down at the photographs again, shook his head, and looked over at Barney.

[Ill.u.s.tration]

"If you don't mind," he said, blinking behind his gla.s.ses, "I should like to think about this for a minute or two."

"Of course, doctor," Barney said politely. McAllen settled back in the chair, removed his gla.s.ses and half closed his eyes. Barney let his gaze rove. The furnis.h.i.+ngs of the house were what he had expected--well-tended, old, declining here and there to the downright shabby. The only reasonably new piece in the study was a radio-phonograph. The walls of the study and of the section of a living room he could see through a small archway were lined with crammed bookshelves. At the far end of the living room was a curious collection of clocks in various types and sizes, mainly antiques, but also some odd metallic pieces with modernistic faces. Vacancies in the rows indicated Fredericks might have begun to dispose discreetly of the more valuable items on his employer's behalf.

McAllen cleared his throat finally, opened his eyes, and settled the spectacles back on his nose.

"Mr. Chard," he inquired, "have you had scientific training?"

"No."

"Then," said McAllen, "the question remains of what your interest in the matter is. Perhaps you'd like to explain just why you put yourself to such considerable expense to intrude on my personal affairs--"

Barney hesitated perceptibly. "Doctor," he said, "there is something tantalizing about an enigma. I'm fortunate in having the financial means to gratify my curiosity when it's excited to the extent it was here."

McAllen nodded. "I can understand curiosity. Was that your only motive?"

Barney gave him his most disarming grin. "Frankly no. I've mentioned I'm a businessman--"

"Ah!" McAllen said, frowning.

"Don't misunderstand me. One of my first thoughts admittedly was that here were millions waiting to be picked up. But the investigation soon made a number of things clear to me."

"What were they?"

"Essentially, that you had so sound a reason for keeping your invention a secret that to do it you were willing to ruin yourself financially, and to efface yourself as a human being and as a scientist."

"I don't feel," McAllen observed mildly, "that I really have effaced myself, either as a human being or as a scientist."

"No, but as far as the public was concerned you did both."

McAllen smiled briefly. "That strategem was very effective--until now.

Very well, Mr. Chard. You understand clearly that under no circ.u.mstances would I agree to the commercialization of ... well, of my matter transmitter?"

Barney nodded. "Of course."

"And you're still interested?"

"Very much so."

McAllen was silent for a few seconds, biting reflectively at his lower lip. "Very well," he said again. "You were speaking of my predilection for fis.h.i.+ng. Perhaps you'd care to accompany me on a brief fis.h.i.+ng trip?"

"Now?" Barney asked.

"Yes, now. I believe you understand what I mean ... I see you do.

Then, if you'll excuse me for a few minutes--"

Barney couldn't have said exactly what he expected to be shown. His imaginings had run in the direction of a camouflaged vault beneath McAllen's house--some ma.s.sively-walled place with machinery that powered the matter transmitter purring along the walls ... and perhaps something in the style of a plastic diving bell as the specific instrument of transportation.

The actual experience was quite different. McAllen returned shortly, having changed into the familiar outdoor clothing--apparently he had been literal about going on a fis.h.i.+ng trip. Barney accompanied the old physicist into the living room, and watched him open a small but very st.u.r.dy wall safe. Immediately behind the safe door, an instrument panel had been built in the opening.

Peering over the spectacles, McAllen made careful adjustments on two sets of small dials, and closed and locked the safe again.

"Now, if you'll follow me, Mr. Chard--" He crossed the room to a door, opened it, and went out. Barney followed him into a small room with rustic furnis.h.i.+ngs and painted wooden walls. There was a single, heavily curtained window; the room was rather dim.

"Well," McAllen announced, "here we are."

It took a moment for that to sink in. Then, his scalp p.r.i.c.kling eerily, Barney realized he was standing farther from the wall than he had thought. He looked around, and discovered there was no door behind him now, either open or closed.

He managed a shaky grin. "So that's how your matter transmitter works!"

"Well," McAllen said thoughtfully, "of course it isn't really a matter transmitter. I call it the McAllen Tube. Even an educated layman must realize that one can't simply disa.s.semble a living body at one point, rea.s.semble it at another, and expect life to resume. And there are other considerations--"

"Where are we?" Barney asked. "On Mallorca?"

"No. We haven't left the continent--just the state. Look out the window and see for yourself."

McAllen turned to a built-in closet, and Barney drew back the window hangings. Outside was a gra.s.sy slope, uncut and yellowed by the summer sun. The slope dropped sharply to a quiet lakefront framed by dark pines. There was no one in sight, but a small wooden dock ran out into the lake. At the far end of the dock an old rowboat lay tethered.

And--quite obviously--it was no longer the middle of a bright afternoon; the air was beginning to dim, to s.h.i.+ft towards evening.

Barney turned to find McAllen's mild, speculative eyes on him, and saw the old man had put a tackle box and fis.h.i.+ng rod on the table.

"Your disclosures disturbed me more than you may have realized,"

McAllen remarked by way of explanation. His lips twitched in the shadow of a smile. "At such times I find nothing quite so soothing as to drop a line into water for a while. I've got some thinking to do, too. So let's get down to the dock. There ought to be a little bait left in the minnow pail."

When they returned to the cabin some time later, McAllen was in a pensive mood. He started a pot of coffee in the small kitchen, then quickly cleaned the tackle and put it away. Barney sat at the table, smoking and watching him, but made no attempt at conversation.

McAllen poured the coffee, produced sugar and powdered milk, and settled down opposite Barney. He said abruptly, "Have you had any suspicions about the reason for the secretive mumbo jumbo?"

"Yes," Barney said, "I've had suspicions. But it wasn't until _that_ happened"--he waved his hand at the wall out of which they appeared to have stepped--"that I came to a definite conclusion."

"Eh?" McAllen's eyes narrowed suddenly. "What was the conclusion?"

"That you've invented something that's really a little too good."

"Too good?" said McAllen. "Hm-m-m. Go on."

Gone Fishing Part 2

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Gone Fishing Part 2 summary

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