Lisa Jackson's Bentz And Montoya Bundle Part 79

"Abusing her?" Zoey stared at Abby as if she, too, had lost her mind.

"Molesting her."

"Jesus, Abs!"

"I know, I know, but as I recall, her blouse and bra were undone and . . ." She hesitated. "I can see his face, but . . ." She tried to think, to roll back the years, to call up his name, but nothing came to her, just the start of a headache that pounded through her brain. She drew a calming breath and glanced across the table. "Do you remember who was treating Mom? What the psychiatrist's name was?"

"There were lots of doctors and nurses." Slowly, as if she were acting by rote, Zoey dipped the ends of her fork tines sparingly into the small cup of dressing, then p.r.o.nged her bite of lettuce and shrimp. "I don't know. She was in and out of the hospital a lot. The staff came and went."

"I know, but I'm talking about that last stay. Who was seeing her right before she died?"

"I can't remember, but Dad would know." She shook her head. "But he's so frail. I don't want to drag him into this."

"I don't think we have a choice, Zoe. I have a feeling that whoever that doctor was, he not only abused Mom, he might have killed her as well."

"Oh, now, come on . . . Now you're accusing this man of . . . what? s.e.xual molestation and . . . murder? You think he pushed Mom out of the window?"

Abby squeezed her eyes shut, tried to hold on to the memory, but it was slippery, skimming in and out of her consciousness. "Go visit Dad tomorrow. See what he knows."

"And what will you do?" Zoey asked suspiciously.

"Keep trying to remember." She ran her hands through her hair and regarded her sister. "You should have told me. I don't care what the doctors said. I needed to know. I still need to know."

"n.o.body wanted you to keep having those nightmares."

"I had those nightmares because no one's been honest with me!"

"Okay, okay . . ."

They drifted into uneasy silence. Abby chased her salad around her plate with her fork. She now knew what she had to do, but she couldn't confide in her sister. Zoey would have a fit.

But armed with this new information, Abby was certain if she went back to the hospital, she would remember everything. If she wanted to learn the truth about what had happened to her mother, if she wanted to break the hold her mother's death still had on her, then she needed to step back in time . . . she needed to force her way into Room 307 at Our Lady of Virtues Hospital.

Only then would she really know what had happened.

Montoya pushed the stack of photographs to one side of his desk, leaned back in his chair, and rubbed his eyes. He'd been at the desk for hours. He'd been looking over each snapshot he'd taken at the Courtney LaBelle candlelight vigil, then later her funeral, and finally Luke Gierman's service. He'd do the same thing when Asa Pomeroy and Gina Jefferson were laid to rest.

So far he had a stack of photographs of people he hadn't yet identified. He'd separated that pile down, pulling out the females, then weeding through the men until he found those who were big enough to wear a size twelve. Even so, this could be a wild-goose chase. Who was to say that the killer had attended either service?

Even if the psycho had shown up, he would probably disguise himself . . . he could even come as a woman . . . albeit a tall one.

Frustrated, Montoya ran a hand around the nape of his neck, then climbed to his feet to stretch his back and legs. He had too much restless energy to sit at a desk for hours.

They didn't want him on the front lines till they knew more about his aunt. It was frustrating. Who better than he to search for his Maria? He knew he wasn't objective, but so what? No one wanted to find her abductor more than he did. Just as no one else was more concerned for Abby Chastain's safety.

"c.r.a.p," he muttered.

His family was going nuts. From the time Maria had gone missing, every aunt, uncle, and cousin twice removed had phoned him, either demanding answers or sharing their deepest fears.

None of which were any deeper than his own. With each pa.s.sing second that Maria and Billy Ray Furlough were missing, he'd grown more certain they were victims of foul play. Every time the phone rang, he gazed at it uneasily, half expecting to learn someone had stumbled upon their grotesquely entwined bodies.

So far, that phone call hadn't come in.

Montoya expelled air from his lungs and tried to force the odd pieces of the murder puzzle into some sort of sane pattern even though he knew he was dealing with a deranged individual.

He reread the note from the killer.

REPENT.

AL.

Repent for what? What had Luke Gierman, Courtney LaBelle, Asa Pomeroy, and Gina Jefferson had in common? What sin had they all committed? And what the h.e.l.l did it have to do with Our Lady of Virtues?

Again, he viewed the pictures of the crime scenes on his monitor. Why were the male victims stripped bare? Why the women fully clothed and lying over them? Why the precise staging? The FBI profiler hadn't come up with anything more than the usual . . . if a killer could be described as anything near "usual." The same old stuff, white male in his late twenties to early forties, from a middle-cla.s.s or lower-cla.s.s family, someone who was probably abused as a child, someone who set fires and killed animals before escalating to humans, someone who had a fascination with the police and law enforcement . . . Montoya knew the drill.

But this guy, his gut told him, was different. This guy had taken the serial killing game to a new level.

Since Montoya was sidelined from the case, Bentz and Brinkman had returned to the convent as well as visited Billy Ray Furlough's compound. The FBI-the agency in charge-was dealing with the worried wife and children, checking with friends, family, and members of the church, all the time waiting for a ransom demand that Montoya doubted would come through.

He leaned back in his chair and opened his desk drawer. He found a pack of Nicorette gum, unwrapped it, and popped a tasteless piece in his mouth. Craning his neck, he peered through the open door to Bentz's office, then glanced out his window, where gray clouds were weaving their way inland from the Gulf.

Soon it would be night again.

And Montoya was afraid the killer would strike.

What if the son of a b.i.t.c.h took Abby's gun?

He considered camping out at her house again, but he knew that, if he did, he'd end up in her bed. Their lovemaking had been hot, desperate, and addictive.

He reminded himself she wasn't alone.

Her sister was staying with her. And anyway Abby had her dog, and Miguel had promised to install a security system ASAP.

But her ex-husband's gun was missing and that made him crazy.

Maybe she'd misplaced it.

Or maybe someone had stolen it.

And maybe that thief was the killer.

He swore beneath his breath in frustration, changing the screen on his computer and studying a digital image of a map of New Orleans and the surrounding area. It was large enough to encompa.s.s all the places where the murders had occurred. Places where the bodies had been found were pinpointed in red. The places from where the victims had been abducted were marked in blue, and spots where their vehicles had been located were in orange. Also, each victim's place of employment and residence had been color coded. Montoya stared at the map, but try as he might, he saw no correlation.

He even played with the data, coloring everything that had to do with one victim, home, employment, abduction site, murder locale in one hue, then designating another for the second victim, and so on and so forth . . . but no pattern jumped out at him.

He frowned and shook his head. He was going at this all wrong. He looked at the crimes themselves. The commonality of the victims was twofold. First there was the obvious yin and yang of it all, victims selected based on the fact that they were diametrically opposed to each other, with good and evil being represented. The staging of the deaths represented the "good" half of the whole destroying the "bad." Then, of course, there was the link of each victim, however thin it was, to the old mental hospital. He still couldn't shake that.

He was still thinking about the old hospital when his cell phone rang. "Montoya," he answered.

"Hi. This is Maury Taylor, down at WSLJ."

Montoya's muscles tensed. "Yeah?"

"Well, you told me to call if I got another one of those notes. And I did. Today."

Montoya was already reaching for his jacket. "Don't do anything with it," he said. "I'll be right there."

"I thought I'd talk to the guy on the program again. You know, draw him out-"

"No!" Holding the phone in one hand, he thrust his other hand down the sleeve of the jacket, shaking his arm a bit to get the stiff leather over his shoulder holster.

"Look, I think I have the right to-"

"You have no rights where this is concerned. Got it? Don't touch the letter, don't open it and-"

"I already opened it."

The stupid little d.i.c.k.

"I had to make sure it was from the same guy. Don't worry, I didn't touch it . . . well, not much."

"Listen, Taylor, don't do anything! You got it? Nothing!" He clicked the cell phone off and slid it into his pocket. Then he was out the door.

CHAPTER 25.

The note read: ATONE.

LAW.

As he stood in Eleanor Cavalier's office with the program manager and Maury Taylor, Montoya held the single white sheet of paper in his gloved hands. He checked the postmark-not only was it New Orleans, but the two notes had been processed through the same station. In fact, they were nearly identical. Montoya read the information over and over again, then added the new note into a plastic evidence bag.

"This is all you got?" he asked and Maury nodded.

"You're welcome to look through the rest of the mail," Eleanor offered, "but this is the only item that looked pertinent."

Through the plastic, Montoya read the note one last time. What was with the religious instruction? First REPENT, signed by A L. Then ATONE, signed by LAW. Was it a signature? He didn't think so. It looked like the killer was trying to tell them something, but what?

"I think I should be able to mention on the air that the killer is contacting WSLJ," Maury said in an obvious ploy to appeal to Eleanor's penchant for higher and higher ratings. "It's tantamount to a public service announcement."

"We'll decide that," Montoya told him.

"But it came to this this station, station, my my show. I should get to use it to make the public aware." show. I should get to use it to make the public aware."

"Of what?" Montoya asked.

"Maybe someone close to the killer has seen this," Maury suggested. "They're unaware that their husband or best friend is the maniac."

"He's got a point." Eleanor tapped a red-tipped fingernail alongside her jaw. She was leaning toward the ratings spike, too.

Montoya managed to mash down his temper. "Okay, look, here's the deal. I'm going to take it in for a.n.a.lysis, have the lab and our handwriting experts and the cryptologist do their things with it. If we decide to make it public, you get first crack."

"I'm thinking an exclusive," Maury said, pus.h.i.+ng his luck.

"If you can get the FBI to agree." Montoya shrugged. He hated giving the worm anything, but it wasn't his call.

"We have been complying with you," Eleanor pointed out. "I could recant all those nasty things I said about you to Melinda Jaskiel."

"Too late. Damage done." His cell phone rang. He glanced at the screen. "If you get any other letters, let me know. I'll talk to my boss and the Public Information Officer about an exclusive. They'll speak to the feds and we'll get back to you."

Maury looked about to argue as the phone rang again. He thought better of it as Montoya pressed the phone to his ear and walked down the long hallway toward the front door. Melba, the receptionist, offered him a smile and a wave, obviously through being miffed at him for rus.h.i.+ng in and nearly throttling Taylor. Montoya figured that secretly everyone at the station was glad someone had knocked the c.o.c.ky son of a b.i.t.c.h down a peg or two.

"Montoya," he answered on the third ring, shouldering open the door.

"h.e.l.lo, Detective," Our Lady's Mother Superior greeted him, identifying herself. "I've talked with several detectives since I first called you about Sister Maria and I've given them all the information I had, including those personnel and patient records."

"Good."

"But there's something else you should know about, and it's personal." She sounded unsure of herself. "I need to speak to you. In person."

He felt it then, that little niggle in his brain that warned him when something was about to change. "You know, because of my relations.h.i.+p with Maria, I've been taken off the case."

"What I have to say is for your ears only. It requires the utmost discretion." Her voice brooked no argument.

He thought about the investigation and what his superiors would say about being a rogue cop, but when push came to shove, he didn't give a good G.o.dd.a.m.ned what would happen to him. If he lost his badge, so be it.

He wouldn't do anything to compromise the investigation.

Unless it meant taking the killer out. He could do that and hang the consequences. Justice would be served and he'd save the state of Louisiana a pile of money in the process.

"I'll be there in an hour," he said.

"Thank you, Pedro."

"My name is Reuben."

"Yes, yes, I know that. But I remember Sister Maria liked calling you by your confirmation name. Please come directly to my office when you get here."