Brann the Iconoclast Volume 10 Part 8

And the woman with the flame in her heart? From her we have nothing to gain so--what would you? Her nature was too great to be discreet. She sinned grandly, but the height of her sin made deeper the depths of her soul abas.e.m.e.nt and her self-torment was too horrible to clothe itself in the tawdry draperies of diplomacy. She bared herself to the whips of the avenging furies, she cowered before the wrath of outraged G.o.d, and to her there was no guerdon possible for the shattered chrystal of her girlhood. When her heaven thrust her out, to her there was only left the world's h.e.l.l of lost souls. And we in our wisdom accept her own sentence and our lips are silent. We feast the wanton who is wise and bracket Marguerite with Messalina. We kiss the one and curse the other, because the one is a hypocrite in the halls of splendor and the other honest in the haunts of shame. We hover around the one with flatteries and soft courtesies, and we hound down the other with pitiless vengeance, human and divine.

And in all this does our world show its shallowness and its immeasurable stupidity. How dare woman say to her sister woman, "I am better than thou!" In how much has she been tried and tempted? How much does she know of life and its hideous tests?

How much does she know woman's love that is at once her glory and her shame, her crown and her crucifix, her heaven and her Calvary? How dare she judge? Has she ever faced the uphill battle where her two hands alone fought the ravenous wolves of Want and Hunger? Has she ever slipped her bared arm thro' the iron staples and held it there, while they howled in fury outside, and this iron cut and bruised and tore flesh and nerve,--till her teeth sank through tongue and lips and her eyes grew misty and dim with torture worse than death? Has she ever done all this--while her strength reeled and failed and through it all she cursed G.o.d for the white fear in the faces of those who loved and lived upon her? Has she ever felt that sickening GIVE, as the h.e.l.l-hounds swept her back and down, and in her blind despair she would clutch at aid though it were steeped in all the infamies from here to hades? Has she ever known all this?--she who would draw her silken s.h.i.+rts aside? Then if she have not, let her strip her heart of its stainless selfishness and her limbs of their ignorant ease; let her go out into the world where women live and strive and suffer, and let her humbly crawl to the feet of those women whose toil worn hands and weary faces and scarred hearts and souls shame her shallow usefulness, and let her lay her mouth in the dust and cry "Peccavi!"

How dare she judge! Who is she, with her pitiless eyes and useless hands and ignorant heart and narrow life,--who is she to question lives that in all their ruins are as grand, compared to hers, as a ruined temple compared to a child's painted toy. Would she write of Rome with the pearl and gold bauble on her dainty, inlaid desk? Would she measure the Pantheon with the little yardstick of her own intellect? Would she weigh Caesar's life and motives on the jeweled letter-scales of her own experience? Would she gauge Jove by the character of her curate?

If she can do this, then is she competent to voice her judgment on the most profound of all mysteries--human life. Boise City, Idaho, November 12.

MACHIAVELLI.

BY WILLIAM MARION REEDY.

One of the best books issued this year is the thin pamphlet, you might call it, which contains Mr. John Morley's lecture on Machiavelli. It will repay any reader from what standpoint soever he may approach the character. "The veering gusts of public judgment have carried incessantly along, from country to country, and from generation to generation, with countless mutations of aspect and of inuendo, the sinister renown of Machiavelli."

Truly this man of all men, since Judas, has attained an immortality of infamy. Long was it thought that the common domestic t.i.tle of the devil, "Old Nick," was an abbreviation of Machiavelli's Christian name. Hudibras fathered that myth, but now we know, Mr. Morley says, that the familiar appellation of the Evil One is a remnant of Norse mythology, deriving from Nyke, the water- goblin.

For three centuries all the evils of all political systems and policies have been attributed to the evils of Machiavelli's logic. Church and State alike have claimed he was the champion of the other's cause. He was Jesuit and atheist as it suited the turn of any vituperative polemist. He was Reformer and "Romanist"

as the advocates of Rome or Reformation happened to interpret him. His is, certainly, an unique greatness. There has been in his work, as in all great works, something for all men; but that something has been always, for three centuries, something bad. It is no wonder, therefore, that there prevailed once, a belief that the Devil himself had written his chief book. I have always had an idea that Goethe in drawing Mephistopheles, glanced from the tail of his mind's eye at Machiavelli for a model. Machiaveli appears to come nearer than any human being to realizing the Goethe conception of Intellectual Evil.

The man, still, may be infamous, but--he is intensely human. The baseness of him has its basal strength in his founding upon man.

He is the only realist philosopher. Besides him Bacon is a dreamer. Machiavelli was and is the master misanthrope, and,--G.o.d help us!--we must admit that his misanthropy only too well is founded on fact. He seems to have been the most perfect incarnation of that "accomplished and infamous Italy," which gave us the Borgias and the terrible Elizabethan plays of Tourneur, Webster and Ford, with their plots of incest and murder, that Italy which was a veritable h.e.l.l out of which rose the Renaissance. He was the philosophy of that Italy. He first said, in effect, that nothing succeeds like success. He first cast aside Plato and his dreaming and Aristotle and his elements.

He was the father of the philosophy of "practical politics."

Francis Bacon learned of Machiavelli, who "wrote what men do and not what they ought to do." This is the philosophy of fact. He dealt with men as he found them. He was a sublime, almost a diabolical opportunist I have often thought Benjamin Franklin, with his "honesty is the best policy," is another Machiavelli, only touched a little with the pharisaism of the Puritan. With the Italian anything that would win is the best policy, and this is his honest estimate of men. The best policy was the policy adopted, after looking the facts of life and of human nature squarely in the face and finding that the end was to be attained easiest either by honesty or dishonesty. To "get there," as we say, was the faith of Machiavelli.

Idea and ideal meant nothing to the author of "The Prince." What we know as "moral forces" this Italian ignored. He judged humanity by its lowest average of motive or intelligence. There was but one general law, for him, and that was that it was right to deceive, if force were of dubious effect, in affairs of State.

It were well to be honest, if one could, as a ruler of the State, but it was his duty to rule and triumph by any means between the extremes of simple lying on the one hand, and poisons or other a.s.sa.s.sination on the other.

Machiavelli was born in 1469. He was a governmental secretary in Florence and met many of the strangely fine and fiendish characters of that time. He went on four missions to the King of France; was an intimate of Caesar Borgia; was an emissary of the Florentine republic to Pope Julius II, and was with Maximilian to Innsbruck. Those were stormy times, and Machiavelli studied the storms. He belonged to the popular party--and his masterpiece is a manual for tyrants. After 1512, with the return of the Medici, he lost his place, was imprisoned, was put to the torture, was amnestied by Leo X and withdrew to San Casciano, where he lived a life almost idyllic in its manner, to judge by a description from his own pen which Mr. Morley has incorporated in his lecture. It was there he wrote the book "The Prince," at forty- five, dedicating it to Lorenzo the Magnificent. The dedication was a bit of palaver to the tyrant who had destroyed Florentine freedom. It was several years before he was rewarded by a small employment and then he was commissioned to write the history of Florence which he finished and dedicated to Leo X, in 1527. Here, also, it is supposed, he wrote a comedy, much praised and unremembered. He was a shrewd man, as his writings aver, yet he made a failure of his own life, to a large extent. He was cheerful in his ill-fortune, however, and he "clung to public things," and, after his comedy, wrote the dialogues of the "Art of War," to induce his countrymen to subst.i.tute for mercenary armies a national militia--to-day one of the organic ideas of the European system. Just as Machiavelli entered public life Savonarola had gone to the stake for an idea. The spirit of Dante touched him not at all. He was a man of his time, but not of the very best of his time. And yet he wrote that he loved his country with his whole soul. Mr. Morley says, "and one view of Machiavelli is that he was always the lion masquerading in the fox's skin, an impa.s.sioned patriot, under all his craft and jest and bitter mockery. Even Mazzini, who explained the ruin of Italy by the fact that Machiavelli prevailed over Dante, admits that he had 'a profoundly heart.' " Machiavelli died in 1527.

He was a man of affairs. He had read the ancients who dealt with politics, and he a.s.similated what he read, Mr. Morley says that it was as true of Florence in the Sixteenth Century as of Athens, Corinth, Corcyra in the Fifth Century before Christ, as set forth in Thucydides, that it was a prey to intestine faction and the ruinous invocation of foreign aid. "These terrible calamities,"

says Thucydides, "always have been and always will be, while human nature remains the same. Words cease to have the same relations to things, and their meanings are changed to suit the ingenuities of enterprise and the atrocities of revenge. Frantic energy is the quality most valued, and the man of violence is always trusted. That simplicity which is a chief ingredient of a n.o.ble nature is laughed to scorn. Inferior intellects succeed best. Revenge becomes dearer than self-preservation, and men even have a sweeter pleasure in the revenge that goes with perfidy than if it were open." If any reader of the ICONOCLAST desires a splendid picture of this Italy, I refer him to Vernon Lee's "Euphorion," which pictures the land as an inferno. Mr. Morley, too, gives a vivid picture of the time, saying that Italy of that date "presents some peculiarities that shed over her civilization a curious and deadly irridescence." How one thinks of Ingalls and his "honesty in politics is an iridescent dream." To resume our Morley. "Pa.s.sions moved it in strange orbits. Private depravity and political debas.e.m.e.nt went with one of the most brilliant intellectual awakenings in the history of the western world.

Another dark element is the a.s.sociation of merciless selfishness, violence, craft and corruption with the administration of sacred things. If politics were divorced from morals, so was theology."

Hired crime, stealthy a.s.sa.s.sination, especially by poison, prevailed. Contempt of human life, the fury of private revenge and the spirit of atrocious perfidy were characteristic of the luxurious Italian renaissance. Genius, according to John Addington Symonds, it was a.s.sumed, "released man from the shackles of ordinary mortality." These Italian tyrants were touched with the Neronian malady. They were mad with power, with luxury, with ennui. Flowers of Evil bloomed profusely. In Italy, fair as it was, with the poets singing everlastingly of Spring, it seemed G.o.d has forgotten the world. The demonaic fascination of the land, then, is something the reader finds difficult to shake off. You move among and hold converse with splendid cultured monsters. The church alone kept alive purity, though it did not escape corruption. I think Dante and Michael Angelo proved that the pure religious spirit was not dead in a time when it was proclaimed that "it is best to sleep and be of stone, not to see and not to feel, while such misery and shame endure."

There was a spirit recognizing the "misery and shame," and that spirit was in the church. Mr. Morley admits that Michael Angelo was such a spirit and Dante wrote in "La Vita Nuova" the first, pure, spiritual love-poem of the world.

Environed thus, and with a peculiarly Italian morbidezza, or plasticity we find Machiavelli. Others before had written of politics, but Machiavelli "had the better talent of writing." He wrote to tell things clearly. Imagination he had none, as an historian, and his comedy is in Limbo. He is all intellectual strength, but the moral influence is missing. He is, says Mr.

Morley, simple, unaffected, direct, vivid, rational. He is as literal as a woman. His literal statement is his finest effect of irony. Mr. Morley's a.n.a.lysis of the Machiavellian style is itself a masterpiece of serene expression, rising with a solemn sense of the fearful absence of all principle, as we understand it, in the work, to a richly eloquent, and even tender, tribute to the moral beauty of life. I wish I might transcribe it and I hope that many will read it. It is rarer than anything you may remember of Macaulay's essay upon the everlastingly execrable Florentine.

"Men are a little breed" might have been Machiavelli's motto. Or he might have said "the more I see of men the better I like dogs." He is remorseless in seeing only that men are ungrateful, fickle, deceivers, greedy of gain, run-aways before peril, readier to pay back injury than kindness. "Worst of all they take middle paths." Upon these, his observations, he proceeds to tell a story of a State and he tells it icily. He lays bare the foulness of man. He doesn't lecture, he does not preach, he never laughs, never scolds, is never surprised. He shows, says Mr.

Morley about "as good a heart as can be made out of brains." In my opinion, that sentence is the most terrible indictment in the book. It marks him as a monster worse than Frankenstein.

Machiavelli has no opinion to argue about; nothing but men's pa.s.sions as they were and are. He is alive, always and everywhere, because he shows us men. He maintains, according to Mr. Morley, that the world grows no better and no worse. There is for him no "one far-off, divine event to which the whole creation moves." Nothing for him but Power. Good and evil concern him not.

He recited what we call a crime as impa.s.sively as he recited a virtue. So-and-so did such and such. This followed. That is all.

He is a fatalist with no more sound philosophy than this: "It is better to be adventurous than cautious, for Fortune is a woman, and to be mastered must be boldly handled. He was a republican, but he believed that strength was the secret of government--strength in itself and in mastery of those who make up the State. No half-measures for him. The State is his idol, if he have one. The State must be supreme in will, in vigor, in intelligence; unflinching, unsparing, remorseless. The humility of Christ has no part in his scheme. He knows no mercy and no justice. One almost can admire his inhuman disregard of men. He cared as little for them as Napoleon. He scorns all gentleness.

And yet he thought well of the people, of their prudence and stability. He deemed them liable to err as to generalities but apt to be right as to particulars. Our experience, I dare say, is otherwise--no matter how we stand on the financial question.

"Better far," he repeats an hundred times, "than any number of fortunes is not to be hated by your people." Not to be hated!

That was as near as he could come to love. He is opposed to dictators and he speaks out plainly enough, in his discourses, about the unwisdom of slaying fellow-citizens, betraying friends, being without mercy, without religion. He is conventional enough in all this. When he comes to describe the Prince, who is to save the divided State, he does so in lines that make a picture at once to fascinate and affright mankind.

The Prince must save the State. He must be as good as he can be; at least, he must have no vices that will hurt the State, i. e.

endanger his government. There are but two ways to govern, by law or force. The Prince must rule by one or the other, as necessity may dictate. He must mingle the lion and the fox. A Prince cannot keep faith, if keeping faith will hurt the State. Why? Because others will not keep faith with him. "It is frequently necessary--and here is the sentence that has done so much to d.a.m.n its writer--for the upholding of the State, to go to work against faith, against Charity, against humanity, against religion; and a new Prince cannot observe all the things for which men are reckoned good." Reason of State is the only universal test for an action. Anything that may preserve the State is right. I wonder what Professor Felix Adler would think of this, with his proposal to make the State "take the place of the personal deity that is pa.s.sing out of men's lives. Machiavelli was a fetich wors.h.i.+pper of the State. Preserve the State, say Machiavelli regardless of justice, or pity, or honor! As Diderot, quoted by Mr. Morley, said of this, it is an argument which should be headed, "The Circ.u.mstances under which it is right for a Prince to be a Scoundrel."

Caesar Borgia, the fiend, was Machiavelli's model, a man who rivalled all the atrocities of the worst Roman emperors. But Borgia failed. That matters not to Machiavelli. His failure was "due to the extreme malignity of fortune." Mr. Morley's rapid sketch of Caesar Borgia, ferocious, l.u.s.tful in insane ways, treacherous, splendidly vile, is a glance into the h.e.l.l that was Italy. Machiavelli was in this man's train and frankly admired him and his methods. All the men of the times seemed to be wild beasts, and Borgia was as courageous, supple and sly as those with whom he dealt. Machiavelli, to do him justice, thought that Caesar Borgia and his father, the Pope, had design to pacify and to unify Italy. They worked with the material and with the tools to hand. Men did not shudder at treachery and a.s.sa.s.sination in those days. We must judge men by their surroundings. And it is difficult, even now, vide Turkey and Greece, "to govern the world by paternosters." As Mr. Morley says, "It is well to take care lest in blaming Machiavelli for openly prescribing hypocrisy, men do not slip unperceived into something like hypocrisy of their own. Each age has its own hypocrisy. Mr. Morley traces the influences of Machiavelli, and finds them strong in William the Silent, Henry of Navarre, and Good Queen Bess. All these rulers dallied with creeds and were diplomats to the Machiavellian limit of duplicity. They burned and hanged and tortured on the plea of the strong State. Frederick, the Great, too, Mr. Morley cla.s.ses as a pupil of Machiavelli, though, once, the "crank" on tall grenadiers threatened to write a refutation of "The Prince" and thereby drew from Arouet de Voltaire a characteristic mot.

Napoleon, with his "reasons of State," was Machiavellian.

Machiavelli presided at the shooting of D'Engheim. It was one of the last things which showed "what reason of State may come to, in any age, in the hands of a logician with a knife in his grasp."

From the influence of Machiavelli upon the Absolutists, Mr.

Morley comes down to his influence in the Republican camp.

Mazzini, he says "could not curse the dagger" and yet Mazzini was "in some respects the loftiest moral genius of the century." Mr.

Morley does not believe that Machiavellism has pervaded party politics in Europe or America. I wonder if this be not a sample of Mr. Morley's Machiavellism--a reason of state at this time. If not Machiavellism, what, in G.o.d's name, are our platform straddles, our expediency candidates, our deals and d.i.c.kers in tariff-bills, our endeavors to catch all kinds of votes from all kinds of "interests." I am not a silverite, but the regular Democrats made and out-and-out platform and did not hedge. I am a Democrat and glad that, though it "split us wide open," we fought out the issue just as we fought out the slavery issue. True Democrats, gold or silver, despise only the Machiavellists who talk of compromise. Machiavelli seems to have seen but one side of life--the worse. He knew but one kind of men--Italians of the sixteenth century. They were not normal. It is true that Nature is not moral, but if Machiavelli be right it were just as well that we should return to the conditions of life in Stanley Waterloo's "Story of Ab." Whether Nature be moral or not, at least men are. We must look at the facts. We have civilized our code of warfare. The greatest living diplomat is Leo XIII, and no one deems that he succeeds by deceit. Bismark says there is no success in lying, in diplomacy. Reasons of State are not, in the common consent of mankind, good reasons per se. "Talleyrand was false to every one but true to France." He was an avatar of Machiavelli, and he is despised, universally.

The Roman State has pa.s.sed away. The Venetian and the Florentine States have pa.s.sed. All the supreme States have vanished and they begun to fade just as soon as the Machiavellian idea began to prevail. The State is not the end of the existence of people. The State must grow broader and broader until, let us hope, we shall see "the parliament of man, the federation of the world." Our sympathy with Cuba, with the Armenians, with Ireland, with Poland, rises up to refute Machiavelli and his right of the State to crush for mere pleasure of power. "If Machiavelli had been at Jerusalem two thousand years ago, he would have found n.o.body of importance save Pontius Pilate and the Roman legionaries," says Mr. Morley. He forgot the moral force of the world. Machiavelli's fault is the Renaissance fault. The Renaissance turned to the past to reconstruct everything, and it copied, save in its architecture, only Antiquity's faults. It became diseased, trying to adjust itself to dead things. Life itself became corrupted; the Renaissance was to a large extent a birth out of degeneration.

Machiavelli was a scientist--a vivisectionist I should say. He preached, with a vengeance, the survival of the fittest. He is vital in his books today because he stands for the vitality of men's pa.s.sions. He saw them and studied them and knew them. But upon pa.s.sions nothing ever was builded. They s.h.i.+ft and change.

They cannot give a foundation of permanency to a State. They were the essence of that chaos out of which he thought to bring order in anarchic Italy, working on them and on them alone. Cunning, jealousy, perfidy, ingrat.i.tude, dupery were the instruments with which he would fas.h.i.+on out a State. And he knew that the State so wrought could not last, for he said the world grew no better; what made his State destroyed it, inevitably. Machiavelli ignored charity, which is in itself, justice, fidelity, grat.i.tude, honesty and all the virtues. He was a man without hope and a man without love. What a great sad mad man he was, indeed. St. Louis, November 15.

THE AMATEUR EDITOR.

The country appears to be overrun at present with amateur editors. When a man learns by sad experience that he hasn't sufficient sense to successfully steer a blind mule through a cotton patch, where the rows are a rod apart, he exchanges his double-shovel plot for the editorial tripod and begins "moulding public opinion" and industriously exchanging advertising acreage for something to eat. When Will Carleton's old farmer discovered that his son Jim was good for nothing else on G.o.d's earth he concluded to "be makin' an editor outen o' him." That practice prevails throughout the country to a very considerable extent to-day--the sanctum divides with the pulpit and the stage those incompetents who aspire to mount above the plow, yet lack the necessary brains to succeed in business, in medicine or at the bar. When a man fails at everything else he is apt to be seized with a yearning ambition to become an editor. He gets trusted for a s.h.i.+rt-tail full o' pied type, a pre-Raphaelite press, lays in a job-lot of editorial "we's" and a sawdust cuspidore, girds up his loins and begins to commence. His first task is to reform the currency system and instruct the universe in the esoteric science of economics. He may not be able to successfully float a butcher's bill, but he writes of finance with all the a.s.surance of Alexander Hamilton. He may not know whether Adam Smith or Tommy Watson wrote the "Wealth of Nations"; but he doesn't hesitate to take issue with every economist from Quesnay to Walter--to utilize his paste-pot for arc light and play at Liberty Enlightening the World. These amateur editors are the curse of the country. They Guldensuppe John Stuart Mill and play Leutgert to Lindley Murray. It is some consolation, however, to reflect that they seldom last long. They unfold their wing-like ears and make a frantic flutter at the sun, only to come down beam first on some rocky islet in the Icarian sea. Their creditors do not have even the mournful satisfaction of contemplating the hole--the amateur editor invariably pulls it in after him. But until his first notes fall due he is an iridescent glory. He adores himself with a long-tailed hand-me-down Albert Edward and carries the universe in his arms. He pokes his meddlesome proboscis into everything and gives oodles of advice, unasked. He may not have as much principle as a tomcat in rutting time, but he poses before all men as a "guardian of public morals." When he places the awful seal of his disapproval upon a fellow mortal he expects to see him shrivel ups like a fat angle-worm on a sea-coal fire. He's a modern Balaam, peddling G.o.d's blessings and curses--for the long green. He imagines that an eager mult.i.tude sit up every night to catch the first dank copy of his little matutinal mistake--to see what he's got to SAY. He's garrulous as a toothless gran dam at a sewing circle, as busy as a canine eunuch when his kind do congregate. He discourses of everything, from the creation of the universe to Farmer Brown's visit to Bugleville. He fairly riots in editorial "leaders." He gives his "moral support"--and nothing else--to those local enterprises whose promoters jack him up with gobs of taffy on the mistaken hypotheses that his "flooence" may be useful. He has an idea that his miserable little journalistic misfit is "making the town" and is ent.i.tled to great wads of grat.i.tude--that should his towline break the whole community would go awhooping to hades, the bottom would fall out of realty values and the streets be overgrown with Johnson gra.s.s. So he toils and sweats and stinks--imagines that he is roosting on the top rung of the journalistic ladder when he hasn't even learned his trade. Finally he falls through the bosom of his pantalettes.

The sheriff levies on his stock of editorial "we's" the paste sours, the office cat starves, spiders festoon the sawdust cuspidore and the dust settles like a pall on his collection of worn type and wood-base railway cuts. The second-hand engine ceases to snort, the rat printers disperse and the wheezy old cylinder press no longer alarms the neighborhood. But in a little while another yap sc.r.a.ps up $40 in cash, catches a sucker to endorse his note and there's a renascence of the old plant. It is from shyster lawyers without clients, quack doctors without patients and peanut politicians without pulls that the ranks of amateur journalism are constantly recruited. Such people always imagine it dead easy to "run" a paper--that it is only necessary to grab the editorial stylus and pour forth their inexhaustible fund of misinformation to set the woods on fire. Such papers usually manage to wiggle through the fall and winter, for they can then sell advertising s.p.a.ce at a dollar an acre, take pay in soft-soap and second-hand sad-irons and still make a reasonable profit--the time of their manipulators being worth nothing a week; but when the long dull summer dawns they go "up agin it"

with a dull hollow groan. Every town between Sunrise and Last Chance has had experience galore with the amateur editor. He is one of those unhung idiots who rush in where angels fear to tread. He is an incorrigible but an unabateable nuisance. He never succeeds in making money for himself; he always manages to lose it for somebody else. You may mark this; The quack cannot achieve permanent success in any profession, in journalism least of all, for there his shortcomings cannot be concealed. To become a successful newspaper man one must begin at the bottom and climb by pure strength through long days of labor and nights of agony.

It is the most exacting profession in the world today. It is true that some so-called yellow journals succeed in making money; but while they employ perverts they have no use for Smart Alecs and amateurs. Amateur journalists, like dog-fennel and jimson weeds, usually blossom in Jayville. Most Southern towns have suffered from their reckless depredations and will hail their excoriation with delight; still it is a wicked waste of nervo-muscular energy--the amateur journalist, like the poor, and the megalophanous jacka.s.s, we have ever with us.

SPEAKING FOR MYSELF.

The ICONOCLAST receives thousands of letters to which it is impossible for me personally to reply. Many of them refer to the attempts made to forcibly suppress the ICONOCLAST, and to the terrible tragedy resulting from those attacks. I take this opportunity of thanking my friends for their kindly interest, and to a.s.sure them that I have stood from the first solely upon the defensive. I have made a decent attempt to set an example of Christian forbearance for my religious brethren. To the kindly offers of other cities to afford the ICONOCLAST an asylum and protect its editor from outrage, I will simply say that I do not consider either my property or person in the slightest danger. A majority of the Texas people are both broad gauged and law-abiding. We probably have our proportion of intolerant bigots and splenetic-hearted little blatherskites who preach mob violence from the pulpit; but such people are not dangerous so long as they are well watched. My forbears helped make Texas a republic; they helped make it a state of the American union. I like the climate, and most of the people, and am in no hurry to move. I may have to seek a better distributing point for my publications, as they are already too extensive to be properly handled from any Texas town; but I shall not pull my tent stakes for a day or two. If I do move--sometime within the next twelve-month--it will be bruited throughout the universe that I was driven out of Waco,--just as my brethren in Christ say I was driven out of San Antonio; but that won't worry my soul a cent's worth. I've been lied about so d----n much, that I feel ill at ease and neglected unless the target of vindictive mendacity by tearful souls who fail to pay their debts. I've been kept so badly frightened all month by threats to drag me out of my home and hang me, or otherwise measure me up for a crop of angelic pin-feathers that I've been unable to write anything worth reading. But as soon as I can swallow my heart and quit s.h.i.+vering I will grab the English language by the b.u.t.t-end and make it crack like a new bull-whip about the ears of hypocrites and humbugs. Meanwhile I desire to state that there is nothing the matter with the ICONOCLAST's contributors. They are a bouquet of pansy blossoms of whom any publisher might well be proud.

Should the editor chance to swallow too much water the next time he is baptized, they can be depended upon to keep the flag of the ICONOCLAST afloat until the red headed heir-apparent learns to write with one hand and shoot with the other. Let it go at that.

BRANN.

Princeton, N. J., is dreadfully disappointed because the "Stuffed Prophet" didn't call his kid Grover Cleveland. It is really pitiful to contemplate the agony of Princeton; but the average tax-payer is likely to conclude that one Grover Cleveland is quite enough in any country. It is to be hoped that the son will not resemble the sire--that he will not have the beefy mug of the booze-sodden old beast who disgraced the presidency by playing that high office for his personal profit. Let it never be forgotten that G. Cleveland was the only man to enter the presidency a pauper and leave it a plutocrat. And he managed to do this at a time when millions of better men were going hungry to bed.

AS I WAS SAYING.

BY M. W. CONNOLLY.

How small of all that human hearts endure That part which laws or kings can cause or cure!

Still to ourselves in every place consigned, Our own felicity we make or find.--Dr. Samuel Johnson.

There is something admirably rugged and encouragingly practical in the sentiments and philosophies of the older writers that acts on the mind as a potent tonic when wearied and weakened by the monotonous and anaemic outpourings of the so-called philanthropists of the present day. There is something energizing, thew-developing. This is the age of pulling literature, of crocodile tears, of simulated tenderness, of counterfeit sympathy, of cry and clamor and plaint and protest.

In politics we call this practice calamity-howling, whether in tornado-swept Kansas, blizzard-bitten Iowa or boss-ridden New York. in literature it is mere charlatanry, mere scagliola, made for sale. Hamlin Garland makes imaginary journeys over "Traveled Roads" to tell us of the utter and intolerable miseries of the Western farmers who live in sod houses. Raising dollar wheat is not so bad, even in a sod house. George Cable and Albion Tourges write sentimental lies about the Southern negroes. Those at all familiar with the facts know that no people on earth are happier than the Southern negroes. Arthur Morrison writes about "The Child of the Jago" and draws tears from our eyes. Those who have seen the children of the Jago fight and play, romp and riot would probably be willing to trade health and peace of mind with any of them. The list is too long or it might be interesting to name others who write for the purpose of making people discontented, to inflame jealousy or arouse envy. It will be no trouble to recall a host of others. The politician seeks to "remove the inequalities of life by wise and salutary laws," meaning that he wants office. The "literary feller" seeks "to educate the public mind and raise the public conscience to a higher plane," meaning that he wants to do the educating, incidentally, and to sell his books, objectively. To complain that life is "often more than sad enough, with its inequalities confronting us, its gilded prizes and its squalors side by side, its burdens and its trivialties pressing in upon the soul," as does Marguerite Merington in a late and otherwise excellent magazine article, is to strike a popular chord, but the note is false and scabrous, the philosophy less than commendable. Men are but children of a larger growth and, like children of a smaller growth, they like to be petted and pitied and told that the world is not treating them fairly.

No man, rich or poor, is contented, and he enjoys being told that his failure to reach the goal of his ambitions and fill to the brim his cup of pleasure is because of the great impersonal world, or untoward and oppugning circ.u.mstances have prevented him. He enjoys this sort of thing so much that he will pay handsomely for it and the charlatan finds a market for his wares.

He does not like the plain truth bluntly stated. No one does. We do not admire those who wrestle and strive with us. Nevertheless, they alone strengthen our muscles and, hence--