The Good Muslim Part 1

The Good Muslim.

A Novel.

Tahmima Anam.

Prologue.

1971.

December.

Eight days after the end of the war, Sohail Haque stands in a field of dying mustard. The petals of the mustard flower, dried to dust, tickle his nose and remind him of the scent of meat, which he has not tasted in several months. Underfoot, the gra.s.ses spit and cry; overhead, the heavy-lidded eye of a midwinter sun. He has been walking for days, following the grey ribbon of road that leads south, towards the city. In one abandoned village after another, he has eaten banana leaves and drunk from ponds, kissing their surfaces, filtering moss through his teeth. On the third day, a farmer told him that the war was over.

Now, on his way home, he turns the name of the country around on his tongue. Bangladesh.

In the distance, he sees a smudge against the flat.

A barracks. He circles the perimeter, his hand tight and moist around the handle of his rifle. No sound, no movement. He draws closer, walking low, his body at ease with the postures of soldiering, haunches ready to spring, eyes darting to the edges of the vista, the finger hooked, ready. But this building is abandoned.

The retreating army has left its traces. He smells tobacco on the furniture; he sees their uniforms hanging on the was.h.i.+ng line. He finds their plates, stacked neatly in a corner, their shoes, pointing away from Mecca. He sees their prayer mats. He smells them, soap and chalk and shoe polish.

On the bathroom wall someone has written *Punjab Meri Ma' a Punjab, my mother. How these soldiers must have hated Bengal, he thinks, hated the way their feet sank into the mud, the way the air closed around them like the hand of a criminal, the mosquitoes, the ceaseless pelt of rain, the food that left them weak, s.h.i.+tting, dehydrated.

Now Sohail wonders if he should have reserved a little pity for these men. He feels the tug of an earlier self, a still-soft self: geographer, not guerrilla. In this mood of clemency he decides to lie down on one of the bunks with a half-smoked cigarette. It is the softer self who leads him to explore the room behind the munitions store, who slides open the heavy metal door, who palms the wall, searching for a light switch a who is met with a sight that will continue to suck the breath out of him for a lifetime to come.

Book One.

All that is in the Heavens and on Earth.

1984.

February.

It would not have been possible to go home if Silvi hadn't died. Maya's thoughts rested for a moment on this fact as she settled herself on the wooden bench in the third-cla.s.s carriage, balancing on her lap the sum of all her worldly possessions: a small rucksack containing two saris, a kameez, a pair of trainers, a doctor's case with a stetho and, for her mother, a young mango tree. The tree had been difficult to wrap; it was heavier than it looked and bulged awkwardly where the roots were packed in soil. *Tree won't live,' the farmer who sold it to her said. *Rajshahi tree, it belongs in Rajshahi.'

An old lady with a tiffin carrier slid into the s.p.a.ce beside her. She stared for a moment at Maya, then clamped the tiffin carrier between her knees, pulled out a string of prayer beads and began to mutter the Kalma under her breath.

La Ilaha Illallah, Muhammad ur Rasul Allah.

Of course it would survive. There was an empty patch at the western edge of the garden, and if anyone could coax mangoes out of that tree it would be Ammoo. But seven long years had pa.s.sed a she couldn't even be sure the patch was still empty.

A group of young men entered the compartment. Immediately they began to laugh and smoke, pa.s.sing around a box of matches and a packet of Star cigarettes. Maya resisted the urge to scold them and instead pressed her face to the horizontal bars on the open window, gazing at the litter-strewn tracks, the station platform where boys were selling peanuts and cold drinks, and beyond to the scattered patches of green where the groves of mango stood. She would miss it. The two-room house she had rented now stood empty, its rough concrete floor swept and washed. And the verandah where she had seen her patients, that too had been cleared, the examination table, the small stand on which she kept her equipment, the wooden chair on which she draped her white jacket at the end of the day, ballpoint clicked shut in its pocket.

It had started with a few handfuls of mud. She told herself the wind must have tossed a coconut or a piece of wood against the walls of her house. For three days she ignored the sound.

On the fourth night, the laugh. Unmistakable, escaping between the fingers of someone holding a palm over his mouth. A young man's laugh, nervous and girlish.

She ran outside and peered into the darkness, but she couldn't see anything. There is nothing darker than a moonless night in Rajshahi.

It had ended, months later, with the glint of a knife. She remembered it now: a gentle motion like the lick of a cat, the bright line of it; and the flash of white that caught her eye, the hem of a long robe floating just shy of a man's ankles as he slipped out of the room and disappeared. Her hand went to her throat, to the scar that still stood there, black and angry, but he hadn't cut her, only laid his knife on her: it was a way of saying that they had unfinished business, and that he could reappear at any moment to end the story.

Yes, she would miss it. n.a.z.ia and the house and the mangoes and the path around the pond. But the cat's lick of that knife, and the scar on her neck, meant she might never return.

Just before the train pushed off, a couple with two small children occupied the bench opposite. The mother held one of the children on her lap, while the other, older, squeezed into the s.p.a.ce between her parents. The mother smiled shyly; Maya guessed it was her first time on a train a nose pin gleaming, a pair of thin gold bangles on her wrists, her fortune.

Really, it was no tragedy her brother's wife had died. The prospect of facing Silvi a sanctimonious, her face packed tightly into the burkha she hadn't been seen without since the war a was largely what had kept Maya from her home. There was, of course, also her brother, Sohail. And Ammoo, who had abandoned her to her rage a her rage and the deep, driving smell of burning books, a scent that had never left her during the seven years she had gone missing. The train made its way through Rajshahi, and then into Natore, the landscape remaining flat and dry, the smells of the paddy mingling with the mustard plants that shone yellow, the burning cakes of dung.

The old woman opened her tiffin carrier, releasing the aroma of dal and fried cauliflower. The family opposite followed suit, unwrapping their bread and bhaji. Maya felt a tap of hunger; she had neglected to pack anything for the journey. The mother carefully tore her bread into tiny pieces and placed them in the baby's mouth. She pa.s.sed the rest of the food to her husband, avoiding his eye as he took the newspaper-wrapped package from her.

The older girl was refusing to eat, tugging at her mother's elbow and shaking her head. Maya rooted around in her bag and emerged with two tamarind sweets. She offered one to the girl, who stood up, climbed into Maya's lap and took the sweet from her outstretched hand. The mother protested, but Maya waved her away. *It's all right,' she said. The girl pulled her knees up against her chest and fell asleep. Maya must have slept too, because when she opened her eyes the girl was heavy in her arms and the train was just outside Bahadurabad Ghat. She felt a nudge on her shoulder. The old woman was pointing to her tiffin carrier, which held half a slice of bread and a smear of rice pudding.

*Eat,' she said, pinching Maya's cheek; *you're too skinny. Who's going to marry you?'

At Bahadurabad, Maya boarded the ferry. It was afternoon now, and the sun danced on the wide expanse of river. She waved her ticket at the ferryman and pushed her way to the deck, where she was the only woman who chose to sit in the full glare of the sun. The Padma lapped at the ferry, gentle, hiding the force of its current. She munched on a packet of biscuits, trying to remember if this was the same boat that had brought her to Rajshahi. That one had a strange name. *Hey,' she called out to a young boy in a uniform. *What's the name of this boat?'

*Padma.'

It must have been a different boat. That journey, running away from home, seemed a lifetime ago. She had turned to her old friend Sultana. They had volunteered together at the refugee camps during the war, Sultana shocking everyone by driving the supply truck herself. Maya always remembered what Sultana had told her that long summer before independence: that she dreamed of going home after the war, not to the city, but back to her father's village. *I want to feel the earth pulling at my feet,' she had said. After the book burning, when Maya had decided there was nothing to do but leave, she had telephoned, asking if she might come to stay. Sultana told Maya she had recently married a boy she had known since childhood, a doctor. Together they worked at a clinic in Tangail; she could come; they could use her help.

She had stayed for three months, but Tangail was too close to Dhaka. Every day Maya stared at the buses shuttling towards the city, daring herself to climb aboard one and go home. And Sultana and her husband were newly married. Maya caught them kissing in the kitchen, their mouths open, his hands in her hair.

She left, wandered around the country on trains, ferries and rickshaws, finally arriving at the medical college hospital in Rajshahi town. She volunteered again, and then applied to finish her interns.h.i.+p. After two years at the hospital, she was given permission to start a clinic of her own. It was n.a.z.ia who had given her the idea, n.a.z.ia who had come all the way to town on the back of a rickshaw-van, her baby stuck in the breech position. Impossible, Maya argued, for the women to travel all the way to the hospital to give birth. Too many babies were dying.

Somewhere along the way she had decided to become a lady doctor instead of a surgeon. She had seen how the women's faces changed when she entered the chamber, relaxing their grip on the examining table. At the time she told herself it was a practical matter. Anyone could become a surgeon, but a doctor for women, a doctor who could deliver their babies and st.i.tch their wounds afterwards and teach them about birth control-that is what they needed. She didn't think of the debt she was repaying, that each of the babies she brought into the world might someday be counted against the babies that had died, by her hand, after the war.

They had never had a clinic in the village. n.a.z.ia spread the word, describing how Maya had saved her and her baby from certain death, how she had ordered the nurses about at the hospital, how expertly she had inserted the needle into her arm. That year, before the monsoon, Maya taught everyone in the village how to make oral-rehydration fluid: a handful of mola.s.ses, a pinch of salt, a jug of boiled water. And they pa.s.sed that season without a single dead child. By the following year, when she succeeded in pet.i.tioning the district to build them a tube well, she believed she had won their hearts.

n.a.z.ia and Masud had another child. They named her Maya.

It was dark by the time the ferry reached the dock at Jaggannathganj. Maya checked her watch, wondering if it was too late to catch the last train. The tree was heavy in her arms, the branches p.r.i.c.king her shoulder. She decided to try; it would be difficult to find a hotel here, and they would ask her questions: why she was travelling alone, why she didn't have a man with her, a husband, a father.

At the station she saw the old woman from the train, her tiffin carrier open. Maya went over and waved, strangely elated at the sight of her. The woman beckoned her closer.

*Eat, eat,' she said.

*Grandmother,' Maya said, *how is it your tiffin carrier is always full?'

The woman smiled, revealing a set of tiny, betel-stained teeth. Maya dipped a piece of bread into the curry she offered, suddenly famished.

Hours later, in the molten dark of night, the overnight train pulled into the station, and Maya helped the old woman on board. Five hours to Dhaka, she whispered to herself, reciting the names of the stations: Sirajganj, Mymensingh, Gafargaon. Only five more hours.

Maya thought she might be overcome at the sight of Dhaka. She imagined the waves of nostalgia that would coast over her, forcing her to remind herself of the necessity of the last seven years away. She imagined emerging into the cool February afternoon, clouds moving fast overhead, and remembering everything about her old life a all the days she had spent at the university, the rickshaw rides to Ramna Park, Modhumita Cinema and the Racecourse, regretting the spare years in the country. But, as she stepped out of Kamalapur Station, she saw that everything was loud and crude, as though someone had reached over and raised the volume. It smelled of people and garbage and soot. She saw how tall everything had grown a some buildings reached five or six storeys a and how her rickshaw-puller struggled to weave through the thicket of cars on Mirpur Road, horns blaring impatiently; and she saw signs of the Dictator everywhere, graffiti on the walls declaring him the *General of Our Hearts' and the *Saviour of Bangladesh', posters of him ten, twenty feet tall, with his high forehead, his thin, satisfied moustache.

An hour later Maya was standing in front of the house of her childhood, Number 25, clutching her rucksack and wondering what she would find within.

Her eyes adjusted to the new contours of the building. The decline was far worse than she had imagined. Here, grey streaks across its back, where the drainpipe had leaked; there, the slow sinking of its foundations, as if the house were being returned to the earth; and, above, the collection of shacks that made up the first floor, built by her brother out of a mixture of brick and tin and jute, making it appear as though an entire village had fallen from the sky and landed on the rooftop.

She had loved this house once. It was the only place where she could conjure up the memory of her father a his elbows on the dining table, his footsteps on the verandah. Sliding off his chappals and raising his feet on to the bed. The smell of his tweed suit on a humid day. And lodged into the bone of this house was every thought and hope and bewildered fantasy she had ever harboured about her life, about the war she had fought and won, about the woman and man she had imagined she and her brother would become; but after it was all over, the killing and the truce and the redrawing of the border, he had gone one way, and she another. And she had foreseen none of it.

There is no time to linger, she told herself. Pull up your socks and go inside.

Everything was quiet and s.h.i.+ning. The wooden arms on the sofa gleamed. The tiny bra.s.s chandelier was polished, the lace runner on the table starched and fixed perfectly in its place. Cus.h.i.+ons with pointy edges. It came back to her, the way her mother always kept the house, as though a guest might arrive at any moment and run her finger along the windowsill, checking for dust.

The house was modest: three rooms set out in a row, connected by a verandah that faced the garden. At the far end, a kitchen with its own small porch. This was where she headed now, sure she would find her mother bent over the stove or was.h.i.+ng the breakfast plates.

Instead, she found the kitchen packed with women. They wore long black burkhas and squatted over the grinding stone, the sink, the stove. Maya hovered at the entrance, wondering for a moment if she had strayed into the wrong house. She stood the tree up against a wall and set down her bag.

*h.e.l.lo?'

One of the women rose to greet her. Maya couldn't make out her features beneath the loose black cloth. *As-Salaam Alaik.u.m,' she said.

*Walaik.u.m As-Salaam.'

The woman reached over and held Maya's hand. *We mourn our sister,' she said, then turned around and returned to her task, peeling cuc.u.mbers over a bowl of water. Maya stood and watched her for what felt like a long time. No one else spoke or addressed her. She picked up her things and left the kitchen. Where was Ammoo? The urge to see her became acute. Maya bent over the sink in the bathroom and splashed a few handfuls of water on her face. She retied her hair, practising the moment she would set eyes on her mother. When she emerged, someone was waiting for her in the corridor. *It's time,' she said, and led Maya to the living room.

The burkha-clad women were busy rearranging the room. They pushed the sofa against the wall, lifted up the dining table and leaned it on its side. A photograph of her father was turned upside down. The watercolour painting Sohail had done of Maya when she was seven, her ribbons red and yellow, was covered with a pillowcase. As the muezzin began the call to prayer, they sped up, spreading white cloths on the carpet, lighting incense and filling a long silver container with rosewater. Finally, they pinned a sheet across the room, dividing it in half.

Someone pushed Maya through the sheet and into the back of the room. *Please cover yourself,' she said.

Maya grabbed the woman's elbow. *Where is my mother, do you know?'

The woman shook her head.

*Rehana Haque. This is her house.'

The woman pulled Maya close, her grip tight. *Doa koro, apa,' she said. Pray, sister.

She could go out and look for her mother. Maybe she was at the Ladies' Club, or visiting a friend. She might be at the graveyard, putting flowers on Abboo's grave. But the room was too crowded now for Maya to leave. The women seemed to have multiplied, taking every inch of s.p.a.ce on the carpet. They leaned against each other and held hands. Maya packed herself tightly against the wall. She heard the men shuffle in, shadow puppets on the sheet, their capped heads crowding the tableau. A man separated from the group and positioned himself in the centre of the room. He cleared his throat and began in a high, nasal voice: Alhamdulilla hi rabbil al-ameen. Praise be to G.o.d, cherisher and sustainer of all worlds. As he uttered this sentence, Maya saw her mother slip through the curtain. The breath stopped in her throat. She wanted to call out. She waved her arms. *Ma!' she shout-whispered. Rehana looked this way and that. The Huzoor raised his voice. Ammoo fixed her gaze on Maya and stood still for a moment, her hands moving to her face. Maya felt a burning in her eyes and at the back of her throat. Another seven years pa.s.sed. Then, a whisper of a smile. Ammoo stepped through the crowd, her arms outstretched, and before she knew it Maya was in the cloud of her, the coconuts in her hair, the ginger in her fingertips. *When did you come?' she whispered. All the years between them, trapped in the amber of her voice.

*Just now. What's going on?'

*Milaad for Silvi.'

Of course. Silvi would have been buried within hours of her death, but this was her Qul-khani, the prayer to mark the third day of her pa.s.sing.

Seven months into her exile, Maya had written to her mother. I am not angry, she had begun. But I cannot come home.

For almost a year Ammoo had not replied. Those months had felt endless, as she rehea.r.s.ed in her mind the furious words her mother might say, wondering if the silence would go on forever, willing her own letter back. But when it arrived, Ammoo's letter was packed with news, updates about the house, the neighbours, the garden. She showed no anger, but she didn't ask Maya to return. And that was how they corresponded, exchanging elaborate pleasantries, long pa.s.sages about the weather, telling each other everything and nothing.

The Huzoor continued his sermon. Now the women were moving back and forth to the rhythm of his words. It occurred to Maya that when her father died there would have been a similar scene, men in white caps, the air scented with rosewater. She stole a glance at her mother. Ammoo was wiping tears with the back of her hand. She looked the same, exactly the same.

The Huzoor began to talk about Silvi. How pious she was, how good. How devoted to her faith. Sitting among these mourners, none of whom were crying because as Muslims they were instructed to mourn with modesty, Maya wondered how she could have kept away for so long a from this house, and this city, and this mother and this brother. Even though she had been the one to choose her exile, it was as though a thick skin had formed over it, and it appeared to her now as a mystery. On the other side of this curtain was her brother, newly widowed, and his son, Zaid. She thought of meeting him, of the beard that must be thick on his chin, and she remembered how much she had loved him, how fiercely she had needed him to be like her, how she had turned away when he had leaned towards G.o.d, taken it personally, as though he had done it to offend her.

When Ammoo closed her eyes and began to recite the final prayer, Maya looked closer at her. Maybe she looked a little older. Dark bruise shapes under her eyes, a line on her forehead. But it was only when her mother turned around after everyone had said Ameen, when she turned around with wet cheeks and smiled again, that Maya noticed one of her teeth missing at the back of her mouth. Then the years opened up and took shape a the shape of that molar, craggy and smooth, big and small, a chasm.

Maya had told n.a.z.ia about the mud, about the laugh. n.a.z.ia was indignant. *Those thugs,' she said, fanning herself. *If this one turns out to be a boy I'm going to lock him up and only let him out for school.'

It had never been hotter. No one could remember a sari drying so fast on the was.h.i.+ng line, the chillies thinning to husks in the field. The pond had begun to shrink back, and there was talk of a threat to the mangoes. *I know,' Maya said. *Let's go swimming. It's hot enough to drive anyone mad.'

*Really? We can do that?'

A beat. There were rules about pregnant women, about where they could bathe, but Maya brushed them aside; no one believed those things any more. She had been lecturing them for years now, about science and superst.i.tion and their rights. *Why not?' she said to n.a.z.ia. She would remember it later, the moment of pause before she said yes, but on that day all she could think about was the water, its green coolness easing the lash of that summer.

They sat on the steps leading down to the pond, their feet submerged. n.a.z.ia lowered herself in and dipped her head under water. *Subhan Allah,' she cried, *thanks be to G.o.d for such a thing!'

*If my wife wants to cool her feet,' Masud declared, *no one can stop her.'

The men of the village had appeared in front of his house, shaking their heads. A pregnant woman in the pond? It was too much.

They huddled around the cooking fire that night, Maya and n.a.z.ia, fanning the bits of wood until they flared high over the pot.

*What a fuss,' n.a.z.ia said. *I hear they're having a meeting.'

*Ignore them,' Maya said. *Main thing is Masud is a good man. They'll tire themselves out eventually.' She didn't tell her friend that she had heard the boys at her window again, that she had slept the night before with the windows shut, the heat-clotted air stopping her breath.

After the Milaad the women pa.s.sed around dishes of food and Ammoo began playing the hostess, encouraging everyone to eat. Someone offered Maya a plate but she refused, her tongue heavy in her mouth. She was suddenly overcome with weariness, and she considered slipping into Sohail's old room and putting her head down for a few minutes. No one would notice. She closed her eyes. She heard people shuffle around her. Her head kept slipping sideways and when she opened her eyes the room was empty.

She found Ammoo in the kitchen.

*Ma?'

*Oh, you're up. I didn't want to wake you.'

Her lids were heavy. She took a few steps, faltered. Ammoo led her to the sofa. She wanted to talk to Ammoo, tell her about n.a.z.ia and the mud they threw at her window. And the lashes. She wanted to tell her about the lashes. But it was one thing for Ammoo to smile at her, to greet her tenderly, and another for the years to fall behind them. She collapsed on the sofa, struggling to keep her eyes open. *I have to tell you something.'

*How did you come?'