Catherine: A Story Part 20
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"But I say I've NOT had enough drink!" screamed Hayes; "I'm good for five bottles more, and wager I will drink them too."
"Done, for a guinea!" said Wood.
"Done, and done!" said Billings.
"Be YOU quiet!" growled Hayes, scowling at the lad. "I will drink what I please, and ask no counsel of yours." And he muttered some more curses against young Billings, which showed what his feelings were towards his wife's son; and which the latter, for a wonder, only received with a scornful smile, and a knowing look at Wood.
Well! the five extra bottles were brought, and drunk by Mr. Hayes; and seasoned by many songs from the recueil of Mr. Thomas d'Urfey and others. The chief part of the talk and merriment was on Hayes's part; as, indeed, was natural,--for, while he drank bottle after bottle of wine, the other two gentlemen confined themselves to small beer,--both pleading illness as an excuse for their sobriety.
And now might we depict, with much accuracy, the course of Mr. Hayes's intoxication, as it rose from the merriment of the three-bottle point to the madness of the four--from the uproarious quarrelsomeness of the sixth bottle to the sickly stupidity of the seventh; but we are desirous of bringing this tale to a conclusion, and must pretermit all consideration of a subject so curious, so instructive, and so delightful. Suffice it to say, as a matter of history, that Mr. Hayes did actually drink seven bottles of mountain-wine; and that Mr. Thomas Billings went to the "Braund's Head," in Bond Street, and purchased another, which Hayes likewise drank.
"That'll do," said Mr. Wood to young Billings; and they led Hayes up to bed, whither, in truth, he was unable to walk himself.
Mrs. Springatt, the lodger, came down to ask what the noise was. "'Tis only Tom Billings making merry with some friends from the country,"
answered Mrs. Hayes; whereupon Springatt retired, and the house was quiet.
Some scuffling and stamping was heard about eleven o'clock.
After they had seen Mr. Hayes to bed, Billings remembered that he had a parcel to carry to some person in the neighbourhood of the Strand; and, as the night was remarkably fine, he and Mr. Wood agreed to walk together, and set forth accordingly.
(Here follows a description of the THAMES AT MIDNIGHT, in a fine historical style; with an account of Lambeth, Westminster, the Savoy, Baynard's Castle, Arundel House, the Temple; of Old London Bridge, with its twenty arches, "on which be houses builded, so that it seemeth rather a continuall street than a bridge;"--of Bankside, and the "Globe"
and the "Fortune" Theatres; of the ferries across the river, and of the pirates who infest the same--namely, tinklermen, petermen, hebbermen, trawlermen; of the fleet of barges that lay at the Savoy steps; and of the long lines of slim wherries sleeping on the river banks and basking and s.h.i.+ning in the moonbeams. A combat on the river is described, that takes place between the crews of a tinklerman's boat and the water-bailiffs. Shouting his war-cry, "St. Mary Overy a la rescousse!"
the water-bailiff sprung at the throat of the tinklerman captain. The crews of both vessels, as if aware that the struggle of their chiefs would decide the contest, ceased hostilities, and awaited on their respective p.o.o.ps the issue of the death-shock. It was not long coming. "Yield, dog!" said the water-bailiff. The tinklerman could not answer--for his throat was grasped too tight in the iron clench of the city champion; but drawing his snickersnee, he plunged it seven times in the bailiff's chest: still the latter fell not. The death-rattle gurgled in the throat of his opponent; his arms fell heavily to his side.
Foot to foot, each standing at the side of his boat, stood the brave men--THEY WERE BOTH DEAD! "In the name of St. Clement Danes," said the master, "give way, my men!" and, thrusting forward his halberd (seven feet long, richly decorated with velvet and bra.s.s nails, and having the city arms, argent, a cross gules, and in the first quarter a dagger displayed of the second), he thrust the tinklerman's boat away from his own; and at once the bodies of the captains plunged down, down, down, down in the unfathomable waters.
After this follows another episode. Two masked ladies quarrel at the door of a tavern overlooking the Thames: they turn out to be Stella and Vanessa, who have followed Swift thither; who is in the act of reading "Gulliver's Travels" to Gay, Arbuthnot, Bolingbroke, and Pope. Two fellows are sitting shuddering under a doorway; to one of them Tom Billings flung a sixpence. He little knew that the names of those two young men were--Samuel Johnson and Richard Savage.)
ANOTHER LAST CHAPTER.
Mr. Hayes did not join the family the next day; and it appears that the previous night's reconciliation was not very durable; for when Mrs.
Springatt asked Wood for Hayes, Mr. Wood stated that Hayes had gone away without saying whither he was bound, or how long he might be absent.
He only said, in rather a sulky tone, that he should probably pa.s.s the night at a friend's house. "For my part, I know of no friend he hath,"
added Mr. Wood; "and pray Heaven that he may not think of deserting his poor wife, whom he hath beaten and ill-used so already!" In this prayer Mrs. Springatt joined; and so these two worthy people parted.
What business Billings was about cannot be said; but he was this night bound towards Marylebone Fields, as he was the night before for the Strand and Westminster; and, although the night was very stormy and rainy, as the previous evening had been fine, old Wood good-naturedly resolved upon accompanying him; and forth they sallied together.
Mrs. Catherine, too, had HER business, as we have seen; but this was of a very delicate nature. At nine o'clock, she had an appointment with the Count; and faithfully, by that hour, had found her way to Saint Margaret's churchyard, near Westminster Abbey, where she awaited Monsieur de Galgenstein.
The spot was convenient, being very lonely, and at the same time close to the Count's lodgings at Whitehall. His Excellency came, but somewhat after the hour; for, to say the truth, being a freethinker, he had the most firm belief in ghosts and demons, and did not care to pace a churchyard alone. He was comforted, therefore, when he saw a woman m.u.f.fled in a cloak, who held out her hand to him at the gate, and said, "Is that you?" He took her hand,--it was very clammy and cold; and at her desire he bade his confidential footman, who had attended him with a torch, to retire, and leave him to himself.
The torch-bearer retired, and left them quite in darkness; and the pair entered the little cemetery, cautiously threading their way among the tombs. They sat down on one, underneath a tree it seemed to be; the wind was very cold, and its piteous howling was the only noise that broke the silence of the place. Catherine's teeth were chattering, for all her wraps; and when Max drew her close to him, and encircled her waist with one arm, and pressed her hand, she did not repulse him, but rather came close to him, and with her own damp fingers feebly returned his pressure.
The poor thing was very wretched and weeping. She confided to Max the cause of her grief. She was alone in the world,--alone and penniless.
Her husband had left her; she had that very day received a letter from him which confirmed all that she had suspected so long. He had left her, carried away all his property, and would not return!
If we say that a selfish joy filled the breast of Monsieur de Galgenstein, the reader will not be astonished. A heartless libertine, he felt glad at the prospect of Catherine's ruin; for he hoped that necessity would make her his own. He clasped the poor thing to his heart, and vowed that he would replace the husband she had lost, and that his fortune should be hers.
"Will you replace him?" said she.
"Yes, truly, in everything but the name, dear Catherine; and when he dies, I swear you shall be Countess of Galgenstein."
"Will you swear?" she cried, eagerly.
"By everything that is most sacred: were you free now, I would" (and here he swore a terrific oath) "at once make you mine."
We have seen before that it cost Monsieur de Galgenstein nothing to make these vows. Hayes was likely, too, to live as long as Catherine--as long, at least, as the Count's connection with her; but he was caught in his own snare.
She took his hand and kissed it repeatedly, and bathed it in her tears, and pressed it to her bosom. "Max," she said, "I AM FREE! Be mine, and I will love you as I have done for years and years."
Max started back. "What, is he dead?" he said.
"No, no, not dead: but he never was my husband."
He let go her hand, and, interrupting her, said sharply, "Indeed, madam, if this carpenter never was your husband, I see no cause why _I_ should be. If a lady, who hath been for twenty years the mistress of a miserable country boor, cannot find it in her heart to put up with the protection of a n.o.bleman--a sovereign's representative--she may seek a husband elsewhere!"
"I was no man's mistress except yours," sobbed Catherine, wringing her hands and sobbing wildly; "but, O Heaven! I deserved this. Because I was a child, and you saw, and ruined, and left me--because, in my sorrow and repentance, I wished to repair my crime, and was touched by that man's love, and married him--because he too deceives and leaves me--because, after loving you--madly loving you for twenty years--I will not now forfeit your respect, and degrade myself by yielding to your will, you too must scorn me! It is too much--too much--O Heaven!" And the wretched woman fell back almost fainting.
Max was almost frightened by this burst of sorrow on her part, and was coming forward to support her; but she motioned him away, and, taking from her bosom a letter, said, "If it were light, you could see, Max, how cruelly I have been betrayed by that man who called himself my husband. Long before he married me, he was married to another. This woman is still living, he says; and he says he leaves me for ever."
At this moment the moon, which had been hidden behind Westminster Abbey, rose above the vast black ma.s.s of that edifice, and poured a flood of silver light upon the little church of St. Margaret's, and the spot where the lovers stood. Max was at a little distance from Catherine, pacing gloomily up and down the flags. She remained at her old position at the tombstone under the tree, or pillar, as it seemed to be, as the moon got up. She was leaning against the pillar, and holding out to Max, with an arm beautifully white and rounded, the letter she had received from her husband: "Read it, Max," she said: "I asked for light, and here is Heaven's own, by which you may read."
But Max did not come forward to receive it. On a sudden his face a.s.sumed a look of the most dreadful surprise and agony. He stood still, and stared with wild eyes starting from their sockets; he stared upwards, at a point seemingly above Catherine's head. At last he raised up his finger slowly and said, "Look, Cat--THE HEAD--THE HEAD!" Then uttering a horrible laugh, he fell down grovelling among the stones, gibbering and writhing in a fit of epilepsy.
Catherine started forward and looked up. She had been standing against a post, not a tree--the moon was s.h.i.+ning full on it now; and on the summit strangely distinct, and smiling ghastly, was a livid human head.
The wretched woman fled--she dared look no more. And some hours afterwards, when, alarmed by the Count's continued absence, his confidential servant came back to seek for him in the churchyard, he was found sitting on the flags, staring full at the head, and laughing, and talking to it wildly, and nodding at it. He was taken up a hopeless idiot, and so lived for years and years; clanking the chain, and moaning under the lash, and howling through long nights when the moon peered through the bars of his solitary cell, and he buried his face in the straw.
There--the murder is out! And having indulged himself in a chapter of the very finest writing, the author begs the attention of the British public towards it; humbly conceiving that it possesses some of those peculiar merits which have rendered the fine writing in other chapters of the works of other authors so famous.
Without bragging at all, let us just point out the chief claims of the above pleasing piece of composition. In the first place, it is perfectly stilted and unnatural; the dialogue and the sentiments being artfully arranged, so as to be as strong and majestic as possible. Our dear Cat is but a poor illiterate country wench, who has come from cutting her husband's throat; and yet, see! she talks and looks like a tragedy princess, who is suffering in the most virtuous blank verse. This is the proper end of fiction, and one of the greatest triumphs that a novelist can achieve: for to make people sympathise with virtue is a vulgar trick that any common fellow can do; but it is not everybody who can take a scoundrel, and cause us to weep and whimper over him as though he were a very saint. Give a young lady of five years old a skein of silk and a brace of netting-needles, and she will in a short time turn you out a decent silk purse--anybody can; but try her with a sow's ear, and see whether she can make a silk purse out of THAT. That is the work for your real great artist; and pleasant it is to see how many have succeeded in these latter days.
The subject is strictly historical, as anyone may see by referring to the Daily Post of March 3, 1726, which contains the following paragraph:
"Yesterday morning, early, a man's head, that by the freshness of it seemed to have been newly cut off from the body, having its own hair on, was found by the river's side, near Millbank, Westminster, and was afterwards exposed to public view in St. Margaret's churchyard, where thousands of people have seen it; but none could tell who the unhappy person was, much less who committed such a horrid and barbarous action.
There are various conjectures relating to the deceased; but there being nothing certain, we omit them. The head was much hacked and mangled in the cutting off."
Catherine: A Story Part 20
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Catherine: A Story Part 20 summary
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