Mike Fletcher Part 10

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Lily was more beautiful than usual, the heat and the pleasure of seeing her admirer having flushed her cheeks. He was penetrated with her sweetness, and the hand laid on his arm thrilled him. Where should he take her? Unfortunately the staircase was in stone; servants were busy in the drawing-room.

"How beautifully Mr. Escott plays the violin!"

The melodious strain reeked through the doorways, filling the pa.s.sage.

"That is Stradella's 'Chanson d'eglise.' He always plays it; I'm sick of it."

"Yes, but I'm not. Do not let us go far, I should like to listen."

"I thought you would have preferred to talk with me."

Her manner did not encourage him to repeat his words, and he waited, uncertain what he should say or do. When the piece was over, he said--

"We had to turn my bedroom into a retiring-room. I'm afraid we shall not be alone."

"That does not matter; my mother does not approve of young girls sitting out dances."

"But your mother isn't here."

"I should not think of doing anything I knew she did not wish me to do."

The conversation was interrupted by the entrance of Muchross with several lords, and he was with difficulty dissuaded from an attempt to swarm up the columns of the wonderful bed. The room was full of young girls and barristers gathered from the various courts. Some had stopped before the great Christ. A girl had touched the suspended silver lamp and spoken of "dim religious light"; but by no word or look did Lily admit that she had been there before, and Mike felt it would be useless to remind her that she had. She was the same as she was every Wednesday in her mother's drawing-room. And the party had been given solely with a view of withdrawing her from its influence.

What was he to say to this girl? Was he to allow all that had pa.s.sed between them to slip? Never had he felt so ill at ease. At last, fixing his eyes upon her, he said--

"Let us cease this trifling. Perhaps you do not know how painful it is to me. Tell me, will you come and see me? Do not let us waste time. I never see you alone now."

"I could not think of coming to see you; it would not be right."

"But you did come once."

"That was because I wanted to see where you lived. Now that I know, there would be no reason for coming again."

"You have not forgiven me. If you knew how I regret my conduct! Try and understand that it was for love of you. I was so fearful of losing you. I have lost you; I know it!"

He cursed himself for the irresolution he had shown. Had he made her his mistress she would now be hanging about his neck.

"I forgive you. But I wish you would not speak of love in connection with your conduct; when you do, all my liking for you dies."

"How cruel! Then I shall never kiss you again. Was my kiss so disagreeable? Do you hate to kiss me?"

"I don't know that I do, but it is not right. If I were married to you it would be different."

The conversation fell. Then realizing that he was compromising his chances, he said--

"How can I marry you? I haven't a cent in the world."

"I am not sure I would marry you if you had every cent in the world."

Mike looked at her in despair. She was adorably frail and adorably pale.

"This is very cruel of you." Words seemed very weak, and he feared that in the restlessness and pain of his love he had looked at her foolishly. So he almost welcomed Lady Helen's intrusion upon their _tete-a-tete_.

"And this is the way you come for your dance, Mr. Fletcher, is it?"

"Have they begun dancing? I did not know it. I beg your pardon."

"And I too am engaged for this dance. I promised it to Mr. Escott,"

said Lily.

"Let me take you back."

He gave her his arm, a.s.suring himself that if she didn't care for him there were hundreds who did. Lady Helen was one of the handsomest women in London, and he fancied she was thinking of him. And when he returned he stood at the door watching her as she leaned over the mantelpiece reading a letter. She did not put it away at once, but continued reading and playing with the letter as one might with something conclusive and important. She took no precaution against his seeing it, and he noticed that it was in a man's handwriting, and began _Ma chere amie_. The room was now empty, and the clatter of knives and forks drowned the strains of a waltz.

"You seemed to be very much occupied with that young person. She is very pretty. I advise you to take care."

"I don't want to marry. I shall never marry. Did you think I was in love with Miss Young?"

"Well, it looked rather like it."

"No; I swear you are mistaken. I say, if you don't care about dancing we'll sit down and talk. So you thought I was in love with Miss Young? How could I be in love with her while you are in the room? You know, you must have seen, that I have only eyes for you. The last time I was in Paris I went to see you in the Louvre."

"You say I am like Jean Gougon's statue."

"I think so, so far as a pair of stays allows me to judge."

Lady Helen laughed, but there was no pleasure in her laugh; it was a hard, bitter laugh.

"If only you knew how indifferent I am! What does it matter whether I am like the statue or not? I am indifferent to everything."

"But I admire you because you are like the statue."

"What does it matter to me whether you admire me or not? I don't care."

He had not asked her for the dance; she had sought him of her free-will. What did it mean?

"Why should I care? What is it to me whether you like me or whether you hate me? I know very well that three months after my death every one will have ceased to think of me; three months hence it will be the same as if I had never lived at all."

"You are well off; you have talent and beauty. What more do you want?"

"The world cannot give me happiness. You find happiness in your own heart, not in worldly possessions.... I am a pessimist. I recognize that life is a miserable thing--not only a miserable thing, but a useless thing. We can do no good; there is no good to be done; and life has no advantage except that we can put it off when we will.

Schopenhauer is wrong when he a.s.serts that suicide is no solution of the evil; so far as the individual is concerned suicide is a perfect solution, and were the race to cease to-morrow, nature would instantly choose another type and force it into consciousness. Until this earth resolves itself to ice or cinder, matter will never cease to know itself."

"My dear," said Lewis Seymour, who entered the room at that moment, "I am feeling very tired; I think I shall go home, but do not mind me. I will take a hansom--you can have your brougham. You will not mind coming home alone?"

"No, I shall not mind. But do you take the brougham. It will be better so. It will save the horse from cold; I'll come back in a hansom."

Mike noticed a look of relief or of pleasure on her face, he could not distinguish which. He pressed the conversation on wives, husbands, and lovers, striving to lead her into some confession. At last she said--

"I have had a lover for the last four years."

Mike Fletcher Part 10

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Mike Fletcher Part 10 summary

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