Renaissance in Italy Volume I Part 13

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Machiavelli, according to the letter addressed by his son Pietro to Francesco Nelli, died of a dose of medicine taken at the wrong time. He was attended on his deathbed by a friar, who received his confession.

His private morality was but indifferent. His contempt for weakness and simplicity was undisguised. His knowledge of the world and men had turned to cynicism. The frigid philosophy expressed in his political Essays, and the sarcastic speeches in which he gave a vent to his soured humors, made him unpopular. It was supposed that he had died with blasphemy upon his lips, after turning all the sanct.i.ties of human nature into ridicule. Through these myths, as through a mist, we may discern the bitterness of that great, disenchanted, disappointed soul.

The desert in which spirits of the stamp of Machiavelli wander is too arid and too aerial for the gross substantial bugbears of the vulgar conscience to inhabit. Moreover, as Varchi says, 'In his conversation Machiavelli was pleasant, serviceable to his friends, a friend of virtuous men, and, in a word, worthy of having received from nature either less genius or a better mind.'

CHAPTER VI.

'THE PRINCE' OF MACHIAVELLI.

The Sincerity of Machiavelli in this Essay--Machiavellism--His deliberate Formulation of a cynical political Theory--a.n.a.lysis of the Prince--Nine Conditions of Princ.i.p.alities--The Interest of the Conqueror acknowledged as the sole Motive of his Policy--Critique of Louis XII.--Feudal Monarchy and Oriental Despotism--Three Ways of subduing a free City--Example of Pisa--Princ.i.p.alities founded by Adventurers--Moses, Romulus, Cyrus, Theseus--Savonarola--Francesco Sforza--Cesare Borgia--Machiavelli's personal Relation to him--Machiavelli's Admiration of Cesare's Genius--A Sketch of Cesare's Career--Concerning those who have attained to Sovereignty by Crimes--Oliverotto da Fermo--The Uses of Cruelty--Messer Ramiro d'

Orco--The pessimistic Morality of Machiavelli--On the Faith of Princes--Alexander VI.--The Policy of seeming virtuous and honest--Absence of chivalrous Feeling in Italy--The Military System of a powerful Prince--Criticism of Mercenaries and Auxiliaries--Necessity of National Militia--The Art of War--Patriotic Conclusion of the Treatise--Machiavelli and Savonarola.

After what has been already said about the circ.u.mstances under which Machiavelli composed the _Principe_, we are justified in regarding it as a sincere expression of his political philosophy. The intellect of its author was eminently a.n.a.lytical and positive; he knew well how to confine himself within the strictest limits of the subject he had chosen. In the _Principe_ it was not his purpose to write a treatise of morality, but to set forth with scientific accuracy the arts which he considered necessary to the success of an absolute ruler. We may therefore accept this essay as the most profound and lucid exposition of the principles by which Italian statesmen were guided in the sixteenth century. That Machiavellism existed before Machiavelli has now become a truism. Gian Galeazzo Visconti, Louis XI. of France, Ferdinand the Catholic, the Papal Curia, and the Venetian Council had systematically pursued the policy laid down in the chapters of the _Prince_. But it is no less true that Machiavelli was the first in modern times to formulate a theory of government in which the interests of the ruler are alone regarded, which a.s.sumes a separation between statecraft and morality, which recognizes force and fraud among the legitimate means of attaining high political ends, which makes success alone the test of conduct, and which presupposes the corruption, venality, and baseness of mankind at large. It was this which aroused the animosity of Europe against Machiavelli, as soon as the Prince attained wide circulation. Nations accustomed to the Monarchical rather than the Despotic form of government resented the systematic exposition of an art of tyranny which had long been practiced among the Italians. The people of the North, whose moral fiber was still vigorous, and who retained their respect for established religion, could not tolerate the cynicism with which Machiavelli a.n.a.lyzed his subject from the merely intellectual point of view. His name became a byword. 'Am I Machiavel?' says the host in the _Merry Wives of Windsor_. Marlowe makes the ghost of the great Florentine speak prologue to the _Jew of Malta_ thus--

I count religion but a childish toy, And hold there is no sin but ignorance.

When the Counter-reformation had begun in Italy, and desperate efforts were being made to check the speculative freedom of the Renaissance, the _Principe_ was condemned by the Inquisition. Meanwhile it was whispered that the Spanish princes, and the sons of Catherine de' Medici upon the throne of France, conned its pages just as a manual of toxicology might be studied by a Marquise de Brinvilliers. Machiavelli became the scapegoat of great political crimes; and during the religious wars of the sixteenth century there were not wanting fanatics who ascribed such acts of atrocity as the Ma.s.sacre of S. Bartholomew to his venomous influence. Yet this book was really nothing more or less than a critical compendium of facts respecting Italy, a highly condensed abstract of political experience. In it as in a mirror we may study the lineaments of the Italian despot who by adventure or by heritage succeeded to the conduct of a kingdom. At the same time the political principles here established are those which guided the deliberations of the Venetian Council and the Papal Court, no less than the actions of a Sforza or a Borgia upon the path to power. It is therefore a doc.u.ment of the very highest value for the ill.u.s.tration of the Italian conscience in relation to political morality.

The _Principe_ opens with the statement that all forms of government may be cla.s.sified as republics or as princ.i.p.alities. Of the latter some are hereditary, others acquired. Of the princ.i.p.alities acquired in the lifetime of the ruler some are wholly new, like Milan under Francesco Sforza; others are added of hereditary kingdoms, like Naples to Spain.

Again, such acquired states have been previously accustomed either to the rule of a single man or to self-government. Finally they are won either with the conqueror's own or with borrowed armies, either by fortune or by ability.[1] Thus nine conditions under which princ.i.p.alities may be considered are established at the outset.

[1] The word Virtu, which I have translated ability, is almost equivalent to the Greek [Greek: _arete_], before it had received a moral definition, or to the Roman Virtus. It is very far, as will be gathered from the sequel of the _Principe_, from denoting what we mean by Virtue.

The short chapter devoted by Machiavelli to hereditary princ.i.p.alities may be pa.s.sed over as comparatively unimportant. It is characteristic of Italian politics that the only instance he adduces of this form of government in Italy is the Duchy of Ferrara. States and cities were so frequently s.h.i.+fting owners in the sixteenth century that the scientific politician was justified in confining his attention to the method of establis.h.i.+ng and preserving princ.i.p.alities acquired by force. When he pa.s.ses to the consideration of this cla.s.s, Machiavelli enters upon the real subject of his essay. The first instance he discusses is that of a prince who has conquered a dominion which he wishes to unite as firmly as possible to his hereditary states. The new territory may either belong to the same nationality and language as the old possession, or may not. In the former case it will be enough to extinguish the whole line of the ancient rulers, and to take care that neither the laws nor the imposts of the province be materially altered. It will then in course of time become by natural coalition part of the old kingdom. But if the acquired dominion be separate in language, customs, and traditions from the old, then arises a real difficulty for the conqueror. In order to consolidate his empire and to accustom his new subjects to his rule, Machiavelli recommends that he should either take up his residence in the subjugated province, or else plant colonies throughout it, but that he should by no means trust merely to garrisons.

'Colonies,' he remarks, 'are not costly to the prince, are more faithful, and cause less offense to the subject states; those whom they may injure, being poor and scattered, are prevented from doing mischief.

For it should be observed that men ought either to be caressed or trampled out, seeing that small injuries may be avenged, whereas great ones destroy the possibility of retaliation; and so the damage that has to be inflicted ought to be such that it need involve no fear of vengeance.' I quote this pa.s.sage as a specimen of Machiavelli's direct and scientific handling of the most inhuman necessities of statecraft, as conceived by him.[1] He uses no hypocritical palliation to disguise the egotism of the conqueror. He does not even pretend to take into consideration any interests but those of the ambitious prince. He treats humanity as though it were the marble out of which the political artist should hew the form that pleased his fancy best. He calculates the exact amount of oppression which will render a nation incapable of resistance, and relieve the conqueror of trouble in his work of building up a puissant kingdom for his own aggrandizement.

[1] It is fair to call attention to the strong expressions used by Machiavelli in the _Discorsi_, lib. i. cap. 18 and cap. 26, on the infamies and inhumanities to which the aspirant after tyranny is condemned.

What Machiavelli says about mixed princ.i.p.alities is pointed by a searching critique of the Italian policy of Louis XII. The French king had well-known claims upon the Duchy of Milan, which the Venetians urged him to make good. They proposed to unite forces and to divide the conquered province of Lombardy. Machiavelli does not blame Louis for accepting this offer and acting in concert with the Republic. His mistakes began the moment after he had gained possession of Milan, Genoa, and the majority of the North Italian cities. It was then his true policy to balance Venice against Rome, to a.s.sume the protectorate of the minor states, and to keep all dangerous rivals out of Italy.

Instead of acting thus, he put Romagna into the hands of the Pope and divided Naples with the King of Spain. 'Louis indeed,' concludes Machiavelli, 'was guilty of five capital errors: he destroyed the hopes of his numerous and weak allies; he increased the power, already too great, of the Papacy; he introduced a foreign potentate; he neglected to reside in Italy; he founded no colonies for the maintenance of his authority. If I am told that Louis acted thus imprudently toward Alexander and Ferdinand in order to avoid a war, I answer that in each case the mistake was as bad as any war could be in its results. If I am reminded of his promise to the Pope, I reply that princes ought to know how and when to break their faith, as I intend to prove. When I was at Nantes, the Cardinal of Rouen told me that the Italians did not know how to conduct a war: I retorted that the French did not understand statecraft, or they would not have allowed the Church to gain so much power in Italy. Experience showed that I was right; for the French wrought their own ruin by aggrandizing the Papacy and introducing Spain into the realm of Naples.'

This criticism contains the very essence of political sagacity. It lays bare the secret of the failure of the French under Charles, under Louis, and under Francis, to establish themselves in Italy. Expeditions of parade, however brilliant, temporary conquests, cross alliances, and b.l.o.o.d.y victories do not consolidate a kingdom. They upset states and cause misery to nations: but their effects pa.s.s and leave the so-called conquerors worse off than they were before. It was the doom of Italy to be ravaged by these inconsequent marauders, who never attempted by internal organization to found a substantial empire, until the mortmain of the Spanish rule was laid upon the peninsula, and Austria gained by marriages what France had failed to win by force of arms.

The fourth chapter of the _Principe_ is devoted to a parallel between Monarchies and Despotisms which is chiefly interesting as showing that Machiavelli appreciated the stability of kingdoms based upon feudal foundations. France is chosen as the best example of the one and Turkey of the other. 'The whole empire of the Turk is governed by one Lord; the others are his servants; he divides his kingdom into satrapies, to which he appoints different administrators, whom he changes about at pleasure.

But the King of France is placed in the center of a time-honored company of lords, acknowledged as such by their subjects and loved by them; they have their own prerogatives, nor can the king deprive them of these without peril.' Hence it follows that the prince who has once dispossessed a despot finds ready to his hand a machinery of government and a band of subservient ministers; while he who may dethrone a monarch has immediately to cope with a mult.i.tude of independent rulers, too numerous to extinguish and too proud to conciliate.

Machiavelli now proceeds to discuss the best method of subjugating free cities which have been acquired by a prince. There are three ways of doing it, he says. 'The first is to destroy them utterly; the second, to rule them in your own person; the third, to leave them their const.i.tution under the conduct of an oligarchy chosen by yourself, and to be content with tribute. But, to speak the truth, the only safe way is to ruin them.' This sounds very much like the advice which an old spider might give to a young one: When you have caught a big fly, suck him at once; suck out at any rate so much of his blood as may make him powerless to break your web, and feed on him afterwards at leisure. Then he goes on to give his reasons. 'He who becomes the master of a city used to liberty, and does not destroy it, should be prepared to be undone by it himself, because that name of Liberty, those ancient usages of Freedom, which no length of years and no benefits can extinguish in the nation's mind, which cannot be uprooted by any forethought or by any pains, unless the citizens themselves be broken or dispersed, will always be a rallying-point for revolution when an opportunity occurs.'

This terrific moral--through which, let it be said in justice to Machiavelli, the enthusiasm of a patriot transpires--is pointed by the example of Pisa. Pisa, held for a century beneath the heel of Florence--her ports shut up, her fields abandoned to marsh fever, her civic life extinguished, her arts and sciences crushed out--had yet not been utterly ruined in the true sense of depopulation or dismemberment.

Therefore when Charles VIII. in 1494 entered Pisa, and Orlandi, the orator, caught him by the royal mantle, and besought him to restore her liberty, that word, the only word the crowd could catch in his pet.i.tion, inflamed a nation: the lions and lilies of Florence were erased from the public buildings; the Marzocco was dashed from its column on the quay into the Arno; and in a moment the dead republic awoke to life.

Therefore, argues Machiavelli, so tenacious is the vitality of a free state that a prudent conqueror will extinguish it entirely or will rule it in person with a rod of iron. This, be it remembered, is the advice of Machiavelli, the the Florentine patriot, to Lorenzo de' Medici, the Florentine tyrant, who has recently resumed his seat upon the neck of that irrepressible republic.

Hitherto we have been considering how the state acquired by a conqueror should be incorporated with his previous dominions. The next section of Machiavelli's discourse is by far the most interesting. It treats of princ.i.p.alities created by the arms, personal qualities, and good fortune of adventurers. Italy alone in the sixteenth century furnished examples of these tyrannies: consequently that portion of the _Principe_ which is concerned with them has a special interest for students of the Renaissance. Machiavelli begins with the founders of kingdoms who have owed but little to fortune and have depended on their own forces. The list he furnishes, when tested by modern notions of history, is to say the least a curious one. It contains Moses, Cyrus, Romulus, and Theseus.

Having mentioned Moses first, Machiavelli proceeds to explain that, though we have to regard him as the mere instrument of G.o.d's purpose, yet the principles on which the other founders acted were 'not different from those which Moses derived from so supreme a teacher.' What these men severally owed to fortune was but the occasion for the display of the greatness that was in them. Moses found the people of Israel enslaved in Egypt. Romulus was an exile from Alba. Cyrus had to deal with the Persian people tired of the empire of effeminate Medes. Theseus undertook to unite the scattered elements of the Athenian nation. Thus each of these founders had an opening provided for him, by making use of which he was able to bring his ill.u.s.trious qualities into play. The achievement in each case was afterwards due solely to his own ability, and the conquest which he made with difficulty was preserved with ease.

This exordium is not without practical importance, as will be seen when we reach the application of the whole argument to the house of Medici at the conclusion of the treatise. The initial obstacles which an innovator has to overcome, meanwhile, are enormous. 'He has for pa.s.sionate foes all such as flourish under the old order, for friends those who might flourish under the new; but these are lukewarm, partly from fear of their opponents, on whose side are established law and right, partly from the incredulity which prevents men from putting faith in what is novel and untried.' It therefore becomes a matter of necessity that the innovator should be backed up with force, that he should be in a position to command and not obliged to sue for aid. This is the reason why all the prophets who have used arms to enforce their revelations have succeeded, and why those who have only trusted to their personal ascendency have failed. Moses, of course, is an ill.u.s.trious example of the successful prophet. Savonarola is adduced as a notable instance of a reformer 'who was ruined in his work of innovation as soon as the mult.i.tude lost their faith in him, since he had no means of keeping those who had believed firm, or of compelling faith from disbelievers.'

In this critique Machiavelli remains true to his positive and scientific philosophy of human nature. He will not allow that there are other permanent agencies in the world than the calculating ability of resolute men and the might derived from physical forces.

Among the eminent examples of Italian founders who rose to princely power by their own ability or by availing themselves of the advantages which fortune put within their reach, Machiavelli selects Francesco Sforza and Cesare Borgia. The former is a notable instance of success achieved by pure _virtu_: 'Francesco, by using the right means, and by his own singular ability, raised himself from the rank of a private man to the Duchy of Milan, and maintained with ease the mastery he had acquired with infinite pains.' Cesare, on the other hand, ill.u.s.trates both the strength and the weakness of _fortuna_: 'he acquired his dominion by the aid derived from his father's position, and when he lost that he also lost his power, notwithstanding that he used every endeavor and did all that a prudent and able man ought to do in order to plant himself firmly in those states which the arms and fortune of others had placed at his disposal.' It is not necessary to dwell upon the career of Francesco Sforza. Not he but Cesare Borgia is Machiavelli's hero in this treatise, the example from which he deduces lessons both of imitation and avoidance for the benefit of Lorenzo de' Medici. Lorenzo, it must be remembered, like Cesare, would have the fortunes of the Church to start with in that career of ambition to which Machiavelli incites him. Unlike Francesco Sforza, he was no mere soldier of adventure, but a prince, born in the purple, and bound to make use of those undefined advantages which he derived from his position in Florence and from the countenance of his uncle, the Pope. The Duke Valentino, therefore, who is at one and the same time Machiavelli's ideal of prudence and courage in the conduct of affairs, and also his chief instance of the instability of fortune, supplies the philosopher with all he needed for the guidance of his princely pupil. With the Duke Valentino Machiavelli had conversed on terms of private intimacy, and there is no doubt that his imagination had been dazzled by the brilliant intellectual abilities of this consummate rogue. Dispatched in 1502 by the Florentine Republic to watch the operations of Cesare at Imola, with secret instructions to offer the Duke false promises in the hope of eliciting information that could be relied upon, Machiavelli had enjoyed the rare pleasure of a game at political ecarte with the subtlest and most unscrupulous diplomatist of his age. He had witnessed his terrible yet beneficial administration of Romagna. He had been present at his murder of the chiefs of the Orsini faction at Sinigaglia. Cesare had confided to him, or had pretended to confide, his schemes of personal ambition, as well as the motives and the measures of his secret policy. On the day of the election of Pope Julius II. he had laid bare the whole of his past history before the Florentine secretary, and had pointed out the single weakness of which he felt himself to have been guilty. In these trials of skill and this exchange of confidence it is impossible to say which of the two gamesters may have been the more deceived. But Machiavelli felt that the Borgia supplied him with a perfect specimen for the study of the arts of statecraft; and so deep was the impression produced upon his mind, that even after the utter failure of Cesare's designs he made him the hero of the political romance before us. His artistic perception of the perfect and the beautiful, both in unscrupulous conduct and in frigid calculation of conflicting interests, was satisfied by the steady selfishness, the persistent perfidy, the profound mistrust of men, the self-command in the execution of perilous designs, the moderate and deliberate employment of cruelty for definite ends, which he observed in the young Duke, and which he has idealized in his own _Principe_. That nature, as of a salamander adapted to its element of fire, as of 'a resolute angel that delights in flame,' to which nothing was sacred, which nothing could daunt, which never for a moment sacrificed reason to pa.s.sion, which was incapable of weakness or fatigue, had fascinated Machiavelli's fancy. The moral qualities of the man, the base foundations upon which he raised his power, the unutterable scandals of his private life, and the hatred of all Christendom were as nothing in the balance. Such considerations had, according to the conditions of his subject, to be eliminated before he weighed the intellectual qualities of the adventurer. 'If all the achievements of the Duke are considered'--it is Machiavelli speaking--'it will be found that he built up a great substructure for his future power; nor do I know what precepts I could furnish to a prince in his commencement better than such as are to be derived from his example.' It is thus that Machiavelli, the citizen, addresses Lorenzo, the tyrant of Florence. He says to him: Go thou and do likewise. And what, then, is this likewise?

Cesare, being a Pope's son, had nothing to look to but the influence of his father. At first he designed to use this influence in the Church; but after murdering his elder brother, he threw aside the Cardinal's scarlet and proclaimed himself a political aspirant. His father could not make him lord of any state, unless it were a portion of the territory of the Church: and though, by creating, as he did, twelve Cardinals in one day, he got the Sacred College to sanction his invest.i.ture of the Duchy of Romagna, yet both Venice and Milan were opposed to this scheme. Again there was a difficulty to be encountered in the great baronial houses of Orsini and Colonna, who at that time headed all the mercenary troops of Italy, and who, as Roman n.o.bles, had a natural hatred for the Pope. It was necessary to use their aid in the acquisition of Cesare's princ.i.p.ality. It was no less needful to humor their animosity. Under these circ.u.mstances Alexander thought it best to invite the French king into Italy, bargaining with Louis that he would dissolve his marriage in return for protection awarded to Cesare. The Colonna faction meanwhile was to be crushed, and the Orsini to be flattered. Cesare, by the help of his French allies and the Orsini captains, took possession of Imola and Faenza, and thence proceeded to overrun Romagna. In this enterprise he succeeded to the full. Romagna had been, from the earliest period of Italian history, a nest of petty tyrants who governed badly and who kept no peace in their dominions.

Therefore the towns were but languid in their opposition to Cesare, and were soon more than contented with a conqueror who introduced a good system for the administration of justice. But now two difficulties arose. The subjugation of Romagna had been effected by the help of the French and the Orsini. Cesare as yet had formed no militia of his own, and his allies were becoming suspicious. The Orsini had shown some slackness at Faenza; and when Cesare proceeded to make himself master of Urbino, and to place a foot in Tuscany by the capture of Piombino--which conquests he completed during 1500 and 1501--Louis began to be jealous of him. The problem for the Duke was how to disembarra.s.s himself of the two forces by which he had acquired a solid basis for his future princ.i.p.ality. His first move was to buy over the Cardinal d'Amboise, whose influence in the French Court was supreme and thus to keep his credit for awhile afloat with Louis. His second was to neutralize the power of the Orsini, partly by pitting them against the Colonnesi, and partly by superseding them in their command as captains. For the latter purpose he became his own Condottiere, drawing to his standard by the lure of splendid pay all the minor gentry of the Roman Campagna. Thus he collected his own forces and was able to dispense with the unsafe aid of mercenary troops. At this point of his career the Orsini, finding him established in Romagna, in Urbino, and in part of Tuscany, while their own strength was on the decline, determined if possible to check the career of this formidable tyrant by a.s.sa.s.sination. The conspiracy known as the 'Diet of La Magione' was the consequence. In this conjuration the Cardinal Orsini, Paolo Orsini, his brother and head of the great house, together with Vitellozzo Vitelli, lord of Citta di Castello, the Baglione of Perugia, the Bentivoglio of Bologna, Antonio da Vena.s.so from Siena, and Oliverotto da Fermo took each a part. The result of their machinations against the common foe was that Cesare for a moment lost Urbino, and was nearly unseated in Romagna. But the French helped him, and he stood firm. Still it was impossible to believe that Louis XII.

would suffer him to advance unchecked in his career of conquest; and as long as he continued between the French and the Orsini his position was of necessity insecure. The former had to be cast off; the latter to be extirpated; and yet he had not force enough to play an open game. 'He therefore,' says Machiavelli, 'turned to craft, and displayed such skill in dissimulation that the Orsini through the mediation of Paolo became his friends again.' The cruelty of Cesare Borgia was only equalled by his craft; and it was by a supreme exercise of his power of fascination that he lured the foes who had plotted against him at La Magione into his snare at Sinigaglia. Paolo Orsini, Francesco Orsini, duke of Gravina, Vitellozzo Vitelli, and Oliverotto da Fermo were all men of arms, accustomed to intrigue and to bloodshed, and more than one of them were stained with crimes of the most atrocious treachery. Yet such were the arts of Cesare Borgia that in 1502 he managed to a.s.semble them, apart from their troops, in the castle of Sinigaglia, where he had them strangled. Having now destroyed the chiefs of the opposition and enlisted their forces in his own service, Cesare, to use the phrase of Machiavelli, 'had laid good foundations for his future power.' He commanded a sufficient territory; he wielded the temporal and spiritual power of his father; he was feared by the princes and respected by the people throughout Italy; his cruelty and perfidy and subtlety and boldness caused him to be universally admired. But as yet he had only laid foundations. The empire of Italy was still to win; for he aspired to nothing else, and it is even probable that he entertained a notion of secularizing the Papacy. France was the chief obstacle to his ambition.

The alarm of Louis had at last been roused. But Louis' own mistake in bringing the Spaniards into Naples afforded Cesare the means of shaking off the French control. He espoused the cause of Spain, and by intriguing now with the one power and now with the other made himself both formidable and desirable to each. His geographical position between Milan and Naples enforced this policy. Another difficulty against which he had to provide was in the future rather than the present. Should his father die, and a new Pope adverse to his interests be elected, he might lose not only the support of the Holy See, but also his fiefs of Romagna and Urbino. To meet this contingency he took four precautions, mentioned with great admiration by Machiavelli. In the first place he systematically murdered the heirs of the ruling families of all the cities he acquired--as for example three Varani at Camerino, two Manfredi at Faenza, the Orsini and Vitelli at Sinigaglia, and others whom it would be tedious to mention. By this process he left no scion of the ancient houses for a future Pope to restore. In the second place he attached to his person by pensions, offices, and emoluments, all the Roman gentry, so that he might be able to keep the new Pope a prisoner and unarmed in Rome. Thirdly, he reduced the College of Cardinals, by bribery, terrorism, poisoning, and packed elections, to such a state that he could count on the creation of a Pope, if not his nominee, at least not hostile to his interests. Fourthly, he lost no time, but pushed his plans of conquest on with utmost speed, so as, if possible, to command a large territory at the time of Alexander's death.

Machiavelli, who records these four points with approbation, adds: 'He therefore, who finds it needful in his new authority to secure himself against foes, to acquire allies, to gain a point by force or fraud, etc., etc., could not discover an ensample more vigorous and blooming than that of Cesare.' Such is the panegyric which Machiavelli, writing, as it seems to me, in all good faith and innocence, records of a man who, taken altogether, is perhaps the most selfish, perfidious, and murderous of adventurers on record. The only fault for which he blames him is that he did not prevent the election of Pope Julius II, by concentrating his influence on either the Cardinal d'Amboise or a Spaniard.

It is curious to read the t.i.tle of the chapter following that which criticises the action of Cesare Borgia: it runs thus, 'Concerning those who have attained to sovereignty by crimes.' Cesare was clearly not one of these men in the eyes of Machiavelli, who confines his attention to Agathocles of Syracuse, and to Oliverotto da Fermo, a brigand who acquired the lords.h.i.+p of Fermo by murdering his uncle and benefactor, Giovanni Fogliani, and all the chief men of the city at a banquet to which he had invited them. This atrocity, according to Machiavelli's creed, would have been justified, if Oliverotto had combined cruelty and subtlety in proper proportions. But his savagery was not sufficiently veiled; a prince should never incur odium by crimes of violence, but only use them as the means of inspiring terror. Besides, Oliverotto was so simple as to fall at last into the snare of Cesare Borgia at Sinigaglia. Cesare himself supplies Machiavelli with a notable example of the way in which cruelty can be well used. Having found the cities of Romagna in great disorder, Cesare determined to quell them by the ferocity of a terrible governor. For this purpose he chose Messer Ramiro d' Orco, 'a man cruel and quick of action, to whom he gave the fullest power.' A story is told of Messer Ramiro which ill.u.s.trates his temper in a very bizarre fas.h.i.+on: he one day kicked a clumsy page on to the fire, and held him there with a poker till he was burned up. Acting after this fas.h.i.+on, with plenipotentiary authority, Ramiro soon froze the whole province into comparative tranquillity. But it did not suit Cesare to incur the odium which the man's cruelty brought on his administration.

Accordingly he had him decapitated one night and exposed to public view, together with the block and b.l.o.o.d.y hatchet, in the square at Cesena. Of the art with which Cesare first reduced Romagna to order by the cruelty of his agent, and then avoided the odium of this cruelty by using the wretched creature as an appalling example of his justice and his power, Machiavelli wholly approves. His theory is that cruelty should be employed for certain definite purposes, but that the Prince should endeavor to shun as far as possible the hatred it inspires. In justice both to Machiavelli and to Cesare, it should be said that the administration of Romagna was far better under the Borgia rule than it had ever been before. The exhibition of savage violence of which Machiavelli approves was perhaps needed to cow so brutalized a population.

In those chapters which Machiavelli has devoted to the exposition of the qualities that befit a Prince, it is clear that Cesare Borgia was not unfrequentlv before his eyes.[1] The worst thing that can be said about Italy of the sixteenth century is that such an a.n.a.lyst as Machiavelli should have been able to idealize an adventurer whose egotistic immorality was so undisguised. The ethics of this profound anatomist of human motives were based upon a conviction that men are altogether bad.

When discussing the question whether it be better to be loved or feared, Machiavelli decides that 'it is far safer to be feared than loved, if you must choose; seeing that you may say of men generally that they are ungrateful and changeable, dissemblers, apt to shun danger, eager for gain; as long as you serve them, they offer you everything, down to their very children, if you have no need; but when you want help, they fail you. Therefore it is best to put no faith in their pretended love.'

This is language which could only be used in a country where loyalty was unknown and where all political and social combinations were founded upon force or convenience. Princes must, however, be cautious not to injure their subjects in their honor or their property--especially the latter, since men 'forget the murder of their fathers quicker than the loss of their money.' Under another heading Machiavelli returns to the same topic, and lays it down as an axiom that, since the large majority of men are bad, a prince must learn in self-defense how to be bad, and must use this science when and where he deems appropriate, endeavoring, however, under all circ.u.mstances to pa.s.s for good.

[1] In a letter to Fr. Vettori (Jan. 31, 1514) he says: 'Il duca Valentino, l' opere del quale io imiterei sempre quando fossi principe nuove.

He brings the same desperate philosophy of life, the same bitter experience of mankind, to bear upon his discussion of the faith of princes. The chapter which is ent.i.tled 'How princes ought to keep their word' is one of the most brilliantly composed and thoroughly Machiavellian of the whole treatise. He starts with the a.s.sertion that to fight the battles of life in accordance with law is human, to depend on force is brutal; yet when the former method is insufficient, the latter must be adopted. A prince should know how to combine the natures of the man and of the beast; and this is the meaning of the mythus of Cheiron, who was made the tutor of Achilles. He should strive to acquire the qualities of the fox and of the lion, in order that he may both avoid snares and guard himself from wolves. A prudent prince cannot and must not keep faith, when it is harmful to do so, or when the occasion under which he promised has pa.s.sed by. He will always find colorable pretexts for breaking his word; and if he learns well how to feign, he will have but little difficulty in deceiving people. Among the innumerable instances of successful hypocrites Machiavelli can think of none more excellent than Alexander VI. 'He never did anything else but deceive men, nor ever thought of anything but this, and always found apt matter for his practice. Never was there a man who had greater force in swearing and tying himself down to his engagements, or who observed them less. Nevertheless his wiles were always successful in the way he wished, because he well knew that side of the world.' It is curious that Machiavelli should have forgotten that the whole elaborate life's policy of Alexander and his son was ruined precisely by their falling into one of their own traps, and that the mistake or treason of a servant upset the calculations of the two most masterly deceivers of their age.[1]

Following out the same line of thought, which implies that in a bad world a prince cannot afford to be good, Machiavelli a.s.serts: 'It is not necessary that a prince should be merciful, loyal, humane, religious, just: nay, I will venture to say, that if he had all these qualities and always used them, they would harm him. But he must _seem_ to have them, especially if he be new in his princ.i.p.ality, where he will find it quite impossible to exercise these virtues, since in order to maintain his power he will be often obliged to act contrary to humanity, charity, religion.' Machiavelli does not advise him to become bad for the sake of badness, but to know when to quit the path of virtue for the preservation of his kingdom. 'He must take care to say nothing that is not full of these five qualities, and must always appear all mercy, all loyalty, all humanity, all justice, all religion, especially the last.'

On the advantage of a reputation for piety Machiavelli insists most strongly. He points out how Ferdinand the Catholic used the pretext of religious zeal in order to achieve the conquest of Granada, to invade Africa, to expel the Moors, and how his perfidies in Italy, his perjuries to France, were colored with a sanctimonious decency.

[1] Perhaps this is an indirect argument against the legend of their death.

After reading these pa.s.sages we feel that though it may be true that Machiavelli only spoke with scientific candor of the vices which were common to all statesmen in his age--though the Italians were so corrupt that it seemed hopeless to deal fairly with them--yet there was a radical taint in the soul of the man who could have the heart to cull these poisonous herbs of policy and distill their juices to a quintessence for the use of the prince to whom he was confiding the destinies of Italy.[1] Almost involuntarily we remember the oath which Arthur administered to his knights, when he bade them 'never to do outrage nor murder, and always to flee treason; also by no means to be cruel, but to give mercy unto him that asked mercy, upon pain of forfeiture of their wors.h.i.+p and lords.h.i.+p of King Arthur for evermore.'

In a land where chivalry like this had ever taken root, either as an ideal or as an inst.i.tution, the chapters of Machiavelli could scarcely have been published. The Italians lacked the virtues of knighthood. It was possible among them for the philosophers to teach the princes that success purchased at the expense of honor, loyalty, humanity, and truth might be ill.u.s.trious.

It is refres.h.i.+ng to turn from those chapters in which Machiavelli teaches the Prince how to cope with the world by using the vices of the wicked, to his exposition of the military organization suited to the maintenance of a great kingdom. Machiavelli has no mean or humble ambition for his Prince: 'double will his glory be, who has founded a new realm, and fortified and adorned it with good laws, good arms, good friends, and good ensamples.' What the enterprise to which he fain would rouse Lorenzo really is, will appear in the conclusion. Meanwhile he encourages him by the example of Ferdinand the Catholic to gird his loins up for great enterprises. He bids him be circ.u.mspect in his choice of secretaries, seeing that 'the first opinion formed of a prince and of his capacity is derived from the men whom he has gathered round him.' He points out how he should shun flattery and seek respectful but sincere advice. Finally he reminds him that a prince is impotent unless he can command obedience by his arms. Fortresses are a doubtful source of strength; against foreign foes they are worse than useless; against subjects they are worthless in comparison with the goodwill of the people: 'the best fortress possible is to escape the hatred of your subjects.' Everything therefore depends upon the well-ordering of a national militia. The neglect of that ruined the princes of Italy and enabled Charles VIII. to conquer the fairest of European kingdoms with wooden spurs and a piece of chalk.[2]

[1] In the _Discorsi_, lib. i. cap. 55, he calls Italy 'la coruttela del mondo,' and judges that her case is desperate; 'non si pu sperare nelle provincie che in questi tempi si veggono corrotte, come e l' Italia sopra tutte le altre.'

[2] The references in this paragraph are made to chapters xx.-xxiv. and chapter xii. of the _Principe_.

In his discourse on armies Machiavelli lays it down that the troops with which a prince defends his state are either his own, or mercenaries, or auxiliaries, or mixed. 'Mercenary and auxiliary forces are both useless and perilous, and he who founds the security of his dominion on the former will never be established firmly: seeing that they are disunited, ambitious, and undisciplined, without loyalty, truculent to their friends, cowardly among foes; they have no fear of G.o.d, no faith with men; you are only safe with them before they are attacked; in peace they plunder you; in war you are the prey of your enemies. The cause of this is that they have no other love nor other reason to keep the field, beyond a little pay, which is far from sufficient to make them wish to die for you. They are willing enough to be your soldiers so long as you are at peace, but when war comes their impulse is to fly or sneak away.

It ought to be easy to establish the truth of this a.s.sertion, since the ruin of Italy is due to nothing else except this, that we have now for many years depended upon mercenary arms.'[1] Here he touches the real weakness of the Italian states. Then he proceeds to explain further the rottenness of the Condottiere system. Captains of adventure are either men of ability or not. If they are, you have to fear lest their ambition prompt them to turn their arms against yourself or your allies. This happened to Queen Joan of Naples, who was deserted by Sforza Attendolo in her sorest need; to the Milanese, when Francesco Sforza made himself their despot; to the Venetians, who were driven to decapitate Carmagnuola because they feared him. The only reason why the Florentines were not enslaved by Sir John Hawkwood was that, though an able general, he achieved no great successes in the field. In the same way they escaped by luck from Sforza, who turned his attention to Milan, and from Braccio, who formed designs against the Church and Naples. If Paolo Vitelli had been victorious against Pisa (1498), he would have held them at discretion. In each of these cases it was only the good fortune of the republic which saved it from a military despotism. If, on the other hand, the mercenary captains are men of no capacity, you are defeated in the field.

[1] See chapter xii. of the _Principe._

Proceeding to the historical development of this bad system, Machiavelli points out how after the decline of the Imperial authority in Italy, the Papacy and the republics got the upper hand. Priests and merchants were alike unwilling to engage in war. Therefore they took mercenary troops into their pay. The companies of the Sforzeschi and Bracceschi were formed; and 'after these came all those others who have ruled this sort of warfare down to our own days. The consequence of their valor is that Italy has been harried by Charles, plundered by Louis, forced by Ferdinand, insulted by the Swiss. Their method has been to enhance the reputation of their cavalry by depressing the infantry. Being without dominion of their own, and making war their commerce, a few foot soldiers brought them no repute, while they were unable to support many.

Therefore they confined themselves to cavalry, until in a force of 20,000 men you could not number 2,000 infantry. Besides this they employed all their ingenuity to relieve themselves and their soldiers of fatigue and peril, by refraining from slaughter and from taking prisoners without ransom. Night attacks and sorties were abandoned; stockades and trenches in the camp were given up; no one thought of a winter campaign. All these things were allowed, or rather introduced, in order to avoid, as I have said, fatigue and peril. Whereby they have reduced Italy to slavery and insult.' Auxiliaries, such as the French troops borrowed by Cesare Borgia, and the Spaniards engaged by Julius II., are even worse. 'He who wants to be unable to win the game should make use of these forces; for they are far more dangerous than mercenaries, seeing that in them the cause of ruin is ready made--they are united together, and inclined to obey their own masters. Machiavelli enforces this moral by one of those rare but energetic figures which add virile dignity to his discourse. He compares auxiliary troops to the armor of Saul, which David refused, preferring to fight Goliath with his stone and sling. 'In one word, arms borrowed from another either fall from your back, or weigh you down, or impede your action.' It remains for a prince to form his own troops and to take the field in person, like Cesare Borgia, when he discarded his French allies and the mercenary aid of the Orsini captains. Republics should follow the same course, dispatching, as the Romans did, their own citizens to the war, and controlling by law the personal ambition of victorious generals. It was thus that the Venetians prospered in their conquests, before they acquired their provinces in Italy and adopted the Condottiere system from their neighbors. 'A prince, therefore, should have but one object, one thought, one art--the art of war.' Those who have followed this rule have attained to sovereignty, like Francesco Sforza, who became Duke of Milan; those who have neglected it have lost even hereditary kingdoms, like the last Sforzas, who sank from dukedom into private life. Even amid the pleasures of the chase a prince should always be studying the geographical conformation of his country with a view to its defense, and should acquire a minute knowledge of such strategical laws as are everywhere applicable. He should read history with the same object, and should keep before his eyes the example of those great men of the past from whom he can learn lessons for his guidance in the present.

This brings us to the peroration of the _Principe_, which contains the practical issue toward which the whole treatise has been tending, the patriotic thought that reflects a kind of l.u.s.ter even on the darkest pages that have gone before. Like Thetis, Machiavelli has dipped his Achilles in the Styx of infernal counsels; like Cheiron, he has shown him how the human and the b.e.s.t.i.a.l natures should be combined in one who has to break the teeth of wolves and keep his feet from snares; like Hephaistos, he has forged for him invulnerable armor. The object toward which this preparation has been leading is the liberation of Italy from the barbarians. The slavery of Israel in Egypt, the oppression of the Persians by the Medes, the dispersion of the Athenians into villages, were the occasions which enabled Moses and Cyrus and Theseus to display their greatness. The new Prince, who would fain win honor in Italy and confer upon his country untold benefits, finds her at the present moment 'more enslaved than the Hebrews, more downtrodden than the Persians, more disunited than the Athenians, without a chief, without order, beaten, despoiled, mangled, overrun, subject to every sort of desolation.' Fortune could not have offered him a n.o.bler opportunity.

'See how she prays G.o.d to send her some one who should save her from these barbarous cruelties ind insults! See her all ready and alert to follow any standard, if only there be a man to raise it!' Then Machiavelli addresses himself to the chief of the Medici in person. 'Nor is there at the present moment any place more full of hope for her than your ill.u.s.trious House, which by its valor and its fortune, favored by G.o.d and by the Church, whereof it is now the head, might take the lead in this delivery.' This is followed by one of the rare pa.s.sages of courtly rhetoric which, when Machiavelli condescends to indulge in them, add peculiar splendor to his style. Then he turns again to speak of the means which should immediately be used. He urges Lorenzo above all things to put no faith in mercenaries or auxiliaries, but to raise his own forces, and to rely on the Italian infantry. If Italian armies have always been defeated in the field during the past twenty years, it is not due so much to their defective courage as to the weakness of their commanders. Lorenzo will have to raise a force capable of coping with the Swiss, the Spanish, and the French. The respect with which Machiavelli speaks at this supreme moment of these foreign troops, proves how great was their prestige in Italy; yet he ventures to point out that there are faults peculiar to each of them: the Spanish infantry cannot stand a cavalry charge, and the Switzers are liable to be disconcerted by the rapid attack of the wiry infantry of Spain. It is therefore necessary to train troops capable of resisting cavalry, and not afraid of facing any foot soldiers in the world. 'This opportunity, therefore, must not be suffered to slip by; in order that Italy may after so long a time at last behold her saviour. Nor can I find words to describe the love with which he would be hailed in all the provinces that have suffered through these foreign deluges, the thirst for vengeance, the stubborn fidelity, the piety, the tears, that he would meet What gates would be closed against him? What people would refuse him allegiance? What jealousy would thwart him? What Italian would be found to refuse him homage? This rule of the barbarians stinks in the nostrils of us all. Then let your ill.u.s.trious House a.s.sume this enterprise in the spirit and the confidence wherewith just enterprises are begun, that so, under your flag, this land of ours may be enn.o.bled, and under your auspices be brought to pa.s.s that prophecy of Petrarch:--

'Lo, valor against rage Shall take up arms, nor shall the fight be long; For that old heritage Of courage in Italian hearts is stout and strong.

With this trumpet-cry of impa.s.sioned patriotism the _Principe_ closes.

Hegel, in his 'Philosophy of History,' has recorded a judgment of Machiavelli's treatise in relation to the political conditions of Italy at the end of the mediaeval period, which might be quoted as the most complete apology for the author it is possible to make. 'This book,' he says, 'has often been cast aside with horror as containing maxims of the most revolting tyranny; yet it was Machiavelli's high sense of the necessity of const.i.tuting a state which caused him to lay down the principles on which alone states could be formed under the circ.u.mstances. The isolated lords and lords.h.i.+ps had to be entirely suppressed; and though our idea of Freedom is incompatible with the means which he proposes both as the only available and also as wholly justifiable--including, as these do, the most reckless violence, all kinds of deception, murder, and the like--yet we must confess that the despots who had to be subdued were a.s.sailable in no other way, inasmuch as indomitable lawlessness and perfect depravity were thoroughly engrained in them.'

Renaissance in Italy Volume I Part 13

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