The Resurrection Of Nat Turner: The Testimonial Part 4

G.o.d sent him back to ransom their dreams.

Cherry, his wife, rubbed a warm hand on the side of his face and he turned to her. He kissed her hand. "Dinner soon." He had been focused on the boys and the men and had not heard her slip up behind him. In her eyes he saw she loved him. In her eyes he saw she worried. It was always worry mixed with love-strawberries and rhubarb, bitter turnips mixed with sweet greens-between black men and women.

She knelt before him and rubbed her warm hands gently over his feet. Nat Turner looked at the people sitting around him. He smelled the Christmas dinner cooking.

"Don't worry," she said. Brown eyes framed with black eyelashes, the love between them was unfair to her. Without him, there was less danger for her. He should let her go. Then Cherry would smile and he melted to her. "No worries now, Nathan." She smiled. "At least for today." When she was sure no one was watching, she leaned over and shyly kissed his palm.

He had never intended to marry.

Chapter 9.

Even when they were boys, each direction Hark's head turned, he saw a girl or a woman he desired. But Nat Turner's plan, even as a boy, had been to never have a wife. Most of the priests in Ethiopia were married men with families, his mother had told him. There were just a few who kept themselves apart, and he thought he would be like the few. Marriage would keep him bound.

Nat Turner did not want to wait for freedom. If he never had a wife, he could escape. If the others were too afraid, let them stay behind. If they were content, let them live the way they wanted. Unenc.u.mbered, he would be free.

He would escape one day to the Dismal Swamp, then to Norfolk, the Chesapeake, then the ocean, and finally make his way to Ethiopia. Then to the Nile. A wife was just a part of the Master's plan to hold him down.

Since the age of twelve, when his father died, his mind had been fixed on running away. His mother was the only thing that held him, but his plan was to free himself and then come back for her.

Five springs came and went after his twelfth, the year he was turned out to the fields as a slave. When the sixth came, there was more hard work behind the plow.

But even for slaves there were flowers everywhere. And that spring all Hark talked of-when they were not working, and even when they were-was girls. Yellow ones, black ones, thin ones, fat ones-he was like a bee drawn to all kinds of flowers.

The night before, there had been a storm. Though the air was clear now and the sky blue, the ground was wet. A dead tree had fallen across the road with no name, and the two of them had been sent to clear it away.

As they chopped the tree in pieces so they could haul it away in the wagon, Nat told his friend about his plan.

Girls would only get in the way. "You think it is pa.s.sion, but it is strategy-women for men and men for women to keep us pacified and chained so we won't leave. But they breed l.u.s.t in us, not love, so we won't make war to free the ones we bed, so we won't be attached to our children and make war to free them. It is all calculated."

The two of them hacked at the dead tree. "They teach us new customs so we will forget our homeland and never leave. The captors rape our mothers, then deny their paternity. They hide their relations.h.i.+p to us, but then use it against us so we will feel allegiance to them, so we will long for them to acknowledge us, so we won't make war-like the Babylonians and Romans among the Jews. So we won't kill what is part of us. So we will never ever leave.

"Whiskey at Christmas, the only time we have to rest and clear our minds. So they give us whiskey to pacify us and stupefy us. Women and whiskey to give us pleasure-to dull the ache-to keep us bound." Nat swung his axe, then grabbed three firewood-size pieces and threw them in back of the wagon near them.

Hark was the calm one, the one easy to laugh. He survived because he took it all as it came. Hark nudged him and winked. "I can turn down the whiskey, brother, but not women. If that's the plot, then they have me. I have no food, no clothes, but keep feeding me women and I won't ever leave!" Hark chuckled. He grabbed six large sections and with no effort tossed them on the wagon pile.

"Is that all we are? Breeders?" Nat Turner wanted to convince his friend. Each baby born was one more slave-like they were.

And it was easier to keep his vow if he was not alone. "We are just animals to them that breed more livestock that they can sell or use in the field. Is that what we will allow them to make us? Just studs who leave our children like calves scattered here and there? No thought for them or their lives and futures? That is not who we are." Nat Turner raked his arm across his sweaty forehead. Lifting the wood was not easy for him.

"We could be like Shadrach, Meshach, and Abednego. We could be like Daniel and refuse to get drunk on what our captors offer us. We could fast from pleasant things-temporary pleasures that kill us and our people while they grow rich. We can fast from pleasant things that keep us slaves."

Hark leaned on his axe, laughing out loud. "Fast from pleasant things? You expect me to give up the one thing that makes my life tolerable?" His face sobered. "I didn't make this world or this life I suffer. Am I not ent.i.tled to some comfort? I couldn't live without women. You wouldn't want to know me if I lived without women." He lifted his axe and began to chop again. "Maybe being alone is why you brood too much. It's not safe for a black man to think too much."

Nat wiped his face with his arm again. "Well, I will do it alone then. I would rather die a man with honor, alone, than to live as a beast they use. I will take the vow to live alone."

"No women?" Hark threw more wood on the wagon. "I am not as strong-willed as you, my friend. Not for the rest of my life"-Hark chuckled-"not until next week even. I am just doing what I have to do to stay alive." Smiling, he shook his head and threw more wood on the pile.

Nat Turner looked at his friend, his brother. Hark had grown to look like a warrior, as Nat imagined St. Moses the warrior saint, like a giant statue carved from onyx.

"You are my friend, Nat Turner, and I believe you have good intentions. I believe you are a holy man if ever I saw one. But I think you should have made your vow in winter." Hark looked at the sky, the gra.s.s, and the wildflowers around them. "Let's see what spring has to say about your plans."

They finished their task in silence. Nat felt safe telling most of his thoughts to Hark. But there were some things kept private. A man's mind was a secret place.

There was truth that people held to themselves about the people they lived with-secret thoughts that mothers held about daughters, sons about their fathers, and husbands about their wives. There were thoughts kept behind a veil, thoughts that even lovers did not share.

In his life, at the end of his life, he wanted his mother's secret, sacred thoughts of him to be that he was a good man. He did not want her to see him become a breeder, he did not want her to see him grow into a man with no self-control, but he also did not want to risk his heart.

He did not believe he could know a woman's mind-not enough to trust his heart and thoughts, his insecurities to her. He did not believe he could share all he was, and all he was not, with her. He had seen too many women who frowned when their men weren't looking, too many sisters who grimaced when their brothers' backs were turned. He didn't want to live his life with a wife who secretly hated him, or bed with a woman whose sacred thoughts of him were that he was a weakling or a coward. Marriage between slaves was not really marriage-the masters could separate them or rape the women when they chose. What woman could respect a man who could not protect her and her children?

But then, there was something even more.

Hark said that Nat was strong-willed, but they really were not so different. Like his friend, Nat found women-all women-fascinating. Their singing, their dancing, their was.h.i.+ng, their kneeling-there was no end to what intrigued him. And so that he would not be a glutton, he decided he would have none.

"I won't make it easy for the captors, Hark. I won't make it comfortable for them to keep me in captivity, to pretend that I am not who I am. I won't get drunk on their whiskey. I won't sing songs to entertain them when I work in the fields. But most of all, I won't let them use women against me. I won't marry."

Hark tossed the last piece of wood on the wagon and laughed. "We'll see what spring says." He pointed at the sun and the flowers. "Let spring have the last word."

Not more than two weeks later they heard girls' voices, voices like birds singing or water dancing over smooth stones. The sounds drifted to them from the pond, not far from their secret place.

Chapter 10.

Hark ran first, Nat Turner followed. The two of them ran as though they were being called, like the work bell was calling. Peeking through branches around the pond, they saw the girls floating in the water, giggling, was.h.i.+ng away winter's skin layers.

He and Hark watched them through the leaves. Nat Turner staggered, intoxicated. He and Hark tried not to giggle.

They had seen girls before: worked with them in the fields, and there was no privacy for slaves, neither in the fields nor in the barns. But they had not seen them this way, not in spring, not without rags, not with their hair undone floating in the water... not with the sun kissing their brown skin.

He and Hark knew the girls, had seen them all before. Teased them, jostled with them-at least Hark had while Nat Turner watched. But this way-with birds singing while they floated on the water, among the sweet perfume of spring flowers-was something more.

Cherry dived into the water, her head first, then hips, and finally her feet. He had known her since she was a little girl. The water closed around her, and Nat realized that he had forgotten to breathe. Beautiful, he thought, and finally understood the word. When her head gently parted the water and she reappeared, the first thing he noticed were her full, dark lips.

Hark's hand grabbed Nat Turner's s.h.i.+rt and pulled him back before he stepped out of the cover of the trees. He had not realized that he was walking toward the pond.

After that day he could not stop saying her name. Cherry. He found excuses to say it. Cherry. Every breeze, raindrop, even the suns.h.i.+ne reminded him of her.

When he saw her again, Nat Turner made his intentions known to her. She took his hand as though she had been waiting all the time. Cherry kissed him. His lips and then his neck, and he forgot all the promises and vows he had made. He forgot what would happen to him and to his children. With a kiss it all melted away.

Hope was the nectar on her lips, and each one of her fingers touching his face told him that things would be better. Hark helped him to laugh, but Cherry helped him to forget. When she smiled, the burden lifted. There was sweet life in Cherry.

Chapter 11.

After years as a bothersome little girl, Cherry finally stole his heart away.

Then, just as suddenly, she seemed to change. All her life Cherry had been following him. Now she ignored him. She made it hard for him, walking away when she saw him.

He did not want to marry anyway, Nat Turner told himself. It was too much trouble, too hard. But he could not get Cherry out of his mind.

Then he remembered what his mother had told him. "It is the nature of men to only value what is hard to come by. We Ethiopian women know it is true. Anything worth having is worth working for."

But it made no sense to him. Always Cherry had been there, always waiting for him.

"A woman who gives herself easily to you will give herself easily to another," his mother said.

It made no sense to him. Why should things be so complicated?

"In Ethiopia," his mother told him, "your father would search for the perfect wife for you, a woman of great value. As her intended, you would offer gifts-gifts for her and her family. Our two families would meet to be sure you were both suitable and to discuss the bride-price. You would court your bride-an honorable woman wants to know that she is important to you, that you value her. The very best maidens come with a very high price, a price that cannot be paid by just anyone."

Nat Turner had no father to find a bride for him. He had no expensive gifts to give to Cherry. He took her a sunflower. She smiled and then walked away. He caught a b.u.t.terfly and carried it to her. She kissed his cheek and walked away.

She knew he had nothing. What did she expect from him?

He sneaked and gathered apples for her, apples for which he might have been beaten if he was caught-sweet, red apples with no blemishes-and left them on a trail for her. He left them at special places for her-on a stone, in a tree hollow, beneath a mulberry bush. Cherry hugged him when she found them all, and then walked away.

He found a honeycomb hidden in a tree and sneaked her wild honey. He scooped some with a finger and she allowed him to drizzle it on her tongue. She smiled at him, kissed him, and then walked away.

It was too hard. What did she want from him? It was too much work, this courting. But he could not forget her or the taste of hope on her lips.

He saw her walking on a path one night; the moon followed her. He walked beside her, half-hidden among the trees. "You are black and comely. 'Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes.'"

Cherry stopped to listen to him.

"'As the lily among thorns, so is my love among the daughters.'" She smiled, turning her head, arching her neck to see him. He whispered the words. "'The flowers appear on the earth; the time of the singing of birds is come, and the voice of the turtle is heard in our land; the fig tree putteth forth her green figs, and the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.'"

Cherry beckoned to him, and Nat Turner stepped into the moonlight. "Sing to me," she said.

He shook his head-he never sang. He spoke again. "'Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes within thy locks: thy hair is as a flock of goats that appear from mount Gilead.'"

Cherry kissed his cheek.

"'Thy teeth are like a flock of sheep that are even shorn, which came up from the was.h.i.+ng; whereof every one bear twins, and none is barren among them. Thy lips are like a thread of scarlet, and thy speech is comely: thy temples are like a piece of a pomegranate within thy locks.'"

Cherry wrapped her arms around him.

"'Thy two b.r.e.a.s.t.s are like two young roes that are twins, which feed among the lilies. Until the day break, and the shadows flee away, I will get me to the mountain of myrrh, and to the hill of frankincense.'"

She touched his face with her hand.

He breathed her in. "Marry me," he said.

Cherry stayed.

Chapter 12.

In Ethiopia weddings lasted seven days. There were feasts and prayers, and priests playing timbrels, dancing, and beating on drums. Nat Turner imagined that he and Cherry were marrying in his mother's way. In Ethiopia, he would not have been able to marry her if she was his cousin within seven relations. He would not have been able to marry her if he could not pay the bride-price. How would he have ever hoped to pay for and marry such a woman?

Her eyes were hope's promise, and when she smiled and said his name, he knew that G.o.d loved him. Nathan Turner knew, when he breathed in Cherry, that G.o.d knew his name. When she, his wife, snuggled onto his lap, he knew that everything his mother had told him about Ethiopia was true.

The skin on her legs was hairless, smooth, and cool, but the tips of his fingers felt fire. She wrapped around him like brown ribbon. Her kinky hair was his pillow. She made him more of who he was than when he was alone.

At night she entwined one leg with his and slid her fingers into the curls at the nape of his neck. In the dark, he saw fireflies. When they were alone, Cherry sang him made-up songs. "My love is prince of Ethiopia," and Nat Turner, Negasi, forgot where he was.

When he was with her, they were clouded in silks and there was gold on their fingers. There were roses and orchids, spices and sunsets. In the distance he watched elephants and giraffes promenade, and zebras, leopards, and antelope lope by. When he was with Cherry, he left Virginia far behind.

Ethiopia was a paradise, and her colors kissed the sky. Her mountains bore the sweetest fruit, and all her valleys were myrrh. Stars crowned her head, and flowers kissed her feet; she lived in the midst of a rainbow. Solomon bowed at her beauty, and the Nile was the cradle and the birthplace of all life. Cherry was a garden, and Africa lived in her hair.

WHEN TEN FULL moons pa.s.sed, Cherry bore their first son, Ridd.i.c.k.

In the woods, far away from the barn and underneath the moonlight and the boughs of trees loaded with spring blossoms, Cherry moaned as Ridd.i.c.k fought his way into the world.

Not far away, but as though she were in Ethiopia, his mother prayed ancient prayers in Amharic and sang songs her mother had taught her. She lifted prayers to protect and comfort Cherry, to welcome the baby into the world.

Nat Turner held his baby in his arms, his son, his tiny son. Tiny perfect fingers curled around one of his own. Brown eyes full of wonder looked into his-eyes that believed him, that trusted him, that thought he was a king.

He kissed his son's forehead and kissed his hand. "Things will be different for you," he whispered to Ridd.i.c.k. He kissed his precious son and then slowly lifted Ridd.i.c.k to present him to the village, to his ancestors far away, and to G.o.d.

Beside Nat Turner, his mother spoke words and sang songs to honor her grandson, Amharic words forbidden in America. Born today is the son of nine generations of warriors! Born today is the son of eleven generations of prophets! Born today is the son of eight generations of wise women! The son of ancient fathers who walked with Abba Selama! Behold their aspects bloom in him!