Into The Inferno Part 40

61. STEPHANIE GETS INTO DONOVAN'S BRAIN I knew after he finished with me, he would start on Stephanie. I knew also that there wouldn't be a thing I could do to stop him.

Not that I was having much luck stopping this.

The thought of Stephanie forced me to my feet. Broken and bleeding, the least I could do was keep him occupied. Give her time to flee.

He stood well back while I propped my legs under me like a newborn calf, wobbly and wet and trying not to stumble.

Stephanie said, "For G.o.d's sake, stop it. You're killing him."

Startled by the nearness of her voice, Donovan relaxed his martial arts stance for a moment and turned toward her. "Baby, you haven't seen a thing."

"Leave him alone, you big creep."

"Your boyfriend broke my hand. It'll be a while before I'm through with him."

Their brief exchange distracted Donovan long enough for me to run at him, head down, building up speed.

I tackled him just above the knees. My thought was that he'd go over backward, but it was like hitting a wall. If I'd had any teeth left, I might have sunk them into his thigh, but there was only wind and fluid where my choppers had been.

And then, without warning, he toppled over and I was on top of him, my fists moving like a blur of jackhammers. Or so I wanted to think.

Eventually one of my blows found the family jewels. Donovan yowled and curled into a fetal position.

Stephanie took a step toward us. "No," I said. "Stay back."

He rolled over and grasped me with both meaty hands, tearing at my clothes. The hospital top ripped apart. I might as well have been wrestling a gorilla-one of those big boys turning truck tires into pretzels behind the gla.s.s at Woodland Park Zoo.

Somehow he got one arm around my neck, and his grip grew tighter. We struggled, rolling across the floor, cras.h.i.+ng into the desk, knocking over a chair, rolling across the room to the vault.

When he tightened his arm around my neck, the pain became unendurable.

It was a strangely intimate position, his breath warm and moist on my face, the blood from his nose trickling into my eye. I could feel the warmth of his arm around my neck. Could hear his heartbeat thumping on my back as he slowly closed off my airway.

He cinched his arm tighter, crus.h.i.+ng my windpipe a quarter inch at a time. After some moments of this, he loosened his grip enough for me to get a s.n.a.t.c.h of air. He didn't want me to die too quickly.

We were on the floor, my eyes bulging, face itchy, limbs shuddering like a dying wildebeest. Big cats didn't kill their prey by ripping them apart. Not like you'd think. They clamped their jaws on the victim's throat and waited while the kicking victim exhausted the air in its lungs. It was revolting to watch, but not nearly as revolting as when you were doing the kicking and shuddering yourself.

"Run, Steph," I gasped.

As I began to black out, a shadow pa.s.sed over us. For a moment I entertained a feeble thought that Stephanie was going to stab the b.a.s.t.a.r.d with the hypodermic she'd been holding. Or that she'd located his gun and was moving closer so she could put a slug into his brain stem.

Instead, she stabbed me. Hard.

In the b.u.t.tocks. The needle went in so deep, I swear it hit bone. Despite the fact that I was on the brink of death, it hurt like h.e.l.l.

A moment after the pain in my b.u.t.t subsided, Donovan screamed.

Realizing his grip had slackened, I wrenched myself out of his arms and rolled free. Climbed to my feet.

My neck was so stiff I could only turn a few degrees in either direction, and even that produced pain. I'd never had a broken neck, but if pain was any indication, I had one now. Along with the broken jaw.

On the floor, Donovan whimpered. Strange to hear him actually whimper. It was easy to see why. Stephanie had buried the syringe in his right temple. It was hanging there like an errant dart.

When Donovan grabbed the syringe and yanked it out, the needle broke off in his skull.

He looked up at Stephanie, his pale eyes burning, and for the first time since I'd met him, his tone of voice actually sounded menacing. "I'm going to keep you alive, doc. I'm going to keep you alive all night."

By now I was at the desk searching for a weapon. I was clutching a pen when he grabbed me from behind, knocked me down, got hold of my scrubs, and, as I kicked at him, pulled one pant leg off, then the other. The cloth caught on my foot and he dragged me across the room by the pants.

Once clear of the mess around the desk, he stood over me like a big-time professional wrestler, The Chemist, arms held high. Then he fell on me. It was almost in slow motion. And there wasn't a d.a.m.n thing I could do to stop him. I had only enough time to raise the pen before he landed on me like a sack of steer manure.

Oddly, his weight sagged. It took a moment for me to realize what happened.

I pushed him off and rolled across the floor.

His breathing was heavy and ragged.

Propping himself upright on the floor, he peered about the room with one eye. The pen was protruding from his other eyeball, a good four inches of it buried in his socket. He hadn't quite figured it out yet. I was finding it difficult to believe, myself.

When he began crawling toward me, I noticed a trickle of clear fluid dribbling down his cheek.

"Stop right there," I said. "It's over."

"Not b.l.o.o.d.y likely. I'm gonna tie your guts around your neck and use 'em for a choker," he whispered, reaching for me.

A single Bible lay on the floor between us. I grabbed it with both hands and hit him in the face with the flat of it.

The blow drove the pen in, so that now only the tip showed.

"Shouldn't have done that," he said, toppling over sideways. He stopped breathing for a while and then started again.

I turned to Stephanie. "You think he's going to make it?"

"I've seen people take that much trauma to the brain and live."

We stood on either side, watching his chest heave.

My own breathing was rapid and shallow, my voice hoa.r.s.e, my pulped mouth dripping blood and saliva. Two fingers of my left hand were beginning to stiffen at unnatural angles. Several of my remaining teeth teetered back and forth when I ran my tongue over them. No matter. After tomorrow only a numbskull would feed me solid food.

"Why'd you stick me me?"

"I had to give you the antidote."

"You have the antidote?"

"I found it in the vault while you were in the shower. Right before I heard him coming."

"Couldn't you have used a smaller needle?"

"It was the only one I could find."

"Are you telling me I'm going to be okay?"

Stephanie held up a bottle of clear fluid. "The instructions on the inside of the vault claim it's ninety percent effective if taken within the first hour of infection. Eighty if taken on day two. Seventy on day three. And so forth. It's a linear progression."

"I'm afraid I'm not up to the math," I said, leaning against DiMaggio's desk.

"You're on the evening of day six. That gives you a forty percent chance. Maybe thirty."

"They must have gone through a s.h.i.+tload of victims to have it worked out so meticulously."

"Or a trainload of chimpanzees."

"Does it say anything about afterward? For people like Holly?"

"Zero cures after the first seven days."

"They had the antidote all along. Your aunt. This clod. Any of them could have handed it to us."

"I'm sure that's why Achara was killed. I know she wanted to help you."

Donovan was crawling across the floor now in what appeared to be a random pattern. Like a slug on a sunny sidewalk.

"What about him?" Stephanie asked.

"After we get out, we call the police. Anonymously."

Except somebody had already called the police.

We heard sirens and reached the window in time to see Marge DiMaggio and two coworkers leap out of a Ford Expedition below us. They dashed through the front door of the building just as a police cruiser pulled to a stop behind the Ford, blue lights flas.h.i.+ng. A second and third cruiser were coming in fast. When I stepped back from the window, my foot touched Donovan's semiautomatic on the floor.

"Hide in the other room," I said, picking up the gun. "Once I get them in here, go out the back way."

"I'm not going to desert you."

"We get in a dither with the police, what do you think is going to happen to that?" I gestured to the vial Stephanie was holding. "Karrie needs it. Maybe you, too. That stuff is all over the room."

"I didn't touch any of it."

"Let's hope not. I'm going to keep your cell phone. When I know you're safe, I'll surrender."

Sixty seconds later DiMaggio and two underlings I recalled from our earlier visit popped into the doorway, huffing and puffing as if they'd run the whole way. Stephanie had concealed herself in the smaller room off to the side. The police remained outside.

"Good G.o.d!" Marge DiMaggio said, bursting into the room.

"Stay out. We've got D number fifty-six all over the place."

"What are are you talking about?" you talking about?"

Donovan moaned. The coworkers, a woman and a man, followed DiMaggio through the spill area, muttering about getting out of the building, that I had a gun, that I was berserk. After the fight with Donovan and the threats to Stephanie's life, I felt berserk.

"What's wrong with his eye?" DiMaggio demanded, kneeling next to Donovan. "What did you do to him?"

"Just a little less than he was trying to do to me."

62. EXECUTIVE ANNIE OAKLEY ENDS.

MADMAN'S MIDNIGHT TERROR SPREE I pointed the gun at Marge DiMaggio and told all three of them to stand in the corner behind the desk, an area I knew to be free of the chemical. The coworkers complied, but DiMaggio was the kind of woman who could get herself killed over a two-for-one pizza coupon. And she wasn't about to take orders from me.

"Over behind your desk, Mrs. DiMaggio."

"You go to h.e.l.l."

"He's got D number fifty-six on him. By now you have it all over yourself."

Neither of the coworkers could take their eyes off the puckered puddle that had been Donovan's eyeball.

If the police were inside the building, I couldn't hear them, but then I was stone-deaf in one ear, so it wasn't likely I'd hear the sound of footsteps. "I was in your safe. Some of the D number fifty-six spilled on the floor."

DiMaggio got up and tried the vault handle, then smiled. She had the encyclopedia of smugness down pat. "You don't expect me to believe you've been inside this?"

"Achara gave me the combination."

"Did she now?" Amus.e.m.e.nt flitted in her dark eyes.

I might have recited the combination, but my head was ringing so badly I couldn't have spelled my middle name. Could barely remember it. Jerome. James Jerome Swope.

"If you're going to prevaricate, Mr. Swope, at least be reasonable. Achara didn't know the combination any more than the security guard out at the front gate knows that's a Paul Klee on the wall. Try again. I don't believe you."

There was more police activity in the parking lot below the window, men giving orders, car doors slamming, the sounds of radios. The office walls jumped with blue lights.

"Fine," I said. "Kill yourself. In the meantime, go over to the window and tell the police you three are hostages and we need a medic unit. While you're at it, tell them to stay out of the building."

"The police have been instructed to remain outside, at least until our security personnel call them in."

I caught my reflection in the office window.

The too-small hospital blues I'd put on after my shower had been shredded and torn during my combat with Donovan, so now I was naked. I pulled the remaining strands from around my hips and off my neck. The clothes I'd worn from the hotel were contaminated. There were more hospital blues in the shower facility, but I wasn't going to turn my back on DiMaggio to get them. I would just have to be naked.

I figured she had a gun hidden either in her desk or on her person and would use it on me the moment I looked away. What better opportunity to silence a critic?

EXECUTIVE ANNIE OAKLEY ENDS MADMAN'S MIDNIGHT TERROR SPREE. She would be a heroine. She would be a heroine.

There was a 40 percent chance the substance Stephanie had injected into me would reverse the syndrome, which meant there was a 60 percent chance it would not.