Writing for Vaudeville Part 47
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Then imagine thousands and thousands of wives walking up and down the streets on strike, and scabs taking their places.
The Art of Flirtation A Two-Act for Two Men by Aaron Hoffman
Author of "Toblitz, or The End of the World,"
"The New Leader," "The Son of Solomon,"
"The Speaker of the House," Etc., Etc.
THE ART OF FLIRTATION
STRAIGHT: Say, whenever we go out together, you always got a kick coming. What's the matter with you?
COMEDIAN: Nothing is the matter with me.
STRAIGHT: With you always everything is the matter.
COMEDIAN: What's the trouble?
STRAIGHT: The trouble is you don't know nothing.
COMEDIAN: Yes, I do.
STRAIGHT: You know! If I only knew one-half of what you don't know, I would know twice as much as the smartest man in the world.
COMEDIAN: What you got against me?
STRAIGHT: You ain't a gentlemen.
COMEDIAN: What is a gentlemen?
STRAIGHT: A gentlemen is a man who knows how to act senseless vit people no matter vat happens.
COMEDIAN: I am a gentlemen, I always act senseless.
STRAIGHT: You are a gentlemen! Look at you. How can a man be a gentlemen with such a face like that. There are two kinds of men--gentlemen and rummies. I am a gentlemen, you are a rummy.
COMEDIAN: I am a rummy? I know how to act vit people. Ven you met your friends down the street, vat did you say to them?
STRAIGHT: I said come on and have a drink. I spoke like a gentlemen.
COMEDIAN: And ve all vent to have a drink.
STRAIGHT: Ve did.
COMEDIAN: Didn't I pay for it?
STRAIGHT: Sure--that shows you are a rummy.
COMEDIAN: No, that shows I was a gentlemen.
STRAIGHT: Dat's right. In a saloon you are a gentlemen.
COMEDIAN: Sure I am. I act just a bartender.
STRAIGHT: But the trouble with you is you don't know how to mingle.
COMEDIAN: Oh, I can mingle.
STRAIGHT: You don't know the first thing about mingling. As a mingler you are a flivver. Among men you are all right, but as soon as I take you out to some parties and dinners and you see some women around, your brains get loose.
COMEDIAN: Why--what do I do?
STRAIGHT: It makes no resemblance what you do or what you say.
No matter how you do it--no matter how you say it, the women get insulted. You ain't got the least consumtion how to be disagreeable to the ladies.
COMEDIAN: Oh, I know how to be disagreeable to a lady. You ought to hear me talk to my wife.
STRAIGHT: To your wife? Any man can be disagreeable to his wife.
But tink of other women--the trouble with you is, you have no, as the French people say, you have no _savoir faire_.
COMEDIAN: No what?
STRAIGHT: I say that you ain't got no, what the French people call, _savoir faire_.
COMEDIAN: What's dot?
STRAIGHT: _Savoir faire_.
COMEDIAN: Oh, I can salve for fair.
STRAIGHT: You can salve for fair; yes, but you ain't got no _savoir faire_. You are not a mingler. You have no vit, no humor.
You ain't got no _esprit_.
COMEDIAN: Vere do you get all dose words?
STRAIGHT: I get them because I am a gentlemen.
COMEDIAN: Then I'm glad I am a rummy.
STRAIGHT: Sure you're a rummy. If you wasn't a rummy, you'd have _esprit_.
COMEDIAN: Oh, I had a spree lots of times.
STRAIGHT: Not a spree. I mean _esprit_. I mean you ain't got no refinement--like me. I got polish.
COMEDIAN: You're a s.h.i.+ne.
Writing for Vaudeville Part 47
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Writing for Vaudeville Part 47 summary
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