Writing for Vaudeville Part 66

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FALLON: I guess, I've got a right to _defend_ myself, _anywhere_.

KELLY: Yes, but you'll get excited and--

FALLON: (Quietly.) I? Excited? I never get excited. The last time I was excited was when I was seven years old, and the circus came to town.

KELLY: Don't mix up in this. What am _I_ here for?

FALLON: You won't be here. How can you help me in that room, when a fellow's pumping lead into my stomach in this one?

KELLY: He won't pump no lead.

FALLON: (Carelessly.) I hope not. But, if he does, he's got to do it awful quick. (Motions towards centre door.) Now, you go in there and shut the door, and I'll talk out here. And you tell me if you can hear what I say? (KELLY goes into bedroom and closes door. FALLON walks to door R. with his back turned towards KELLY.) Have you got the door shut tight?

KELLY: (From bedroom.) Yes.

FALLON: (Speaks in a loud tone, to an imaginary person.) No, not another penny. If I pay you, will you promise not to take the story to the newspapers? I give you this thousand dollars--(Turns towards centre door. KELLY opens door.) Could you hear me?

KELLY: Yes, I could hear _you_, but _he_ won't talk that loud. You put him in that chair (Points to Morris chair.)--so that he'll sit facing me, and you stand over there (Points at safe.)--so then he'll have to speak up.

FALLON: I see. Are you all ready?

KELLY: Yes. (KELLY closes door. FALLON goes to desk. Lifts both guns from his pocket an inch or two, and then takes receiver from telephone. To 'phone.) Give me the cafe, please. Is this the cafe? There's a Mr. Mohun down there waiting to hear from Mr.

Fallon--yes. All right. Tell him to come up. (KELLY opens door.)

KELLY: Hist. Listen, this guy knows what he's up against; he knows it might land him in Sing Sing and he'll be leery of this door being shut. So, if he insists on looking in here, you speak up loud, and say, "That's my bedroom. It's empty." Say it quick enough to give me time to get out into the hall.

FALLON: I see.

KELLY: Then, when he's had his look around, you slam the door shut again, and I'll come back into the bedroom. Have you got it?

FALLON: I understand. (In loud voice.) That's my bedroom. It's empty.

KELLY: That's the office for me to sneak into the hall. (In bedroom, he disappears right.)

FALLON: (At open door, rehearsing.) You see, the room is empty.

(Closes the door with a bang. Pause, then he calls.) Are you there now, Kelly?

KELLY: Yes, I'm here.

(FALLON stands looking at the key in the door. For an instant his hand falters over it as though he would risk turning it. Then, he shakes his head, and walks to table right. There is a low knock at door left.)

FALLON: Come in.

(MOHUN enters door left. He is lean, keen faced, watchful. He is a head taller than FALLON. His manner always has an undercurrent of insolence.)

MOHUN: Afternoon. Am I speaking to Mr. Fallon?

FALLON: Yes. Lou Mohun?

MOHUN: Yes. (MOHUN stands warily at the door. Glances cautiously around the room. Bends over quite openly to look under the sofa.

For some seconds his eyes rest with a smile on bedroom door. He speaks slowly, unemotionally.) A mutual friend of ours said you wanted to see me.

FALLON: (Sharply.) We've no mutual friend. No one's in this but you and me. You want to get that straight!

MOHUN: (Easily.) All right. That's all right. Well, what do you want to see me about?

(FALLON speaks in a loud voice. In the speeches that follow, it must be apparent that his loud tone and excited manner is a.s.sumed, and is intended only to convince KELLY.)

FALLON: I understand, you think you have a claim on me for a thousand dollars. And, I'm going to give it to you. But, first, I want a plain talk with you. (Sharply.) Are you listening to me?

MOHUN: No, not yet. Before there's any plain talking, I want to know where that door leads to.

FALLON: What door? That? (In a louder voice.) That's my bedroom.

It's empty. Is that what you want? Think I got someone in there?

Do you want to look for yourself? (Opens door.) Go on in, and look.

(MOHUN takes a step forward, and peers past FALLON into bedroom.) Go on, search it. Look under the bed.

MOHUN: I guess that's all right.

FALLON: Don't you _want_ to look?

MOHUN: (Falling back to door left.) Not now. No need to, if you're willing to let me. (Impatiently.) Go on. What is it you want with me? (FALLON closes door with a slam. Comes down to table.)

FALLON: What do I want? I want you to understand that this is the last time you come to me for money.

MOHUN: (Indifferently.) That's all right.

FALLON: No, its not all right. (Takes out bills.) Before I give you this, you've got to promise me to keep silent. I'll stand for no more blackmail.

MOHUN: Don't talk so loud. I'm not deaf. Look here, Mr. Fallon, I didn't come here to be shouted at, I came here to get the money you promised me.

FALLON: Well, here it is. (Gives him bills. MOHUN sticks them in his right-hand vest pocket.) No, you listen to me. (As soon as he obtains the money, MOHUN'S manner changes. He is amused, and insolent.)

MOHUN: No, not a bit like it. Now that I've got _this_, you'll have to listen to me. (Moves deliberately to Morris chair and seats himself) Mr. Fallon, I don't like your tone.

FALLON: (Slowly.) You--don't--like my tone? I don't think I understand you.

MOHUN: You talk like you had a whip over me. You don't seem to see that I got you dead to rights.

FALLON: (In pretended alarm.) Have you?

MOHUN: Have I? I got a mortgage on you for life. You got in wrong when you gave me that money. Don't you see that? Mr. Fallon, I've been taking out information about you. Some 'Frisco lads tell me you used to be pretty sweet on a certain party, but she chucked you and married the other fellow. But the first day you come back a millionaire she visits your rooms--and you give her a thousand dollars! Why? She can't tell. You can't tell. But _I_ can tell. I can tell her _husband_. He's only got to ask the hotel clerk and the cas.h.i.+er and the bell hops, and when I've told my story _as I'll tell it_--he's liable to shoot you. (There is a pause during which FALLON stares at MOHUN incredulously.) Let it sink in, Mr. Fallon.

FALLON: (Quietly.) I am--letting it sink in.

MOHUN: Now, a thousand dollars is all well enough from a lady that has to sc.r.a.pe to find it, but a thousand dollars from a millionaire like you is a joke. And unless you want me to go to the husband, you'll come across with fifty thousand dollars, and until I get it, I'm not going to leave this room.

FALLON: (Solemnly.) Then, I don't believe you are going to leave this room.

Writing for Vaudeville Part 66

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Writing for Vaudeville Part 66 summary

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