Death On Demand Part 11

HAL DOUGLAS. Harold Clifton Douglas, born March 18, 1955, in Wiesbaden, W. Germany, son of career Army officer. Grew up on Army posts in Europe and the United States. BA from Was.h.i.+ngton University at St. Louis. Married to Lenora Harris 1978; writer with Hallmark Cards, Kansas City, 1976-79; publicist, Sierra Leone Films, Hollywood, Ca., 1980-82. First novel, The San Bernardino Heist, a 1983 best-seller.

Bought home, Robber's Nest, on Broward's Rock, March 12, 1983.

Max frowned and reread the paragraph on Douglas. Annie had mentioned Douglas and Kelly Rizzoli as a twosome. So where was Lenora Harris Douglas?

HARRIET EDELMAN. Born July 5, 1948, Carlisle, Pa. BA from Penn State, 1969. Lived in Nice, France, 1969-75. Immediate success with Macintosh series, the first two, Ride a Wave and Gentleman's Smile, set in Nice. Ride a Wave Edgar winner for Best First Mystery. Contributor to Armchair Detective. Purchased a home on Broward's Rock in 1976.

Zero on weaselly-faced Harriet. The net hadn't fished up anything useful. But Annie'd mentioned that Harriet'd been mad as h.e.l.l at Elliot, because he was hinting she'd cribbed somebody else's book.

JEFF and JANIS FARLEY-Jefferson Allen Farley, born Feb. 3, 1953, St.

Louis, Mo. Foster child. Married Janis Corey 1970, BA in journalism University of Missouri, 1974. Collaborated on their first book, Danny's Delight, in 1975, Jeff plotting and writing, Janis drawing the pen-and-ink ill.u.s.trations. Jeff employed as a crime reporter on the St.

Louis Post-Dispatch, 1974-1984. Purchased island home Sept. 22, 1984.

Janis Corey Farley, born April 11, 1955. Foster child. Married Jeff Farley 1970. Ill.u.s.trator.

Jeff and Janis Farley. Could be volumes there. Both of them foster children and marriage at a sadly young age for Janis. It helped explain her utter dependence on that stiff. No schooling for her, but lots of talent with pen and paper.

FRITZ HEMPHILL-Born April 16, 1945, in Long Beach, Ca. Graduated from Long Beach City (Jr.) College, 1964; U.S. Army, pfc., 1964-66, Ft.

Ord, Saigon, V. N.; BA, Loma Linda University, Loma Linda, Ca., 1968; LAPD, 1968-80, patrolman, sergeant, detective; married Doreen Norris 1968, divorced 1980. One child, Alice, now sixteen. First police procedural, The Agony Chain, published 1972. Third novel, Kerrigan's Heart, runaway best-seller, sixteen weeks on The New Yorfc Times best-seller list. Purchased Broward's Rock harbor condo Sept. i, 1980.

Max wiggled his shoulders and stretched. Without losing his place, he rose and used peripheral vision to cross the living room to the kitchen, open the refrigerator, and pick out another Bud Light. This time he settled on the couch, feet propped on the rattan coffee table, took a double gulp, and continued to read.

JOHN MCELROY, police captain (ret.). Born April 24, 1930, in Ft. Walton, Fla. Attended Jacksonville University, 1948-50; OCS U.S. Marine Corps, 2nd. Lt, 1950-52, Camp Lejeune, La., Korea; Miami PD, 1952-60; a.s.st. chief, Silver City, Fla., 1960-80; capt, Silver City police, 1980-84. Married Thelma Farris 1954. Three children: John, age 30; Theodore, 28; and Michael, 26. Divorced 1962. Purchased home on Broward's Rock, July 20, 1984.

KELLY RIZZOLI. Born Aug. 26, 1959, Ft. Smith, Ark. Attended College of the Ozarks, 1977-78. BA in psychology. University of Arkansas, 1983.

First novel, The Shuttered Mind, a paperback best-seller in 1983. Sad Song sold 55,000 in hardcover two months after 1984 publication.

Bought Magpie Plantation on Broward's Rock in July 1984.

Max pulled a legal pad closer, sighed, and rubbed his face, then downed the rest of the tepid beer. d.a.m.n, he was getting hungry.

He looked up. For a moment, his tired eyes refused to focus, then they noted the open living room windows, the slatted, tropical blinds not yet closed for the night.

For the night...

Darkness had fallen. He looked at his watch, and an empty, sick feeling moved inside him. 7:15. Annie had left for the five-minute bike ride to Elliot's house a few minutes before six.

Where the h.e.l.l was Annie?

Ten.

Annie moaned. The sound came from her, but it seemed separate and far away. She tried to lift her head, and pain seared down into her shoulder. She moaned again and rolled her head. The pain caused her to cry out. She opened her eyes. And saw nothing. An instant of panic flared. Her heart thudded erratically, and she fought down the nausea.

Elliot's house. The disk.

She was lying on her back, her hands outstretched. Something heavy lay in one hand, her left hand. Something heavy and nastily sticky.

Unsteadily, Annie rolled on her side. She let go of the horrid thing, whatever it was, and propped herself up, then attempted to get up.

She stood and swayed as if the floor moved beneath her feet.

She was going to be sick.

Moving heavily, one hand clasped to her mouth, she reached the doorway. Elliot's tree house was built to the same pattern as hers, the only difference was his second bedroom. She turned left toward the bathroom, flicked on the light and made it just in time to heave violently into the toilet. Sick. Sick. Sick. Finally, clinging to the edge of the lavatory for support, she knew the sickness was past.

Breathing unevenly, she stared down into the basin.

Then she saw the reddish stickiness on her left hand. Slowly, she turned her hand, looked down at the palm, at the blood smeared across it. Blood streaked the whiteness of the lavatory where she had gripped it.

Blood.

Her head.

Annie looked up and saw her face in the mirror. A smeary face. Blurred vision. Clumsily, she moved her right hand up to her head, gingerly touching her scalp behind her right ear. The swelling felt spongy. But her fingers located no cut or fresh wet blood. She turned the spigots and thrust her hands under the cold rus.h.i.+ng water, ridding them of the unpleasant stickiness, then patted water on her face. She used a pale yellow towel to dry her hands. It was pink where she had touched it.

Her head. Somebody hit her. That's what had happened to Jill Kearney.

But Jill had a skull like an eggsh.e.l.l. Annie's head felt like h.e.l.l, but it must be as thick as Max had always maintained it was. No blood. Where had the blood on her hand come from? Must have been a little cut, already dried.

Dried. G.o.d, how long had she been here? She'd better get- The disk. She was reading the disk.

Annie moved like a drunken June bug, misjudging distance. Swaying unsteadily, she reached the hall, started up it toward Elliot's office.

She saw the blood first, spatters of it dark and ugly against the ridged bamboo wall. As if blood had sprayed upward, clots of it, then finer particles...

The head was shattered, unrecognizable. Blood and tissue were smeared across the back of the pale yellow t-s.h.i.+rt. One hand was outflung. Even in the dim light, Annie recognized the large red ruby ring that Harriet always wore.

Bludgeoned. That's what Harriet had said had happened to Jill Kearney. Harriet was wrong. Jill had been struck once. Harriet had been bludgeoned, the entire side of her skull was a pulpy ma.s.s-bone, tissue, blood, and hair indistinguishable.

Annie jolted around and again made it to the bathroom just in time.

Harriet dead. Why? Crazy, crazy... Saulter called it nutty when Elliot was killed. Elliot was dead, and Saulter suspected her of his death and of Uncle Ambrose's. Now here she was at the scene of another crime.

Good luck, Annie Laurance. Who would believe she hadn't done it? Just like Pam Frye in Octagon House. But she didn't have Asey Mayo to save her. Then the fiery pain in her head gave a measure of relief. Her own head. That was it. Someone had struck both her and Harriet down.

Resolutely, Annie once again faced the hall. This had gone too far. This time she had to call Saulter. She moved sideways down the hall, like a reluctant crab. G.o.d, she couldn't get past Harriet, get past all that blood. Elliot's office. There would be an extension in there.

She stepped into the office and turned on the light. She was stumbling across the room, her hand outstretched to pick up the telephone when she saw the blackjack. Her shoulders hunched.

A blackjack. And then she knew. Someone had killed Harriet with that blackjack. There was blood on it and hair. The blackjack lay where she had been. Heavy. Blackjacks were heavy. The blood on her hand. She had awakened with the blackjack in her hand. Her fingerprints would be on it. She remembered what Capt. Mac told them, that Sunday evening. Leather holds fingerprints very well. Very well indeed.

Moving in a thick gray fog, the only reality the pounding ache in her head and the thick crimson spatters on the bamboo wall, Annie returned to the bathroom. Her movements were slow and clumsy.

She used the towel hanging on the rack and carefully scrubbed the toilet, the lavatory, and the light switch, pausing occasionally to retch.

What else had she touched there? Nothing.

She rubbed the walls in the hall, then went to the kitchen. She leaned out to wipe the window, the sill, and the area around the sink.

In Elliot's office, she took time to turn on the monitor. At first she was hopeful. There was a disk in the right-hand drive. It took only a moment to discover it was blank. It must have taken her attacker forty seconds to erase the files forever. Annie wiped the disk, the disk jacket, the side of the CPU, the keyboard, the chair.

Her head throbbed and furious tears burned in her eyes.

What else had she touched?

The doorframe, the floor where she had lain, the light switch.

Although nausea threatened again, she used one end of the towel to pick up the bloodied blackjack, and the other to wipe it clean. She bent down to pick up the towel she'd brought to cover the disk.

A thunderous knocking erupted at the front door.

Beneath the low-flung skirt of a pine, Max crouched. The whirling red light atop the police car threw scarlet flashes around the clearing and against the dark ma.s.ses of foliage.

Max strained to see. Saulter thumped again on Elliot's door, then waved a hand behind him. Max lifted his head. Another man waited on the other side of the clearing, and Max understood. Saulter thought someone was in Elliot's tree house, and he intended to flush out the intruder for his deputy to grab.

From his vantage point, Max could see the deputy waiting near the police car, Chief Saulter at the top of the steps, and a slender form outlined against a window on the side of the tree house.

Saulter couldn't see Annie. But if the deputy turned his head, he would.

Max reached down, scooped up a large pine cone, and heaved it as hard as he could. It splatted against the back of the police car.

The deputy immediately dropped out of sight on the ground.

"Halt, or I'll shoot!"

Max smiled. That shout would forewarn Annie nicely. He scooped up five cones, nice solid ones, and, wriggling backwards, began to move toward the bike path he knew she would take.

The second and third cones landed on top of the tree house.

"Come out with your hands up," the deputy yelled frantically, and ran, crouching, toward the back of the house.

Max moved to intercept Annie, a slight silhouette momentarily limned by the flas.h.i.+ng police light.

He hissed urgently, "Annie-this way."

She was moving oddly, a kind of drooping shamble. He caught her as she stumbled and fell.

A shower and a clean cotton nightgown helped. But best of all was the double whisky Max thrust in her numb hands.

"What if I have a concussion?"

"Best thing in the world for it."

It did ease the throbbing pain. But not even telling Max eased the horror of that evening.

Max looked as grim as she had ever seen him-and that was scary.

Annie rested against the bright cus.h.i.+ons of the wicker divan, a patchwork quilt across her knees. She s.h.i.+vered, though her blue terrycloth beach robe was warm and soft. "He'll arrest me, won't he?"

"h.e.l.l, no."

It had a hollow ring. Max managed a smile. "Look, Annie, this is the truth. We were here all evening. We never left the place." His dark blue eyes narrowed in thought. "The phone rang once, maybe about six-thirty, but we didn't answer. We didn't give a d.a.m.n about the phone.

Come on, Annie, stop brooding about it. We've got to figure out how to solve this."

He handed her the notes he'd made from his calls while she was at Elliot's, then rolled up his sleeves and fixed ham sandwiches and brewed fresh coffee, black and strong. He brought her a tray, then plunked down in the easy chair next to her and fussily insisted she eat every bite as she read the bios. This wasn't her old, familiar, cavalier Max. There were dark shadows under his eyes, a stubble of beard on his chin. He stayed very close and occasionally reached out to touch her, but his voice remained crisp.

"All right. Let's go at it from the first-from the murderer's side."

"The murderer's side?"

"Sure. Let's figure out what the killer did when and why and fit that against the suspects. We know Elliot's murder was premeditated, of course."

"Because of Jill and the poison?"

"Right. The murderer needed to do several things. Get a dart, steal the poison, and set it up so the lights would go out at precisely the right time Sunday night."

Annie shot up straight, then winced. "Max, the murderer is a woman."

"Why?"

"Because the dart had to be carried into the store Sunday night. A woman could bring it in a purse, but there's no way for a man to get a four-inch dart in the store."

"No. I don't see it that way. That would be too risky. The dart would already have the wad of cotton soaked in succinyl-choline on the end.

That would leave traces. No, I see it this way. The murderer got into the store sometime Sat.u.r.day night or Sunday morning..."

"Sunday morning," Annie interrupted.

"What time?"

Annie figured for a moment. "About nine forty-five. I heard the cabinet slam, and that meant someone had closed the back door. I was all set to beat it out the front door, then I saw that Agatha wasn't upset, so I thought it was some other noise. That means that Agatha knows and likes the murderer."

"If Agatha could only talk."

Max grabbed a sheet of paper and scribbled out a timetable: SUNDAY: 1 A.M.-Jill killed, poison stolen.

9:45 A.M.-Death On Demand entered, string tied to switches, dart hidden. 7:45 P.M.-During c.o.c.ktail chatter, back door opened, storeroom door left ajar. 8:10-Lights out. 8:12-Dart thrown.