Mary Cary Part 4

But the Baptist minister don't let you sleep on his Sunday. He used to try to make the girls come up and profess, but now he don't ask even that. Just sit where you are and hold up your hand, and when you join the church--any church will answer--you are saved. I don't understand it.

We all like the Methodist minister. I don't think he knows many dead languages. He don't have much time to study, being so busy helping people; but he knows how to talk to us children, and he always makes me wish I wasn't so bad. He always does, and the Mary part of me just rises right up on his Sunday, and Martha is ashamed of herself. He believes in getting better by the love way. So do I.

Miss Katherine is going away next week to stay two months. Going to her army brother's first, and then to the California brother, who's North somewhere. And from the time she told me I've felt like Robinson Crusoe's daughter would have felt, if he'd had one, and gone off and left her on that desert island.

I don't know what we're going to do when she goes away. I could shed gallons of tears, only I don't like tears, and then, too, she might see me. I want her to think I'm glad she's going, for she needs a change.

But, oh, the difference her going will make!

I will be nothing but Martha. I know it. Nothing but Martha until she comes back. The Mary part of me is so sick at the thought she hasn't any backbone, and Martha is showing signs already.

And that shows I'm just nothing, for Miss Katherine has taught us, without exactly telling, how we can't do what we ought by wanting. We've got to work. In plain words, its watch and pray, and with me it's the watching that's most important. If I'm not on the lookout, and don't nab Martha right away, praying don't have any effect. I'm a natural pray-er, but on watching I'm poor.

I couldn't make any one understand what Miss Katherine has done for us since she's been here. Some words don't tell things. The nursing when we're sick is only a part, and though she's fixed up one of the rooms just like a hospital-room, with everything so white and clean and sweet in it that it's real joy to be sick, we're not sick often.

It's the keeping us well that's kept her so busy. She's explained so many things to us we didn't know before, she's almost made me like my body. I didn't use to. Not a bit.

It's such a nuisance, and needs so much attention to keep it going right. So often it was freezing cold, or blazing hot, or hungry, and had to be dressed in such ugly clothes that I was ashamed of it. And if ever I could have hung it up in the closet or put it away in a bureau-drawer, I would have done it while I went out and had a good time. But I couldn't do it. I had to take it everywhere I went, and until Miss Katherine came I had mighty little use for it.

But since she's been here the girls are much cleaner, and we don't mind so much not having the things to eat that we like. That is, not quite so much. But almost. When you're downright hungry for the taste of things, it don't satisfy to say to yourself "You don't really need it. Be quiet." And being made of flesh and blood, most of us would rather eat the things we want to than the things we ought to.

But the dining-room is much nicer. We have flowers on the table, and the cooking is better, though we still have prunes.

I loathe prunes.

V

"HERE COMES THE BRIDE!"

I knew when Miss Katherine left I'd be nothing but Martha. That's what I've been--Martha.

She hadn't been gone two days when Mary gave up, and as prompt as possible Martha invented trouble.

It was this way. In the summer we have much more time than in the winter, and the children kept coming to me asking me to make up something, and all of a sudden a play came in my mind. I just love acting. The play was to be the marriage of Dr. Rudd and Miss Bray.

You see, Miss Bray is dead in love with Dr. Rudd--really addled about him. And whenever he comes to see any of the children who are sick she is so solicitous and sweet and smiley that we call her, to ourselves, Ipecac Mollie. Other days, plain Mollie Cottontail. It seemed to me if we could just think him into marrying her, it would be the best work we'd ever done, and I thought it was worth trying.

They say if you just think and think and think about a thing you can make somebody else think about it, too. And not liking Dr. Rudd, we didn't mind thinking her on him, and so we began. Every day we'd meet for an hour and think together, and each one promised to think single, and in between times we got ready.

Becky Drake says love goes hard late in life, and sometimes touches the brain. Maybe that accounts for Miss Bray.

She is fifty-three years old, and all frazzled out and done up with adjuncts. But Dr. Rudd, being a man with not even usual sense, and awful conceited, don't see what we see, and swallows easy. Men are funny--funny as some women.

I don't think he's ever thought of courting Miss Bray. But she's thought of it, and for once we truly tried to help her.

Well, we got ready, beginning two days after Miss Katherine left, and the play came off Friday night, the third of July. In consequence of that play I have been in a retreat, and on the Fourth of July I made a New-Year resolution.

I resolved I would do those things I should not do, and leave undone the things I should. I would not disappoint Miss Bray. She looked for things in me to worry her. She should find them.

Well, I was in that top-story summer-resort for ten days. Put there for reflection. I reflected. And on the difference between Miss Katherine and Miss Bray.

But the play was a corker; it certainly was. We chose Friday night because Miss Jones always takes tea with her aunt that night, and Miss Bray goes to choir practising. I wish everybody could hear her sing!

Gabriel ought to engage her to wake the dead, only they'd want to die again.

Dr. Rudd is in the choir, and she just lives on having Friday nights to look forward to.

The ceremony took place in the bas.e.m.e.nt-room where we play in bad weather. It's across from the dining-room, the kitchen being between, and it's a right nice place to march in, being long and narrow.

I was the preacher, and Prudence Arch and Nita Polley, Emma Clark and Margaret Witherspoon were the bridesmaids.

Lizzie Wyatt was the bride, and Katie Freeman, who is the tallest girl in the house, though only fourteen, was the groom.

Katie is so thin she would do as well for one thing in this life as another, so we made her Dr. Rudd.

We didn't have but two men. Miss Webb says they're really not necessary at weddings, except the groom and the minister. n.o.body notices them, and, besides, we couldn't get the pants.

I was an Episcopal minister, so I wouldn't need any. Mrs. Blamire's raincoat was the gown, and I cut up an old petticoat into strips, and made bands to go down the front and around my neck. Loulie Prentiss painted some crosses and marks on them with gilt, so as to make me look like a Bishop. I did. A little cent one.

There wasn't any trouble about my costume, because I could soap my hair and make it lie flat, and put on the robe, and there I was. But how to get a pair of pants for Katie Freeman was a puzzle.

Nothing male lives in the Humane. Not even a billy-goat. We couldn't borrow pants, knowing it wouldn't be safe; and what to do I couldn't guess.

Well, the day came, and, still wondering where those pants were to come from, I went out in the yard where a man was painting a window-shutter that had blown off a back window. Right before my eyes was the woodhouse door wide open, and something said to me:

"Walk in."

I walked in; and there in a corner on a woodpile was a real nice pair of pants, and a collar and cravat, and a coat and a tin lunch-bucket, which had been eaten--the lunch had. And when I saw those pants I knew Katie Freeman was fixed.

They belonged to the man who was painting the shutter.

It was an awful hot day, and he had taken them off in the woodhouse and put on his overalls, and when he wasn't looking I slipped out with them, and went up to Miss Bray's room. She was down-stairs talking to Miss Jones, and I hid them under the mattress of her bed.

I knew when she found they were missing she'd turn to me to know where they were. No matter what went wrong, from the cat having kittens or the chimney smoking, she looked to me as the cause. And if there was to be any searching, No. 4--I sleep in No. 4 when Miss Katherine is away--would be the first thing searched. So I put them under her bed.

I wish Miss Katherine could have seen that man about six o'clock, when the time came for him to go home. She would have laughed, too. She couldn't have helped it.

He is young, and Bermuda Ray says he is in love with Callie Payne, who lives just down the street. He has to pa.s.s her house going home, and I guess that's the reason he wore his good clothes and took them off so carefully. But whether that was it or not, he was the rippenest, maddest man I ever saw in my life when he went to put on his pants and there were none to put.

I almost rolled off the porch up-stairs, where I was watching. I never did know before how much a man thinks of his pants.

He soon had Miss Bray and Miss Jones and a lot of the girls out in the yard, and everybody was talking at once; and then I heard him say:

"But I tell you, Miss Bray, I put 'em here, right on this woodpile. And where are they? You run this place, and you are responsible for--"

"Not for pants." And Miss Bray's voice was so shrill it sounded like a broken whistle. "I'm responsible for no man's pants. When a man can't take care of his pants, he shouldn't have them. Besides, you shouldn't have left yours in the woodhouse when working in a Female Orphan Asylum." And she glared so at him that the poor male thing withered, and blushed real beautiful.