The Rise of Silas Lapham Part 35

Mrs. Lapham turned fire-red, and the graceful forms in which she had been intending to excuse her daughter's absence went out of her head.

"She isn't upstairs," she said, at her bluntest, as country people are when embarra.s.sed. "She didn't feel just like coming to-night. I don't know as she's feeling very well."

Mrs. Corey emitted a very small "O!"--very small, very cold,--which began to grow larger and hotter and to burn into Mrs. Lapham's soul before Mrs. Corey could add, "I'm very sorry. It's nothing serious, I hope?"

Robert Chase, the painter, had not come, and Mrs. James Bellingham was not there, so that the table really balanced better without Penelope; but Mrs. Lapham could not know this, and did not deserve to know it.

Mrs. Corey glanced round the room, as if to take account of her guests, and said to her husband, "I think we are all here, then," and he came forward and gave his arm to Mrs. Lapham. She perceived then that in their determination not to be the first to come they had been the last, and must have kept the others waiting for them.

Lapham had never seen people go down to dinner arm-in-arm before, but he knew that his wife was distinguished in being taken out by the host, and he waited in jealous impatience to see if Tom Corey would offer his arm to Irene. He gave it to that big girl they called Miss Kingsbury, and the handsome old fellow whom Mrs. Corey had introduced as her cousin took Irene out. Lapham was startled from the misgiving in which this left him by Mrs. Corey's pa.s.sing her hand through his arm, and he made a sudden movement forward, but felt himself gently restrained.

They went out the last of all; he did not know why, but he submitted, and when they sat down he saw that Irene, although she had come in with that Mr. Bellingham, was seated beside young Corey, after all.

He fetched a long sigh of relief when he sank into his chair and felt himself safe from error if he kept a sharp lookout and did only what the others did. Bellingham had certain habits which he permitted himself, and one of these was tucking the corner of his napkin into his collar; he confessed himself an uncertain shot with a spoon, and defended his practice on the ground of neatness and common-sense.

Lapham put his napkin into his collar too, and then, seeing that no one but Bellingham did it, became alarmed and took it out again slyly. He never had wine on his table at home, and on principle he was a prohibitionist; but now he did not know just what to do about the gla.s.ses at the right of his plate. He had a notion to turn them all down, as he had read of a well-known politician's doing at a public dinner, to show that he did not take wine; but, after twiddling with one of them a moment, he let them be, for it seemed to him that would be a little too conspicuous, and he felt that every one was looking.

He let the servant fill them all, and he drank out of each, not to appear odd. Later, he observed that the young ladies were not taking wine, and he was glad to see that Irene had refused it, and that Mrs.

Lapham was letting it stand untasted. He did not know but he ought to decline some of the dishes, or at least leave most of some on his plate, but he was not able to decide; he took everything and ate everything.

He noticed that Mrs. Corey seemed to take no more trouble about the dinner than anybody, and Mr. Corey rather less; he was talking busily to Mrs. Lapham, and Lapham caught a word here and there that convinced him she was holding her own. He was getting on famously himself with Mrs. Corey, who had begun with him about his new house; he was telling her all about it, and giving her his ideas. Their conversation naturally included his architect across the table; Lapham had been delighted and secretly surprised to find the fellow there; and at something Seymour said the talk spread suddenly, and the pretty house he was building for Colonel Lapham became the general theme. Young Corey testified to its loveliness, and the architect said laughingly that if he had been able to make a nice thing of it, he owed it to the practical sympathy of his client.

"Practical sympathy is good," said Bromfield Corey; and, slanting his head confidentially to Mrs. Lapham, he added, "Does he bleed your husband, Mrs. Lapham? He's a terrible fellow for appropriations!"

Mrs. Lapham laughed, reddening consciously, and said she guessed the Colonel knew how to take care of himself. This struck Lapham, then draining his gla.s.s of sauterne, as wonderfully discreet in his wife.

Bromfield Corey leaned back in his chair a moment. "Well, after all, you can't say, with all your modern fuss about it, that you do much better now than the old fellows who built such houses as this."

"Ah," said the architect, "n.o.body can do better than well. Your house is in perfect taste; you know I've always admired it; and I don't think it's at all the worse for being old-fas.h.i.+oned. What we've done is largely to go back of the hideous style that raged after they forgot how to make this sort of house. But I think we may claim a better feeling for structure. We use better material, and more wisely; and by and by we shall work out something more characteristic and original."

"With your chocolates and olives, and your clutter of bric-a-brac?"

"All that's bad, of course, but I don't mean that. I don't wish to make you envious of Colonel Lapham, and modesty prevents my saying, that his house is prettier,--though I may have my convictions,--but it's better built. All the new houses are better built. Now, your house----"

"Mrs. Corey's house," interrupted the host, with a burlesque haste in disclaiming responsibility for it that made them all laugh. "My ancestral halls are in Salem, and I'm told you couldn't drive a nail into their timbers; in fact, I don't know that you would want to do it."

"I should consider it a species of sacrilege," answered Seymour, "and I shall be far from pressing the point I was going to make against a house of Mrs. Corey's."

This won Seymour the easy laugh, and Lapham silently wondered that the fellow never got off any of those things to him.

"Well," said Corey, "you architects and the musicians are the true and only artistic creators. All the rest of us, sculptors, painters, novelists, and tailors, deal with forms that we have before us; we try to imitate, we try to represent. But you two sorts of artists create form. If you represent, you fail. Somehow or other you do evolve the camel out of your inner consciousness."

"I will not deny the soft impeachment," said the architect, with a modest air.

"I dare say. And you'll own that it's very handsome of me to say this, after your unjustifiable attack on Mrs. Corey's property."

Bromfield Corey addressed himself again to Mrs. Lapham, and the talk subdivided itself as before. It lapsed so entirely away from the subject just in hand, that Lapham was left with rather a good idea, as he thought it, to perish in his mind, for want of a chance to express it. The only thing like a recurrence to what they had been saying was Bromfield Corey's warning Mrs. Lapham, in some connection that Lapham lost, against Miss Kingsbury. "She's worse," he was saying, "when it comes to appropriations than Seymour himself. Depend upon it, Mrs.

Lapham, she will give you no peace of your mind, now she's met you, from this out. Her tender mercies are cruel; and I leave you to supply the content from your own scriptural knowledge. Beware of her, and all her works. She calls them works of charity; but heaven knows whether they are. It don't stand to reason that she gives the poor ALL the money she gets out of people. I have my own belief"--he gave it in a whisper for the whole table to hear--"that she spends it for champagne and cigars."

Lapham did not know about that kind of talking; but Miss Kingsbury seemed to enjoy the fun as much as anybody, and he laughed with the rest.

"You shall be asked to the very next debauch of the committee, Mr.

Corey; then you won't dare expose us," said Miss Kingsbury.

"I wonder you haven't been down upon Corey to go to the Chardon Street home and talk with your indigent Italians in their native tongue," said Charles Bellingham. "I saw in the Transcript the other night that you wanted some one for the work."

"We did think of Mr. Corey," replied Miss Kingsbury; "but we reflected that he probably wouldn't talk with them at all; he would make them keep still to be sketched, and forget all about their wants."

Upon the theory that this was a fair return for Corey's pleasantry, the others laughed again.

"There is one charity," said Corey, pretending superiority to Miss Kingsbury's point, "that is so difficult, I wonder it hasn't occurred to a lady of your courageous invention."

"Yes?" said Miss Kingsbury. "What is that?"

"The occupation, by deserving poor of neat habits, of all the beautiful, airy, wholesome houses that stand empty the whole summer long, while their owners are away in their lowly cots beside the sea."

"Yes, that is terrible," replied Miss Kingsbury, with quick earnestness, while her eyes grew moist. "I have often thought of our great, cool houses standing useless here, and the thousands of poor creatures stifling in their holes and dens, and the little children dying for wholesome shelter. How cruelly selfish we are!"

"That is a very comfortable sentiment, Miss Kingsbury," said Corey, "and must make you feel almost as if you had thrown open No. 31 to the whole North End. But I am serious about this matter. I spend my summers in town, and I occupy my own house, so that I can speak impartially and intelligently; and I tell you that in some of my walks on the Hill and down on the Back Bay, nothing but the surveillance of the local policeman prevents my offering personal violence to those long rows of close-shuttered, handsome, brutally insensible houses. If I were a poor man, with a sick child pining in some garret or cellar at the North End, I should break into one of them, and camp out on the grand piano."

"Surely, Bromfield," said his wife, "you don't consider what havoc such people would make with the furniture of a nice house!"

"That is true," answered Corey, with meek conviction. "I never thought of that."

"And if you were a poor man with a sick child, I doubt if you'd have so much heart for burglary as you have now," said James Bellingham.

"It's wonderful how patient they are," said the minister. "The spectacle of the hopeless comfort the hard-working poor man sees must be hard to bear."

Lapham wanted to speak up and say that he had been there himself, and knew how such a man felt. He wanted to tell them that generally a poor man was satisfied if he could make both ends meet; that he didn't envy any one his good luck, if he had earned it, so long as he wasn't running under himself. But before he could get the courage to address the whole table, Sewell added, "I suppose he don't always think of it."

"But some day he WILL think about it," said Corey. "In fact, we rather invite him to think about it, in this country."

"My brother-in-law," said Charles Bellingham, with the pride a man feels in a mentionably remarkable brother-in-law, "has no end of fellows at work under him out there at Omaha, and he says it's the fellows from countries where they've been kept from thinking about it that are discontented. The Americans never make any trouble. They seem to understand that so long as we give unlimited opportunity, n.o.body has a right to complain."

"What do you hear from Leslie?" asked Mrs. Corey, turning from these profitless abstractions to Mrs. Bellingham.

"You know," said that lady in a lower tone, "that there is another baby?"

"No! I hadn't heard of it!"

"Yes; a boy. They have named him after his uncle."

"Yes," said Charles Bellingham, joining in. "He is said to be a n.o.ble boy, and to resemble me."

"All boys of that tender age are n.o.ble," said Corey, "and look like anybody you wish them to resemble. Is Leslie still home-sick for the bean-pots of her native Boston?"

"She is getting over it, I fancy," replied Mrs. Bellingham. "She's very much taken up with Mr. Blake's enterprises, and leads a very exciting life. She says she's like people who have been home from Europe three years; she's past the most poignant stage of regret, and hasn't reached the second, when they feel that they must go again."

Lapham leaned a little toward Mrs. Corey, and said of a picture which he saw on the wall opposite, "Picture of your daughter, I presume?"

"No; my daughter's grandmother. It's a Stewart Newton; he painted a great many Salem beauties. She was a Miss Polly Burroughs. My daughter IS like her, don't you think?" They both looked at Nanny Corey and then at the portrait. "Those pretty old-fas.h.i.+oned dresses are coming in again. I'm not surprised you took it for her. The others"--she referred to the other portraits more or less darkling on the walls--"are my people; mostly Copleys."

These names, unknown to Lapham, went to his head like the wine he was drinking; they seemed to carry light for the moment, but a film of deeper darkness followed. He heard Charles Bellingham telling funny stories to Irene and trying to amuse the girl; she was laughing, and seemed very happy. From time to time Bellingham took part in the general talk between the host and James Bellingham and Miss Kingsbury and that minister, Mr. Sewell. They talked of people mostly; it astonished Lapham to hear with what freedom they talked. They discussed these persons unsparingly; James Bellingham spoke of a man known to Lapham for his business success and great wealth as not a gentleman; his cousin Charles said he was surprised that the fellow had kept from being governor so long.