Frederick the Great and His Court Part 23
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THE ILl.u.s.tRIOUS ANCESTORS OF A TAILOR.
Pollnitz offered his arm to the lovely Anna, and followed Madame p.r.i.c.ker, laughing and jesting, into the next room. This was a long hall, which had an appearance of gloom and solemnity in its arrangements and decorations. The high walls, hung with dark tapestry, were poorly lighted by two windows. Several divans, covered with a heavy silken material, the same color as the tapestry, were placed against the sides of the room, and over them hung a few oil paintings in black frames, each representing the figure of a man with a most solemn expression and bearing. The remarkable resemblance which these pictures bore to each other convinced you that they must be the portraits of one family. In each appeared the same countenance, the same short, clumsy figure, and only the costumes served to point out by their various styles the different periods at which they had been painted. A figure, closely resembling the pictures, stood in the centre of the hall; it had the same countenance, the same short, clumsy figure, and even the same dress as that represented in one of the pictures. You might have supposed that some galvanic experiment had given life and motion to the painted form, and that as soon as this power was exhausted it would become lifeless, and return to its place among the other pictures. But this figure was certainly living, for it greeted the grand chamberlain, without, however, leaving the round table which stood in the centre of the room.
"I welcome you to the house of my fathers," it said, with great dignity. Pollnitz threw a laughing, jesting glance toward Anna, who had left his side on entering the room, and had withdrawn to one of the windows.
"Why are you so earnest and solemn to-day, my dear p.r.i.c.ker?" said he, turning to the old gentleman.
"Are you not here as the amba.s.sador of the royal court?" he replied. "I wished to receive you with all honor, and therefore desired you to come into this hall, that I might hear the royal message in the midst of my ancestors. Tell me now how can I serve the house of my sovereign."
"You can serve it, my dear p.r.i.c.ker," said Pollnitz, smiling, as he displayed a large sealed paper, "by altering the sign upon your door.
In the place of 'court tailor of the queen and princess royal,' it should read--'court tailor of the dowager and of the reigning queen.'
Here is the patent, my dear sir."
The old man quietly took the paper; not a feature of his cold, solemn face moved.
Madame p.r.i.c.ker, however, could not conceal her joy. With a cry of delight she hurried to her husband, to embrace and congratulate him on his appointment.
p.r.i.c.ker waved her proudly back.
"Why do you congratulate me?" he said. "The house of Hohenzollern has only done justice to my house, that is all. The t.i.tle of court tailor to the reigning queen has become an inheritance in my family, and it would be a great ingrat.i.tude in the house of Hohenzollern to withhold it from me. For more than a century the Hohenzollerns have been dressed by my family; we have prepared their apparel for every ball and wedding, every baptism or burial; and if they were arrayed with elegance, it was entirely owing to our taste and dexterity. The proverb says, 'The tailor makes the man,' and it is true. We made the coronation dresses of both the queens; it follows that they could not have been crowned without our a.s.sistance, for which we, of course, deserve their grat.i.tude."
"I a.s.sure you, however, my dear friend," said Pollnitz, "that it was with much difficulty I obtained this appointment for you, and you owe me some acknowledgments. All of my eloquence was necessary to induce the queen to grant my prayer."
p.r.i.c.ker grew pale, and his countenance lost its calm dignity.
"Take back your patent," he said, proudly, handing the baron the sealed paper; "I will not accept this t.i.tle if it is not given willingly."
"No, no, keep it," cried Pollnitz; "you merit it; it is your right; I only mentioned the difficulty with which I obtained it, that I might win your heart, and incline you to grant a request which I wish to make."
"I suppose you allude to the five hundred dollars which I lent you last month," said p.r.i.c.ker, smiling, "Speak of that no more--the debt is cancelled."
"Thank you," said Pollnitz, "but I was not thinking of that small affair; it was quite another request I wished to make."
"Let me hear it," said the tailor, with a most gracious inclination of the head.
"It concerns a young artist, who I would like to recommend to your protection," returned the crafty Pollnitz, with a side glance at Anna.
"He is a young and talented musician, who desires to gain a livelihood by giving instruction, but unfortunately he is a stranger here, and has found but few patrons. I thought, therefore, that if you, who are so well known, would interest yourself in him, and give him your patronage, it would greatly benefit him, for doubtless many others would hasten to follow your example. If you will allow him to give singing-lessons to your daughter Anna, his fortune is a.s.sured."
"I grant your request," said p.r.i.c.ker, solemnly, not for an instant doubting the motive of the baron. "I will bestow my protection upon this young artist; he can give my daughter a daily lesson, that is, if Anna is willing to show this kindness to the poor young man."
Anna could scarcely restrain her laughter, as she replied:
"You have commanded it, and I will obey, as a daughter should do."
"Very well," said her father, majestically; "that matter is arranged.
And now, baron, I beg you will inform me at what time the coronation will take place, that I may make my preparations, and not be the cause of any delay on that solemn occasion."
"The day of the coronation has not been decided, but it will certainly not be fixed before the first of August. You will have time to make all your preparations. Later we will hold a consultation with her majesty the queen, and decide the style, color, and material of the costumes. I will only give you a single word of counsel, my dear friend.
Accommodate yourself to the new era. Remember that we have a new king, who is the counterpart of his father. The father hated and despised elegance and fas.h.i.+on--the son adores them; the father was the sworn enemy of French manners--the son has a perfect pa.s.sion for them; and if you would please the son, you must lay aside your old German habits and customs, as we have all done, and walk in the new path. I tell you a new era is approaching, a period of glory and splendor. Every thing will be altered, but, above all, we will have new fas.h.i.+ons. In the first place, you must rid yourself of your German apprentices, and replace them as quickly as possible with French workmen from Paris.
That is the only means of retaining the court favor."
p.r.i.c.ker listened to all this with horror and astonishment. His cheeks were white, and his voice trembled with anger, as he cried:
"Never shall that happen! Never will I adopt the innovations which are now the fas.h.i.+on. Shall I lay aside my respectable dress, to replace it with a monkey-jacket, and become a laughing-stock to all honest men?
Shall I so far forget my G.o.d, my forefathers, and my native land, as to call French workmen into my German work-room? Shame on me if I ever conduct myself in such a G.o.dless and unchristian manner! Never shall a French foot cross the threshold of my dwelling! never shall a French word be spoken there! I was born a German, and I will die a German.
True to my fathers, and to the commands of my sainted sovereign, who hated and despised these frivolous French fas.h.i.+ons, it shall be my pride to retain the good old German customs, and never shall a dress cut in the French style be made in my work-room."
"If you act in this manner, the time of your good fortune is past,"
said Pollnitz.
p.r.i.c.ker paid no attention to him, but looking at the pictures which hung on the wall, he bowed respectfully before one of them.
"Look!" he said, pointing to one of the portraits, "that is my great-great-grandfather. He was a German, and the best and ablest of men. With him began the connection between the houses of Hohenzollern and p.r.i.c.ker. For him the Prince George William created the t.i.tle of court tailor, and he would wear no garment that was not made by his favorite. He remembered him in his will, and from that time began the importance of the p.r.i.c.kers.
"Then look at the next picture. It is the portrait of his son, who was the court tailor of Frederick William, the great elector. He made the suit worn by the elector at the battle of Fehrbellin; it was, however, the unhappy duty of his son to make the burial-dress of this great man.
"But with this portrait begins a new era for Prussia; this was the tailor of Frederick the Third, and he made the robe and mantle which Frederick wore on the day of his coronation. His son succeeded him, and now began a new era for the p.r.i.c.kers.
"The son did not follow the example of his father; he was of a softer, a more poetical nature. He loved flowers and poetry, and adored beauty; he therefore became a lady's tailor. The princess royal, Sophia Dorothea, appointed him her tailor. He made the coronation robe of the queen, and the wedding-dress of the Margravine of Baireuth.
"When he died he was succeeded by his son, the now living p.r.i.c.ker. I made the wedding-dress of the d.u.c.h.ess of Brunswick, and the mourning of the present dowager-queen. And now, in the very presence of my ancestors, you tempt me to become a traitor to them and to their customs. No, I am a German, and I remain a German, even should it cause my ruin!"
He bowed to the amused and astonished baron, and walked proudly through the hall to his work-room. His wife followed him with folded hands and heavy sighs.
Pollnitz and the lovely Anna were again alone.
"What an absurd man!" said Pollnitz, laughing. "If Moliere had known him he would have worked his character into a charming farce."
"You forget that this absurd man may soon be your father-in-law," said Anna, sternly, as she left his side.
"That is true," said Pollnitz, smiling; "we will spare him. Come, one last kiss, my beautiful Anna--one kiss as a reward for my successful acting. To-morrow you will have a singing-master, who is no poor wretch, but a celebrated and influential musician, who has undertaken to instruct you out of pure kindness for me, for he is not a teacher but a composer. Graun himself will be your instructor, and it rests with you to crown our love with the happiest results."
CHAPTER VII.
SOFFRI E TACI.
The most ardent desire of the young queen was about to be accomplished; she was to have a private and unconstrained interview with her husband.
The days of resignation, of hope deferred, and of hidden sorrow, were now over. The dearly-beloved and longed-for husband had at last returned to her! She need no longer hide her head in shame from her own servants, who, she imagines, are secretly laughing at and mocking her, because the young king is so cold and indifferent. She need no longer envy the poor woman she saw in the street yesterday, carrying dinner to her laboring husband. She will also have a husband, and will feel the guiding and supporting arm of a strong man at her side. No longer will she be a poor, neglected queen, but a proud and happy wife, envied of all the world.
He had written that he desired to pay her a visit, and had requested her not to lock her door, as important business would prevent his coming until quite late. He would, however, certainly come, as he desired to have a private interview with her on this very evening.
How wearily the hours of this day have pa.s.sed, how slowly the sun sank to rest! It is at last evening; night is coming on. Elizabeth can now dismiss her attendants, and retire to her private apartments to await her husband. He shall see how joyfully she will receive him, how happy he has made her. She will adorn herself, that he may be pleased; she will be beautiful, that he may smile upon her.
Frederick the Great and His Court Part 23
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Frederick the Great and His Court Part 23 summary
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