Yama (The Pit) Part 21

Horizon cast down his eyes, rubbed his head, and said:

"You see, I've a wife ... You've almost guessed it."

"So. But why almost?"

"I'm ashamed to confess, that she--how shall I say it ... she is my bride ..."

Barsukova gaily burst into laughter.

"You know, Horizon, I couldn't at all expect that you're such a nasty villain! Let's have your wife, it's all the same. But is it possible that you've really refrained?"

"A thousand?" asked Horizon seriously.

"Ah! What trifles; a thousand let's say. But tell me, will I be able to manage her?"

"Nonsense!" said Horizon self-a.s.suredly. "Let's again suppose that you're my aunt, and I leave my wife with you. Just imagine, Madam Barsukova, that this woman is in love with me like a cat. And if you'll tell her, that for my good she must do so and so and thus and thus--then there won't be no arguments!"

Apparently, there was nothing more for them to talk over. Madam Barsukova brought out a promissory note, whereon she with difficulty wrote her name, her father's name, and her last name. The promissory note, of course, was fantastic; but there is a tie, a welding, an honour among thieves. In such deals people do not deceive. Death threatens otherwise. It is all the same, whether in prison, or on the street, or in a brothel.

Right after that, just like an apparition out of a trapdoor, appeared the friend of her heart, the master of the cabaret, a young little Pole, with moustaches twirled high. They drank some wine, talked a bit about the fair, about the exposition, complained a little about bad business. After that Horizon telephoned to his room in the hotel, and called out his wife. He introduced her to his aunt and his aunt's second cousin, and said that mysterious political reasons were calling him out of town. He tenderly kissed Sarah, shed a tear, and rode away.

CHAPTER V.

With the arrival of Horizon (however, G.o.d knows how he was called: Gogolevich, Gidalevich, Okunev, Rosmitalsky), in a word, with the arrival of this man everything changed on Yamskaya Street. Enormous shufflings commenced. From Treppel girls were transferred to Anna Markovna, from Anna Markovna into a rouble establishment, and from the rouble establishment into a half-rouble one. There were no promotions: only demotions. At each change of place Horizon earned from five to a hundred roubles. Verily, he was possessed of an energy equal, approximately, to the waterfall of Imatra! Sitting in the daytime at Anna Markovna's, he was saying, squinting from the smoke of the cigarette, and swinging one leg crossed over the other:

"The question is ... What do you need this same Sonka for? It's no place for her in a decent establishment. If we'll float her down the stream, then you'll make a hundred roubles for yourself, I twenty-five for myself. Tell me frankly, she isn't in demand, is she, now?"

"Ah, Mr. Shatzky! You can always talk a person over! But just imagine, I'm sorry for her. Such a nice girl ..."

Horizon pondered for a moment. He was seeking an appropriate citation and suddenly let out:

"'Give the falling a shove!'[11] And I'm convinced, Madam Shaibes, that there's no demand of any sort for her."

[11] Horizon is quoting a Nietzscheism of Gorky's.--TRANS.

Isaiah Savvich, a little, sickly, touchy old man, but in moments of need very determined, supported Horizon:

"And that's very simple. There is really no demand of any sort for her.

Think it over for yourself, Annechka; her outfit costs fifty roubles, Mr. Shatzky will receive twenty-five roubles, fifty roubles will be left for you and me. And, glory be to G.o.d, we have done with her! At least, she won't be compromising our establishment."

In such a way Sonka the Rudder, avoiding a rouble establishment, was transferred into a half-rouble one, where all kinds of riff-raff made sport of the girls at their own sweet will, whole nights through. There tremendous health and great nervous force were requisite. Sonka once began s.h.i.+vering from terror, in the night, when Thekla, a mountain of a woman of some two hundred pounds, jumped out into the yard to fulfill a need of nature, and cried out to the housekeeper who was pa.s.sing by her:

"Housekeeper, dear! Listen--the thirty-sixth man! ... Don't forget!"

Fortunately, Sonka was not disturbed much; even in this establishment she was too homely. No one paid any attention to her splendid eyes, and they took her only in those instances when there was no other at hand.

The pharmacist sought her out and came every evening to her. But cowardice, or a special Hebrew fastidiousness, or, perhaps, even physical aversion, would not permit him to take the girl and carry her away with him from the house. He would sit whole nights through near her, and, as of yore, patiently waited until she would return from a chance guest; created scenes of jealousy for her and yet loved her still, and, sticking in the daytime behind the counter in his drug store and rolling some stinking pills or other, ceaselessly thought of her and yearned.

CHAPTER VI.

Immediately at the entrance to a suburban cabaret an artificial flower bed shone with vari-colored lights, with electric bulbs instead of flowers; and just such another fiery alley of wide, half-round arches, narrowing toward the end, led away from it into the depths of the garden. Further on was a broad, small square, strewn with yellow sand; to the left an open stage, a theatre, and a shooting gallery; straight ahead a stand for the military band (in the form of a seash.e.l.l) and little booths with flowers and beer; to the right the long terrace of the restaurant. Electric globes from their high masts illuminated the small square with a pale, dead-white brightness. Against their frosted gla.s.s, with wire nets stretched over them, beat clouds of night moths, whose shadows--confused and large--hovered below, on the ground. Hungry women, too lightly, dressily, and fancifully attired, preserving on their faces an expression of care-free merriment or haughty, offended unapproachability, strolled back and forth in pairs, with a walk already tired and dragging.

All the tables in the restaurant were taken--and over them floated the continuous noise of knives upon plates and a motley babel, galloping in waves. It smelt of rich and pungent kitchen fumes. In the middle of the restaurant, upon a stand, Roumanians in red frocks were playing; all swarthy, white-toothed, with the faces of whiskered, pomaded apes, with their hair licked down. The director of the orchestra, bending forward and affectedly swaying, was playing upon a violin and making unseemly sweet eyes at the public--the eyes of a man-prost.i.tute. And everything together--this abundance of tiresome electric lights, the exaggeratedly bright toilettes of the ladies, the odours of modish, spicy perfumes, this ringing music, with willful slowings up of the tempo, with voluptuous swoonings in the transitions, with the tempestuous pa.s.sages screwed up--everything fitted the one to the other, forming a general picture of insane and stupid luxury, a setting for an imitation of a gay, unseemly carouse.

Above, around the entire hall, ran open galleries, upon which, as upon little balconies, opened the doors of the private cabinets. In one of these cabinets four were sitting--two ladies and two men; an artiste known to all Russia, the cantatrice Rovinskaya, a large, handsome woman, with long, green, Egyptian eyes, and a long, red, sensuous mouth, the lips of which were rapaciously drooping at the corners; the baroness Tefting, little, exquisite, pale--she was everywhere seen with the artiste; the famous lawyer Ryazanov; and Volodya Chaplinsky, a rich young man of the world, a composer-dilettante, the author of several darling little ballads and many witticisms upon the topics of the day, which circulated all over town.

The walls of the cabinet were red, with a gold design. On the table, among the lighted candelabra, two white, tarred necks of bottles stuck up out of an electroplated vase, which had sweated from the cold, and the light in a tenuous gold played in the shallow goblets of wine.

Outside, near the doors, a waiter was on duty, leaning against the wall; while the stout, tall, important maitre d'hotel, on whose right little finger, always sticking out, sparkled a huge diamond, would frequently stop at these doors, and attentively listen with one ear to what was going on in the cabinet.

The baroness, with a bored, pale face, was listlessly gazing through a lorgnette down at the droning, chewing, swarming crowd. Among the red, white, blue and straw-coloured feminine dresses the uniform figures of the men resembled large, squat, black beetles. Rovinskaya negligently, yet at the same time intently as well, was looking down upon the stand and the spectators, and her face expressed fatigue, ennui, and perhaps also that satiation with all spectacles, which are such matters of course to celebrities. The splendid, long, slender fingers of her left hand were lying upon the crimson velvet of the box-seat. Emeralds of a rare beauty hung upon them so negligently that it seemed as though they would fall off at any second, and suddenly she began laughing.

"Look" she said; "what a funny figure, or, to put it more correctly, what a funny profession! There, there, that one who's playing on a 'syrinx of seven reeds.'"

Everyone looked in the direction of her hand. And really, the picture was funny enough. Behind the Roumanian orchestra was sitting a stout, whiskered man, probably the father, and perhaps even the grandfather, of a numerous family, and with all his might was whistling into seven little pipes glued together. As it was difficult for him, probably, to move this instrument between his lips, he therefore, with an unusual rapidity, turned his head now to the left, now to the right.

"An amazing occupation," said Rovinskaya. "Well now, Chaplinsky, you try to toss your head about like that."

Volodya Chaplinsky, secretly and hopelessly in love with the artiste, immediately began obediently and zealously to do this, but after half a minute desisted.

"It's impossible," he said, "either long training, or, perhaps, hereditary abilities, are necessary for this."

The baroness during this time was tearing away the petals of her rose and throwing them into a goblet; then, with difficulty suppressing a yawn, she said, making just the least bit of a wry face:

"But, my G.o.d, how drearily they divert themselves in our K--! Look: no laughter, no singing, no dances. Just like some herd that's been driven here, in order to be gay on purpose!"

Ryazanov listlessly took his goblet, sipped it a little, and answered apathetically in his enchanting voice:

"Well, and is it any gayer in your Paris, or Nice? Why, it must be confessed--mirth, youth and laughter have vanished forever out of human life, and it is scarcely possible that they will ever return. One must regard people with more patience, it seems to me. Who knows, perhaps for all those sitting here, below, the present evening is a rest, a holiday?"

"The speech for the defense," put in Chaplinsky in his calm manner.

But Rovinskaya quickly turned around to the men, and her long emerald eyes narrowed. And this with her served as a sign of wrath, from which even crowned personages committed follies at times. However, she immediately restrained herself and continued languidly:

"I don't understand what you are talking about. I don't understand even what we came here for. For there are no longer any spectacles in the world. Now I, for instance, have seen bull-fights in Seville, Madrid and Ma.r.s.eilles--an exhibition which does not evoke anything save loathing. I have also seen boxing and wrestling nastiness and brutality. I also happened to partic.i.p.ate in a tiger hunt, at which I sat under a baldachin on the back of a big, wise white elephant ... in a word, you all know this well yourselves. And out of all my great, chequered, noisy life, from which I have grown old ..."

"Oh, what are you saying, Ellena Victorovna!" said Chaplinsky with a tender reproach.

"Abandon compliments, Volodya! I know myself that I'm still young and beautiful of body, but, really, it seems to me at times that I am ninety. So worn out has my soul become. I continue. I say, that during all my life only three strong impressions have sunk into my soul. The first, while still a girl, when I saw a cat stealing upon a c.o.c.k-sparrow, and I with horror and with interest watched its movements and the vigilant gaze of the bird. Up to this time I don't know myself which I sympathized with more: the skill of the cat or the slipperiness of the sparrow. The c.o.c.k-sparrow proved the quicker. In a moment he flew up on a tree and began from there to pour down upon the cat such sparrow swearing that I would have turned red for shame if I had understood even one word. While the cat, as though it had been wronged, stuck up its tail like a chimney and tried to pretend to itself that nothing out of the way had taken place. Another time I had to sing in an opera a duet with a certain great artist ..."

"With whom?" asked the baroness quickly.