Bella Donna Part 11

And in saying that he spoke the truth. But his pity for her was not of the kind that is akin to love.

The black coffee Mrs. Chepstow had persuaded Meyer Isaacson to take kept him awake that night. Like some evil potion, it banished sleep and peopled the night with a rus.h.i.+ng crowd of thoughts. Presently he did not even try to sleep. He gave himself to the crowd with a sort of half-angry joy.

In the afternoon he had been secretly puzzled by Mrs. Chepstow. He had wondered what under-reason she had for seeking an interview with him.

Now he surely knew that reason. Unless he was wrong, unless he misunderstood her completely, she had come to make a curiously audacious _coup_. She had seen Nigel Armine, she had read his strange nature rightly; she had divined that in him there was a man who, unlike most men, instinctively loved to go against the stream, who instinctively turned towards that which most men turned from. She had seen in him the born espouser of lost causes.

She was a lost cause. Armine was her opportunity.

Armine had talked to her four days ago of Meyer Isaacson. The Doctor guessed how, knowing the generous enthusiasm of his friend. And she, a clever woman, made distrustful by misfortune, had come to Cleveland Square, led by feminine instinct, to spy out this land of which she had heard so much. The Doctor's sensation of being examined, while he sat with Mrs. Chepstow in his consulting-room, had been well-founded. The patient had been reading the Doctor, swiftly, accurately. And she had acted promptly upon the knowledge of him so rapidly acquired. She had "given herself away" to him; she had shown herself to him as she was.

Why? To shut his mouth in the future. The revelation, such as it was, had been made to him as a physician, under the guise of described symptoms. She had told him the exact truth of herself in his consulting-room, in order that he might not tell others--tell Nigel Armine--what that truth was.

Her complete reliance upon her own capacity for reading character surprised and almost delighted the Doctor. For there was something within him which loved strength and audacity, which could appreciate them artistically at their full value. She had given a further and a fuller ill.u.s.tration of her audacity that evening in the restaurant.

Now, in the night, he could see her white face, the look in her brilliant eyes above the painted shadows, as she told to Nigel the series of lies about the interview in Cleveland Square, putting herself in the Doctor's place, him in her own. She had enjoyed doing that, enjoyed it intellectually. And she had forced the Doctor to dance to her piping. He had been obliged to join her in her deceit--almost to back her up in it.

He knew now why she had been alone at her table, why she had advertised her ill success in the life she had chosen, her present abandonment by men. This had been done to strike at Armine's peculiar temperament. It was a very clever stroke.

But it was a burning of her boats.

Meyer Isaacson frowned in the night.

A woman like Mrs. Chepstow does not burn her boats for nothing. How much did she expect to gain by that sacrifice of improper pride, a pride almost dearer than life to a woman of her type? The _quid pro quo_--what was it to be?

He feared for Nigel, as he lay awake while the night drew on towards dawn.

VI

Mrs. Chepstow's sitting-room at the Savoy was decorated with pink and green in pale hues which suited well her present scheme of colour. In it there was a little rosewood piano. Upon that piano's music-desk, on the following day, stood a copy of Elgar's "Dream of Gerontius," open at the following words:

"Proficiscere, anima Christiana, de hoc mundo! Go forth upon thy journey, Christian soul! Go from this world!"

Scattered about the room were _The Nineteenth Century and After_, _The Quarterly Review_, the _Times_, and several books; among them Goethe's "Faust," Maspero's "Manual of Egyptian Archaeology," "A Companion to Greek Studies," Guy de Maupa.s.sant's "Fort Comme la Mort," D'Annunzio's "Trionfo della Morte," and Hawthorne's "Scarlet Letter." There was also a volume of Emerson's "Essays." In a little basket under the writing-table lay the last number of _The Winning Post_, carefully destroyed. There were a few pink roses in a vase. In a cage some canary-birds were singing. The furniture had been pulled about by a clever hand until the room had lost something of its look of a room in a smart hotel. The windows were wide open on to the balcony. They dominated the Thames Embankment, and a light breeze from the water stirred the white and green curtains that framed them.

Into this pretty and peacefully cheerful chamber Nigel Armine was shown by a waiter at five o'clock precisely, and left with the promise that Mrs. Chepstow should be informed of his arrival.

When the door had closed behind the German waiter's back, Nigel stood for a moment looking around him. This was the first visit he had paid to Mrs. Chepstow. He sought for traces of her personality in this room in which she lived. He thought it looked unusually cosy for a room in an hotel, although he did not discover, as Isaacson would have discovered in a moment, that the furniture had been deftly disarranged. His eyes roved quickly: no photographs, no embroideries, one or two extra cus.h.i.+ons, birds, a few perfect roses, a few beautifully bound books, the windows widely opened to let the air stream in. And there was an open piano! He went over to it and bent down.

"Proficiscere, anima Christiana, de hoc mundo! Go forth upon thy journey, Christian soul! Go from this world!"

So she loved "Gerontius," that intimate musical expression of the wonder and the strangeness of the Soul! He did not remember he had told her that he loved it. He stood gazing at the score. The light wind came in from the river far down below, and the curtains made a faint sound as they moved. The canaries chirped intermittently. But Nigel heard the voice of a priest by the side of one who was dying. And as he looked at the chords supporting the notes on which the priest bade the soul of the man return to its Maker, he seemed to hear them, as he had heard them, played by a great orchestra; to feel the mysterious, the terrible, yet beautiful act of dissolution.

He started. He had launched himself into s.p.a.ce with the soul. Now, abruptly, he was tethered to earth in the body. Had he not heard the murmur of a dress announcing the coming of its wearer? He looked towards the second door of the room, which opened probably into a bedroom. It was shut, and remained shut. He came away from the piano. What books was she fond of reading! Emerson--optimism in boxing-gloves; Maspero--she was interested, then, in things Egyptian. "Faust"--De Maupa.s.sant--D'Annunzio--Hawthorne, "The Scarlet Letter." He took this last book, which was small and bound in white, into his hand. He had known it once. He had read it long ago. Now he opened it, glanced quickly through its pages. Hester Prynne, Arthur Dimmesdale--suddenly he remembered the story, the sin of the flesh, the scarlet letter that branded the sin upon the woman's breast while the man went unpunished.

And Mrs. Chepstow had it, bound in white.

"Are you judging my character by my books?"

A warm and careless voice spoke behind him. She had come in and was standing close to him, dressed in white, with a black hat, and holding a white parasol in her hand. In the suns.h.i.+ne she looked even fairer than by night. Her pale but gleaming hair was covered by a thin veil, which she kept down as she greeted Nigel.

"Not judging," he said, as he held her hand for a moment. "Guessing, perhaps, or guessing at."

"Which is it? 'The Scarlet Letter'! I got it a year ago. I read it. And when I had read it, I sent it to be bound in white."

"Why was that?"

"'Though your sin shall be as scarlet,'" she quoted.

He was silent, looking at her.

"Let us have tea."

As she spoke, she went, with her slow and careless walk which Isaacson had noticed, towards the fireplace, and touched the electric bell. Then she sat down on a sofa close to the cage of the canary-birds, and with her back to the light.

"I suppose you are fearfully busy with engagements," she continued, as he came to sit down near her. "Most people are, at this time of year.

One ought to be truly grateful for even five minutes of anybody's time.

I remember, ages ago, when I was one of the busy ones, I used to expect almost servile thankfulness for any little minute I doled out. How things change!"

She did not sigh, but laughed, and, without giving him time to speak, added:

"Which of my other books did you look at?"

"I saw you had Maspero."

"Oh, I got that simply because I had met you. It turned my mind towards Egypt, which I have never seen, although I've yachted all over the place. Last night, after we had said good night, I couldn't sleep; so I sat here and read Maspero for a while, and thought of your Egyptian life. I didn't mean to be impertinent. One has to think of something."

"Impertinent!"

Her tone, though light, had surely been coloured with apology.

"Well, people are so funny--now. I remember the time when lots of them were foolish in the opposite way. If I thought of them, they seemed to take it as an honour. But then I wasn't thirty-eight, and I was in society."

The German waiter came in with tea. When he had arranged it and gone out, Nigel said, with a certain diffidence:

"I wonder you don't live in the country."

"I know what you mean. But you're wrong. One feels even more out of it there."

She gave him his cup gently, with a movement that implied care for his comfort, almost a thoughtful, happy service.

"The Rector is embarra.s.sed, his wife appalled. The Doctor's 'lady,' much as she longs for one's guineas, tries to stop him even from attending one's dying bed. The Squire, though secretly interested to fervour, is of course a respectable man. He is a 'stay' to country morality, and his wife is a pair of stays. The neighbours respond in their dozens to the _mot d'ordre_, and there one is _plantee_, like a lonely white moon encircled by a halo of angry fire. Dear acquaintance, I've tried it.

Egypt--Omaha--anything would be better. What are you eating? Have one of these little cakes. They really are good. I ordered them specially for you and our small festivity."

She was smiling as she handed him the plate.