Bella Donna Part 53

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"Men do that to please women, as to please a child you give it a sand lizard tied to a string. Put the string into its hand and the child is happy. So it is with a woman. Only she wants not the string, but the edge of a kuftan."

It seemed to Mrs. Armine, as she listened to Baroudi, that she was permanently deposed from the place she had for long been accustomed to occupy. He tacitly demanded and accepted her admiration instead of giving her his. And yet--he had serenaded her on the Nile that first evening of her coming. He had bought Hamza and Ibrahim. He had desired and tried to effect the swift departure of Nigel. He had decreed that Marie must go. And the Nile water--with how much intention he had given it her to drink! And he had plans for the future. They seemed gathering about her silently, softly, like clouds changing the aspect of her world.

She had not turned that glove inside out yet.

She felt that she must alter her tactics, a.s.sert herself more strongly, escape from the modest position he seemed to be deliberately placing her in. Where was her pride, even of a courtesan?

She lifted her coffee-cup, emptied it, put it down, and began to pull on one of her long white gloves. Baroudi went on calmly smoking. She picked up the second glove. He sharply clapped his hands. Ayoub entered, Baroudi spoke to him in Nubian, and he swiftly disappeared. Mrs. Armine pulled on the second glove.

"Now I must go home," she said.

She moved to get up, but her movement was arrested by the furtive entrance of a thin man clad in what looked to her like a bit of sacking, with naked arms, chest, legs, and feet, and a narrow, pointed head, completely shaved in front and garnished at the back with a mane of greasy black hair, which fell down upon his shoulders. In his hand, which was almost black, he held a short stick of palm-wood, and with an air of extravagant mystery, mingled with cunning, he crept round the room close to the walls, alternately whistling and clucking, bending his head, as if peering at the floor, then lifting it to gaze up at the ceiling. He had shot a keen glance at Mrs. Armine as he came in, but he seemed at once to forget her, and to be wholly intent upon his inexplicable occupation.

After moving several times in this manner round the room, he stopped short, almost like a dog pointing, then drew from inside his coa.r.s.e garment a wrinkled receptacle of discoloured leather with a widely-opened mouth, cried out some words in a loud, fierce voice, leaped upwards, and succeeded in striking the ceiling with his stick.

A long serpent fell down into the bag.

Mrs. Armine uttered a cry of surprise, but not of alarm. She was not afraid of snakes. The darweesh went creeping about as before, presently called out some more words, and struck at the wall. A second serpent fell into the bag, or seemed to fall into it, from some concealed place among the silken draperies. Again he crept about, called, struck, and received another reptile. Then a little dark-eyed boy ran in, salaaming, and the darweesh and the boy, to the accompaniment of wild music played outside, went through a performance of snake-charming and jugglery familiar enough in the East, yet, it seems, eternally interesting to Easterns, and fascinating to many travellers. When it was over the little boy salaamed and ran out, but the music, which was whining and intense, still went on, and the darweesh advanced, holding his bag of snakes, and stood still before Mrs. Armine. For the first time he fixed his cunning and ferocious eyes, which were suffused with blood, steadily upon her, as if he desired to hypnotize her, or to inspire her with deadly fear. She returned his gaze steadily and calmly, and held out her hand towards the bag, indicating by a gesture that she wished to handle the serpents. The darweesh, still staring at her, and very slowly, put the bag close to her, holding it under her breast. A curious musty smell, like the scent of something terribly old, came to her nostrils.

She hesitated for a moment, then deliberately pulled off her gloves, put them on the divan, stood up, and plunged her right hand into the bag, at the same time shutting her eyes. She shut them to enjoy with the utmost keenness a sensation entirely new.

Her hand encountered a dry and writhing life, closed upon it firmly but gently, drew it out and towards her. Then she opened her eyes, and saw that she had taken from the dark a serpent that was black with markings of a dull orange colour. It twisted itself in her hand, as if trying to escape, but as she held it firmly it presently became quieter, lifted itself, reared up its flat head, and seemed to regard her with its feverish and guilty eyes, which were like the eyes of something consciously criminal that must always be unrepentant. She looked at those eyes, and she felt a strong sympathy for the creature, and no sense of fear at all. Slowly she brought it nearer to her, nearer, nearer, till it wavered out from her hand and attained her body.

The darweesh always stood before her, but the expression in his eyes had changed, was no longer hypnotic and terrible, but rather deeply observant. Baroudi sat quite still upon the divan. He looked from Mrs.

Armine to the serpent, then looked again at her. And she, feeling these two men absolutely concentrated upon her, was happy and at ease. Swiftly the serpent wound itself about her, and, clinging to her waist, thrust forth the upper part of its body towards the darweesh, shooting out its ribbon of a tongue, which quivered like something frail in a draught of wind. It lowered and raised itself several times, rhythmically, as if in an effort to obey the whining music and to indulge in a dancing movement. Then, as a long shrill note was held, it again reared itself up, till its head was level with Mrs. Armine's ear, and remained there quivering, and turning itself slowly from side to side with a flexibility that was abominable and sickening. The music ceased. There was a moment's pause. Then, with a fierce movement that seemed expressive of a jealousy which could no longer be contained, the darweesh seized the snake about two inches below its head, and tore it away from Mrs. Armine. The terrible look had returned to his face with an added fire that beaconed a revengeful intention. Pressing his thumb hard upon the reptile's back, he seemed to fall into a frenzy. He several times growled on a deep note, bowed back and forth, tossing his mane of greasy hair over his face and away from it, depressed his body, then violently drew it up to its full height, while his bare feet executed a sort of crude dance. Then, wrought up apparently to a pitch of fanatical fury, he bent his head, opened his mouth, from which came beads of foam, and bit off the serpent's head. Casting away its body, which still seemed writhing with life, he made a sound of munching, working his jaws extravagantly, shot forth his head towards Mrs. Armine, gaped to show her his mouth was empty, lifted his bag from the floor and rushed noiselessly from the room. She stood looking at the headless body of the reptile which lay on the rug at her feet.

"Take it away!" she said to Baroudi.

He picked it up, went to the window, and threw it out into the orange-garden. Then he came back and stood beside her.

"Horrible brute!" she said.

She spoke angrily. When the darweesh had attacked the serpent she had felt herself attacked, and the killing of it had seemed to her an outrage committed upon herself. Even now that he was gone and the headless body was flung away, she could not rid herself of this sensation. She was full of an intimate sense of fury that longed to be a.s.suaged.

"How could you let the brute do that?" she exclaimed, turning upon Baroudi. "How could you sit there and allow such a hateful thing?"

"But he came here to do it. He is one of the Saadeeyeh."

"He was going to do it even if I hadn't taken the serpent?"

"Of course."

"I don't believe that. He did it because he was angry with the serpent for not hurting me, for letting me take it."

"As you please," he said. "What does it matter?"

She glanced at him, and sat down. The expression in his eyes soothed her, the new look that she could read. Had it been called up by her courage with the serpent? She wondered if, by her impulsive action, she had grasped something in him which till now had seemed to elude her.

Nevertheless, although her mood was changing, the sense of personal outrage had not completely died out of her.

"There really are other serpent eaters?" she asked.

"Of course. Saadees."

"And that man is one? But he hated my taking the serpent."

"But I did not hate it."

"No."

More strongly she felt that she had grasped something in him which had eluded her till now.

"Sit there for a minute quietly," he said, with a gentleness that, though far less boyish, recalled to her mind the smiling gentleness of Ibrahim. "And I will give you a new pleasure, and all your anger will go from you as the waves go from the Nile when the breeze has died away."

"What is it?"

His eyes were full of a sort of happy cunning like a child's.

"Sit there and you will know."

He went out of the room, and came back in a moment carrying a good-sized box carefully wrapped in silver paper. She began to think that he was going to give her another present, perhaps some wonderful jewel. But he undid the silver paper cautiously, opened a red-leather case, and displayed a musical box. After placing it tenderly upon the coffee-table, he bent down and set it going. There was a click, a slight buzzing, and then upon Mrs. Armine's enraptured ears there fell the strains of an old air from a forgotten opera of Auber's, "Come o'er the Moonlit Sea!"

The change from the Saadee's atmosphere of savage fanaticism to this mild and tinkling insipidity threw Mrs. Armine's nerves off their balance.

"Oh, Baroudi!" she said.

Her lips began to tremble. She turned away her head. The effort not to betray her almost hysterical amus.e.m.e.nt, which was combined with an intense desire to pet this great, robust child, almost suffocated her.

There was a click. The music stopped.

"Wait a moment!" she heard him say.

And his voice sounded grave, like an intensely appreciative child's.

Click! "Parigi, O Cara!"

Mrs. Armine governed herself, drew breath, and once more turned towards Baroudi. On his strong, bold face there was the delighted expression of a boy. She looked, looked at him, and all her half-tender amus.e.m.e.nt died away, and again, as in the Villa Androud, she was encompa.s.sed by fear.

The immense contrasts in this man, combined with his superb physique, made him to her irresistibly fascinating. In him there was a complete novelty to appeal to her jaded appet.i.tes, rendered capricious and uneasy by years of so-called pleasure. A few minutes ago, when he had spoken of death, he had been a mysterious and cruel fatalist. Now he was a deliciously absurd child, but a child with the frame of a splendid man.

The musical box clicked. "Salve Dimora."

"Do you feel better?" he asked her.

She nodded.

"I bought it in Naples."

He lifted the box in his strong brown hands, and held it nearer to her.

Nothing in his face betrayed any suspicion that she could be amused in an ironical sense. It was obvious that he supposed her to be as happily impressed as he was.

"You hear it better now."

Bella Donna Part 53

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Bella Donna Part 53 summary

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