Jack Harkaway's Boy Tinker Among The Turks Part 19

The Turk glared for a moment fiercely at the proposer of these modest requests, and then politely wis.h.i.+ng the graves of his departed relatives might be perpetually defiled, he replied curtly--

"First, I am not going to play any more to-night; next, I will see you in Jehanum[1] before I allow you to play; and thirdly, I won't sell my flute."

[1] The abode of lost spirits.

With these words, he stepped back into the garden and slammed the gate in Mr. Figgins' face.

"I shall never get over this," Figgins murmured to himself, gloomily; "that flute would have cheered my solitary hours, and that ruthless Turk refuses to part with it. Now, indeed, I feel my peace of mind is gone forever."

His grief at this juncture became so overpowering, that he leant against the door, and in his despair hammered it with his head.

Suddenly the door burst open, and the distressed orphan, in all his brilliant array, shot backwards into some shrubs of a p.r.i.c.kly nature, whose sharp thorns added to his agonizing sensations.

"Will anybody be kind enough to put an end to my misery?" he wailed, as he lay on his back, feeling as though he had been transformed into a human pincus.h.i.+on.

He was not a little surprised to hear a familiar voice exclaim--

"Lor' bless me! dat you, Ma.s.sa Figgins?"

Glancing up, he espied the black face of Bogey looking down upon him.

"Yes, it's me," he answered, in a wailing tone; "help me up."

"Gib me you fist," cried Bogey.

Mr. Figgins extended his hand, and the negro grasping it, by a vigorous jerk hoisted the prostrate grocer out of his th.o.r.n.y bed, tingling all over as though he had been stung by nettles.

Bogey was quite astounded at the transformation of his dress.

"Why, Ma.s.sa Figgins, what out-and-out guy you look!" he exclaimed; "whar all you hair gone to?"

The orphan only groaned.

He was thinking of another h-air (without the h), the air he had heard on the Turkish flute.

Just at that moment the too-too-too of the instrument sounded again.

Figgins stood like one absorbed.

All his agonizing pains were at once forgotten.

"How sweet, how plaintive!" he murmured to himself; "too-too-too, tooty-tooty-too!" he hummed, in imitation of the sound.

Bogey heard it also, and involuntarily put his hands on big stomach and made a comically wry face.

"Whar dat orful squeakin' row?" he asked.

"Hush, hus.h.!.+" exclaimed the orphan, holding up his hands reprovingly, and turning up his eyes at the same time; "it's heavenly music; it's a flute, my boyhood's favourite instrument."

"Gorra!" muttered Bogey; "it 'nuff to gib a fellar de mullingrubs all down him back and up him belly."

He looked towards Mr. Figgins, and seeing him standing with his hands clasped looking like a white-washed Turk in a trance, he said--

"What de matter wid yer, Ma.s.sa Figgins? Am you ill?"

"That flute, that melodious flute, that breathes forth dulcet notes of peace," murmured the orphan, in a deep, absorbed whisper. "I must have that flute."

Bogey felt a little anxious.

"Me t'ink Ma.s.sa Figgins getting lilly soft in him nut; him losing him hair turn him mad," he said to himself.

"I must have that flute," repeated the grocer, in the same abstracted tone and manner. "I should think it cheap at ten pounds."

Bogey, on hearing this, opened his eyes very wide.

He thought he saw a chance of doing a profitable bit of business on his own account.

So, after an instant, he said quietly--

"Good flute worth more dan ten pounds; rale good blower like dat worth twenty at de bery least."

"Yes, yes; I'd give twenty willingly," murmured the wrapt Figgins.

"Bery good," said Bogey, as he instantly disappeared through the gate.

The orphan remained waiting without.

The "too-too-tooing" was going on in the usual doleful and melancholy manner, and guided by the sound, Bogey crept forward till he came in sight of the performer, who was seated in a snug nook in his garden playing away to his heart's content; or, as the negro supposed, endeavouring to frighten away the birds.

Bogey took stock of the stout player and his flute.

Creeping along the shrubbery till he had got exactly opposite to the flautist, he, in the midst of the too-too-tooing, uttered an unearthly groan.

"Inshallah!" exclaimed the Turk, stopping suddenly; "what was that?"

"It war me," groaned the hidden Bogey more deeply than before.

"Who are you?" faltered the musician, hearing the mysterious voice, but seeing no one.

"Me am special messenger from de Prophet," Bogey replied.

"Allah Kerim! my dream is coming true. Is it the Prophet speaks?"

gasped the Turk, his olive cheeks turning the hue of saffron.

"Iss, it de profit brings me here," returned Bogey, truthfully.

"What message does he send to his slave?" asked the old Turk.