Once A Witch Part 3

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FOUR.

"THREE, FOUR, FIVE, six," Agatha counts rapidly as we walk down Ninety-third Street.

"There he is-that's your future husband." I look at the short, round man bobbing toward us. His briefcase swings out from his left side in a way that seems destined to clock someone in the s.h.i.+ns, and his blue checked tie is flapping in the breeze as if trying to take flight. He wears a panicked expression as he fumbles through his pockets. If Gabriel were here he could tell this guy exactly where he left his BlackBerry. Even I can guess that's what he's searching for. Then I shake my head a little. There's no need to think about Gabriel. Nope. No need at all to think about him. Or the fact that we haven't spoken since Rowena and James's engagement party last week. He must have really decided to take my advice on steering clear of the family misfit.

"Okay, my turn," Agatha says, taking a sip of her raspberry smoothie.

"Nineteen," she says. I raise an eyebrow at her.



"Shooting high?" Then I start counting as quickly as I can.

"Fifteen, sixteen-ooh, too bad that one's seventeen," I say as a guy roller-skates right by us, his left arm brus.h.i.+ng up against my shopping bag. Turning, I follow his progress, checking out the tight cords of muscle in his calves and arms.

"Eighteen, nineteen. Hmm" This one is very clean-cut, with a square jaw and wearing a dark suit and sungla.s.ses. Normally I don't like a man in a suit. But somehow this one seems to fit.

"He looks like a banker," Agatha complains. She's more into the tall, skinny hipsters who wear thick-framed gla.s.ses and Ramones T-s.h.i.+rts.

"You never know. You could have it all. The house with the white picket fence, the SUV, and two point four blond, blue-eyed children.

"Agatha makes a face at me.

"That sounds perfectly hideous." I smile at her. Since her British literature cla.s.s last semester, a lot of words like perfectly and perhaps have permeated her language.

"What's your idea of the perfect life, anyway?" She weaves her way around a doublewide stroller and then falls back in next to me. I sip some of my strawberry banana smoothie, crunching the crushed ice between my teeth.

"Now," I say.

"Now? What do you mean?" Agatha is staring at me bemusedly. I wave my hands around me to encompa.s.s the bright air, the sidewalk cafes, the chatter and clatter and bustle of everything.

"Now. This. This is perfect." She's squinting at me, a little the way she does at a particularly hard problem in her math book.

"I mean, walking around, drinking smoothies, buying all these books, thinking about my cla.s.ses this fall, and I don't know ... just being here, and this is all that's expected, this is all I can be." Okay, now I'm starting to sound like an army slogan.

"My turn," I add brightly.

"I pick number . ." I say a little loudly, hoping Agatha will stop giving me that look. Seven.

"Seven it is," Agatha says.

"One, two, three, four," she begins, and then, "Yum," she says as a guy wearing a bandanna and a dark blue T-s.h.i.+rt wanders by.

"Too bad he's only number five" She puts her hand out and stops me from crossing the street. Agatha takes the traffic laws very seriously. Two bikers hurtle past us as we wait for the light to change.

"Six, seven. Mmm," she says and smacks her lips in appreciation. With a not-so-subtle hand movement, she points out my next future husband. I nearly choke on my straw. Alistair Callum is crossing the street toward us, clutching a dry cleaner's bag and a sheaf of papers under one arm. I blink and then blink again, but no, he's really solidly here and not just a figment of my overactive imagination. A taxi cruises past and it seems asthough he's about to hail it when all of a sudden he looks up and our eyes lock. I raise my hand and make a flapping motion that I hope he takes for a wave.

"OmiG.o.d!" Agatha murmurs.

"Your future husband is coming right at us. Look cute!" she instructs, swiping at my hair.

"Um, listen, yeah, thanks," I say, batting away her hand.

"I know him. And by the way, he thinks my name is Rowena. Don't say anything!"

"What-" And then thankfully she swallows the rest of her words as Alistair arrives.

"Rowena," he says, s.h.i.+fting his papers from one arm to the other.

"What a pleasant surprise."

"Hi, Alistair," I say brightly, smiling up at him. A bus swooshes past and we all step back onto the curb. The gold-flecked stubble is gone, revealing a firm chin divided by a slight cleft.

"Funny, running into you on the Upper East Side. You're a long way from NYU."

"Yes, well, occasionally I do escape to other parts of the city," he says, nodding politely at Agatha.

"Was my office too difficult to find, then?" A quick smile blooms on his face and I realize he's trying to make a joke.

"What? Oh, no, no, not at all!" Great. Now he thinks I don't want to help him after all.

"No, I just got back yesterday and today was our first day of cla.s.ses and then I had to buy all these books," I say, hefting my bag into the air as proof.

"I swear I was coming to see you this week," I add, all too aware of Agatha's fascinated scrutiny in my peripheral vision.

"By the way, this is my roommate, Agatha. Agatha, this is Alistair Callum."

"Charmed," Agatha says, and I try not to roll my eyes. She must be giddy that he's British. Alistair smiles at her.

"A pleasure, Agatha" Then he turns back to me.

"You still will?" The note of hope in his voice is too much to handle.

"Of course. I have back-to-back free periods Wednesday. Are you-?"

"Perfect. I have office hours on Wednesday from ten to twelve. I'm in Lerner Hall.

Waverly Street. Do you know where that is?"

"No. I mean, yes, I can find it" I pinch the end of my straw between two fingers.

"Wednesday," I repeat, because he's looking worried again" Waverly Street.

Trust me, I'll be there."

"Wonderful," Alistair says, bestowing a smile on me and another on Agatha.

"Back to the office for me now. No rest for the weary and all that," he says, and turning, he plunges back into the whirl of people. I watch as he navigates his way, his dry cleaning flung over one shoulder, the plastic sleeves now curling up in what seems like a jaunty manner.

"Just out of mild curiosity," Agatha begins. Okay, here it comes.

"Why, pray tell ..."

More Briticisms. Will they never end?

"... did your future husband call you Rowena?"

"Um ..." I put my straw to my lips and drink half the smoothie in one gulp. A few feet away, a tiny old man stoops over a trash can on the street corner and begins rummaging through it. He fishes out a soda can, shakes it fiercely, then tucks it away in the pocket of his tattered black sweatpants. When I turn back to Agatha, she's still waiting for my reply. Her eyes behind her green cat-framed gla.s.ses are narrowed, possibly against the sun, more likely against me.

"He's this professor at NYU and he ... came into the bookstore over the summer and he thought I was Rowena."

"Ooh," Agatha coos excitedly.

"A professor at NYU. He looks so young to be a professor. But I knew he was one of those intellectual types" Then she gives me a pointed look.

"Wait a minute. Back up here. He thought you were Rowena and you didn't tell him otherwise because ... ?" Because he thinks I'm a witch who can help him recover a lost family heirloom using my Talent and the Talents particular to my family.

"Just because," I say miserably, ducking my head a little. Agatha reaches over and scrubs my head affectionately with her knuckles.

"You've got issues. Your sister is not all that, okay? And what does he want with you anyway?" I shrug.

"I mentioned my interest in medieval art and he wants to lend me some books"

The lies leave an oily taste on my tongue and I gulp down the rest of my smoothie. Agatha nods.

"I bet that's not all he wants to lend you," she says with an exaggerated wink. I sputter, just managing to keep from spraying my smoothie everywhere. Agatha bats her lashes at me before continuing in her normal voice.

"Maybe he could write you a recommendation letter. Don't you want to go to NYU?" I want to go anywhere as long as it's not back to Hedgerow.

Two days later, I exit the overly air-conditioned subway car and enter into the din of the station. I climb countless stairs blackened with old chewing gum and finally emerge on the corner of Bleeker and Lafayette. After wandering through a tangle of streets while peering hopefully at any building that displays the purple NYU flag outside its door, I finally make my way into Lerner Hall. My eyes skip across the hall and a little thrill shoots through me. I could be a student here next year.

I a.s.sess this skinny guy who is propped up against the wall outside a closed cla.s.sroom door. He's wearing cutoff jeans and flip-flops. Several dragon tattoos spiral up and down his arms, all in various shades of gold and green. On a roll, I decide he could be my boyfriend next year. He sees me looking, returns the once-over, and then makes a motion to unhook the earphones of his iPod. I give him a regretful smile as if to convey that I really am pressed for time and move away, my heart beating a little too fast. I'm always good at the initial part. I'm not so good at the closing. But like most things, I figure it's just a matter of practice.

I wander down the hallway, past offices with their doors mostly open. Inside, professors sit looking professor-like, examining pieces of paper with grave attention or making furious notes in the margins of a book or talking emphatically on the telephone. In one office, a girl is sitting with her back to me, her posture needle straight, her voice ragged as she says, "But if I don't take this cla.s.s this semester, the whole sequencing for my major will be thrown off. You have to understand that!" At the end of the hallway, I come to a partially open door bearing the nameplate Alistair callum. I raise my hand to knock but pause instead, and study the name again. Something about the letters catches at my memory, then flickers away before I can grasp it. I shake my head and knock firmly before pus.h.i.+ng the door open.

"Come in-oh, hi! h.e.l.lo! Yes, welcome," he says, scrambling to his feet.

"How-how are you?" He runs one hand along his face as if checking to see if he shaved that morning. Judging from the faint scratching noise that follows, he didn't. The small square of his office is taken up mainly by a ma.s.sive desk and a large green leather chair, the arms of which are embossed with tarnished bra.s.s rivets. His desk is full of papers and books, some opened to marked pa.s.sages.

Several framed photos and sketches line the walls of his office, and as I move farther into the room, I step onto a worn antique rug. I smile to myself. It's as if someone looked up the term professor's office in the dictionary and then decorated according to the definition found there.

"Tea?" I shake my head.

"I'm fine" We observe a small moment of deeply uncomfortable silence, and then, as if prompted, Alistair says abruptly, "Sit down, sit down," and points me to a smaller black chair before settling back into his green one.

"I'm so glad you came," he says simply. I have to tell him, I have to, have to, have to. How is another matter entirely. He steeples his fingers in the cla.s.sic professor's pose. It makes me wonder if they teach that little gesture before you're allowed to get a PhD.

"I have to ... tell you something."

"You can't help me?" Alistair says, the dismay in his voice so vibrant that I stare down at my hands, twisting the chunky silver ring on my left thumb over and over. I can't do it. I can't tell him. Not just yet. Later, I promise myself. When I find the clock for him. Then he won't care that I lied.

"I... yes. I just wanted to ask you if you know anything about how we ... find things?" He s.h.i.+fts in his chair, one long finger circling a bra.s.s rivet.

"I didn't want to ... appear ... unseemly," he says at last.

"It's magic. Something like that." I smile.

"Something like that," I agree.

"Although we don't call it magic in our family. We call it Talent. As in, we all have certain Talents" I swallow. Now it's my turn to look uncomfortable, and my chair has no bra.s.s rivets to fiddle with. I settle for twisting my hands in my lap.

"I can help you, but it may take a while. I'm not-"

"Are you sure you won't have tea? I know I'd like a cup" He's looking seriously nervous again.

"Sure." He springs to his feet, clatters through a drawer, and pulls out two dusty-looking mugs.

"Back in a sec-there's hot water in the faculty lounge," he explains and practically runs out of the office. I lean back in my chair, and from this vantage point I can see pockmarks of blistered paint on the wall next to the radiator. This is exhausting. Granted, the subject of Talent makes all normal people feel odd if they even believe you at all and don't give you the there are places for people like you to get help look. Although I've never really tried explaining my family to anyone ever since third grade, when Denise Winters told the whole cla.s.s that my house was actually a mental asylum and that they let me out only to go to school. Not that I blamed her. I've had a similar impression over the years. "Here we are," Alistair says, coming back in with two steaming mugs and a dish of lemon wedges.

"English Breakfast is acceptable?" he asks, and I nod. With his back to me, he busies himself adding tea to the cups and stirring.

"Sugar, lemon?" Sugar, please. He turns around, hands me a mug, and adds lemon to his own.

"I have sugar here. I'm afraid I'm not a fan of white sugar," he says in a confidential manner, his eyes sliding away apologetically across his desk, as if presenting this small piece of information about himself is almost too shameful.

From another desk drawer he produces an open box of sugar and hands it to me with a plastic teaspoon.

"Thanks" I take some and add it to my cup, watching as the raw crystals swirl and sink slowly into the tea as I stir.

"So," I begin again after a moment, "this clock that you want me to find. Can you tell me a little more about it?"

Alistair sets down his cup of tea, pus.h.i.+ng it slightly away from him.

"It's been in my family for three hundred years. It was quite a handsome piece.

A wall clock, inlaid with mother-of-pearl and with rubies for the hours." I raise my eyebrows and nod.

"Sounds nice."

"Nice is not quite the word," he says, and his voice has taken on a professorial tone.

"No better than interesting, I guess?" He smiles briefly, then continues.

"Apparently it was given to us by some king or other for some service. Who knows with these old stories. At any rate, it got lost more than a hundred years ago in a card game between some members of my family and ... another family. This happened in New York City in 1887. And as you can imagine, the trail goes cold after that."

"So that's where I come in," I add, because he seems to have stopped talking.

Once A Witch Part 3

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Once A Witch Part 3 summary

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