The Panic Zone Part 7

"That is Paulo's daughter on a shopping vacation in Bogota, Colombia. The headline Era uma Execucao do Narco? is asking, Was this a narco execution?"

Gannon took a moment to process the growing speculation that the bombing was the result of a drug war.

Was everyone else right about who was behind it?

Was he an idiot to question reporters who worked, lived and breathed in Brazil everyday? Was he out of his league?

Gannon looked at the other victims. Was Gabriela's source among them? Maybe they'd met and the source left? Or maybe the source never showed up at all?

The sheaf of charred and bloodied papers from the alley sat next to his laptop. If he could connect the victims to any of these doc.u.ments, it would be a key puzzle piece.

First, he had to take precautions. His little adventure from last night underscored the need to protect his doc.u.ments, for now.

"Luiz, will you do a confidential favor for me?"

"Of course."

"Copy these pages, keep a set in a safe place, but tell no one. Do you swear to me you will do this?"

"I like working with you, Mr. Gannon. You're different from the others. I give you my word I will do as you ask."

"Good, these pages could be very important, we need to be careful. But I don't want you to tell anyone. Do you understand?"

"Yes."

Luiz flipped through the papers. "It won't take long." He disappeared into the small supply closet. As the photocopier hummed, Gannon reviewed the faces in the newspaper and tried to think of a strategy to determine the cafe's seating situation at the time of the explosion. Maybe talking to the families of the victims would be a good start.

Luiz returned the original doc.u.ments and Gannon put them in his bag.

"I've hidden my copies in our supply room," Luiz said. "I will not speak of them to anyone."

The bureau's door opened and two uniformed police officers entered. They were grim faced, and spoke in gruff, rapid Portuguese to Luiz before they approached Gannon.

"Jack Gannon, American citizen of New York City, U.S.A.?" One of the cops stood before Gannon, unfolded a single sheet of paper, glanced at it, then at Gannon.

"Yes."

"Your identification, please?"

Gannon retrieved his pa.s.sport from his computer bag. The officer looked at it, then tucked it in his breast pocket and snapped the flap closed.

"You will come with us to police headquarters."

"Why, what's this about?"

"For questioning."

"Questioning? About what? Do you have a warrant?"

"No warrant, come with us."

"Not without a warrant, or lawyer."

"You will come with us now."

"Am I being charged? Am I under arrest?"

"You will cooperate and come with us now, or you will face immediate expulsion from Brazil."

The second officer stepped around Gannon. Their body language was loud and clear. Gannon looked at Luiz, then back at the cop and got his bag.

"I will cooperate. Luiz, call Frank, tell him to alert New York and the U.S. consulate that I have been arrested without a warrant."

10.

The officers took Gannon to a patrol car in front of the building.

They took his cell phone, his bag, searched it for weapons, locked it in the trunk, then held the rear door open for him. The back reeked of lemon-scented cleaner, perspiration and vomit.

The officers laughed at a private joke as they drove.

The radio issued coded transmissions. As the cop in the pa.s.senger seat worked on the keyboard of the car's small computer terminal, Gannon studied himself in the rearview mirror. Day two in Brazil and here he was in the backseat of a Rio police car. The officers didn't speak to him as they sailed through Centro's traffic. He had spent enough time on the crime beat in Buffalo to know that he was nothing more than a package to be delivered. They hadn't put him in cuffs. They hadn't been rough. This had to be about last night, or something about Gabriela and Marcelo.

He'd find out soon enough.

They went several blocks before turning onto Rua da Relacao and stopping in front of a fourteen-story building--Gannon counted the levels--that looked like an attempt at 1970s Soviet disco-era architecture.

The sign in front said, Policia Civil.

The officers got his bag and escorted him into a packed elevator. He'd lost track of the floors by the time they reached their destination.

They went down a hall to the squad room. Plainclothes detectives were talking on the phone, reading reports or interviewing people. Gannon's escorts stopped at an empty desk and put him in a folding hard-back chair beside it.

"Don't move."

"What about my pa.s.sport and bag?"

They ignored him and walked away.

Gannon looked at the desk pushed against the wall to the left that displayed a framed degree from the John Jay College of Criminal Justice in Manhattan. He couldn't read the name on it.

Under the degree was a corkboard with a calendar, along with memos and an enlarged photograph of a man and boy holding up fish by a mountain lake. The man held up a tiny fish while the boy struggled with a catch that was over two feet long.

Gannon recognized the man as Roberto Estralla. The boy looked to be about ten and had Estralla's smile. Gannon glanced at the desk, a copy of today's Jornal do Brasil with the ten victims, file folders, a notebook, and something t.i.tled Cafe Amaldo, which looked like a floor plan.

Gannon was about to lean in for a better view when a hand reached across him from behind and snapped a business card on the table for Hotel de nove palmas.

His hotel.

Estralla then dropped Gannon's bag and cell phone on his desk before he deposited himself into his chair. He was wearing jeans, a T-s.h.i.+rt, his ID and a shoulder holster holding a pistol.

He set Gannon's pa.s.sport on the desk, then tossed a piece of gum into his mouth, chewing hard as he a.s.sessed Gannon.

"Are you comfortable, Mr. Gannon?"

"I'd like to know what's happening. My bureau in New York will be notifying the U.S. consulate."

"Last night," Estralla said, "officers at the bomb scene chased a man acting suspiciously in an alley. This hotel card fell from his pocket as he fled. They saw him get into a taxi then contacted the company. After further investigation at your hotel this morning, and by the description and time, we've concluded it was you, Jack Gannon."

Estralla leaned forward.

"What were you doing at the crime scene?"

Gannon's pulse quickened as the circ.u.mstances rose around him. No matter what explanation he offered, he would lose. The threat of expulsion was real. He glanced at Estralla's fis.h.i.+ng photo, reasoning Estralla had a human side. All he could do was play to it.

"When I met you at the scene," Gannon said, "and later watching the TV news reports, I noticed the wind was scattering papers from the explosion. So I went to the alleys nearby and collected all the papers I could find."

"These are the papers?"

Estralla removed the originals from Gannon's bag and began flipping through them carefully.

"I am seizing these."

"But they're mine."

Estralla shrugged.

"I don't understand why your crime scene people did not protect this kind of potential evidence," Gannon said.

"They did."

"Did they? Their work was sloppy. It's probably why you have trouble clearing crimes down here. That and the reputation Brazilian police have with human rights groups."

Estralla's eyes narrowed at Gannon.

"Are the LAPD and the NYPD without sin? And didn't London police shoot dead an innocent man? A Brazilian student, they wrongly suspected of being a terrorist? All police should not be judged by the actions of a few."

Gannon chided himself for saying something so asinine to the cop holding his pa.s.sport.

"I apologize--I was out of line," Gannon said. "Maybe it's the stress of two murdered colleagues and of flying down here on short notice where I don't know the language or the culture, or much else."

Estralla resumed chewing his gum and reappraised Gannon.

"We had nets on the scene, but removed them to take photographs and give the dog unit access. We were slow to return them."

"Look," said Gannon. "Now that I've explained everything, may I leave with my belongings?"

"No."

"Why not?"

"I have the impression you know more about why Gabriela Rosa and Marcelo Verde were at the cafe, more than you're telling me."

"If I help you, will you help me? Not as cop to reporter, but as two men trying to learn the truth about the murders?"

"We make no deals with journalists."

"I think you do." Gannon tapped the Jornal do Brasil.

Estralla's chewing slowed as he thought.

Gannon took his shot at the cop's human side.

"So, how did you come to attend John Jay in Manhattan?"

"My father was a diplomat at the UN. We lived in New York for ten years."

"Then you know the city better than I do. I moved there from Buffalo a few months ago."

"Home of the Bills."

"You a Bills fan? You like American football?"

Estralla s.h.i.+fted his weight in his chair and changed the subject.

"At this moment, my partner is preparing the doc.u.mentation for your expulsion. You should tell me what you know now."

Gannon let a few moments pa.s.s. This was it.

"There's a small recorder in my bag, may I play it for you?"

Estralla nodded and Gannon played Gabriela's last message.

"We were aware of the message," Estralla said. "Gabriela's husband transcribed it for us but said that in his grief he accidentally erased it."

"That may be, but he forwarded it to a WPA colleague. I recorded it."

Gannon played it again for Estralla who listened intently.

"The part about doc.u.ments is important," Gannon said. "I think these doc.u.ments can lead us to the source. Her source could have been among the dead or injured. Did you create a seating map, showing where everyone was sitting at the time of the blast?"

Estralla thought, then placed a call, speaking quickly in Portuguese before coming back to Gannon.