Johnny Ludlow Fifth Series Part 54

I should think it would not!--though I fancy he has a small share in papa's business now."

"Do they live in London?"

"Oh yes, they live in London. Close to us, too! In one of the small houses in Torriana Street. _She_ wanted to take a large house in the square like ours, but Mr. Everty was too wise."

Talking to this girl, my thoughts back in the past, I wondered whether Sophie's people had heard of the abstraction of Miss Deveen's emeralds.

But it was not likely. To look at her now: watching her fascinating ease, listening to her innocent reminiscences of the time we had all spent together at Lady Whitney's, I might have supposed she had taken a dose of the waters of Lethe, and that Sophie Chalk had always been guileless as a child; an angel without wings.

"She has lost none of her impudence, Tod," I said as we went home. "In the old days, you know, we used to say she'd fascinate the hair off our heads, give her the chance. She'd wile off both ears as well now. A good thing she's married!"

Tod broke into a whistle, and went striding on.

Before the week was out, Sophie Chalk--we generally called her by the old name--had become intimate with some of the men of different colleges. Mabel Smith went to her grandmother's, and Sophie had nothing to do but exhibit her charms in the Oxford streets and entertain her friends. The time went on. Hardly an evening pa.s.sed but Tod was there; Bill Whitney went sometimes; I rarely. Sophie did not fascinate me, whatever she might do by others. Sophie treated her guests to wine and spirits, and to unlimited packs of cards. Bill Whitney said one night in a joking way that he was not sure but she might be indicted for keeping a private gaming-house. Richardson was one of her frequent evening visitors, and she would let him take his bull-dogs to make a morning call. There would be betting over the cards in the evenings, and she did not attempt to object. Sophie would not play herself; she dispersed her fascinations amidst the company while they played, and sang songs at the piano--one of the best pianos to be found in Oxford.

There set in a kind of furore for pretty Mrs. Everty; the men who had the entree there went wild over her charms, and vied with each other in making her costly presents. Sophie broke into raptures of delight over each with the seeming simplicity of a child, and swept all into her capacious net.

I think it was receiving those presents that was keeping her in Oxford; or helping to keep her. Some of them were valuable. Very valuable indeed was a set of diamonds, brooch and ear-rings, that soft young calf, Gaiton, brought her; but what few brains the viscount had were clean dazzled away by Sophie's attractions: and Richardson gave her a bejewelled fan that must have cost a small fortune. If Sophie Chalk did spend her husband's money, she was augmenting her stock of precious stones--and she had not lost her pa.s.sion for them.

One morning my breakfast was brought in by a strange fellow, gloomy and grim. Tod had gone to breakfast with Mayhew.

"Where's Charley?" I asked.

"Sick," was the short answer.

"What's the matter with him?"

"Down with a cold, or something."

And we had this surly servant for ever so long to come: and I'm sorry to say got so accustomed to seeing his face as to forget sick Charley.

II.

"Will you go up the river for a row, Johnny?"

"I don't mind if I do."

The questioner was Bill Whitney; who had come in to look for Tod. I had nothing particular on hand that afternoon, and the skies were blue and the sun golden. So we went down to the river together.

"Where has Tod got to?" he asked.

"Goodness knows. I've not seen him since lecture this morning."

We rowed up to G.o.dstowe. Bill disappeared with some friend of his from Merton's, who had watched us put in. I strolled about. Every one knows the dark pool of water there. On the bench under the foliage, so thick in summer, but bare yet in this early season, warm and sunny though it was, sat a man wrapped in a great-coat, whom I took at first to be a skeleton with painted cheeks. But one does not care to stare at skeletons, knowing they'd help their looks if they could; and I was pa.s.sing him with my face turned the other way.

"Good-afternoon, sir."

I turned at the hollow words--hollow in sound as though they came out of a drum. It was Charley: the red paint on his thin cheeks was nothing but natural hectic, and the blue of his eyes shone painfully bright.

"Why, what's the matter, Charley?"

"A fly-man, who had to drive here and back, brought me with him for a mouthful of fresh air, it being so warm and bright. It is the first time I have been able to get out, sir."

"You are poorly, Charley." I had all but said "dying." But one can only be complimentary to a poor fellow in that condition.

"Very ill I have been, sir; but I'm better. At one time I never thought I should get up again. It's this beautiful warm weather coming in so early that has restored me."

"I don't know about restored? You don't look great things yet."

"You should have seen me a short while ago, sir! I'm getting on."

Lying by his side, on a piece of paper, was a thick slice, doubled, of bread-and-b.u.t.ter, that he must have brought with him. He broke a piece off, and ate it.

"You look hungry, Charley."

"That's the worst of it, sir; I'm always hungry," he answered, and his tone from its eagerness was quite painful to hear, and his eyes grew moist, and the hectic spread on his cheeks. "It is the nature of the complaint, I'm told: and poor mother was the same. I could be eating and drinking every hour, sir, and hardly be satisfied."

"Come along to the inn, and have some tea."

"No, sir; no, thank you," he said, shrinking back. "I answered your remark thoughtlessly, sir, for it's the truth; not with any notion that it would make you ask me to take anything. And I've got some bread-and-b.u.t.ter here."

Going indoors, I told them to serve him a good tea, with a big dish of bacon and eggs, or some relis.h.i.+ng thing of that sort. Whitney came in and heard me.

"You be hanged, Johnny! We are not going in for all that, here!"

"It's not for us, Bill; it's for that poor old scout, Charley. He's as surely dying as that you and I are talking. Come and look at him: you never saw such an object. I don't believe he gets enough to eat."

Whitney came, and did nothing but stare. Charley went indoors with a good deal of pressing, and we saw him sit down to the feast. Whitney stayed; I went out-of-doors again.

I remembered a similar case. It was that of a young woman who used to make Lena's frocks. She fell into a decline. Her appet.i.te was wonderful.

Anything good and substantial to eat and drink, she was always craving for: and it all seemed to do her no good. Charley Ta.s.son's sickness must be of the same nature. She died: and he----

I was struck dumb! Seated on the bench under the trees, my thoughts back in that past time, there came two figures over the rustic bridge. A lady and gentleman, arm-in-arm: she in a hat and blue feather and dainty lace parasol; and he with bent head and words softened to a whisper.

Tod!--and Sophie Chalk!

"Good gracious! There's Johnny Ludlow!"

She loosed his arm as she spoke, and came sailing up to me, her gold bracelets jingling as she gave her hand. I don't believe there are ten women in England who could get themselves up as effectively as did Sophie Chalk. Tod looked black as thunder.

"What the devil brings you here, Johnny?"

"I rowed up with Whitney."

A pause. "Who else is here?"

"Forbes of Merton: Whitney has been about with him. And I suppose a few others. We noticed a skiff or two waiting. Perhaps one was yours."

I spoke indifferently, determined he should not know I was put out.

Seeing him there--I was going to say on the sly--with that beguiling syren, who was to foretell what pitfalls she might charm him into? He took Madame Sophie on his arm again to continue their promenade, and I lost sight of them.