A Killing Night Part 12

"OK, M-Max. While you were away, I ran the t-two individuals who attacked you in the alley," he said, clipped and businesslike. "A David and Robert Hix. S-Small-time thugs and n-not very g-good at being criminals."

"Brothers?" I said.

"Yes. David just g-got out of Glades Correctional on a r- robbery jolt that looks like it was probably a drug rip-off. He's on six years p-probation after d-doing three. Brother Robert has done c-county time in b-both Palm Beach and Broward. Check k-kiting, burglary and ident.i.ty theft. W-with all these cross references, it l-looks like they travel as a t-team, but Davey does the h-heavier work."

Billy pa.s.sed me the folder and I scanned the booking photos that he had downloaded off the Department of Corrections Web site.

"Did you show these to Rodrigo yet?"

"I've called him twice. B-Both times he's been short, almost whispering and asked for you. He says he's all right, but I could hear the fear in his voice," Billy said. "Hard to see how a Filipino middleman gets these two as leg breakers."

"It's a global village, Billy. We learned the hard way that the criminals have cell phones and Internet sites, too. If their job recruiter in Manila gets squeezed because his people are making noise about legal representation on work problems, he makes a call to a fellow s.h.i.+t-heel in Miami, who farms it out," I said. "I'll talk to Rodrigo. Can I take these mug shots?"

Billy flipped the backs of his fingers and stood up.

"While I w-was asking around, I also t-talked with a prosecutor friend in Broward about your Mr. O'Shea."

He walked over to the wall of windows and looked out toward the ocean. Though we were twelve stories up, he never looked down over the edge and into the streets. Billy never looked down.

"He tells me he's had to t-turn Sherry down on filing a probable cause on O'Shea t-twice. He t-told her all she has is circ.u.mstantial evidence, even with the Philadelphia incident. No b-body. No forensics. Just a couple of witnesses willing to say they saw him with two women who m-may be missing."

"As far as I know, he's right," I said.

"She's also all alone on th-this according to him. Her p-pursuit of these cases in general and O'Shea in p-particular is causing hard feelings with her b-bosses and at the state attorney's office."

"Your friend say what they're going to do?"

"G-give her some slack for now b-because of her past record. n.o.body's telling her she's wrong. They all know the kind of investigator she is. B-But she needs some substance."

"I wish I could help her."

"Nothing fr-from Philadelphia?"

"Nothing of substance," I said, thinking of the portrait of Faith Hamlin on the wall of the store, of tears in O'Shea's ex-wife's eyes, the smell of whiskey and the guffaw of old cops and their younger, too confident brethren. "I doubt you'd like the changes, or the lack of them."

"I have n-no intention of ever experiencing them, my friend."

Billy looked at his watch.

"I need to m-meet Diane."

"Good luck with the Romans," I said.

"Et tu, b-brother," Billy said. "Et tu."

I spent most of the next day on the beach, letting the sun seep into my bones where the twenty-three-degree Philadelphia gray had chilled the marrow. Your blood does get thinner down here. It has to be a proven, scientific fact. Somewhere there's a university study working on a government grant to tell us all a fact that we all know.

I ate breakfast in the bungalow and then called Richards. When I got her answering machine I hung up before the beep. I spent an hour out on the sand and then stretched out and took an easy two- mile run. The sun was hard and white in a blue sky. The salt cream of big breakers caught my shoes. The wind was still blowing out of the east and the tallest palms along the sh.o.r.e leaned into it, their fronds blown back like the long hair of women with their faces into the breeze.

Back at my chair, with my heart still thrumming, I pulled off my running shoes and s.h.i.+rt and hurdled into the waves. When I was thigh deep I dove into and under an oncoming crest, dug my fingers into the ocean floor and then pulled while bringing my feet up under me, and then drove forward and up. With my arms spread in a b.u.t.terfly stroke I burst to the surface, grabbed a lungful of air and immediately dove forward and down to the bottom to repeat the motion. It was a technique I'd learned from the summer lifeguards in Ocean City, New Jersey, where we escaped as teenagers from the hot asphalt streets of South Philly. It was called dolphining and it was exhausting but twice as fast as swimming to get through the shallow surf. Once out past the breakers I turned inland and bodysurfed a wave to the beach, and then dolphined back out. After five trips I was done, arms heavy and lungs aching from gulping and holding air. I sat heavily down into my beach chair. When my breathing returned to normal I reached into my small cooler and uncapped a bottle of Rock, took a long drink and turned my face into the sun.

I came awake when a shadow changed the light on the back of my eyelids and I fluttered them open. In front of me was the pa.s.sive round face of the same small boy who had caught me unawares on my porch. Again he was staring down at the longneck bottle I'd unconsciously wedged in my lap and the notion flashed into my head that I was breaking the law by consuming alcohol on the beach. Maybe a look of consternation came into my face because the boy looked into my eyes, turned and ran. When I turned to see who the kid would run to, to report me, my cell phone rang.

"Yeah?"

"Freeman?"

"Hey, Sherry," I said, not quite out of the blur of sleep. "What's up?"

"You tell me."

Ahh. The beauty of caller ID. Even if I hadn't left a message on her machine, the detective's calls would all be digitally recorded, giving her the option to at least know who had tried to reach her.

"I thought we could get together again on this O'Shea deal," I said. "I took a side trip to Philly, maybe something you should hear."

I heard her hesitate and wasn't sure how she was going to take the word of my nosing around in Philadelphia without her knowing.

"Is this information that's going to help me, or hurt my investigation, Max? Because right now I've got another girl missing and I'm about this close to locking up your friend."

"Another one?"

"Susan Martin, Suzy. The missing persons unit is funneling anything they get with earmarks of my guy's M.O. to me. I have another frantic mother who's been everywhere, talked to a dozen friends of her daughter's, the girl's landlord down here and n.o.body's helping."

"Bartender?"

"Yes."

"When did she quit showing up?"

"Six weeks ago."

"Knew O'Shea?"

"I don't know yet. I'm going to question the bar manager now."

"I'll meet you," I said, taking a chance.

"Kim's Alley Bar during the eight o'clock s.h.i.+ft change. You know where it is?"

"Yeah," I said. "I've been there before."

Kim's is an oddity in the present-day city of Fort Lauderdale. It's a neighborhood bar tucked in one corner of a landmark shopping center. The land was once occupied by Clyde Beatty's Jungle Zoo. In the 1930s the site was a training and birthing facility for the big cats of the circus; lions and tigers, predators all.

The present-day center holds restaurants and antique stores, a funky bookstore and a Laundromat. Across the street to the west is the Gateway Theatre which in 1960 held the premiere of Where the Boys Are Where the Boys Are and changed the atmosphere of Fort Lauderdale for the next twenty years. and changed the atmosphere of Fort Lauderdale for the next twenty years.

But only half of Kim's changed since it was established in 1948. Once a true alley bar with a small entrance obscured in the shadows, it was later split into two separate rooms by its layout. On one side is a modern place with pool and Ping-Pong tables and dartboards and a small uninspired bar top. But down a narrow, dim hallway, on the parking lot side of the shopping center, is a treasure. In this room is an ancient bar-back crafted in rich African mahogany by artisans from a different century who knew intricate scrollwork and woodcraft. The cabinetry is old school, built in Baltimore in 1820 and then dismantled and moved to New Orleans. Kim's owner purchased it there and moved it to Fort Lauderdale in 1952. Without knowing its final destination, the proud head of a lion had been carved high in the center of the scrollwork, somehow a testament to the land's history. I had been inside a few times and never once drank a drop in the gamer's side.

I arrived just before seven and half the stools at the bar were taken. I took an open one at the close end near the windows and the door. A Steve Winwood CD was playing on the juke and the manager, a pretty woman with shoulder-length brown hair who I knew as Laurie was gathering receipts while a younger woman was refilling ice. Laurie looked over first.

"Hey, stranger. Haven't seen you in a while."

I nodded my h.e.l.lo.

"Rolling Rock, right?"

"Perfect."

Laurie turned to the other girl who pulled a cold bottle from the cooler and set it on a napkin in front of me.

"Hi," she said. "Run a tab?"

"Hi. No. Thanks," I answered, putting twenty on the bar top. "I'll pay as I go."

She had a clean, pretty face. Wisconsin, Michigan, Minnesota came to mind. She was bringing my change back when Richards came through the door. Determined.

She was wearing jeans and a collared blouse and her hair was pulled back and twisted into a severe bun. I turned away once she spotted me and looked down the length of the bar and my eye caught movement. A man at the opposite end got up faster than most comfortable drinkers would and started for the dim hallway. Guy just recognized a cop walk in the room, I thought, a grin pulling at my mouth. I marked him at about six feet tall, lean, clean trimmed dark hair from the back, and I would have let his image slip right through my head but for the look that the young bartender had on her face when she did a double take. First on the man, then back on Richards as she made it to my elbow and then back to the man disappearing into the hallway. There was a touch of confusion in her eyes that had melted into suspicion when she turned back to us. Richards said something to me but I was watching the girl as she walked down to the vacated place at the other end, picked up the money the man had left and the half-drunk bottle of beer. It was my brand.

"Max?"

Richards was repeating my name.

"Sorry," I said, turning to her. Her eye color was a definite gray and the eyes themselves were tightened down from lack of sleep.

"This is the manager?" she asked, nodding at Laurie.

"Yeah."

Laurie looked up from her receipts and Richards bobbed her chin up in a beckoning motion. Laurie raised an index finger, one minute please, calculating something in her head before coming over. Richards didn't like the finger, I could see it in the flex of her jaw muscle. But she let it ride.

"Sherry Richards, we talked on the phone?" she said when Laurie made it over.

"Oh, hi, yeah. Just let me get my things. We can sit back there if that's OK?"

The three of us took a table in the far corner. I brought my bottle with me.

"You two obviously know each other," Laurie said, and I apologized.

"Max Freeman," I said, reaching across the table to shake her hand.

"Rolling Rock," she said, smiling.

"You're very good at that. Remembering, I mean."

She shrugged.

"Part of the business. Half the people who come in here I know by their drinks. Half I know by their first names."

"Any full names?" Richards said.

"A handful," she said, looking Richards in the eye. "You know, it's informal. It's just the way it is."

"You ever see this guy in here?" Richards asked, taking out a shot of O'Shea and handing it across the table. She wasn't wasting any time worrying about tainting an eyewitness with a single suspect photo.

"Yeah. Not a real regular and not recently, but yeah, he's been in here. Uh, bottle of Bud and Irish whiskey, I think."

"Do you know if he knew Suzy? Dated her? Took her home some night?"

Laurie brought out a manila file folder and opened it on the table. Now she was all business, too.

"Like I told you on the phone, Detective, Suzy only worked here four months, till the end of the year. September eight, to, uh, just after New Year's, the third," she said, looking at the dates on the top sheet in the file. "Biggest paydays of the year, then she splits."

She looked over at me like I'd be sympathetic.

"I never had a complaint, but she mostly worked the later s.h.i.+fts when I wasn't around. She worked that last weekend and left."

"Disappeared," Richards said. "No forwarding address. No calls back to you for references. Didn't pick up her last check."

Laurie was answering each question with a shake of her head.

"I hadn't even heard her name mentioned until last week when her mom called all upset and then I reported it like she asked.

"I wish I had more for her mom, and you, but I don't," she said and pushed the folder an inch closer to Richards and crossed her arms. The manager was getting defensive.

"Laurie," I jumped in, pulling her eyes to me. "How unusual is that? I mean for an employee to just walk away?"

"It happens a lot. Not as much in a place like this, but in the big, high-traffic clubs, a lot. The girls can make good money, but they move around from place to place. Sometimes they'll work in three different bars at the same time. Different s.h.i.+fts, different days. If they decide to drop one, they just do it. Sometimes without telling anyone."

"What do you mean by not so much in a place like this?" I said.

"This is more of a neighborhood place. Quieter. You don't have to yell over the ba.s.s music just to take an order. The girls actually like to work here to take a break from those places. At least you can talk to the customers here."

"Was Suzy friendly with any specific customers?" Richards asked, pulling the conversation back on line.

"Not that I know of. A couple of guys asked where she went but they're our regulars. They get uncomfortable if things change. It's like a routine for them."

"So you don't know if anyone tried to pick her up?"

Laurie smiled.

"Honey, they're always trying. But Suzy was pretty shy. Kinda quiet. Some of the bartenders get into the girl talk thing. Even know each other's last names. But mostly they hang out with each other and do the other bars together, but they don't get that personal.

"They'll say 'whoa, check out gin and tonic down at the end' or they'll describe some date they had with the big tipper who went dutch over at Coyote's. You know, typical stuff. You were there."

This last comment was directed at Richards, who tried to look surprised.

"Yeah. I heard about you working some s.h.i.+fts over at Runyon's and Guppy's," Laurie said. "Gossip like that gets around."

"Not that it did any good," Richards said, looking away, the first time I'd seen her lose that hard edge of hers in public.