Jean-Christophe Journey's End Part 16

He went away, giving them to understand that he would return on the morrow. If he had said that he was going away that very night, they would not have let him go until it was time to catch the train. He had only gone a few yards in the darkness when he recovered the feeling of well-being which he had had before he met the carriage. The memory of his tiresome evening was wiped out as though a wet sponge had been over it: nothing was left of it: it was all drowned in the voice of the Rhine. He walked along its banks by the house where he was born. He had no difficulty in recognizing it. The shutters were closed: all were asleep in it. Christophe stopped in the middle of the road: and it seemed to him that if he knocked at the door, familiar phantoms would open to him. He went into the field round the house, near the river, and came to the place where he used to go and talk to Gottfried in the evening. He sat down. And the old days came to life again. And the dear little girl who had sipped with him the dream of first love was conjured up. Together they lived through their childish tenderness again, with its sweet tears and infinite hopes. And he thought with a simple smile:

"Life has taught me nothing. All my knowledge is vain.... All my knowledge is vain.... I have still the same old illusions."

How good it is to love and to believe unfailingly! Everything that is touched by love is saved from death.

"Minna, you are with me,--with me, not with _the other_,--Minna, you will never grow old!..."

The veiled moon darted from her clouds, and made the silver scales on the river's back gleam in her light. Christophe had a vague feeling that the river never used to pa.s.s near the knoll where he was sitting. He went near it. Yes. Beyond the pear-tree there used to be a tongue of sand, a little gra.s.sy slope, where he had often played. The river had swept them away: the river was encroaching, lapping at the roots of the pear-tree. Christophe felt a pang at his heart: he went back towards the station. In that direction a new colony--mean houses, sheds half-built, tall factory chimneys--was in course of construction. Christophe thought of the acacia-wood he had seen in the afternoon, and he thought:

"There, too, the river is encroaching...."

The old town, lying asleep in the darkness, with all that it contained of the living and the dead, became even more dear to him: for he felt that a menace hung over it....

_Hostis habet muros...._

Quick, let us save our women and children! Death is lying in wait for all that we love. Let us hasten to carve the pa.s.sing face upon eternal bronze. Let us s.n.a.t.c.h the treasure of our motherland before the flames devour the palace of Priam.

Christophe scrambled into the train as it was going, like a man fleeing before a flood. But, like those men who saved the G.o.ds of their city from the wreck, Christophe bore away within his soul the spark of life which had flown upwards from his native land, and the sacred spirit of the past.

Jacqueline and Olivier had come together again for a time. Jacqueline had lost her father, and his death had moved her deeply. In the presence of real misfortune she had felt the wretched folly of her other sorrows: and the tenderness which Olivier showed towards her had revived her affection for him. She was taken back several years to the sad days which had followed on the death of her Aunt Marthe--days which had been followed by the blessed days of love. She told herself that she was ungrateful to life, and that she ought to be thankful that the little it had given her was not taken from her. She hugged that little to herself now that its worth had been revealed to her. A short absence from Paris, ordered by her doctor to distract her in her grief, travel with Olivier, a sort of pilgrimage to the places where they had loved each other during the first year of her marriage, softened her and filled her with tenderness. In the sadness of seeing once more at the turn of the road the dear face of the love which they thought was gone forever, of seeing it pa.s.s and knowing that it would vanish once more,--for how long?

perhaps forever?--they clutched at it pa.s.sionately and desperately....

"Stay, stay with us!"

But they knew that they must lose it....

When Jacqueline returned to Paris she felt a little new life, kindled by love, thrilling in her veins. But love had gone already. The burden which lay so heavy upon her did not bring her into sympathy with Olivier again. She did not feel the joy she expected. She probed herself uneasily. Often when she had been so tormented before she had thought that the coming of a child might be her salvation. The child had come, but it brought no salvation. She felt the human plant rooted in her flesh growing, and sucking up her blood and her life. She would stay for days together lost in thought, listening with vacant eyes, all her being exhausted by the unknown creature that had taken possession of her. She was conscious of a vague buzzing, sweet, lulling, agonizing. She would start suddenly from her torpor--dripping with sweat, s.h.i.+vering, with a spasm of revolt. She fought against the meshes in which Nature had entrapped her. She wished to live, to live freely, and it seemed to her that Nature had tricked her. Then she was ashamed of such thoughts, and seemed monstrous in her own eyes, and asked herself if she were more wicked than, or made differently from, other women. And little by little she would grow calm again, browsing like a tree over the sap, and the dream of the living fruit ripening in her womb. What was it? What was it going to be?...

When she heard its first cry to the light, when she saw its pitiable touching little body, her heart melted. In one dazzling moment she knew the glorious joy of motherhood, the mightiest in all the world: in her suffering to have created of her own flesh a living being, a man. And the great wave of love which moves the universe, caught her whole body, dashed her down, rushed over her, and lifted her up to the heavens.... O G.o.d, the woman who creates is Thy equal: and thou knowest no joy like unto hers: for thou hast not suffered....

Then the wave rolled back, and her soul dropped back into the depths.

Olivier, trembling with emotion, stooped over the child: and, smiling at Jacqueline, he tried to understand what bond of mysterious life there was between themselves and the wretched little creature that was as yet hardly human. Tenderly, with a little feeling of disgust, he just touched its little yellow wrinkled face with his lips. Jacqueline watched him: jealously she pushed him away: she took the child and hugged it to her breast, and covered it with kisses. The child cried and she gave it back, and, with her face turned to the wall, she wept.

Olivier came to her and kissed her, and drank her tears: she kissed him too, and forced herself to smile: then she asked to be left alone to rest with the child by her side.... Alas! what is to be done when love is dead? The man who gives more than half of himself up to intelligence never loses a strong feeling without preserving a trace, an idea, of it in his brain. He cannot love any more, but he cannot forget that he has loved. But the woman who has loved wholly and without reason, and without reason ceases wholly to love, what can she do? Will? Take refuge in illusions? And what if she be too weak to will, too true to take refuge in illusions?...

Jacqueline, lying on her side with her head propped up by her hand, looked down at the child with tender pity. What was he? Whatever he was, he was not entirely hers. He was also something of "the other." And she no longer loved "the other." Poor child! Dear child! She was exasperated with the little creature who was there to bind her to the dead past: and she bent over him and kissed and kissed him....

It is the great misfortune of the women of to-day that they are too free without being free enough. If they were more free, they would seek to form ties, and would find charm and security in them. If they were less free, they would resign themselves to ties which they would not know how to break: and they would suffer less. But the worst state of all is to have ties which do not bind, and duties from which it is possible to break free.

If Jacqueline had believed that her little house was to be her lot for the whole of her life, she would not have found it so inconvenient and cramped, and she would have devised ways of making it comfortable: she would have ended as she began, by loving it. But she knew that it was possible to leave, it, and it stifled her. It was possible for her to revolt, and at last she came to think it her duty to do so.

The present-day moralists are strange creatures. All their qualities have atrophied to the profit of their faculties of observation. They have given up trying to see life, hardly attempt to understand it, and never by any chance WILL it. When they have observed and noted down the facts of human nature, they seem to think their task is at an end, and say:

"That is a fact."

They make no attempt to change it. In their eyes, apparently, the mere fact of existence is a moral virtue. Every sort of weakness seems to have been inserted with a sort of Divine right. The world is growing democratic. Formerly only the King was irresponsible. Nowadays all men, preferably the basest, have that privilege. Admirable counselors! With infinite pains and scrupulous care they set themselves to prove to the weak exactly how weak they are, and that it has been decreed that they should be so and not otherwise from all eternity. What can the weak do but fold their arms? We may think ourselves lucky if they do not admire themselves! By dint of hearing it said over and over again that she is a sick child, a woman soon takes a pride in being so. It is encouraging cowardice, and making it spread. If a man were to amuse himself by telling children complacently that there is an age in adolescence when the soul, not yet having found its balance, is capable of crimes, and suicide, and the worst sort of physical and moral depravity, and were to excuse these things--at once these offenses would spring into being. And even with men it is quite enough to go on telling them that they are not free to make them cease to be so and descend to the level of the beasts.

Tell a woman that she is a responsible being, and mistress of her body and her will, and she will be so. But you moralists are cowards, and take good care not to tell her so: for you have an interest in keeping such knowledge from her!...

The unhappy surroundings in which Jacqueline found herself led her astray. Since she had broken with Olivier she had returned to that section of society which she despised when she was a girl. About her and her friends, among married women, there gathered a little group of wealthy young men and women, smart, idle, intelligent, and licentious.

They enjoyed absolute liberty of thought and speech, tempered only by the seasoning of wit. They might well have taken for their motto the device of the Rabelaisian abbey:

_"Do what thou wilt."_

But they bragged a little: for they did not will anything much: they were like the enervated people of Thelema. They would complacently profess the freedom of their instincts: but their instincts were faded and faint; and their profligacy was chiefly cerebral. They delighted in feeling themselves sink into the great piscina of civilization, that warm mud-bath in which human energy, the primeval and vital forces, primitive animalism, and its blossom of faith, will, duties, and pa.s.sions, are liquefied. Jacqueline's pretty body was steeped in that bath of gelatinous thought. Olivier could do nothing to keep her from it. Besides, he too was touched by the disease of the time: he thought he had no right to tamper with the liberty of another human being: he would not ask anything of the woman he loved that he could not gain through love. And Jacqueline did not in the least resent his non-interference, because she regarded her liberty as her right.

The worst of it was that she went into that amphibious section of society with a wholeness of heart which made anything equivocal repulsive to her: when she believed she gave herself: in the generous ardor of her soul, even in her egoism, she always burned her boats; and, as a result of living with Olivier, she had preserved a moral inability to compromise, which she was apt to apply even in immorality.

Her new friends were too cautious to let others see them as they were.

In theory they paraded absolute liberty with regard to the prejudices of morality and society, though in practice they so contrived their affairs as not to fall out with any one whose acquaintance might be useful to them: they used morality and society, while they betrayed them like unfaithful servants, robbing their masters. They even robbed each other for want of anything better to do, and as a matter of habit. There was more than one of the men who knew that his wife had lovers. The wives were not ignorant of the fact that their husbands had mistresses. They both put up with it. Scandal only begins when one makes a noise about these things. These charming marriages rested on a tacit understanding between partners--between accomplices. But Jacqueline was more frank, and played to win or lose. The first thing was to be sincere. Again, to be sincere. Again and always, to be sincere. Sincerity was also one of the virtues extolled by the ideas of that time. But herein it is proved once again that everything is sound for the sound in heart, while everything is corrupt for the corrupt. How hideous it is sometimes to be sincere! It is a sin for mediocre people to try to look into the depths of themselves. They see their mediocrity: and their vanity always finds something to feed on.

Jacqueline spent her time in looking at herself in her mirror: she saw things in it which it were better she had never seen: for when she saw them she could not take her eyes off them: and instead of struggling against them she watched them grow: they became enormous and in the end captured her eyes and her mind.

The child was not enough to fill her life. She had not been able to nurse it: the baby pined with her. She had to procure a wet nurse. It was a great grief to her at first.... Soon it became a solace. The child became splendidly healthy: he grew l.u.s.tily, and became a fine little fellow, gave no trouble, spent his time in sleeping, and hardly cried at all at night. The nurse--a strapping Nivernaise who had fostered many children, and always had a jealous and embarra.s.sing animal affection for each of them in turn--was like the real mother. Whenever Jacqueline expressed an opinion, the woman went her own way: and if Jacqueline tried to argue, in the end she always found that she knew nothing at all about it. She had never really recovered from the birth of the child: a slight attack of phlebitis had dragged her down, and as she had to lie still for several weeks she worried and worried: she was feverish, and her mind went on and on indefinitely beating out the same monotonous deluded complaint:

"I have not lived, I have not lived: and now my life is finished...."

For her imagination was fired: she thought herself crippled for life: and there rose in her a dumb, harsh, and bitter rancor, which she did not confess to herself, against the innocent cause of her illness, the child. The feeling is not so rare as is generally believed: but a veil is drawn over it: and even those who feel it are ashamed to submit to it in their inmost hearts. Jacqueline condemned herself: there was a sharp conflict between her egoism and her mother's love. When she saw the child sleeping so happily, she was filled with tenderness: but a moment later she would think bitterly:

"He has killed me."

And she could not suppress a feeling of irritation and revolt against the untroubled sleep of the creature whose happiness she had bought at the price of her suffering. Even after she had recovered, when the child was bigger, the feeling of hostility persisted dimly and obscurely. As she was ashamed of it, she transferred it to Olivier. She went on fancying herself ill: and her perpetual care of her health, her anxieties, which were bolstered up by the doctors, who encouraged the idleness which was the prime cause of it all,--(separation from the child, forced inactivity, absolute isolation, weeks of emptiness spent in lying in bed and being stuffed with food, like a beast being fatted for slaughter),--had ended by concentrating all her thoughts upon, herself. The modern way of curing neurasthenia is very strange, being neither more nor less than the subst.i.tution of hypertrophy of the ego for a disease of the ego! Why not bleed their egoism, or restore the circulation of the blood from head to heart, if they do not have too much, by some violent, moral reagent!

Jacqueline came out of it physically stronger, plumper, and rejuvenated,--but morally she was more ill than ever. Her months of isolation had broken the last ties of thought which bound her to Olivier. While she lived with him she was still under the ascendancy of his idealism, for, in spite of all his failings, he remained constant to his faith: she struggled in vain against the bondage in which she was held by a mind more steadfast than her own, against the look which pierced to her very soul, and forced her sometimes to condemn herself, however loath she might be to do so. But as soon as chance had separated her from her husband--as soon as she ceased to feel the weight of his all-seeing love--as soon as she was free--the trusting friends.h.i.+p that used to exist between them was supplanted by a feeling of anger at having broken free, a sort of hatred born of the idea that she had for so long lived beneath the yoke of an affection which she no longer felt.--Who can tell the hidden, implacable, bitter feelings that seethe and ferment in the heart of a creature he loves, by whom he believes that he is loved? Between one day and the next, all is changed. She loved the day before, she seemed to love, she thought she loved. She loves no longer. The man she loved is struck out from her thoughts. She sees suddenly that he is nothing to her: and he does not understand: he has seen nothing of the long travail through which she has pa.s.sed: he has had no suspicion of the secret hostility towards himself that has been gathering in her: he does not wish to know the reasons for her vengeful hatred. Reasons often remote, complex, and obscure,--some hidden deep in the mysteries of their inmost life,--others arising from injured vanity, secrets of the heart surprised and judged,--others....

What does she know of them herself? It is some hidden offense committed against her unwittingly, an offense which she will never forgive. It is impossible to find out, and she herself is not very sure what it is: but the offense is marked deep in her flesh: her flesh will never forget it.

To fight against such an appalling stream of disaffection called for a very different type of man from Olivier--one nearer nature, a simpler man and a more supple one not hampered with sentimental scruples, a man of strong instincts, capable, if need be, of actions which his reason would disavow. He lost the fight before ever it began, for he had lost heart: his perception was too clear, and he had long since recognized in Jacqueline a form of heredity which was stronger than her will, her mother's soul reappearing in her: he saw her falling like a stone down to the depths of the stock from which she sprang: and his weak and clumsy efforts to stay her only accelerated her downfall. He forced himself to be calm. She, from an unconsciously selfish motive, tried to break down his defenses and make him say violent, brutal, boorish things to her so as to have a reason for despising him. If he gave way to anger, she despised him. If at once he were ashamed and became apologetic, she despised him even more. And if he did not, would not, give way to anger--then she hated him. And worst of all was the silence which for days together would rise like a wall between them. A suffocating, crus.h.i.+ng, maddening silence which brings even the gentlest creatures to fury and exasperation, and makes them have moments when they feel a savage desire to hurt, to cry out, or make the other cry out. The black silence in which love reaches its final stage of disintegration, and the man and the woman, like the worlds, each following its own orbit, pa.s.s onward into the night.... They had reached a point at which everything they did, even an attempt to come together again, drove them farther and farther apart. Their life became intolerable. Events were precipitated by an accident.

During the past year Cecile Fleury had often been to the Jeannins'.

Olivier had met her at Christophe's: then Jacqueline had invited her to the house; and Cecile went on seeing them even after Christophe had broken with them. Jacqueline had been kind to her: although she was hardly at all musical and thought Cecile a little common, she felt the charm of her singing and her soothing influence. Olivier liked playing with her, and gradually she became a friend of the family. She inspired confidence: when she came into the Jeannins' drawing-room with her honest eyes and her air of health and high spirits, and her rather loud laugh which it was good to hear, it was like a ray of sunlight piercing the mist. She brought a feeling of inexpressible relief and solace to Olivier and Jacqueline. When she was leaving they longed to say to her:

"No. Stay, stay a little while longer, for I am cold!"

During Jacqueline's absence Olivier saw Cecile more often: he could not help letting her see something of his troubles. He did it quite unthinkingly, with the heedlessness of a weak and tender creature who is stifling and has need of some one to confide in, with an absolute surrender. Cecile was touched by it: she soothed him with motherly words of comfort. She pitied both of them, and urged Olivier not to lose heart. But whether it was that she was more embarra.s.sed than he by his confidences, or that there was some other reason, she found excuses for going less often to the house. No doubt it seemed to her that she was not acting loyally towards Jacqueline, for she had no right to know her secrets. At least, that was how Olivier interpreted her estrangement: and he agreed with her, for he was sorry that he had spoken. But the estrangement made him feel what Cecile had become to him. He had grown used to sharing his ideas with her, and she was the only creature who could deliver him from the pain he was suffering. He was too much skilled in reading his own feelings to have any doubt as to the name of what he felt for her. He would never have said anything to Cecile. But he could not resist the imperative desire to write down what he felt.

For some little time past he had returned to the dangerous habit of communing with his thoughts on paper. He had cured himself of it during the years of love: but now that he found himself alone once more, his inherited mania took possession of him: it was a relief from his sufferings, and it was the artist's need of self-a.n.a.lysis. So he described himself, and set his troubles down in writing, as though he were telling them to Cecile--more freely indeed; since she was never to read it. And as luck would have it the ma.n.u.script came into Jacqueline's hands. It happened one day when she was feeling nearer Olivier than she had been for years. As she was clearing out her cupboard she read once more the old love-letters he had sent her: she had been moved to tears by them. Sitting in the shadow of the cupboard, unable to go on with her tidying, she lived through the past once more: and then was filled with sorrow and remorse to think that she had destroyed it. She thought of the grief it must be to Olivier; she had never been able to face the idea of it calmly: she could forget it: but she could not bear to think that he had suffered through her. Her heart ached. She longed to throw herself into his arms and say:

"Oh! Olivier, Olivier, what have we done? We are mad, we are mad! Don't let us ever again hurt each other!"

If only he had come in at that moment!

And it was exactly at that moment that she found his letters to Cecile.... It was the end.--Did she think that Olivier had really deceived her? Perhaps. But what does it signify? To her the betrayal was not so much in the act as in the thought and intention. She would have found it easier to forgive the man she loved for taking a mistress than for secretly giving his heart to another woman. And she was right.

"A pretty state of things!" some will say....--(They are poor creatures who only suffer from the betrayal of love when it is consummated!...

When the heart remains faithful, the sordid offenses of the body are of small account. When the heart turns traitor, all the rest is nothing.)...

Jacqueline did not for a moment think of regaining Olivier's love. It was too late! She no longer cared for him enough. Or perhaps she cared for him too much. All her trust in him crumbled away, all that was left in her secret heart of her faith and hope in him. She did not tell herself that she had scorned him, and had discouraged him, and driven him to his new love, or that his love was innocent: and that after all we are not masters of ourselves sufficiently to choose whether we will love or not. It never occurred to her to compare his sentimental impulse with her flirtation with Christophe: she did not love Christophe, and so he did not count! In her pa.s.sionate exaggeration she thought that Olivier was lying to her, and that she was nothing to him. Her last stay had failed her at the moment when she reached out her hand to grasp it.... It was the end.

Olivier never knew what she had suffered that day. But when he next saw her he too felt that it was the end.

From that moment on they never spoke to each other except in the presence of strangers. They watched each other like trapped beasts fearfully on their guard. Jeremias Gotthelf somewhere describes, with pitiless simplicity, the grim situation of a husband and a wife who no longer love each other and watch each other, each carefully marking the other's health, looking for symptoms of illness, neither actually thinking of hastening or even wis.h.i.+ng the death of the other, but drifting along in the hope of some sudden accident: and each of them living in the flattering thought of being the healthier of the two.