Jean-Christophe Journey's End Part 33

"I think it is only then that you are yourself."

They said no more. Her cheeks were wet with a slight perspiration. Her bosom heaved, but she spoke no word. She stared at the lighted candles, and mechanically scratched away the wax that had trickled down the side of the candlestick. He drummed on the keys as he sat looking at her.

They exchanged a few awkward remarks, brusquely and roughly, and then they tried a commonplace remark or two, and finally relapsed into silence, being fearful of probing any farther....

Next day they hardly spoke: they stole glances at each other in a sort of dread. But they made it a habit to play and sing together in the evening. Before long they began in the afternoon, giving a little more time to it each day. Always the same incomprehensible pa.s.sion would take possession of her with the very first bars, and set her flaming from head to foot, and, while the music lasted, make of the ordinary little woman an imperious Venus, the incarnation of all the furies of the soul.

Braun was surprised at Anna's sudden craze for singing, but did not take the trouble to discover any explanation for a mere feminine caprice: he was often present at their little concerts, marked time with his head, gave his advice, and was perfectly happy, although he would have preferred softer, sweeter music: such an expenditure of energy seemed to him exaggerated and unnecessary. Christophe breathed freely in the atmosphere of danger: but he was losing his head: he was weakened by the crisis through which he had pa.s.sed, and could not resist, and lost consciousness of what was happening to him without perceiving what was happening to Anna. One afternoon, in the middle of a song, with all the frantic ardor of it in full blast, she suddenly stopped, and left the room without making any explanation. Christophe waited for her: she did not return. Half an hour later, as he was going down the pa.s.sage past Anna's room, through the half-open door he saw her absorbed in grim prayer, with all expression frozen from her face.

However, a slight, very slight, feeling of confidence cropped up between them. He tried to make her talk about her past: only with great difficulty could he induce her to tell him a few commonplace details.

Thanks to Braun's easy, indiscreet good nature, he was able to gain a glimpse into her intimate life.

She was a native of the town. Her maiden name was Anna Maria Senfl. Her father, Martin Senfl, was a member of an old commercial house, very old and enormously rich, in whom pride of caste and religious strictness were ingrained. Being of an adventurous temper, like many of his fellow-countrymen, he had spent several years abroad in the East and in South America: he had even made bold exploring expeditions in Central Asia, whither he had gone to advance the commercial interests of his house, for love of science, and for his own pleasure. By dint of rolling through the world, he had not only gathered no moss, but had also rid himself of that which covered him, the moss of his old prejudices. When, therefore, he returned to his own country, being of a warm temper and an obstinate mind, he married, in face of the indignant protests of his family, the daughter of a farmer of the surrounding country, a lady of doubtful reputation who had originally been his mistress. Marriage had been the only available means of keeping the beautiful girl to himself, and he could not do without her. After having exercised its veto in vain, his family absolutely closed its doors to its erring member who had set aside its sacrosanct authority. The town--all those, that is, who mattered, who, as usual, were absolutely united in any matter that touched the moral dignity of the community--sided bodily against the rash couple. The explorer learned to his cost that it is no less dangerous to traverse the prejudice of the people in a country inhabited by the sectaries of Christ, than in a country inhabited by those of the Grand Lania. He had not been strong enough to live without public opinion. He had more than jeopardized his patrimony: he could find no employment: everything was closed to him. He wore himself out in futile wrath against the affronts of the implacable town. His health, undermined by excess and fever, could not bear up against it. He died of a flux of blood five months after his marriage. Four months later, his wife, a good creature, but weak and feather-brained, who had never lived through a day since her marriage without weeping, died in childbirth, casting the infant Anna upon the sh.o.r.es which she was leaving.

Martin's mother was alive. Even when they were dying she had not forgiven her son or the woman whom she had refused to acknowledge as her daughter-in-law. But when the woman died--and Divine vengeance was appeased--she took the child and looked after her. She was a woman of the narrowest piety: she was rich and mean, and kept a draper's shop in a gloomy street in the old town. She treated her son's daughter less as a grandchild than as an orphan taken in out of charity, and therefore occupying more or less the position of a servant by way of payment.

However, she gave her a careful education; but she never departed from her att.i.tude of suspicious strictness towards her; it seemed as though she considered the child guilty of her parents' sin, and therefore set herself to chasten and chastise the sin in her. She never allowed her any amus.e.m.e.nt: she punished everything that was natural in her gestures, words, thoughts, as a crime. She killed all joy in her young life. From a very early age Anna was accustomed to being bored in church and disguising the fact: she was hemmed in by the terrors of h.e.l.l: every Sunday the child's heavy-lidded eyes used to see them at the door of the old _Munster_, in the shape of the immodest and distorted statues with a fire burning between their legs, while round their loins crawled toads and snakes. She became accustomed to suppressing her instincts and lying to herself. As soon as she was old enough to help her grandmother, she was kept busy from morning to night in the dark gloomy shop. She a.s.similated the habits of those around her, the spirit of order, grim economy, futile privations, the bored indifference, the contemptuous, ungracious conception of life, which is the natural consequence of religious beliefs in those who are not naturally religious. She was so wholly given up to her piety as to seem rather absurd even to the old woman: she indulged in far too many fasts and macerations: at one period she even went so far as to wear corsets embellished with pins, which stuck into her flesh with every movement. She was seen to go pale, but no one knew what was the matter. At last, when she fainted, a doctor was called in. She refused to allow him to examine her--(she would have died rather than undress in the presence of a man)--but she confessed: and the doctor was so angry about it that she promised not to do it again.

To make quite sure her grandmother thereafter took to inspecting her clothes. In such self-torture Anna did not, as might have been supposed, find any mystic pleasure: she had little imagination, she would never have understood the poetry of saints like Francis of a.s.sisi or Teresa.

Her piety was sad and materialistic. When she tormented herself, it was not in any hope of advantage to be gained in the next world, but came only from a cruel boredom which rebounded against herself, so that she only found in it an almost angry pleasure in hurting herself. Singularly enough, her hard, cold spirit was, like her grandmother's, open to the influence of music, though she never knew how profound that influence was. She was impervious to all the other arts: probably she had never looked at a picture in her life: she seemed to have no sense of plastic beauty, for she was lacking in taste, owing to her proud and wilful indifference; the idea of a beautiful body only awoke in her the idea of nakedness, that is to say, like the peasant of whom Tolstoy speaks, a feeling of repugnance, which was all the stronger in Anna inasmuch as she was dimly aware, in her relations with other people whom she liked, of the vague sting of desire far more than of the calm impression of esthetic judgment. She had no more idea of her own beauty than of her suppressed instincts: or rather, she refused to have any idea of it: and with her habitual self-deception she succeeded in deluding herself.

Braun met her at a marriage feast at which she was present, quite unusually for her: for she was hardly ever invited because of the evil reputation which clung to her from her improper origin. She was twenty-two. He marked her out; not that she made any attempt to attract attention. She sat next him at dinner: she was very stiff and badly dressed, and she hardly ever opened her mouth. But Braun never stopped talking to her, in a monologue, all through the meal, and he went away in raptures. With his usual penetration, he had been struck by his neighbor's air of original simplicity: he had admired her common sense and her coolness: also he appreciated her healthiness and the solid domestic qualities which she seemed to him to possess. He called on her grandmother, called again, proposed, and was accepted. She was given no dowry: Madame Senfl had left all the wealth of her family to the town to encourage trade abroad.

At no point in her life had the young wife had any love for her husband; the idea of such a thing never seemed to her to play any part in the life of an honest woman, but rather to be properly set aside as guilty.

But she knew the worth of Braun's kindness: she was grateful to him, though she never showed it, for having married her in spite of her doubtful origin. Besides, she had a very strong feeling of honor between husband and wife. For the first seven years of their married life nothing had occurred to disturb their union. They lived side by side, as it were, did not understand each other, and never worried about it: in the eyes of the world they were a model couple. They went out very little. Braun had a fairly practice, but he had never succeeded in making his friends accept his wife. No one liked her: and the stigma of her birth was not yet quite obliterated. Anna, for her part, never put herself out in order to gain admission to society. She was resentful on account of the scorn which had cast a cloud on her childhood. Besides, she was never at her ease in society, and she was not sorry to be left out of it. She paid and received a few inevitable calls, such as her husband's interests made necessary. Her callers were inquisitive and scandalous women of the middle-cla.s.s. Anna had not the slightest interest in their gossip, and she never took the trouble to conceal her indifference. That is what such people never forgive. So her callers grew fewer and more far between, and Anna was left alone. That was what she wanted: nothing could then come and break in upon the dreams over which she brooded, and the obscure thrill and humming of life that was ever in her body. Meanwhile for some weeks Anna looked very unwell. Her face grew thin and pale. She avoided both Christophe and Braun. She spent her days in her room, lost in thought, and she never replied when she was spoken to. Usually Braun did not take much notice of her feminine caprices. He would explain them to Christophe at length. Like all men fated to be deceived by women he flattered himself that he knew them through and through. He did know something about them, as a matter of fact, but a little knowledge is quite useless. He knew that women often have fits of persistent moodiness and blindly sullen antagonism: and it was his opinion that it was necessary at such times to leave them alone, and to make no attempt to understand or, above all, to find out what they were doing in the dangerous unconscious world in which their minds were steeped. Nevertheless he did begin to grow anxious about Anna. He thought that her pining must be the result of her mode of life, always shut up, never going outside the town, hardly ever out of the house. He wanted her to go for walks: but he could hardly ever go with her: the whole day on Sunday was taken up with her pious duties, and on the other days of the week he had consultations all day long. As for Christophe, he avoided going out with her. Once or twice they had gone for a short walk together, as far as the gates of the town: they were bored to death. Their conversation came to a standstill. Nature seemed not to exist for Anna: she never saw anything: the country was to her only gra.s.s and stones: her insensibility was chilling. Christophe tried once to make her admire a beautiful view. She looked, smiled coldly, and said, with an effort towards being pleasant:

"Oh! yes, it is very mystic...."

She said it just as she might have said:

"The sun is very hot."

Christophe was so irritated that he dug his nails into the palms of his hands. After that he never asked her anything: and when she was going out he always made some excuse and stayed in his room.

In reality it was not true that Anna was insensible to Nature. She did not like what are conventionally called beautiful landscapes: she could see no difference between them and other landscapes. But she loved the country whatever it might be like--just earth and air. Only she had no more idea of it than of her other strong feelings: and those who lived with her had even less idea of it.

Braun so far insisted as to induce his wife to make a day's excursion into the outskirts of the town. She was so bored with him that she consented for the sake of peace. It was arranged that they should go on the Sunday. At the last moment, the doctor, who had been looking forward to it with childlike glee, was detained by an urgent case of illness.

Christophe went with Anna.

It was a fine winter day with no snow: a pure cold air, a clear sky, a flaming sun, and an icy wind. They went out on a little local railway which took them to one of the lines of blue hills which formed a distant halo round the town. Their compartment was full: they were separated.

They did not speak to each other. Anna was in a gloomy mood: the day before she had declared, to Braun's surprise, that she would not go to church on Sunday. For the first time in her life she missed a service.

Was it revolt?... Who could tell what struggles were taking place in her? She stared blankly at the seat in front of her, she was pale: she was eating her heart out.

They got out of the train. The coldness and antagonism between them did not disappear during the first part of their walk. They stepped out side by side: she walked with a firm stride and looked at nothing: her hands were free: she swung her arms: her heels rang out on the frozen earth.--Gradually her face quickened into life. The swiftness of their pace brought the color to her pale cheeks. Her lips parted to drink in the keen air. At the turn of a zigzag path she began to climb straight up the hillside like a goat; she scrambled along the edge of a quarry, where she was in great danger of failing, clinging to the shrubs.

Christophe followed her. She climbed faster and faster, slipping, stopping herself by clutching at the gra.s.s with her hands. Christophe shouted to her to stop. She made no reply, but went on climbing on all fours. They pa.s.sed through the mists which hung above the valley like a silvery gauze rent here and there by the bushes: and they stood in the warm sunlight of the uplands. When she reached the summit she stopped: her face was aglow: her mouth was open, and she was breathing heavily.

Ironically she looked down at Christophe scaling the slope, took off her cloak, flung it at him, then without giving him time to take his breath, she darted on. Christophe ran after her. They warmed to the game: the air intoxicated them. She plunged down a steep slope: the stones gave way under her feet: she did not falter, she slithered, jumped, sped down like an arrow. Every now and then she would dart a glance behind her to see how much she had gained on Christophe. He was close upon her. She plunged into a wood. The dead leaves crackled under their footsteps: the branches which she thrust aside whipped back into his face. She stumbled over the roots of a tree. He caught her. She struggled, lunging out with hands and feet, struck him hard, trying to knock him off: she screamed and laughed. Her bosom heaved against him: for a moment their cheeks touched: he tasted the sweat that lay on Anna's brow: he breathed the scent of her moist hair. She pushed away from him and looked at him, unmoved, with defiant eyes. He was amazed at her strength, which all went for nothing in her ordinary life.

They went to the nearest village, joyfully trampling the dry stubble crisping beneath their feet. In front of them whirled the crows who were ransacking the fields. The sun was burning, the wind was biting. He held Anna's arm. She had on a rather thin dress: through the stuff he could feel the moisture and the tingling warmth of her body. He wanted her to put on her cloak once more: she refused, and in bravado undid the hooks at her neck. They lunched at an inn, the sign of which bore the figure of a "wild man" (_Zum wilden Mann_). A little pine-tree grew in front of the door. The dining-room was decorated with German quatrains, and two chromolithographs, one of which was sentimental: _In the Spring (Im Fruhling)_, and the other patriotic: _The Battle of Saint Jacques_, and a crucifix with a skull at the foot of the cross.

Anna had a voracious appet.i.te, such as Christophe had never known her to have. They drank freely of the ordinary white wine. After their meal they set out once more across the fields, in a blithe spirit of companions.h.i.+p. In neither was there any equivocal thought. They were thinking only of the pleasure of their walk, the singing in their blood, and the whipping, nipping air. Anna's tongue was loosed. She was no longer on her guard: she said just whatever came into her mind.

She talked about her childhood, and how her grandmother used to take her to the house of an old friend who lived near the cathedral: and while the old ladies talked they sent her into the garden over which there hung the shadow of the _Munster_. She used to sit in a corner and never stir: she used to listen to the s.h.i.+vering of the leaves, and watch the busy swarming insects: and she used to be both pleased and afraid.--(She made no mention of her fear of devils: her imagination was obsessed by it: she had been told that they prowled round churches but never dared enter: and she used to believe that they appeared in the shape of animals: spiders, lizards, ants, all the hideous creatures that swarmed about her, under the leaves, over the earth, or in the crannies of the walls).--Then she told him about the house she used to live in, and her sunless room: she remembered it with pleasure: she used to spend many sleepless nights there, telling herself things....

"What things?"

"Silly things."

"Tell me."

She shook her head in refusal.

"Why not?"

She blushed, then laughed, and added:

"In the daytime too, while I was at work."

She thought for a moment, laughed once more, and then said:

"They were silly things, bad things."

He said, jokingly: "Weren't you afraid?"

"Of what?"

"Of being d.a.m.ned?"

The expression in her eyes froze.

"You mustn't talk of that," she said.

He turned the conversation. He marveled at the strength she had shown a short while before in their scuffle. She resumed her confiding expression and told him of her girlish achievements--(she said "boyish,"

for, when she was a child she had always longed to join in the games and rights of the boys).--On one occasion when she was with a little boy who was a head taller than herself she had suddenly struck him with her fist, hoping that he would strike her back. But he ran away yelling that she was beating him. Once, again, in the country she had climbed on to the back of a black cow as she was grazing: the terrified beast flung her against a tree, and she had narrowly escaped being killed. Once she took it into her head to jump out of a first-floor window because she had dared herself to do it: she was lucky enough to get off with a sprain. She used to invent strange, dangerous gymnastics when she was left alone in the house: she used to subject her body to all sorts of queer experiments.

"Who would think it of you now, to see you looking so solemn?..."

"Oh!" she said, "if you were to see me sometimes when I am alone in my room!"

"What! Even now?"

She laughed. She asked him--jumping from one subject to another--if he were a shot.

He told her that he never shot. She said that she had once shot at a blackbird with a gun and had wounded it. He waxed indignant.

"Oh!" she said. "What does it matter?"

"Have you no heart?"

"I don't know."

"Don't you ever think the beasts are living creatures like ourselves?"

"Yes," she said. "Certainly. I wanted to ask you: do you think the beasts have souls?"