Fight Club Part 15

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Either that, or you could hack the key code through a dealers.h.i.+p.

Three s.p.a.ce monkeys are sitting in the back seat wearing their black s.h.i.+rts and black pants. See no evil. Hear no evil. Speak no evil.

I ask, so where's Tyler?

The fight club mechanic guy is holding the Cadillac open chauffeur style for me. The mechanic is tall and all bones with shoulders that remind you of a telephone pole crossbar.

I ask, are we going to see Tyler?



Waiting for me in the middle of the front seat is a birthday cake with candles ready to be lit. I get in. We start driving.

Even a week after fight club, you've got no problem driving inside the speed limit. Maybe you've been pa.s.sing black s.h.i.+t, internal injuries, for two days, but you are so cool. Other cars drive around you. Cars tailgate. You get the finger from other drivers. Total strangers hate you. It's absolutely nothing personal. After fight club, you're so relaxed, you just cannot care. You don't even turn the radio on. Maybe your ribs stab along a hairline fracture every time you take a breath. Cars behind you blink their lights. The sun is going down, orange and gold.

The mechanic is there, driving. The birthday cake is on the seat between us.

It's one scary f.u.c.k to see guys like our mechanic at fight club. Skinny guys, they never go limp. They fight until they're burger. White guys like skeletons dipped in yellow wax with tattoos, black men like dried meat, these guys usually hang together, the way you can picture them at Narcotics Anonymous. They never say, stop. It's like they're all energy, shaking so fast they blur around the edges, these guys in recovery from something. As if the only choice they have left is how they're going to die and they want to die in a fight.

They have to fight each other, these guys.

n.o.body else will tag them for a fight, and they can't tag anybody except another twitching skinny, all bones and rush, since n.o.body else will register to fight them.

Guys watching don't even yell when guys like our mechanic go at each other.

All you hear is the fighters breathing through their teeth, hands slapping for a hold, the whistle and impact when fists hammer and hammer on thin hollow ribs, point-blank in a clinch. You see tendons and muscle and veins under the skin of these guys jump. Their skin s.h.i.+nes, sweating, corded, and wet under the one light.

Ten, fifteen minutes disappear. Their smell, they sweat and these guys' smell, it reminds you of fried chicken.

Twenty minutes of fight club will go by. Finally, one guy will go down.

After a fight, two drug recovery guys will hang together for the rest of the night, wasted and smiling from fighting so hard.

Since fight club, this mechanic guy is always hanging around the house on Paper Street. Wants me to hear the song he wrote. Wants me to see the birdhouse he built. The guy showed me a picture of some girl and asked me if she was pretty enough to marry.

Sitting in the front seat of the Corniche, the guy says, "Did you see this cake I made for you? I made this."

It's not my birthday.

"Some oil was getting by the rings," the mechanic guy says, "but I changed the oil and the air filter. I checked the valve lash and the timing. It's supposed to rain, tonight, so I changed the blades."

I ask, what's Tyler been planning?

The mechanic opens the ashtray and pushes the cigarette lighter in. He says, "Is this a test? Are you testing us?"

Where's Tyler?

"The first rule about fight club is you don't talk about fight club," the mechanic says. "And the last rule about Project Mayhem is you don't ask questions."

So what can he tell me?

He says, "What you have to understand, is your father was your model for G.o.d."

Behind us, my job and my office are smaller, smaller, smaller, gone.

I sniff the gasoline on my hands.

The mechanic says, "If you're male and you're Christian and living in America, your father is your model for G.o.d. And if you never know your father, if your father bails out or dies or is never at home, what do you believe about G.o.d?"

This is all Tyler Durden dogma. Scrawled on bits of paper while I was asleep and given to me to type and photocopy at work. I've read it all. Even my boss has probably read it all.

"What you end up doing," the mechanic says, "is you spend your life searching for a father and G.o.d."

"What you have to consider," he says, "is the possibility that G.o.d doesn't like you. Could be, G.o.d hates us. This is not the worst thing that can happen."

How Tyler saw it was that getting G.o.d's attention for being bad was better than getting no attention at all. Maybe because G.o.d's hate is better than His indifference.

If you could be either G.o.d's worst enemy or nothing, which would you choose?

We are G.o.d's middle children, according to Tyler Durden, with no special place in history and no special attention.

Unless we get G.o.d's attention, we have no hope of d.a.m.nation or redemption.

Which is worse, h.e.l.l or nothing?

Only if we're caught and punished can we be saved.

"Burn the Louvre," the mechanic says, "and wipe your a.s.s with the Mona Lisa Mona Lisa. This way at least, G.o.d would know our names."

The lower you fall, the higher you'll fly. The farther you run, the more G.o.d wants you back.

"If the prodigal son had never left home," the mechanic says, "the fatted calf would still be alive."

It's not enough to be numbered with the grains of sand on the beach and the stars in the sky.

The mechanic merges the black Corniche onto the old bypa.s.s highway with no pa.s.sing lane, and already a line of trucks strings together behind us, going the legal speed limit. The Corniche fills up with the headlights behind us, and there we are, talking, reflected in the inside of the winds.h.i.+eld. Driving inside the speed limit. As fast as the law allows.

A law is a law, Tyler would say. Driving too fast was the same as setting a fire was the same as planting a bomb was the same as shooting a man.

A criminal is a criminal is a criminal.

"Last week, we could've filled another four fight clubs," the mechanic says. "Maybe Big Bob can take over running the next chapter if we find a bar."

So next week, he'll go through the rules with Big Bob and give him a fight club of his own.

From now on, when a leader starts fight club, when everyone is standing around the light in the center of the bas.e.m.e.nt, waiting, the leader should walk around and around the outside edge of the crowd, in the dark.

I ask, who made up the new rules? Is it Tyler?

The mechanic smiles and says, "You know who makes up the rules."

The new rule is that n.o.body should be the center of fight club, he says. n.o.body's the center of fight club except the two men fighting. The leader's voice will yell, walking slowly around the crowd, out in the darkness. The men in the crowd will stare at other men across the empty center of the room.

This is how it will be in all the fight clubs.

Finding a bar or a garage to host a new fight club isn't tough; the first bar, the one where the original fight club still meets, they make their month's rent in just one fight club Sat.u.r.day night.

According to the mechanic, another new fight club rule is that fight club will always be free. It will never cost to get in. The mechanic yells out the driver's window into the oncoming traffic and the night wind pouring down the side of the car: "We want you, not your money."

The mechanic yells out the window, "As long as you're at fight club, you're not how much money you've got in the bank. You're not your job. You're not your family, and you're not who you tell yourself."

The mechanic yells into the wind, "You're not your name."

A s.p.a.ce monkey in the back seat picks it up: "You're not your problems."

The mechanic yells, "You're not your problems."

A s.p.a.ce monkey shouts, "You're not your age."

The mechanic yells, "You're not your age."

Here, the mechanic swerves us into the oncoming lane, filling the car with headlights through the winds.h.i.+eld, cool as ducking jabs. One car and then another comes at us head-on screaming its horn and the mechanic swerves just enough to miss each one.

Headlights come at us, bigger and bigger, horns screaming, and the mechanic cranes forward into the glare and noise and screams, "You are not your hopes."

No one takes up the yell.

This time, the car coming head-on swerves in time to save us.

Another car comes on, headlights blinking high, low, high, low, horn blaring, and the mechanic screams, "You will not be saved."

The mechanic doesn't swerve, but the head-on car swerves.

Another car, and the mechanic screams, "We are all going to die, someday."

This time, the oncoming car swerves, but the mechanic swerves back into its path. The car swerves, and the mechanic matches it, head-on, again.

You melt and swell at that moment. For that moment, nothing matters. Look up at the stars and you're gone. Not your luggage. Nothing matters. Not your bad breath. The windows are dark outside and the horns are blaring around you. The headlights are flas.h.i.+ng high and low and high in your face, and you will never have to go to work again.

You will never have to get another haircut.

"Quick," the mechanic says.

The car swerves again, and the mechanic swerves back into its path.

"What," he says, "what will you wish you'd done before you died?"

With the oncoming car screaming its horn and the mechanic so cool he even looks away to look at me beside him in the front seat, and he says, "Ten seconds to impact.

"Nine.

"In eight.

"Seven.

"In six."

My job, I say. I wish I'd quit my job.

The scream goes by as the car swerves and the mechanic doesn't swerve to hit it.

More lights are coming at us just ahead, and the mechanic turns to the three monkeys in the back seat. "Hey, s.p.a.ce monkeys," he says, "you see how the game's played. Fess up now or we're all dead."

A car pa.s.ses us on the right with a b.u.mper sticker saying, "I Drive Better When I'm Drunk." The newspaper says thousands of these b.u.mper stickers just appeared on cars one morning. Other b.u.mper stickers said things like "Make Mine Veal."

"Drunk Drivers Against Mothers."

"Recycle All the Animals."

Reading the newspaper, I knew the Misinformation Committee had pulled this. Or the Mischief Committee.

Sitting beside me, our clean and sober fight club mechanic tells me, yeah, the Drunk b.u.mper stickers are part of Project Mayhem.

The three s.p.a.ce monkeys are quiet in the back seat.

The Mischief Committee is printing airline pocket cards that show pa.s.sengers fighting each other for oxygen masks while their jetliner flames down toward the rocks at a thousand miles an hour.

Mischief and Misinformation Committees are racing each other to develop a computer virus that will make automated bank tellers sick enough to vomit storms of ten- and twenty-dollar bills.

The cigarette lighter in the dash pops out hot, and the mechanic tells me to light the candles on the birthday cake.

I light the candles, and the cake s.h.i.+mmers under a little halo of fire.

"What will you wish you'd done before you died?" the mechanic says and swerves us into the path of a truck coming head-on. The truck hits the air horn, bellowing one long blast after another as the truck's headlights, like a sunrise, come brighter and brighter to sparkle off the mechanic's smile.

"Make your wish, quick," he says to the rearview mirror where the three s.p.a.ce monkeys are sitting in the back seat. "We've got five seconds to oblivion.

"One," he says.

"Two."

The truck is everything in front of us, blinding bright and roaring.

"Three."

"Ride a horse," comes from the back seat.

"Build a house," comes another voice.

"Get a tattoo."

Fight Club Part 15

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Fight Club Part 15 summary

You're reading Fight Club Part 15. This novel has been translated by Updating. Author: Chuck Palahniuk already has 667 views.

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