Fight Club Part 7

Another thing I could do, Tyler tells me, is I could drive to my boss's house some night and hook a hose up to an outdoor spigot. Hook the hose to a hand pump, and I could inject the house plumbing with a charge of industrial dye. Red or blue or green, and wait to see how my boss looks the next day. Or, I could just sit in the bushes and pump the hand pump until the plumbing was superpressurized to 110 psi. This way, when someone goes to flush a toilet, the toilet tank will explode. At 150 psi, if someone turns on the shower, the water pressure will blow off the shower head, strip the threads, blam, blam, the shower head turns into a mortar sh.e.l.l. the shower head turns into a mortar sh.e.l.l.

Tyler only says this to make me feel better. The truth is I like my boss. Besides, I'm enlightened now. You know, only Buddha-style behavior. Spider chrysanthemums. The Diamond Sutra and the Blue Cliff Record. Hari Rama, you know, Krishna, Krishna. You know, Enlightened.

"Sticking feathers up your b.u.t.t," Tyler says, "does not make you a chicken."

As the fat renders, the tallow will float to the surface of the boiling water.

Oh, I say, so I'm sticking feathers up my b.u.t.t.

As if Tyler here with cigarette burns marching up his arms is such an evolved soul. Mister and Missus Human b.u.t.t Wipe. I calm my face down and turn into one of those Hindu cow people going to slaughter on the airline emergency procedure card.

Turn down the heat under the pan.

I stir the boiling water.

More and more tallow will rise until the water is skinned over with a rainbow mother-of-pearl layer. Use a big spoon to skim the layer off, and set this layer aside.

So, I say, how is Marla?

Tyler says, "At least Marla's trying to hit bottom."

I stir the boiling water.

Keep skimming until no more tallow rises. This is tallow we're skimming off the water. Good clean tallow.

Tyler says I'm nowhere near hitting the bottom, yet. And if I don't fall all the way, I can't be saved. Jesus did it with his crucifixion thing. I shouldn't just abandon money and property and knowledge. This isn't just a weekend retreat. I should run from self-improvement, and I should be running toward disaster. I can't just play it safe anymore.

This isn't a seminar.

"If you lose your nerve before you hit the bottom," Tyler says, "you'll never really succeed."

Only after disaster can we be resurrected.

"It's only after you've lost everything," Tyler says, "that you're free to do anything."

What I'm feeling is premature enlightenment.

"And keep stirring," Tyler says.

When the fat's boiled enough that no more tallow rises, throw out the boiling water. Wash the pot and fill it with clean water.

I ask, am I anywhere near hitting bottom?

"Where you're at, now," Tyler says, "you can't even imagine what the bottom will be like."

Repeat the process with the skimmed tallow. Boil the tallow in the water. Skim and keep skimming. "The fat we're using has a lot of salt in it," Tyler says. "Too much salt and your soap won't get solid." Boil and skim.

Boil and skim.

Marla is back.

The second Marla opens the screen door, Tyler is gone, vanished, run out of the room, disappeared.

Tyler's gone upstairs, or Tyler's gone down to the bas.e.m.e.nt.

Poof.

Marla comes in the back door with a canister of lye flakes.

"At the store, they have one-hundred-percent-recycled toilet paper," Marla says. "The worst job in the whole world must be recycling toilet paper."

I take the canister of lye and put it on the table. I don't say anything.

"Can I stay over, tonight?" Marla says.

I don't answer. I count in my head: five syllables, seven, five.

A tiger can smileA snake will say it loves youLies make us evil

Marla says, "What are you cooking?"

I am Joe's Boiling Point.

I say, go, just go, just get out. Okay? Don't you have a big enough chunk of my life, yet?

Marla grabs my sleeve and holds me in one place for the second it takes to kiss my cheek. "Please call me," she says. "Please. We need to talk."

I say, yeah, yeah, yeah, yeah, yeah.

The moment Marla is out the door, Tyler appears back in the room.

Fast as a magic trick. My parents did this magic act for five years.

I boil and skim while Tyler makes room in the fridge. Steam layers the air and water drips from the kitchen ceiling. The forty-watt bulb hidden in the back of the fridge, something bright I can't see behind the empty ketchup bottles and jars of pickle brine or mayonnaise, some tiny light from inside the fridge edges Tyler's profile bright.

Boil and skim. Boil and skim. Put the skimmed tallow into milk cartons with the tops opened all the way.

With a chair pulled up to the open fridge, Tyler watches the tallow cool. In the heat of the kitchen, clouds of cold fog waterfall out from the bottom of the fridge and pool around Tyler's feet.

As I fill the milk cartons with tallow, Tyler puts them in the fridge.

I go to kneel beside Tyler in front of the fridge, and Tyler takes my hands and shows them to me. The life line. The love line. The mounds of Venus and Mars. The cold fog pooling around us, the dim bright light on our faces.

"I need you to do me another favor," Tyler says.

This is about Marla isn't it?

"Don't ever talk to her about me. Don't talk about me behind my back. Do you promise?" Tyler says.

I promise.

Tyler says, "If you ever mention me to her, you'll never see me again."

I promise.

"Promise?"

I promise.

Tyler says, "Now remember, that was three times that you promised."

A layer of something thick and clear is collecting on top of the tallow in the fridge.

The tallow, I say, it's separating.

"Don't worry," Tyler says. "The clear layer is glycerin. You can mix the glycerin back in when you make soap. Or, you can skim the glycerin off."

Tyler licks his lips, and turns my hands palm-down on his thigh, on the gummy flannel lap of his bathrobe.

"You can mix the glycerin with nitric acid to make nitroglycerin," Tyler says.

I breathe with my mouth open and say, nitroglycerin.

Tyler licks his lips wet and s.h.i.+ning and kisses the back of my hand.

"You can mix the nitroglycerin with sodium nitrate and sawdust to make dynamite," Tyler says.

The kiss s.h.i.+nes wet on the back of my white hand.

Dynamite, I say, and sit back on my heels.

Tyler pries the lid off the can of lye. "You can blow up bridges," Tyler says.

"You can mix the nitroglycerin with more nitric acid and paraffin and make gelatin explosives," Tyler says.

"You could blow up a building, easy," Tyler says.

Tyler tilts the can of lye an inch above the s.h.i.+ning wet kiss on the back of my hand.

"This is a chemical burn," Tyler says, "and it will hurt worse than you've ever been burned. Worse than a hundred cigarettes."

The kiss s.h.i.+nes on the back of my hand.

"You'll have a scar," Tyler says.

"With enough soap," Tyler says, "you could blow up the whole world. Now remember your promise."

And Tyler pours the lye.

9.

TYLER'S SALIVA DID two jobs. The wet kiss on the back of my hand held the flakes of lye while they burned. That was the first job. The second was lye only burns when you combine it with water. Or saliva. two jobs. The wet kiss on the back of my hand held the flakes of lye while they burned. That was the first job. The second was lye only burns when you combine it with water. Or saliva.

"This is a chemical burn," Tyler said, "and it will hurt more than you've ever been burned."

You can use lye to open clogged drains.

Close your eyes.

A paste of lye and water can burn through an aluminum pan.

A solution of lye and water will dissolve a wooden spoon.

Combined with water, lye heats to over two hundred degrees, and as it heats it burns into the back of my hand, and Tyler places his fingers of one hand over my fingers, our hands spread on the lap of my bloodstained pants, and Tyler says to pay attention because this is the greatest moment of my life.

"Because everything up to now is a story," Tyler says, "and everything after now is a story."

This is the greatest moment of our life.

The lye clinging in the exact shape of Tyler's kiss is a bonfire or a branding iron or an atomic pile meltdown on my hand at the end of a long, long road I picture miles away from me. Tyler tells me to come back and be with him. My hand is leaving, tiny and on the horizon at the end of the road.

Picture the fire still burning, except now it's beyond the horizon. A sunset.

"Come back to the pain," Tyler says.

This is the kind of guided meditation they use at support groups.

Don't even think of the word pain. pain.

Guided meditation works for cancer, it can work for this.

"Look at your hand," Tyler says.

Don't look at your hand.

Don't think of the word searing searing or or flesh flesh or or tissue tissue or or charred. charred.

Don't hear yourself cry.