Monkey Sonatas Part 18

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"Then what do you care for?" asked the man quietly.

"Death," said Cer.

"Then I bring you that, too," said the man, and a knife was in his hand, and he plunged the knife into Cer's breast where his heart should have been. But when the man pulled the knife out no blood followed, and Cer only smiled.

"Indeed you brought it to me," said Cer, and he stabbed the man where his father had been stabbed, and drew the knife up as it had been drawn through his father's body, except that he touched the man's heart, and he died.

As Cer watched the blood soaking into the sand, he heard in his ears his mother's screams, which he had silenced for these years. He heard her screams and now, remembering his father and his mother and himself as a child he began to cry, and he held the body of the man he had killed and rocked back and forth on the sand as the blood clotted on his clothing and his skin. His tears mixed with the blood and poured into the sand and Cer realized that this was the first time since his father's death that he had shed any tears at all.

I am not dry, thought Cer. There is water under me still for the desert to drink.

He looked at his dry hands, covered with the man's blood, and tried to scrub off the clotted blood with sand. But the blood stayed, and the sand could not clean him.

He wept again. And then he stood and faced the desert to the west, and he said, "Come."

A breeze began.

"Come," he said to the desert, "come and dry my eyes."

And the wind came up, and the sand came, and Cer Cemreet was buried in the sand, and his eyes became dry, and the last life pa.s.sed from his body, and the last sandmage pa.s.sed from the world.

Then came the winter rains, and the refugees of Nefyryd returned to their land. The soldiers were called home, for the wars were over, and now their weapons were the shovel and the plow. They redug the trench of the Nefyr and the Greebeck, and the river soon flowed deep again to the sea. They scattered gra.s.s seed and cleaned their houses of sand. They carried water into the ruined fields with ditches and aqueducts.

Slowly life returned to Nefyryd.

And the desert, having lost its mage, retreated quietly to its old borders, never again to seek death where there was life. Plenty of death already where nothing lived, plenty of dryness to drink where there was no water.

In a wood a little way from the crest of the Mitherkame, a treemage heard the news from a wandering tinker.

The treemage went out into the forest and spoke softly to the Elm, to the Oak, to the Redwood, to the Sweet Aspen. And when all had heard the news, the forest wept for Cer Cemreet, and each tree gave a twig to be burned in his memory, and shed sap to sink into the ground in his name.

THE B BEST D DAY.

ONCE THERE WAS a woman who had five children that she loved with all her heart, and a husband who was kind and strong. Every day her husband would go out and work in the fields, and then he'd come home and cut wood or repair harness or fix the leaky places in the roof. Every day the children would work and play so hard they wore paths in the weeds from running, and they knew every hiding place in two miles square. And that woman began to be afraid that they were too happy, that it would all come to an end. And so she prayed, Please send us eternal happiness, let this joy last forever. Well, the next day along came a mean-faced old peddler, and he spread his wares and they were very plain-rough wool clothing, st.u.r.dy pots and pans, all as ugly and practical as old shoes. The woman bought a dress from him because it was cheap and it would last forever, and he was about to go, when suddenly she saw maybe a fire in his eyes, suddenly flas.h.i.+ng bright as a star, and she remembered her prayer the night before, and she said, "Sir, you don't have anything to do with-happiness, do you?" a woman who had five children that she loved with all her heart, and a husband who was kind and strong. Every day her husband would go out and work in the fields, and then he'd come home and cut wood or repair harness or fix the leaky places in the roof. Every day the children would work and play so hard they wore paths in the weeds from running, and they knew every hiding place in two miles square. And that woman began to be afraid that they were too happy, that it would all come to an end. And so she prayed, Please send us eternal happiness, let this joy last forever. Well, the next day along came a mean-faced old peddler, and he spread his wares and they were very plain-rough wool clothing, st.u.r.dy pots and pans, all as ugly and practical as old shoes. The woman bought a dress from him because it was cheap and it would last forever, and he was about to go, when suddenly she saw maybe a fire in his eyes, suddenly flas.h.i.+ng bright as a star, and she remembered her prayer the night before, and she said, "Sir, you don't have anything to do with-happiness, do you?"

And the peddler turned and glowered and said, "I can give it to you, if you want it. But let me tell you what it is. It's your kids growing up and talking sa.s.sy, and then moving on out and marrying other children who don't like you all that much, at least at first. It's your husband's strength giving out, and watching the farm go to seed before your eyes, and maybe having to sell it and move into your daughter-in-law's house because you can't support yourselves no more. It's feeling your own legs go stiff, and your fingers not able to tat or knit or even grip the b.u.t.ter churn. And finally it's dying, lying there feeling your body drop off you, wis.h.i.+ng you could just go back and be young with your children small, just for a day. And then-"

"Enough!" cried the woman.

"But there's more," said the peddler.

"I've heard all I mean to hear," and she hurried him out of the house.

The next day, along comes a man in a bright-painted wagon, with a horse named Carpy Deem that he shouted at all the time. A medicine man from the East, with potions for this and pills for that, and silks and scarves to sell, too, so bright they hurt your eyes just to look at them. Everybody was healthy, so the woman didn't buy any medicine. All she bought was a silk, even though the price was too high, because it looked so blue in her golden hair. And she said to him, "Sir, do you have anything to do with happiness?"

"Do you have to ask? ask?" he said. "Right here, in this jar, is the elixir of happiness-one swallow, and the best day of your life is with you forever."

"How much does it cost?" she asked, trembling.

"I only sell it to them as have such a day worth keeping, and then I sell it cheap. One lock of your golden hair, that's all. I give it to your Master, so he'll know you when the time comes."

She plucked the hair from her head, and gave it to the peddler, and he poured from the bottle into a little tin cup. When he was gone, she lifted it up, and thought of the happiest day of her life, which was only two days before, the day she prayed. And she drank that swallow.

Well, her husband came home as it was getting dark, and the children came to him all worried. "Something's wrong with Mother," they said. "She ain't making no sense." The man walked into the house, and tried to talk to his wife, but she gave no answer. Then, suddenly, she said something, speaking to empty air. She was cutting carrots, but there were no carrots; she was cooking a stew, but there was no fire laid. Finally her husband realized that word for word, she was saying what she said only two days ago, when they last had stew, and if he said to her the words he had said then, why, the conversation at least made some sense.

And every day it was the same. They either said that same day's words over and over again, or they ignored their mother, and let her go on as she did and paid her no mind. The kids got sick of it after a time, and got married and went away, and she never knew it. Her husband stayed with her, and more and more he got caught up in her dream, so that every day he got up and said the same words till they meant nothing and he couldn't remember what he was living for, and so he died. The neighbors found him two days later, and buried him, and the woman never knew.

Her daughters and daughters-in-law tried to care for her, but if they took her to their homes, she'd just walk around as if she were still in her own little cottage, b.u.mping into walls, cutting those infernal carrots, saying those words till they were all out of their minds. Finally they took her back to her own home and paid a woman to cook and clean for her, and she went on that way, all alone in that cabin, happy as a duck in a puddle until at last the floor of her cabin caved in and she fell in and broke her hip. They figure she never even felt the pain, and when she died she was still laughing and smiling and saying idiotic things, and never even saw one of her grandchildren, never even wept at her husband's grave, and some folks said she was probably happier, but not a one said they were eager to change places with her. And it happened that a mean-looking old peddler came by and watched as they let her into her grave, and up rode a medicine man yelling at his horse, and he pulled up next to the peddler.

"So she bought from you," the peddler said.

And the medicine man said, "If you'd just paint things up a little, add a bit of color here and there, you'd sell more, friend."

But the peddler only shook his head. "If they'd ever let me finish telling them, they'd not be taken in by you, old liar. But they always send me packing before I'm through. I never get to tell them."

"If you'd begin with the pleasant things, they'd listen."

"But if I began with the pleasant things, it wouldn't be true."

"Fine with me. You keep me in business." And the medicine man patted a trunk filled with gold and silver and bronze and iron hairs. It was the wealth of all the world, and the medicine man rode off with it, to go back home and count it all, so fine and cold.

And the peddler, he just rode home to his family, his great-great-great-grandchildren, his gray-haired wife who nagged, the children who complained about the way he was always off on business when he should be home, and always hanging about the house when he ought to be away; he rode home to the leaves that turned every year, and the rats that ate the apples in the cellar, and the folks that kept dying on him, and the little ones that kept on being born.

A PLAGUE OF B b.u.t.tERFLIES.

THE b.u.t.tERFLIES AWOKE him. Amasa felt them before he saw them, the faint pressure of hundreds of half-dozens of feet, weighting his rough wool sheet so that he dreamed of a shower of warm snow. Then opened his eyes and there they were, in the shaft of sunlight like a hundred stained-gla.s.s windows, on the floor like a carpet woven by an inspired lunatic, delicately in the air like leaves falling upward in a wind. him. Amasa felt them before he saw them, the faint pressure of hundreds of half-dozens of feet, weighting his rough wool sheet so that he dreamed of a shower of warm snow. Then opened his eyes and there they were, in the shaft of sunlight like a hundred stained-gla.s.s windows, on the floor like a carpet woven by an inspired lunatic, delicately in the air like leaves falling upward in a wind.

At last, he said silently.

He watched them awhile, then gently lifted his covers. The b.u.t.terflies arose with the blanket. Carefully he swung his feet to the floor; they eddied away from his footfall, then swarmed back to cover him. He waded through them like the shallow water on the edge of the sea, endlessly charging and then retreating quickly. He who fights and runs away, lives to fight another day. You have come to me at last, he said, and then he shuddered, for this was the change in his life that he had waited for, and now he wasn't sure he wanted it after all.

They swarmed around him all morning as he prepared for his journey. His last journey, he knew, the last of many. He had begun his life in wealth, on the verge of power, in Sennabris, the greatest of the oil-burning cities of the coast. He had grown up watching the vast s.h.i.+ps slide into and out of the quays to void their bowels into the sink of the city. When his first journey began, he did not follow the tankers out to sea. Instead, he took what seemed the cleaner way, inland.

He lived in splendor in the hanging city of Besara on the cliffs of Carmel; he worked for a time as a governor in Kafr Katnei on the plain of Esdraelon until the Megiddo War; he built the Ladder of Ekdippa through solid rock, where a thousand men died in the building and it was considered a cheap price.

And in every journey he mislaid something. His taste for luxury stayed in Besara; his love of power was sated and forgotten in Kafr Katnei; his desire to build for the ages was shed like a cloak in Ekdippa; and at last he had found himself here, in a desperately poor dirt farm on the edge of the Desert of Machaerus, with a tractor that had to be bribed to work and harvests barely large enough to pay for food for himself and petrol for the machines. He hadn't even enough to pay for light in the darkness, and sunset ended every day with imperturbable night. Yet even here, he knew that there was one more journey, for he had not yet lost everything: still when he worked in the fields he would reach down and press his fingers into the soil; still he would bathe his feet in the rush of water from the muddy ditch; still he would sit for hours in the heat of the afternoon and watch the grain standing bright gold and motionless as rock, drinking sun and expelling it as dry, hard grain. This last love, the love of life itself-it, too, would have to leave, Amasa knew, before his life would have completed its course and he would have consent to die.

The b.u.t.terflies, they called him.

He carefully oiled the tractor and put it into its shed.

He closed the headgate of the ditch and shoveled earth into place behind it, so that in the spring the water would not flow onto his fallow fields and be wasted.

He filled a bottle with water and put it into his scrip, which he slung over his shoulder. This is all I take, he said. And even that felt like more of a burden than he wanted to bear.

The b.u.t.terflies swarmed around him, and tried to draw him off toward the road into the desert, but he did not go at once. He looked at his fields, stubbled after the harvest. Just beyond them was the tumble of weeds that throve in the dregs of water that his grain had not used. And beyond the weeds was the Desert of Machaerus, the place where those who love water die. The ground was stone: rocky outcroppings, gravel; even the soil was sand. And yet there were ruins there. Wooden skeletons of buildings that had once housed farmers. Some people thought that this was a sign that the desert was growing, pus.h.i.+ng in to take over formerly habitable land, but Amasa knew better. Rather the wooden ruins were the last remnants of the woeful Sebasti, those wandering people who, like the weeds at the end of the field, lived on the dregs of life. Once there had been a slight surplus of water flowing down the ca.n.a.ls. The Sebasti heard about it in hours; in days they had come in their ramshackle trucks; in weeks they had built their sc.r.a.ppy buildings and plowed their stony fields, and for that year they had a harvest because the ditches ran a few inches deeper than usual. The next year the ditches were back to normal, and in a few hours one night the houses were stripped, the trucks were loaded, and the Sebasti were gone.

I am a Sebast.i.t, too, Amasa thought. I have taken my life from an unwilling desert; I give it back to the sand when I am through.

Come, said the b.u.t.terflies alighting on his face. Come, they said, fanning him and fluttering off toward the Hierusalem road.

Don't get pushy, Amasa answered, feeling stubborn. But all the same he surrendered, and followed them out into the land of the dead.

The only breeze was the wind on his face as he walked, and the heat drew water from him as if from a copious well. He took water from his bottle only a mouthful at a time, but it was going too quickly even at that rate.

Worse, though: his guides were leaving him. Now that he was on the road to Hierusalem, they apparently had other errands to run. He first noticed their numbers diminis.h.i.+ng about noon, and by three there were only a few hundred b.u.t.terflies left. As long as he watched a particular b.u.t.terfly, it stayed; but when he looked away for a moment, it was gone. At last he set his gaze on one b.u.t.terfly and did not look away at all, just watched and watched. Soon it was the last one left, and he knew that it, too, wanted to leave. But Amasa would have none of that. If I can come at your bidding, he said silently, you can stay at mine. And so he walked until the sun was ruddy in the west. He did not drink; he did not study his road; and the b.u.t.terfly stayed. It was a little victory. I rule you with my eyes.

"You might as well stop here, friend."

Startled to hear a human voice on this desolate road, Amasa looked up, knowing in that moment that his last b.u.t.terfly was lost. He was ready to hate the man who spoke.

"I say, friend, since you're going nowhere anyway, you might as well stop."

It was an old-looking man, black from sunlight and naked. He sat in the lee of a large stone, where the sun's northern tilt would keep him in shadow all day.

"If I wanted conversation," Amasa said, "I would have brought a friend."

"If you think those b.u.t.terflies are your friends, you're an a.s.s."

Amasa was surprised that the man knew about the b.u.t.terflies.

"Oh, I know more than you think," said the man. "I lived at Hierusalem, you know. And now I'm the sentinel of the Hierusalem Road."

"No one leaves Hierusalem," said Amasa.

"I did," the old man said. "And now I sit on the road and teach travelers the keys that will let them in. Few of them pay me much attention, but if you don't do as I say, you'll never reach Hierusalem, and your bones will join a very large collection that the sun and wind gradually turn back into sand."

"I'll follow the road where it leads," Amasa said. "I don't need any directions."

"Oh, yes, you'd rather follow the dead guidance of the makers of the road than trust a living man."

Amasa regarded him for a moment. "Tell me, then."

"Give me all your water."

Amasa laughed-a feeble enough sound, coming through splitting lips that he dared not move more than necessary.

"It's the first key to entering Hierusalem." The old man shrugged. "I see that you don't believe me. But it's true. A man with water or food can't get into the city. You see, the city is hidden. If you had miraculous eyes, stranger, you could see the city even now. It's not far off. But the city is forever hidden from a man who is not desperate. The city can only be found by those who are very near to death. Unfortunately, if you once pa.s.s the entrance to the city without seeing it because you had water with you, then you can wander on as long as you like, you can run out of water and cry out in a whisper for the city to unveil itself to you, but it will avail you nothing. The entrance, once pa.s.sed, can never be found again. You see, you have to know the taste of death in your mouth before Hierusalem will open to you."

"It sounds," Amasa said, "like religion. I've done religion."

"Religion? What is religion in a world with a dragon at its heart?"

Amasa hesitated. A part of him, the rational part, told him to ignore the man and pa.s.s on. But the rational part of him had long since become weak. In his definition of man, "featherless biped" held more truth than "rational animal." Besides, his head ached, his feet throbbed, his lips stung. He handed his bottle of water to the old man, and then for good measure gave him his scrip as well.

"Nothing in there you want to keep?" asked the old man, surprised.

"I'll spend the night."

The old man nodded.

They slept in the darkness until the moon rose in the east, bright with its thin promise of a sunrise only a few hours away. It was Amasa who awoke. His stirring roused the old man.

"Already?" he asked. "In such a hurry?"

"Tell me about Hierusalem."

"What do you want, friend? History? Myth? Current events? The price of public transportation?"

"Why is the city hidden?"

"So it can't be found."

"Then why is there a key for some to enter?"

"So it can can be found. Must you ask such puerile questions?" be found. Must you ask such puerile questions?"

"Who built the city?"

"Men."

"Why did they build it?"

"To keep man alive on this world."

Amasa nodded at the first answer that hinted at significance. "And what enemy is it, then, that Hierusalem means to keep out?"

"Oh, my friend, you don't understand. Hierusalem was built to keep the enemy in. The old Hierusalem, the new Hierusalem, built to contain the dragon at the heart of the world."

A story-telling voice was on the old man now, and Amasa lay back on the sand and listened as the moon rose higher at his left hand.

"Men came here in s.h.i.+ps across the void of the night," the old man said.

Amasa sighed.

"Oh, you know all that?"

"Don't be an a.s.s. Tell me about Hierusalem."

"Did your books or your teachers tell you that this world was not unpopulated when our forefathers came?"

Monkey Sonatas Part 18

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Monkey Sonatas Part 18 summary

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