Character Part 15

Manner is not so frivolous or unimportant as some may think it to be; for it tends greatly to facilitate the business of life, as well as to sweeten and soften social intercourse. "Virtue itself," says Bishop Middleton, "offends, when coupled with a forbidding manner."

Manner has a good deal to do with the estimation in which men are held by the world; and it has often more influence in the government of others than qualities of much greater depth and substance. A manner at once gracious and cordial is among the greatest aids to success, and many there are who fail for want of it. [181] For a great deal depends upon first impressions; and these are usually favourable or otherwise according to a man's courteousness and civility.

While rudeness and gruffness bar doors and shut hearts, kindness and propriety of behaviour, in which good manners consist, act as an "open sesame" everywhere. Doors unbar before them, and they are a pa.s.sport to the hearts of everybody, young and old.

There is a common saying that "Manners make the man;" but this is not so true as that "Man makes the manners." A man may be gruff, and even rude, and yet be good at heart and of sterling character; yet he would doubtless be a much more agreeable, and probably a much more useful man, were he to exhibit that suavity of disposition and courtesy of manner which always gives a finish to the true gentleman.

Mrs. Hutchinson, in the n.o.ble portraiture of her husband, to which we have already had occasion to refer, thus describes his manly courteousness and affability of disposition:--"I cannot say whether he were more truly magnanimous or less proud; he never disdained the meanest person, nor flattered the greatest; he had a loving and sweet courtesy to the poorest, and would often employ many spare hours with the commonest soldiers and poorest labourers; but still so ordering his familiarity, that it never raised them to a contempt, but entertained still at the same time a reverence and love of him." [182]

A man's manner, to a certain extent, indicates his character. It is the external exponent of his inner nature. It indicates his taste, his feelings, and his temper, as well as the society to which he has been accustomed. There is a conventional manner, which is of comparatively little importance; but the natural manner, the outcome of natural gifts, improved by careful self-culture, signifies a great deal.

Grace of manner is inspired by sentiment, which is a source of no slight enjoyment to a cultivated mind. Viewed in this light, sentiment is of almost as much importance as talents and acquirements, while it is even more influential in giving the direction to a man s tastes and character. Sympathy is the golden key that unlocks the hearts of others.

It not only teaches politeness and courtesy, but gives insight and unfolds wisdom, and may almost be regarded as the crowning grace of humanity.

Artificial rules of politeness are of very little use. What pa.s.ses by the name of "Etiquette" is often of the essence of unpoliteness and untruthfulness. It consists in a great measure of posture-making, and is easily seen through. Even at best, etiquette is but a subst.i.tute for good manners, though it is often but their mere counterfeit.

Good manners consist, for the most part, in courteousness and kindness.

Politeness has been described as the art of showing, by external signs, the internal regard we have for others. But one may be perfectly polite to another without necessarily having a special regard for him. Good manners are neither more nor less than beautiful behaviour. It has been well said, that "a beautiful form is better than a beautiful face, and a beautiful behaviour is better than a beautiful form; it gives a higher pleasure than statues or pictures--it is the finest of the fine arts."

The truest politeness comes of sincerity. It must be the outcome of the heart, or it will make no lasting impression; for no amount of polish can dispense with truthfulness. The natural character must be allowed to appear, freed of its angularities and asperities. Though politeness, in its best form, should [18as St. Francis de Sales says] resemble water--"best when clearest, most simple, and without taste,"--yet genius in a man will always cover many defects of manner, and much will be excused to the strong and the original. Without genuineness and individuality, human life would lose much of its interest and variety, as well as its manliness and robustness of character.

True courtesy is kind. It exhibits itself in the disposition to contribute to the happiness of others, and in refraining from all that may annoy them. It is grateful as well as kind, and readily acknowledges kind actions. Curiously enough, Captain Speke found this quality of character recognised even by the natives of Uganda on the sh.o.r.es of Lake Nyanza, in the heart of Africa, where, he says. "Ingrat.i.tude, or neglecting to thank a person for a benefit conferred, is punishable."

True politeness especially exhibits itself in regard for the personality of others. A man will respect the individuality of another if he wishes to be respected himself. He will have due regard for his views and opinions, even though they differ from his own. The well-mannered man pays a compliment to another, and sometimes even secures his respect, by patiently listening to him. He is simply tolerant and forbearant, and refrains from judging harshly; and harsh judgments of others will almost invariably provoke harsh judgments of ourselves.

The unpolite impulsive man will, however, sometimes rather lose his friend than his joke. He may surely be p.r.o.nounced a very foolish person who secures another's hatred at the price of a moment's gratification.

It was a saying of Brunel the engineer--himself one of the kindest-natured of men--that "spite and ill-nature are among the most expensive luxuries in life." Dr. Johnson once said: "Sir, a man has no more right to SAY an uncivil thing than to ACT one--no more right to say a rude thing to another than to knock him down."

A sensible polite person does not a.s.sume to be better or wiser or richer than his neighbour. He does not boast of his rank, or his birth, or his country; or look down upon others because they have not been born to like privileges with himself. He does not brag of his achievements or of his calling, or "talk shop" whenever he opens his mouth. On the contrary, in all that he says or does, he will be modest, unpretentious, una.s.suming; exhibiting his true character in performing rather than in boasting, in doing rather than in talking.

Want of respect for the feelings of others usually originates in selfishness, and issues in hardness and repulsiveness of manner. It may not proceed from malignity so much as from want of sympathy and want of delicacy--a want of that perception of, and attention to, those little and apparently trifling things by which pleasure is given or pain occasioned to others. Indeed, it may be said that in self-sacrificingness, so to speak, in the ordinary intercourse of life, mainly consists the difference between being well and ill bred.

Without some degree of self-restraint in society, a man may be found almost insufferable. No one has pleasure in holding intercourse with such a person, and he is a constant source of annoyance to those about him. For want of self-restraint, many men are engaged all their lives in fighting with difficulties of their own making, and rendering success impossible by their own crossgrained ungentleness; whilst others, it may be much less gifted, make their way and achieve success by simple patience, equanimity, and self-control.

It has been said that men succeed in life quite as much by their temper as by their talents. However this may be, it is certain that their happiness depends mainly on their temperament, especially upon their disposition to be cheerful; upon their complaisance, kindliness of manner, and willingness to oblige others--details of conduct which are like the small-change in the intercourse of life, and are always in request.

Men may show their disregard of others in various unpolite ways--as, for instance, by neglect of propriety in dress, by the absence of cleanliness, or by indulging in repulsive habits. The slovenly dirty person, by rendering himself physically disagreeable, sets the tastes and feelings of others at defiance, and is rude and uncivil only under another form.

David Ancillon, a Huguenot preacher of singular attractiveness, who studied and composed his sermons with the greatest care, was accustomed to say "that it was showing too little esteem for the public to take no pains in preparation, and that a man who should appear on a ceremonial-day in his nightcap and dressing-gown, could not commit a greater breach of civility."

The perfection of manner is ease--that it attracts no man's notice as such, but is natural and unaffected. Artifice is incompatible with courteous frankness of manner. Rochefoucauld has said that "nothing so much prevents our being natural as the desire of appearing so." Thus we come round again to sincerity and truthfulness, which find their outward expression in graciousness, urbanity, kindliness, and consideration for the feelings of others. The frank and cordial man sets those about him at their ease. He warms and elevates them by his presence, and wins all hearts. Thus manner, in its highest form, like character, becomes a genuine motive power.

"The love and admiration," says Canon Kingsley, "which that truly brave and loving man, Sir Sydney Smith, won from every one, rich and poor, with whom he came in contact seems to have arisen from the one fact, that without, perhaps, having any such conscious intention, he treated rich and poor, his own servants and the n.o.blemen his guests, alike, and alike courteously, considerately, cheerfully, affectionately--so leaving a blessing, and reaping a blessing, wherever he went."

Good manners are usually supposed to be the peculiar characteristic of persons gently born and bred, and of persons moving in the higher rather than in the lower spheres of society. And this is no doubt to a great extent true, because of the more favourable surroundings of the former in early life. But there is no reason why the poorest cla.s.ses should not practise good manners towards each other as well as the richest.

Men who toil with their hands, equally with those who do not, may respect themselves and respect one another; and it is by their demeanour to each other--in other words, by their manners--that self-respect as well as mutual respect are indicated. There is scarcely a moment in their lives, the enjoyment of which might not be enhanced by kindliness of this sort--in the workshop, in the street, or at home. The civil workman will exercise increased power amongst his cla.s.s, and gradually induce them to imitate him by his persistent steadiness, civility, and kindness. Thus Benjamin Franklin, when a working-man, is said to have reformed the habits of an entire workshop.

One may be polite and gentle with very little money in his purse.

Politeness goes far, yet costs nothing. It is the cheapest of all commodities. It is the humblest of the fine arts, yet it is so useful and so pleasure-giving, that it might almost be ranked amongst the humanities.

Every nation may learn something of others; and if there be one thing more than another that the English working-cla.s.s might afford to copy with advantage from their Continental neighbours, it is their politeness. The French and Germans, of even the humblest cla.s.ses, are gracious in manner, complaisant, cordial, and well-bred. The foreign workman lifts his cap and respectfully salutes his fellow-workman in pa.s.sing. There is no sacrifice of manliness in this, but grace and dignity. Even the lowest poverty of the foreign workpeople is not misery, simply because it is cheerful. Though not receiving one-half the income which our working-cla.s.ses do, they do not sink into wretchedness and drown their troubles in drink; but contrive to make the best of life, and to enjoy it even amidst poverty.

Good taste is a true economist. It may be practised on small means, and sweeten the lot of labour as well as of ease. It is all the more enjoyed, indeed, when a.s.sociated with industry and the performance of duty. Even the lot of poverty is elevated by taste. It exhibits itself in the economies of the household. It gives brightness and grace to the humblest dwelling. It produces refinement, it engenders goodwill, and creates an atmosphere of cheerfulness. Thus good taste, a.s.sociated with kindliness, sympathy, and intelligence, may elevate and adorn even the lowliest lot.

The first and best school of manners, as of character, is always the Home, where woman is the teacher. The manners of society at large are but the reflex of the manners of our collective homes, neither better nor worse. Yet, with all the disadvantages of ungenial homes, men may practise self-culture of manner as of intellect, and learn by good examples to cultivate a graceful and agreeable behaviour towards others.

Most men are like so many gems in the rough, which need polis.h.i.+ng by contact with other and better natures, to bring out their full beauty and l.u.s.tre. Some have but one side polished, sufficient only to show the delicate graining of the interior; but to bring out the full qualities of the gem needs the discipline of experience, and contact with the best examples of character in the intercourse of daily life.

A good deal of the success of manner consists in tact, and it is because women, on the whole, have greater tact than men, that they prove its most influential teachers. They have more self-restraint than men, and are naturally more gracious and polite. They possess an intuitive quickness and readiness of action, have a keener insight into character, and exhibit greater discrimination and address. In matters of social detail, aptness and dexterity come to them like nature; and hence well-mannered men usually receive their best culture by mixing in the society of gentle and adroit women.

Tact is an intuitive art of manner, which carries one through a difficulty better than either talent or knowledge. "Talent," says a public writer, "is power: tact is skill. Talent is weight: tact is momentum. Talent knows what to do: tact knows how to do it. Talent makes a man respectable: tact makes him respected. Talent is wealth: tact is ready-money."

The difference between a man of quick tact and of no tact whatever was exemplified in an interview which once took place between Lord Palmerston and Mr. Behnes, the sculptor. At the last sitting which Lord Palmerston gave him, Behnes opened the conversation with--"Any news, my Lord, from France? How do we stand with Louis Napoleon?" The Foreign Secretary raised his eyebrows for an instant, and quietly replied, "Really, Mr. Behnes, I don't know: I have not seen the newspapers!" Poor Behnes, with many excellent qualities and much real talent, was one of the many men who entirely missed their way in life through want of tact.

Such is the power of manner, combined with tact, that Wilkes, one of the ugliest of men, used to say, that in winning the graces of a lady, there was not more than three days' difference between him and the handsomest man in England.

But this reference to Wilkes reminds us that too much importance must not be attached to manner, for it does not afford any genuine test of character. The well-mannered man may, like Wilkes, be merely acting a part, and that for an immoral purpose. Manner, like other fine arts, gives pleasure, and is exceedingly agreeable to look upon; but it may be a.s.sumed as a disguise, as men "a.s.sume a virtue though they have it not."

It is but the exterior sign of good conduct, but may be no more than skin-deep. The most highly-polished person may be thoroughly depraved in heart; and his superfine manners may, after all, only consist in pleasing gestures and in fine phrases.

On the other hand, it must be acknowledged that some of the richest and most generous natures have been wanting in the graces of courtesy and politeness. As a rough rind sometimes covers the sweetest fruit, so a rough exterior often conceals a kindly and hearty nature. The blunt man may seem even rude in manner, and yet, at heart, be honest, kind, and gentle.

John Knox and Martin Luther were by no means distinguished for their urbanity. They had work to do which needed strong and determined rather than well-mannered men. Indeed, they were both thought to be unnecessarily harsh and violent in their manner. "And who art thou,"

said Mary Queen of Scots to Knox, "that presumest to school the n.o.bles and sovereign of this realm?"--"Madam," replied Knox, "a subject born within the same." It is said that his boldness, or roughness, more than once made Queen Mary weep. When Regent Morton heard of this, he said, "Well, 'tis better that women should weep than bearded men."

As Knox was retiring from the Queen's presence on one occasion, he overheard one of the royal attendants say to another, "He is not afraid!" Turning round upon them, he said: "And why should the pleasing face of a gentleman frighten me? I have looked on the faces of angry men, and yet have not been afraid beyond measure." When the Reformer, worn-out by excess of labour and anxiety, was at length laid to his rest, the Regent, looking down into the open grave, exclaimed, in words which made a strong impression from their aptness and truth--"There lies he who never feared the face of man!"

Luther also was thought by some to be a mere compound of violence and ruggedness. But, as in the case of Knox, the times in which he lived were rude and violent; and the work he had to do could scarcely have been accomplished with gentleness and suavity. To rouse Europe from its lethargy, he had to speak and to write with force, and even vehemence.

Yet Luther's vehemence was only in words. His apparently rude exterior covered a warm heart. In private life he was gentle, loving, and affectionate. He was simple and homely, even to commonness. Fond of all common pleasures and enjoyments, he was anything but an austere man, or a bigot; for he was hearty, genial, and even "jolly." Luther was the common people's hero in his lifetime, and he remains so in Germany to this day.

Samuel Johnson was rude and often gruff in manner. But he had been brought up in a rough school. Poverty in early life had made him acquainted with strange companions. He had wandered in the streets with Savage for nights together, unable between them to raise money enough to pay for a bed. When his indomitable courage and industry at length secured for him a footing in society, he still bore upon him the scars of his early sorrows and struggles. He was by nature strong and robust, and his experience made him unaccommodating and self-a.s.serting. When he was once asked why he was not invited to dine out as Garrick was, he answered, "Because great lords and ladies did not like to have their mouths stopped;" and Johnson was a notorious mouth-stopper, though what he said was always worth listening to.

Johnson's companions spoke of him as "Ursa Major;" but, as Goldsmith generously said of him, "No man alive has a more tender heart; he has nothing of the bear about him but his skin." The kindliness of Johnson's nature was shown on one occasion by the manner in which he a.s.sisted a supposed lady in crossing Fleet Street. He gave her his arm, and led her across, not observing that she was in liquor at the time. But the spirit of the act was not the less kind on that account. On the other hand, the conduct of the bookseller on whom Johnson once called to solicit employment, and who, regarding his athletic but uncouth person, told him he had better "go buy a porter's knot and carry trunks," in howsoever bland tones the advice might have been communicated, was simply brutal.

While captiousness of manner, and the habit of disputing and contradicting everything said, is chilling and repulsive, the opposite habit of a.s.senting to, and sympathising with, every statement made, or emotion expressed, is almost equally disagreeable. It is unmanly, and is felt to be dishonest. "It may seem difficult," says Richard Sharp, "to steer always between bluntness and plain-dealing, between giving merited praise and lavis.h.i.+ng indiscriminate flattery; but it is very easy--good-humour, kindheartedness, and perfect simplicity, being all that are requisite to do what is right in the right way." [183]

At the same time, many are unpolite--not because they mean to be so, but because they are awkward, and perhaps know no better. Thus, when Gibbon had published the second and third volumes of his 'Decline and Fall,'

the Duke of c.u.mberland met him one day, and accosted him with, "How do you do, Mr. Gibbon? I see you are always AT IT in the old way--SCRIBBLE, SCRIBBLE, SCRIBBLE!" The Duke probably intended to pay the author a compliment, but did not know how better to do it, than in this blunt and apparently rude way.

Again, many persons are thought to be stiff, reserved, and proud, when they are only shy. Shyness is characteristic of most people of Teutonic race. It has been styled "the English mania," but it pervades, to a greater or less degree, all the Northern nations. The ordinary Englishman, when he travels abroad, carries his shyness with him. He is stiff, awkward, ungraceful, undemonstrative, and apparently unsympathetic; and though he may a.s.sume a brusqueness of manner, the shyness is there, and cannot be wholly concealed. The naturally graceful and intensely social French cannot understand such a character; and the Englishman is their standing joke--the subject of their most ludicrous caricatures. George Sand attributes the rigidity of the natives of Albion to a stock of FLUIDE BRITANNIQUE which they carry about with them, that renders them impa.s.sive under all circ.u.mstances, and "as impervious to the atmosphere of the regions they traverse as a mouse in the centre of an exhausted receiver." [184]

The average Frenchman or Irishman excels the average Englishman, German, or American in courtesy and ease of manner, simply because it is his nature. They are more social and less self-dependent than men of Teutonic origin, more demonstrative and less reticent; they are more communicative, conversational, and freer in their intercourse with each other in all respects; whilst men of German race are comparatively stiff, reserved, shy, and awkward. At the same time, a people may exhibit ease, gaiety, and sprightliness of character, and yet possess no deeper qualities calculated to inspire respect. They may have every grace of manner, and yet be heartless, frivolous, selfish. The character may be on the surface only, and without any solid qualities for a foundation.

There can be no doubt as to which of the two sorts of people--the easy and graceful, or the stiff and awkward--it is most agreeable to meet, either in business, in society, or in the casual intercourse of life.

Which make the fastest friends, the truest men of their word, the most conscientious performers of their duty, is an entirely different matter.

The dry GAUCHE Englishman--to use the French phrase, L'ANGLAIS EMPETRE--is certainly a somewhat disagreeable person to meet at first.

He looks as if he had swallowed a poker. He is shy himself, and the cause of shyness in others. He is stiff, not because he is proud, but because he is shy; and he cannot shake it off, even if he would. Indeed, we should not be surprised to find that even the clever writer who describes the English Philistine in all his enormity of awkward manner and absence of grace, were himself as shy as a bat.

When two shy men meet, they seem like a couple of icicles. They sidle away and turn their backs on each other in a room, or when travelling creep into the opposite corners of a railway-carriage. When shy Englishmen are about to start on a journey by railway, they walk along the train, to discover an empty compartment in which to bestow themselves; and when once ensconced, they inwardly hate the next man who comes in. So; on entering the dining-room of their club, each shy man looks out for an unoccupied table, until sometimes--all the tables in the room are occupied by single diners. All this apparent unsociableness is merely shyness--the national characteristic of the Englishman.