Character Part 5

"Tell me whom you admire," said Sainte-Beuve, "and I will tell you what you are, at least as regards your talents, tastes, and character."

Do you admire mean men?--your own nature is mean. Do you admire rich men?--you are of the earth, earthy. Do you admire men of t.i.tle?--you are a toad-eater, or a tuft-hunter. [128] Do you admire honest, brave, and manly men?--you are yourself of an honest, brave, and manly spirit.

It is in the season of youth, while the character is forming, that the impulse to admire is the greatest. As we advance in life, we crystallize into habit; and "NIL ADMIRARI" too often becomes our motto. It is well to encourage the admiration of great characters while the nature is plastic and open to impressions; for if the good are not admired--as young men will have their heroes of some sort--most probably the great bad may be taken by them for models. Hence it always rejoiced Dr. Arnold to hear his pupils expressing admiration of great deeds, or full of enthusiasm for persons or even scenery. "I believe," said he, "that 'NIL ADMIRARI' is the devil's favourite text; and he could not choose a better to introduce his pupils into the more esoteric parts of his doctrine. And, therefore, I have always looked upon a man infected with the disorder of anti-romance as one who has lost the finest part of his nature, and his best protection against everything low and foolish." [129]

It was a fine trait in the character of Prince Albert that he was always so ready to express generous admiration of the good deeds of others. "He had the greatest delight," says the ablest delineator of his character, "in anybody else saying a fine saying, or doing a great deed. He would rejoice over it, and talk about it for days; and whether it was a thing n.o.bly said or done by a little child, or by a veteran statesman, it gave him equal pleasure. He delighted in humanity doing well on any occasion and in any manner." [1210]

"No quality," said Dr. Johnson, "will get a man more friends than a sincere admiration of the qualities of others. It indicates generosity of nature, frankness, cordiality, and cheerful recognition of merit." It was to the sincere--it might almost be said the reverential--admiration of Johnson by Boswell, that we owe one of the best biographies ever written. One is disposed to think that there must have been some genuine good qualities in Boswell to have been attracted by such a man as Johnson, and to have kept faithful to his wors.h.i.+p in spite of rebuffs and snubbings innumerable. Macaulay speaks of Boswell as an altogether contemptible person--as a c.o.xcomb and a bore--weak, vain, pus.h.i.+ng, curious, garrulous; and without wit, humour, or eloquence. But Carlyle is doubtless more just in his characterisation of the biographer, in whom--vain and foolish though he was in many respects--he sees a man penetrated by the old reverent feeling of disciples.h.i.+p, full of love and admiration for true wisdom and excellence. Without such qualities, Carlyle insists, the 'Life of Johnson' never could have been written.

"Boswell wrote a good book," he says, "because he had a heart and an eye to discern wisdom, and an utterance to render it forth; because of his free insight, his lively talent, and, above all, of his love and childlike openmindedness."

Most young men of generous mind have their heroes, especially if they be book-readers. Thus Allan Cunningham, when a mason's apprentice in Nithsdale, walked all the way to Edinburgh for the sole purpose of seeing Sir Walter Scott as he pa.s.sed along the street. We unconsciously admire the enthusiasm of the lad, and respect the impulse which impelled him to make the journey. It is related of Sir Joshua Reynolds, that when a boy of ten, he thrust his hand through intervening rows of people to touch Pope, as if there were a sort of virtue in the contact. At a much later period, the painter Haydon was proud to see and to touch Reynolds when on a visit to his native place. Rogers the poet used to tell of his ardent desire, when a boy, to see Dr. Johnson; but when his hand was on the knocker of the house in Bolt Court, his courage failed him, and he turned away. So the late Isaac Disraeli, when a youth, called at Bolt Court for the same purpose; and though he HAD the courage to knock, to his dismay he was informed by the servant that the great lexicographer had breathed his last only a few hours before.

On the contrary, small and ungenerous minds cannot admire heartily. To their own great misfortune, they cannot recognise, much less reverence, great men and great things. The mean nature admires meanly. The toad's highest idea of beauty is his toadess. The small sn.o.b's highest idea of manhood is the great sn.o.b. The slave-dealer values a man according to his muscles. When a Guinea trader was told by Sir G.o.dfrey Kneller, in the presence of Pope, that he saw before him two of the greatest men in the world, he replied: "I don't know how great you may be, but I don't like your looks. I have often bought a man much better than both of you together, all bones and muscles, for ten guineas!"

Although Rochefoucauld, in one of his maxims, says that there is something that is not altogether disagreeable to us in the misfortunes of even our best friends, it is only the small and essentially mean nature that finds pleasure in the disappointment, and annoyance at the success of others. There are, unhappily, for themselves, persons so const.i.tuted that they have not the heart to be generous. The most disagreeable of all people are those who "sit in the seat of the scorner." Persons of this sort often come to regard the success of others, even in a good work, as a kind of personal offence. They cannot bear to hear another praised, especially if he belong to their own art, or calling, or profession. They will pardon a man's failures, but cannot forgive his doing a thing better than they can do. And where they have themselves failed, they are found to be the most merciless of detractors. The sour critic thinks of his rival:

"When Heaven with such parts has blest him, Have I not reason to detest him?"

The mean mind occupies itself with sneering, carping, and fault-finding; and is ready to scoff at everything but impudent effrontery or successful vice. The greatest consolation of such persons are the defects of men of character. "If the wise erred not," says George Herbert, "it would go hard with fools." Yet, though wise men may learn of fools by avoiding their errors, fools rarely profit by the example which, wise men set them. A German writer has said that it is a miserable temper that cares only to discover the blemishes in the character of great men or great periods. Let us rather judge them with the charity of Bolingbroke, who, when reminded of one of the alleged weaknesses of Marlborough, observed,--"He was so great a man that I forgot he had that defect."

Admiration of great men, living or dead, naturally evokes imitation of them in a greater or less degree. While a mere youth, the mind of Themistocles was fired by the great deeds of his contemporaries, and he longed to distinguish himself in the service of his country. When the Battle of Marathon had been fought, he fell into a state of melancholy; and when asked by his friends as to the cause, he replied "that the trophies of Miltiades would not suffer him to sleep." A few years later, we find him at the head of the Athenian army, defeating the Persian fleet of Xerxes in the battles of Artemisium and Salamis,--his country gratefully acknowledging that it had been saved through his wisdom and valour.

It is related of Thucydides that, when a boy, he burst into tears on hearing Herodotus read his History, and the impression made upon his mind was such as to determine the bent of his own genius.

And Demosthenes was so fired on one occasion by the eloquence of Callistratus, that the ambition was roused within him of becoming an orator himself. Yet Demosthenes was physically weak, had a feeble voice, indistinct articulation, and shortness of breath--defects which he was only enabled to overcome by diligent study and invincible determination.

But, with all his practice, he never became a ready speaker; all his orations, especially the most famous of them, exhibiting indications of careful elaboration,--the art and industry of the orator being visible in almost every sentence.

Similar ill.u.s.trations of character imitating character, and moulding itself by the style and manner and genius of great men, are to be found pervading all history. Warriors, statesmen, orators, patriots, poets, and artists--all have been, more or less unconsciously, nurtured by the lives and actions of others living before them or presented for their imitation.

Great men have evoked the admiration of kings, popes, and emperors.

Francis de Medicis never spoke to Michael Angelo without uncovering, and Julius III. made him sit by his side while a dozen cardinals were standing. Charles V. made way for t.i.tian; and one day, when the brush dropped from the painter's hand, Charles stooped and picked it up, saying, "You deserve to be served by an emperor." Leo X. threatened with excommunication whoever should print and sell the poems of Ariosto without the author's consent. The same pope attended the deathbed of Raphael, as Francis I. did that of Leonardo da Vinci.

Though Haydn once archly observed that he was loved and esteemed by everybody except professors of music, yet all the greatest musicians were unusually ready to recognise each other's greatness. Haydn himself seems to have been entirely free from petty jealousy. His admiration of the famous Porpora was such, that he resolved to gain admission to his house, and serve him as a valet. Having made the acquaintance of the family with whom Porpora lived, he was allowed to officiate in that capacity. Early each morning he took care to brush the veteran's coat, polish his shoes, and put his rusty wig in order. At first Porpora growled at the intruder, but his asperity soon softened, and eventually melted into affection. He quickly discovered his valet's genius, and, by his instructions, directed it into the line in which Haydn eventually acquired so much distinction.

Haydn himself was enthusiastic in his admiration of Handel. "He is the father of us all," he said on one occasion. Scarlatti followed Handel in admiration all over Italy, and, when his name was mentioned, he crossed himself in token of veneration. Mozart's recognition of the great composer was not less hearty. "When he chooses," said he, "Handel strikes like the thunderbolt." Beethoven hailed him as "The monarch of the musical kingdom." When Beethoven was dying, one of his friends sent him a present of Handel's works, in forty volumes. They were brought into his chamber, and, gazing on them with reanimated eye, he exclaimed, pointing at them with his finger, "There--there is the truth!"

Haydn not only recognised the genius of the great men who had pa.s.sed away, but of his young contemporaries, Mozart and Beethoven. Small men may be envious of their fellows, but really great men seek out and love each other. Of Mozart, Haydn wrote "I only wish I could impress on every friend of music, and on great men in particular, the same depth of musical sympathy, and profound appreciation of Mozart's inimitable music, that I myself feel and enjoy; then nations would vie with each other to possess such a jewel within their frontiers. Prague ought not only to strive to retain this precious man, but also to remunerate him; for without this the history of a great genius is sad indeed.... It enrages me to think that the unparalleled Mozart is not yet engaged by some imperial or royal court. Forgive my excitement; but I love the man so dearly!"

Mozart was equally generous in his recognition of the merits of Haydn.

"Sir," said he to a critic, speaking of the latter, "if you and I were both melted down together, we should not furnish materials for one Haydn." And when Mozart first heard Beethoven, he observed: "Listen to that young man; be a.s.sured that he will yet make a great name in the world."

Buffon set Newton above all other philosophers, and admired him so highly that he had always his portrait before him while he sat at work.

So Schiller looked up to Shakspeare, whom he studied reverently and zealously for years, until he became capable of comprehending nature at first-hand, and then his admiration became even more ardent than before.

Pitt was Canning's master and hero, whom he followed and admired with attachment and devotion. "To one man, while he lived," said Canning, "I was devoted with all my heart and all my soul. Since the death of Mr.

Pitt I acknowledge no leader; my political allegiance lies buried in his grave." [1211]

A French physiologist, M. Roux, was occupied one day in lecturing to his pupils, when Sir Charles Bell, whose discoveries were even better known and more highly appreciated abroad than at home, strolled into his cla.s.s-room. The professor, recognising his visitor, at once stopped his exposition, saying: "MESSIEURS, C'EST a.s.sEZ POUR AUJOURD'HUI, VOUS AVEZ VU SIR CHARLES BELL!"

The first acquaintance with a great work of art has usually proved an important event in every young artist's life. When Correggio first gazed on Raphael's 'Saint Cecilia,' he felt within himself an awakened power, and exclaimed, "And I too am a painter" So Constable used to look back on his first sight of Claude's picture of 'Hagar,' as forming an epoch in his career. Sir George Beaumont's admiration of the same picture was such that he always took it with him in his carriage when he travelled from home.

The examples set by the great and good do not die; they continue to live and speak to all the generations that succeed them. It was very impressively observed by Mr. Disraeli, in the House of Commons, shortly after the death of Mr. Cobden:--"There is this consolation remaining to us, when we remember our unequalled and irreparable losses, that those great men are not altogether lost to us--that their words will often be quoted in this House--that their examples will often be referred to and appealed to, and that even their expressions will form part of our discussions and debates. There are now, I may say, some members of Parliament who, though they may not be present, are still members of this House--who are independent of dissolutions, of the caprices of const.i.tuencies, and even of the course of time. I think that Mr. Cobden was one of those men."

It is the great lesson of biography to teach what man can be and can do at his best. It may thus give each man renewed strength and confidence.

The humblest, in sight of even the greatest, may admire, and hope, and take courage. These great brothers of ours in blood and lineage, who live a universal life, still speak to us from their graves, and beckon us on in the paths which they have trod. Their example is still with us, to guide, to influence, and to direct us. For n.o.bility of character is a perpetual bequest; living from age to age, and constantly tending to reproduce its like.

"The sage," say the Chinese, "is the instructor of a hundred ages. When the manners of Loo are heard of, the stupid become intelligent, and the wavering determined." Thus the acted life of a good man continues to be a gospel of freedom and emanc.i.p.ation to all who succeed him:

"To live in hearts we leave behind, is not to die."

The golden words that good men have uttered, the examples they have set, live through all time: they pa.s.s into the thoughts and hearts of their successors, help them on the road of life, and often console them in the hour of death. "And the most miserable or most painful of deaths," said Henry Marten, the Commonwealth man, who died in prison, "is as nothing compared with the memory of a well-spent life; and great alone is he who has earned the glorious privilege of bequeathing such a lesson and example to his successors!"

CHAPTER IV.--WORK.

"Arise therefore, and be doing, and the Lord be with thee."

--l CHRONICLES xxii. 16.

"Work as if thou hadst to live for aye; Wors.h.i.+p as if thou wert to die to-day."--TUSCAN PROVERB.

"C'est par le travail qu'on regne."--LOUIS XIV

"Blest work! if ever thou wert curse of G.o.d, What must His blessing be!"--J. B. SELKIRK.

"Let every man be OCCUPIED, and occupied in the highest employment of which his nature is capable, and die with the consciousness that he has done his best"--Sydney Smith.

WORK is one of the best educators of practical character. It evokes and disciplines obedience, self-control, attention, application, and perseverance; giving a man deftness and skill in his special calling, and apt.i.tude and dexterity in dealing with the affairs of ordinary life.

Work is the law of our being--the living principle that carries men and nations onward. The greater number of men have to work with their hands, as a matter of necessity, in order to live; but all must work in one way or another, if they would enjoy life as it ought to be enjoyed.

Labour may be a burden and a chastis.e.m.e.nt, but it is also an honour and a glory. Without it, nothing can be accomplished. All that is great in man comes through work; and civilisation is its product. Were labour abolished, the race of Adam were at once stricken by moral death.

It is idleness that is the curse of man--not labour. Idleness eats the heart out of men as of nations, and consumes them as rust does iron.

When Alexander conquered the Persians, and had an opportunity of observing their manners, he remarked that they did not seem conscious that there could be anything more servile than a life of pleasure, or more princely than a life of toil.

When the Emperor Severus lay on his deathbed at York, whither he had been borne on a litter from the foot of the Grampians, his final watchword to his soldiers was, "LABOREMUS" [we must work]; and nothing but constant toil maintained the power and extended the authority of the Roman generals.

In describing the earlier social condition of Italy, when the ordinary occupations of rural life were considered compatible with the highest civic dignity, Pliny speaks of the triumphant generals and their men, returning contentedly to the plough. In those days the lands were tilled by the hands even of generals, the soil exulting beneath a ploughshare crowned with laurels, and guided by a husbandman graced with triumphs: "IPSORUM TUNC MANIBUS IMPERATORUM COLEBANTUR AGRI: UT FAS EST CREDERE, GAUDENTE TERRA VOMERE LAUREATO ET TRIUMPHALI ARATORE." [131] It was only after slaves became extensively employed in all departments of industry that labour came to be regarded as dishonourable and servile. And so soon as indolence and luxury became the characteristics of the ruling cla.s.ses of Rome, the downfall of the empire, sooner or later, was inevitable.

There is, perhaps, no tendency of our nature that has to be more carefully guarded against than indolence. When Mr. Gurney asked an intelligent foreigner who had travelled over the greater part of the world, whether he had observed any one quality which, more than another, could be regarded as a universal characteristic of our species, his answer was, in broken English, "Me tink dat all men LOVE LAZY." It is characteristic of the savage as of the despot. It is natural to men to endeavour to enjoy the products of labour without its toils. Indeed, so universal is this desire, that James Mill has argued that it was to prevent its indulgence at the expense of society at large, that the expedient of Government was originally invented. [132]

Indolence is equally degrading to individuals as to nations. Sloth never made its mark in the world, and never will. Sloth never climbed a hill, nor overcame a difficulty that it could avoid. Indolence always failed in life, and always will. It is in the nature of things that it should not succeed in anything. It is a burden, an inc.u.mbrance, and a nuisance--always useless, complaining, melancholy, and miserable.

Burton, in his quaint and curious, book--the only one, Johnson says, that ever took him out of bed two hours sooner than he wished to rise--describes the causes of Melancholy as hingeing mainly on Idleness.

"Idleness," he says, "is the bane of body and mind, the nurse of naughtiness, the chief mother of all mischief, one of the seven deadly sins, the devil's cus.h.i.+on, his pillow and chief reposal.... An idle dog will be mangy; and how shall an idle person escape? Idleness of the mind is much worse than that of the body: wit, without employment, is a disease--the rust of the soul, a plague, a h.e.l.l itself. As in a standing pool, worms and filthy creepers increase, so do evil and corrupt thoughts in an idle person; the soul is contaminated.... Thus much I dare boldly say: he or she that is idle, be they of what condition they will, never so rich, so well allied, fortunate, happy--let them have all things in abundance and felicity that heart can wish and desire, all contentment--so long as he, or she, or they, are idle, they shall never be pleased, never well in body or mind, but weary still, sickly still, vexed still, loathing still, weeping, sighing, grieving, suspecting, offended with the world, with every object, wis.h.i.+ng themselves gone or dead, or else carried away with some foolish phantasie or other." [133]

Burton says a great deal more to the same effect; the burden and lesson of his book being embodied in the pregnant sentence with which it winds up:--"Only take this for a corollary and conclusion, as thou tenderest thine own welfare in this, and all other melancholy, thy good health of body and mind, observe this short precept, Give not way to solitariness and idleness. BE NOT SOLITARY--BE NOT IDLE." [134]