The Best Short Stories of 1917 Part 68
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"Oh, that made me feel, somehow, very strong. 'I'll bring you back!' I shouted. 'You, George! I'll send you away. Wait and see!' They never answered. Maybe they never heard. The wind was blowing, like to-night.
"But I knew where I could find them. I knew where to go to find George.
And I ran to my loft, for my knife. But, O my G.o.d, when I saw poor Mollie in the gla.s.s! Teeth gone. I wasn't beautiful any more. And my eyes!--they came out of the gla.s.s at me, like two big dogs jumping a fence. I ran from them. I didn't know myself. I ran out of the door, in the night. I went after that man. He had done too much. That storm--the lightning that night! Awful! But no storm kept me back. Rain--hail--but I kept on. Trees fell--but I went on. I called out. I laughed then, myself. I'll get him! I say, 'Look out for Ned's girl! Look out for Ned's girl!' I say...."
Unconsciously the woman was re-enacting every gesture, repeating every phrase and accent of her journey through the night, that excursion out of the world, from which there had been no return for her. "Look out for Ned's girl!"--the house rang with the cry. But this second journey, of the memory, ended in a moan and a faint.
"I said I would tell it! Help me!" she said.
In some fas.h.i.+on they worked her heavy bulk out of its crazy wrappings and into a bed. John arrived, to help them. Morning peered timidly over the eastern hills, as if fearful of beholding what the night had wrought. In its smiling calm the noise of the storm was already done away. But the storm in the troubled mind raged on.
For days it raged, in fever and delirium. Then they buried the rude minister of justice in the place where she commanded--under the pile of broken stones and bricks among the trees in the hollow. And it is said that the inquisitive villagers who had a part in the simple ceremonies stirred about till they made the discovery of two skeletons under the ruins. And to this day there are persons in Bustlebury with a belief that at night, or in a storm, they sometimes hear a long-drawn cry issuing from that lonely little hollow.
THE INTERVAL [17]
[Note 17: Copyright 1917, by The Boston Transcript Co. Copyright, 1918, by Vincent O' Sullivan.]
BY VINCENT O'SULLIVAN
From _The Boston Evening Transcript_
Mrs. Wilton pa.s.sed through a little alley leading from one of the gates which are around Regent's Park, and came out on the wide and quiet street. She walked along slowly, peering anxiously from side to side so as not to overlook the number. She pulled her furs closer round her; after her years in India this London damp seemed very harsh. Still, it was not a fog to-day. A dense haze, gray and tinged ruddy, lay between the houses, sometimes blowing with a little wet kiss against the face.
Mrs. Wilton's hair and eyelashes and her furs were powdered with tiny drops. But there was nothing in the weather to blur the sight; she could see the faces of people some distance off and read the signs on the shops.
Before the door of a dealer in antiques and second-hand furniture she paused and looked through the shabby uncleaned window at an una.s.sorted heap of things, many of them of great value. She read the Polish name fastened on the pane in white letters.
"Yes; this is the place."
She opened the door, which met her entrance with an ill-tempered jangle.
From somewhere in the black depths of the shop the dealer came forward.
He had a clammy white face, with a spa.r.s.e black beard, and wore a skull cap and spectacles. Mrs. Wilton spoke to him in a low voice.
A look of complicity, of cunning, perhaps of irony, pa.s.sed through the dealer's cynical and sad eyes. But he bowed gravely and respectfully.
"Yes, she is here, madam. Whether she will see you or not I do not know.
She is not always well; she has her moods. And then, we have to be so careful. The police--Not that they would touch a lady like you. But the poor alien has not much chance these days."
Mrs. Wilton followed him to the back of the shop, where there was a winding staircase. She knocked over a few things in her pa.s.sage and stooped to pick them up, but the dealer kept muttering, "It does not matter--surely it does not matter." He lit a candle.
"You must go up these stairs. They are very dark; be careful. When you come to a door, open it and go straight in."
He stood at the foot of the stairs holding the light high above his head as she ascended.
The room was not very large, and it seemed very ordinary. There were some flimsy, uncomfortable chairs in gilt and red. Two large palms were in corners. Under a gla.s.s cover on the table was a view of Rome. The room had not a business-like look, thought Mrs. Wilton; there was no suggestion of the office or waiting-room where people came and went all day; yet you would not say that it was a private room which was lived in. There were no books or papers about; every chair was in the place it had been placed when the room was last swept; there was no fire and it was very cold.
To the right of the window was a door covered with a plush curtain. Mrs.
Wilton sat down near the table and watched this door. She thought it must be through it that the soothsayer would come forth. She laid her hands listlessly one on top of the other on the table. This must be the tenth seer she had consulted since Hugh had been killed. She thought them over. No, this must be the eleventh. She had forgotten that frightening man in Paris who said he had been a priest. Yet of them all it was only he who had told her anything definite. But even he could do no more than tell the past. He told of her marriage; he even had the duration of it right--twenty-one months. He told too of their time in India--at least, he knew that her husband had been a soldier, and said he had been on service in the "colonies." On the whole, though, he had been as unsatisfactory as the others. None of them had given her the consolation she sought. She did not want to be told of the past. If Hugh was gone forever, then with him had gone all her love of living, her courage, all her better self. She wanted to be lifted out of the despair, the dazed aimless drifting from day to day, longing at night for the morning, and in the morning for the fall of night, which had been her life since his death. If somebody could a.s.sure her that it was not all over, that he was somewhere, not too far away, unchanged from what he had been here, with his crisp hair and rather slow smile and lean brown face, that he saw her sometimes, that he had not forgotten her....
"Oh, Hugh, darling!"
When she looked up again the woman was sitting there before her. Mrs.
Wilton had not heard her come in. With her experience, wide enough now, of seers and fortune-tellers of all kinds, she saw at once that this woman was different from the others. She was used to the quick appraising look, the attempts, sometimes clumsy, but often cleverly disguised, to collect some fragments of information whereupon to erect a plausible vision. But this woman looked as if she took it out of herself.
Not that her appearance suggested intercourse with the spiritual world more than the others had done; it suggested that, in fact, considerably less. Some of the others were frail, yearning, evaporated creatures, and the ex-priest in Paris had something terrible and condemned in his look. He might well sup with the devil, that man, and probably did in some way or other.
But this was a little fat, weary-faced woman about fifty, who only did not look like a cook because she looked more like a sempstress. Her black dress was all covered with white threads. Mrs. Wilton looked at her with some embarra.s.sment. It seemed more reasonable to be asking a woman like this about altering a gown than about intercourse with the dead. That seemed even absurd in such a very commonplace presence. The woman seemed timid and oppressed; she breathed heavily and kept rubbing her dingy hands, which looked moist, one over the other; she was always wetting her lips, and coughed with a little dry cough. But in her these signs of nervous exhaustion suggested overwork in a close atmosphere, bending too close over the sewing-machine. Her uninteresting hair, like a rat's pelt, was eked out with a false addition of another color. Some threads had got into her hair too.
Her harried, uneasy look caused Mrs. Wilton to ask compa.s.sionately: "Are you much worried by the police?"
"Oh, the police! Why don't they leave us alone? You never know who comes to see you. Why don't they leave me alone? I'm a good woman. I only think. What I do is no harm to any one."...
She continued in an uneven querulous voice, always rubbing her hands together nervously. She seemed to the visitor to be talking at random, just gabbling, like children do sometimes before they fall asleep.
"I wanted to explain--" hesitated Mrs. Wilton.
But the woman, with her head pressed close against the back of the chair, was staring beyond her at the wall. Her face had lost whatever little expression it had; it was blank and stupid. When she spoke it was very slowly and her voice was guttural.
"Can't you see him? It seems strange to me that you can't see him. He is so near you. He is pa.s.sing his arm round your shoulders."
This was a frequent gesture of Hugh's. And indeed at that moment she felt that somebody was very near her, bending over her. She was enveloped in tenderness. Only a very thin veil, she felt, prevented her from seeing. But the woman saw. She was describing Hugh minutely, even the little things like the burn on his right hand.
"Is he happy? Oh, ask him does he love me?"
The result was so far beyond anything she had hoped for that she was stunned. She could only stammer the first thing that came into her head.
"Does he love me?"
"He loves you. He won't answer, but he loves you. He wants me to make you see him; he is disappointed, I think, because I can't. But I can't unless you do it yourself."
After a while she said:
"I think you will see him again. You think of nothing else. He is very close to us now."
Then she collapsed, and fell into a heavy sleep and lay there motionless, hardly breathing. Mrs. Wilton put some notes on the table and stole out on tip-toe.
She seemed to remember that downstairs in the dark shop the dealer with the waxen face detained her to shew some old silver and jewellery and such like. But she did not come to herself, she had no precise recollection of anything, till she found herself entering a church near Portland Place. It was an unlikely act in her normal moments. Why did she go in there? She acted like one walking in her sleep.
The church was old and dim, with high black pews. There was n.o.body there. Mrs. Wilton sat down in one of the pews and bent forward with her face in her hands.
After a few minutes she saw that a soldier had come in noiselessly and placed himself about half-a-dozen rows ahead of her. He never turned round; but presently she was struck by something familiar in the figure.
First she thought vaguely that the soldier looked like her Hugh. Then, when he put up his hand, she saw who it was.
She hurried out of the pew and ran towards him. "Oh, Hugh, Hugh, have you come back?"
The Best Short Stories of 1917 Part 68
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The Best Short Stories of 1917 Part 68 summary
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