A Good Man Is Hard to Find and Other Stories Part 11

The kiss, which had more pressure than feeling behind it, produced that extra surge of adrenalin in the girl that enables one to carry a packed trunk out of a burning house, but in her, the power went at once to the brain. Even before he released her, her mind, clear and detached and ironic anyway, was regarding him from a great distance, with amus.e.m.e.nt but with pity. She had never been kissed before and she was pleased to discover that it was an unexceptional experience and all a matter of the mind's control. Some people might enjoy drain water if they were told it was vodka. When the boy, looking expectant but uncertain, pushed her gently away, she turned and walked on, saying nothing as if such business, for her, were common enough.

He came along panting at her side, trying to help her when he saw a root that she might trip over. He caught and held back the long swaying blades of thorn vine until she had pa.s.sed beyond them. She led the way and he came breathing heavily behind her. Then they came out on a sunlit hillside, sloping softly into another one a little smaller. Beyond, they could see the rusted top of the old barn where the extra hay was stored.

The hill was sprinkled with small pink weeds. "Then you ain't saved?" he asked suddenly, stopping.

The girl smiled. It was the first time she had smiled at him at all. "In my economy," she said, "I'm saved and you are d.a.m.ned but I told you I didn't believe in G.o.d."

Nothing seemed to destroy the boy's look of admiration. He gazed at her now as if the fantastic animal at the zoo had put its paw through the bars and given him a loving poke. She thought he looked as if he wanted to kiss her again and she walked on before he had the chance.

"Ain't there somewheres we can sit down sometime?" he murmured, his voice softening toward the end of the sentence.

"In that barn," she said.

They made for it rapidly as if it might slide away like a train. It was a large two-story barn, cool and dark inside. The boy pointed up the ladder that led into the loft and said, "It's too bad we can't go up there."

"Why can't we?" she asked.

"Yer leg," he said reverently.

The girl gave him a contemptuous look and putting both hands on the ladder, she climbed it while he stood below, apparently awestruck. She pulled herself expertly through the opening and then looked down at him and said, "Well, come on if you're coming," and he began to climb the ladder, awkwardly bringing the suitcase with him.

"We won't need the Bible," she observed.

"You never can tell," he said, panting. After he had got into the loft, he was a few seconds catching his breath. She had sat down in a pile of straw. A wide sheath of sunlight, filled with dust particles, slanted over her. She lay back against a bale, her face turned away, looking out the front opening of the barn where hay was thrown from a wagon into the loft. The two pink-speckled hillsides lay back against a dark ridge of woods. The sky was cloudless and cold blue. The boy dropped down by her side and put one arm under her and the other over her and began methodically kissing her face, making little noises like a fish. He did not remove his hat but it was pushed far enough back not to interfere. When her gla.s.ses got in his way, he took them off of her and slipped them into his pocket.

The girl at first did not return any of the kisses but presently she began to and after she had put several on his cheek, she reached his lips and remained there, kissing him again and again as if she were trying to draw all the breath out of him. His breath was clear and sweet like a child's and the kisses were sticky like a child's. He mumbled about loving her and about knowing when he first seen her that he loved her, but the mumbling was like the sleepy fretting of a child being put to sleep by his mother. Her mind, throughout this, never stopped or lost itself for a second to her feelings. "You ain't said you loved me none," he whispered finally, pulling back from her. "You got to say that."

She looked away from him off into the hollow sky and then down at a black ridge and then down farther into what appeared to be two green swelling lakes. She didn't realize he had taken her gla.s.ses but this landscape could not seem exceptional to her for she seldom paid any close attention to her surroundings.

"You got to say it," he repeated. "You got to say you love me."

She was always careful how she committed herself. "In a sense," she began, "if you use the word loosely, you might say that. But it's not a word I use. I don't have illusions. I'm one of those people who see through to nothing."

The boy was frowning. "You got to say it. I said it and you got to say it," he said.

The girl looked at him almost tenderly. "You poor baby," she murmured. "It's just as well you don't understand," and she pulled him by the neck, face-down, against her. "We are all d.a.m.ned," she said, "but some of us have taken off our blindfolds and see that there's nothing to see. It's a kind of salvation."

The boy's astonished eyes looked blankly through the ends of her hair. "Okay," he almost whined, "but do you love me or don'tcher?"

"Yes," she said and added, "in a sense. But I must tell you something. There mustn't be anything dishonest between us." She lifted his head and looked him in the eye. "I am thirty years old," she said. "I have a number of degrees."

The boy's look was irritated but dogged. "I don't care," he said. "I don't care a thing about what all you done. I just want to know if you love me or don'tcher?" and he caught her to him and wildly planted her face with kisses until she said, "Yes, yes."

"Okay then," he said, letting her go. "Prove it."

She smiled, looking dreamily out on the s.h.i.+fty landscape. She had seduced him without even making up her mind to try. "How?" she asked, feeling that he should be delayed a little.

He leaned over and put his lips to her ear. "Show me where your wooden leg joins on," he whispered.

The girl uttered a sharp little cry and her face instantly drained of color. The obscenity of the suggestion was not what shocked her. As a child she had sometimes been subject to feelings of shame but education had removed the last traces of that as a good surgeon sc.r.a.pes for cancer; she would no more have felt it over what he was asking than she would have believed in his Bible. But she was as sensitive about the artificial leg as a peac.o.c.k about his tail. No one ever touched it but her. She took care of it as someone else would his soul, in private and almost with her own eyes turned away. "No," she said.

"I known it," he muttered, sitting up. "You're just playing me for a sucker."

"Oh no no!" she cried. "It joins on at the knee. Only at the knee. Why do you want to see it?"

The boy gave her a long penetrating look. "Because," he said, "it's what makes you different. You ain't like anybody else."

She sat staring at him. There was nothing about her face or her round freezing-blue eyes to indicate that this had moved her; but she felt as if her heart had stopped and left her mind to pump her blood. She decided that for the first time in her life she was face to face with real innocence. This boy, with an instinct that came from beyond wisdom, had touched the truth about her. When after a minute, she said in a hoa.r.s.e high voice, "All right," it was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.

Very gently he began to roll the slack leg up. The artificial limb, in a white sock and brown flat shoe, was bound in a heavy material like canvas and ended in an ugly jointure where it was attached to the stump. The boy's face and his voice were entirely reverent as he uncovered it and said, "Now show me how to take it off and on."

She took it off for him and put it back on again and then he took it off himself, handling it as tenderly as if it were a real one. "See!" he said with a delighted child's face. "Now I can do it myself!"

"Put it back on," she said. She was thinking that she would run away with him and that every night he would take the leg off and every morning put it back on again. "Put it back on," she said.

"Not yet," he murmured, setting it on its foot out of her reach. "Leave it off for a while. You got me instead."

She gave a little cry of alarm but he pushed her down and began to kiss her again. Without the leg she felt entirely dependent on him. Her brain seemed to have stopped thinking altogether and to be about some other function that it was not very good at. Different expressions raced back and forth over her face. Every now and then the boy, his eyes like two steel spikes, would glance behind him where the leg stood. Finally she pushed him off and said, "Put it back on me now."

"Wait," he said. He leaned the other way and pulled the valise toward him and opened it. It had a pale blue spotted lining and there were only two Bibles in it. He took one of these out and opened the cover of it. It was hollow and contained a pocket flask of whiskey, a pack of cards, and a small blue box with printing on it. He laid these out in front of her one at a time in an evenly-s.p.a.ced row, like one presenting offerings at the shrine of a G.o.ddess. He put the blue box in her hand. THIS PRODUCT TO BE USED ONLY FOR THE PREVENTION OF DISEASE, she read, and dropped it. The boy was uns.c.r.e.w.i.n.g the top of the flask. He stopped and pointed, with a smile, to the deck of cards. It was not an ordinary deck but one with an obscene picture on the back of each card. "Take a swig," he said, offering her the bottle first. He held it in front of her, but like one mesmerized, she did not move.

Her voice when she spoke had an almost pleading sound. "Aren't you," she murmured, "aren't you just good country people?"

The boy c.o.c.ked his head. He looked as if he were just beginning to understand that she might be trying to insult him. "Yeah," he said, curling his lip slightly, "but it ain't held me back none. I'm as good as you any day in the week."

"Give me my leg," she said.

He pushed it farther away with his foot. "Come on now, let's begin to have us a good time," he said coaxingly. "We ain't got to know one another good yet."

"Give me my leg!" she screamed and tried to lunge for it but he pushed her down easily.

"What's the matter with you all of a sudden?" he asked, frowning as he screwed the top on the flask and put it quickly back inside the Bible. "You just a while ago said you didn't believe in nothing. I thought you was some girl!"

Her face was almost purple. "You're a Christian!" she hissed. "You're a fine Christian! You're just like them alla"say one thing and do another. You're a perfect Christian, you'rea"

The boy's mouth was set angrily. "I hope you don't think," he said in a lofty indignant tone, "that I believe in that c.r.a.p! I may sell Bibles but I know which end is up and I wasn't born yesterday and I know where I'm going!"

"Give me my leg!" she screeched. He jumped up so quickly that she barely saw him sweep the cards and the blue box back into the Bible and throw the Bible into the valise. She saw him grab the leg and then she saw it for an instant slanted forlornly across the inside of the suitcase with a Bible at either side of its opposite ends. He slammed the lid shut and s.n.a.t.c.hed up the valise and swung it down the hole and then stepped through himself.

When all of him had pa.s.sed but his head, he turned and regarded her with a look that no longer had any admiration in it. "I've gotten a lot of interesting things," he said. "One time I got a woman's gla.s.s eye this way. And you needn't to think you'll catch me because Pointer ain't really my name. I use a different name at every house I call at and don't stay nowhere long. And I'll tell you another thing, Hulga," he said, using the name as if he didn't think much of it, "you ain't so smart. I been believing in nothing ever since I was born!" and then the toast-colored hat disappeared down the hole and the girl was left, sitting on the straw in the dusty sunlight. When she turned her churning face toward the opening, she saw his blue figure struggling successfully over the green speckled lake.

Mrs. Hopewell and Mrs. Freeman, who were in the back pasture, digging up onions, saw him emerge a little later from the woods and head across the meadow toward the highway. "Why, that looks like that nice dull young man that tried to sell me a Bible yesterday," Mrs. Hopewell said, squinting. "He must have been selling them to the Negroes back in there. He was so simple," she said, "but I guess the world would be better off if we were all that simple."

Mrs. Freeman's gaze drove forward and just touched him before he disappeared under the hill. Then she returned her attention to the evil-smelling onion shoot she was lifting from the ground. "Some can't be that simple," she said. "I know I never could."

The Displaced Person

I.

The peac.o.c.k was following Mrs. Shortley up the road to the hill where she meant to stand. Moving one behind the other, they looked like a complete procession. Her arms were folded and as she mounted the prominence, she might have been the giant wife of the countryside, come out at some sign of danger to see what the trouble was. She stood on two tremendous legs, with the grand self-confidence of a mountain, and rose, up narrowing bulges of granite, to two icy blue points of light that pierced forward, surveying everything. She ignored the white afternoon sun which was creeping behind a ragged wall of cloud as if it pretended to be an intruder and cast her gaze down the red clay road that turned off from the highway.

The peac.o.c.k stopped just behind her, his taila"glittering green-gold and blue in the sunlighta"lifted just enough so that it would not touch the ground. It flowed out on either side like a floating train and his head on the long blue reed-like neck was drawn back as if his attention were fixed in the distance on something no one else could see.

Mrs. Shortley was watching a black car turn through the gate from the highway. Over by the toolshed, about fifteen feet away, the two Negroes, Astor and Sulk, had stopped work to watch. They were hidden by a mulberry tree but Mrs. Shortley knew they were there.

Mrs. McIntyre was coming down the steps of her house to meet the car. She had on her largest smile but Mrs. Shortley, even from her distance, could detect a nervous slide in it. These people who were coming were only hired help, like the Shortleys themselves or the Negroes. Yet here was the owner of the place out to welcome them. Here she was, wearing her best clothes and a string of beads, and now bounding forward with her mouth stretched.

The car stopped at the walk just as she did and the priest was the first to get out. He was a long-legged black-suited old man with a white hat on and a collar that he wore backwards, which, Mrs. Shortley knew, was what priests did who wanted to be known as priests. It was this priest who had arranged for these people to come here. He opened the back door of the car and out jumped two children, a boy and a girl, and then, stepping more slowly, a woman in brown, shaped like a peanut. Then the front door opened and out stepped the man, the Displaced Person. He was short and a little sway-backed and wore gold-rimmed spectacles.

Mrs. Shortley's vision narrowed on him and then widened to include the woman and the two children in a group picture. The first thing that struck her as very peculiar was that they looked like other people. Every time she had seen them in her imagination, the image she had got was of the three bears, walking single file, with wooden shoes on like Dutchmen and sailor hats and bright coats with a lot of b.u.t.tons. But the woman had on a dress she might have worn herself and the children were dressed like anybody from around. The man had on khaki pants and a blue s.h.i.+rt. Suddenly, as Mrs. McIntyre held out her hand to him, he bobbed down from the waist and kissed it.

Mrs. Shortley jerked her own hand up toward her mouth and then after a second brought it down and rubbed it vigorously on her seat. If Mr. Shortley had tried to kiss her hand, Mrs. McIntyre would have knocked him into the middle of next week, but then Mr. Shortley wouldn't have kissed her hand anyway. He didn't have time to mess around.

She looked closer, squinting. The boy was in the center of the group, talking. He was supposed to speak the most English because he had learned some in Poland and so he was to listen to his father's Polish and say it in English and then listen to Mrs. McIntyre's English and say that in Polish. The priest had told Mrs. McIntyre his name was Rudolph and he was twelve and the girl's name was Sledgewig and she was nine. Sledgewig sounded to Mrs. Shortley like something you would name a bug, or vice versa, as if you named a boy Bollweevil. All of them's last name was something that only they themselves and the priest could p.r.o.nounce. All she could make out of it was Gobblehook. She and Mrs. McIntyre had been calling them the Gobblehooks all week while they got ready for them.

There had been a great deal to do to get ready for them because they didn't have anything of their own, not a stick of furniture or a sheet or a dish, and everything had had to be sc.r.a.ped together out of things that Mrs. McIntyre couldn't use any more herself. They had collected a piece of odd furniture here and a piece there and they had taken some flowered chicken feed sacks and made curtains for the windows, two red and one green, because they had not had enough of the red sacks to go around. Mrs. McIntyre said she was not made of money and she could not afford to buy curtains. "They can't talk," Mrs. Shortley said. "You reckon they'll know what colors even is?" and Mrs. McIntyre had said that after what those people had been through, they should be grateful for anything they could get. She said to think how lucky they were to escape from over there and come to a place like this.

Mrs. Shortley recalled a newsreel she had seen once of a small room piled high with bodies of dead naked people all in a heap, their arms and legs tangled together, a head thrust in here, a head there, a foot, a knee, a part that should have been covered up sticking out, a hand raised clutching nothing. Before you could realize that it was real and take it into your head, the picture changed and a hollow-sounding voice was saying, "Time marches on!" This was the kind of thing that was happening every day in Europe where they had not advanced as in this country, and watching from her vantage point, Mrs. Shortley had the sudden intuition that the Gobblehooks, like rats with typhoid fleas, could have carried all those murderous ways over the water with them directly to this place. If they had come from where that kind of thing was done to them, who was to say they were not the kind that would also do it to others? The width and breadth of this question nearly shook her. Her stomach trembled as if there had been a slight quake in the heart of the mountain and automatically she moved down from her elevation and went forward to be introduced to them, as if she meant to find out at once what they were capable of.

She approached, stomach foremost, head back, arms folded, boots flopping gently against her large legs. About fifteen feet from the gesticulating group, she stopped and made her presence felt by training her gaze on the back of Mrs. McIntyre's neck. Mrs. McIntyre was a small woman of sixty with a round wrinkled face and red bangs that came almost down to two high orange-colored penciled eyebrows. She had a little doll's mouth and eyes that were a soft blue when she opened them wide but more like steel or granite when she narrowed them to inspect a milk can. She had buried one husband and divorced two and Mrs. Shortley respected her as a person n.o.body had put anything over on yeta"except, ha, ha, perhaps the Shortleys. She held out her arm in Mrs. Shortley's direction and said to the Rudolph boy, "And this is Mrs. Shortley. Mr. Shortley is my dairyman. Where's Mr. Shortley?" she asked as his wife began to approach again, her arms still folded. "I want him to meet the Guizacs."

Now it was Guizac. She wasn't calling them Gobblehook to their face. "Chancey's at the barn," Mrs. Shortley said. "He don't have time to rest himself in the bushes like them n.i.g.g.e.rs over there."

Her look first grazed the tops of the displaced people's heads and then revolved downwards slowly, the way a buzzard glides and drops in the air until it alights on the carca.s.s. She stood far enough away so that the man would not be able to kiss her hand. He looked directly at her with little green eyes and gave her a broad grin that was toothless on one side. Mrs. Shortley, without smiling, turned her attention to the little girl who stood by the mother, swinging her shoulders from side to side. She had long braided hair in two looped pigtails and there was no denying she was a pretty child even if she did have a a bug's name. She was better looking than either Annie Maude or Sarah Mae, Mrs. Shortley's two girls going on fifteen and seventeen but Annie Maude had never got her growth and Sarah Mae had a cast in her eye. She compared the foreign boy to her son, H. C., and H. C. came out far ahead. H. C. was twenty years old with her build and eye-gla.s.ses. He was going to Bible school now and when he finished he was going to start him a church. He had a strong sweet voice for hymns and could sell anything. Mrs. Shortley looked at the priest and was reminded that these people did not have an advanced religion. There was no telling what all they believed since none of the foolishness had been reformed out of it. Again she saw the room piled high with bodies.

The priest spoke in a foreign way himself, English but as if he had a throatful of hay. He had a big nose and a bald rectangular face and head. While she was observing him, his large mouth dropped open and with a stare behind her, he said, "Arrrrrrr!" and pointed.

Mrs. Shortley spun around. The peac.o.c.k was standing a few feet behind her, with his head slightly c.o.c.ked.

"What a beauti-ful birdrrrd!" the priest murmured.

"Another mouth to feed," Mrs. McIntyre said, glancing in the peafowl's direction.

"And when does he raise his splendid tail?" asked the priest.

"Just when it suits him," she said. "There used to be twenty or thirty of those things on the place but I've let them die off. I don't like to hear them scream in the middle of the night."

"So beauti-ful," the priest said. "A tail full of suns," and he crept forward on tiptoe and looked down on the bird's back where the polished gold and green design began. The peac.o.c.k stood still as if he had just come down from some sun-drenched height to be a vision for them all. The priest's homely red face hung over him, glowing with pleasure.

Mrs. Shortley's mouth had drawn acidly to one side. "Nothing but a peachicken," she muttered.

Mrs. McIntyre raised her orange eyebrows and exchanged a look with her to indicate that the old man was in his second childhood. "Well, we must show the Guizacs their new home," she said impatiently and she herded them into the car again. The peac.o.c.k stepped oft toward the mulberry tree where the two Negroes were hiding and the priest turned his absorbed face away and got in the car and drove the displaced people down to the shack they were to occupy.

Mrs. Shortley waited until the car was out of sight and then she made her way circuitously to the mulberry tree and stood about ten feet behind the two Negroes, one an old man holding a bucket half full of calf feed and the other a yellowish boy with a short woodchuck-like head pushed into a rounded felt hat. "Well," she said slowly, "yawl have looked long enough. What you think about them?"

The old man, Astor, raised himself. "We been watching," he said as if this would be news to her. "Who they now?"

"They come from over the water," Mrs. Shortley said with a wave of her arm. "They're what is called Displaced Persons."

"Displaced Persons," he said. "Well now. I declare. What do that mean?"

"It means they ain't where they were born at and there's nowhere for them to goa"like if you was run out of here and wouldn't n.o.body have you."

"It seem like they here, though," the old man said in a reflective voice. "If they here, they somewhere."

"Sho is," the other agreed. "They here."

The illogic of Negro-thinking always irked Mrs. Shortley. "They ain't where they belong to be at," she said. "They belong to be back over yonder where everything is still like they been used to. Over here it's more advanced than where they come from. But yawl better look out now," she said and nodded her head. "There's about ten million billion more just like them and I know what Mrs. McIntyre said."

"Say what?" the young one asked.

"Places are not easy to get nowadays, for white or black, but I reckon I heard what she stated to me," she said in a sing-song voice.

"You liable to hear most anything," the old man remarked, leaning forward as if he were about to walk off but holding himself suspended.

"I heard her say, *This is going to put the Fear of the Lord into those s.h.i.+ftless n.i.g.g.e.rs!'" Mrs. Shortley said in a ringing voice.

The old man started off. "She say something like that every now and then," he said. "Ha. Ha. Yes indeed."

"You better get on in that barn and help Mr. Shortley," she said to the other one. "What you reckon she pays you for?"

"He the one sont me out," the Negro muttered. "He the one gimme something else to do."

"Well you better get to doing it then," she said and stood there until he moved off. Then she stood a while longer, reflecting, her unseeing eyes directly in front of the peac.o.c.k's tail. He had jumped into the tree and his tail hung in front of her, full of fierce planets with eyes that were each ringed in green and set against a sun that was gold in one second's light and salmon-colored in the next. She might have been looking at a map of the universe but she didn't notice it any more than she did the spots of sky that cracked the dull green of the tree. She was having an inner vision instead. She was seeing the ten million billion of them pus.h.i.+ng their way into new places over here and herself, a giant angel with wings as wide as a house, telling the Negroes that they would have to find another place. She turned herself in the direction of the barn, musing on this, her expression lofty and satisfied.

She approached the barn from an oblique angle that allowed her a look in the door before she could be seen herself. Mr. Chancey Shortley was adjusting the last milking machine on a large black and white spotted cow near the entrance, squatting at her heels. There was about a half-inch of cigarette adhering to the center of his lower lip. Mrs. Shortley observed it minutely for half a second. "If she seen or heard of you smoking in this barn, she would blow a fuse," she said.

Mr. Shortley raised a sharply rutted face containing a washout under each cheek and two long crevices eaten down both sides of his blistered mouth. "You gonter be the one to tell her?" he asked.

"She's got a nose of her own," Mrs. Shortley said.

Mr. Shortley, without appearing to give the feat any consideration, lifted the cigarette stub with the sharp end of his tongue, drew it into his mouth, closed his lips tightly, rose, stepped out, gave his wife a good round appreciative stare, and spit the smoldering b.u.t.t into the gra.s.s.

"Aw Chancey," she said, "haw haw," and she dug a little hole for it with her toe and covered it up. This trick of Mr. Shortley's was actually his way of making love to her. When he had done his courting, he had not brought a guitar to strum or anything pretty for her to keep, but had sat on her porch steps, not saying a word, imitating a paralyzed man propped up to enjoy a cigarette. When the cigarette got the proper size, he would turn his eyes to her and open his mouth and draw in the b.u.t.t and then sit there as if he had swallowed it, looking at her with the most loving look anybody could imagine. It nearly drove her wild and every time he did it, she wanted to pull his hat down over his eyes and hug him to death.

"Well," she said, going into the barn after him, "the Gobblehooks have come and she wants you to meet them, says, *Where's Mr. Shortley?' and I says, *He don't have time "Tote up them weights," Mr. Shortley said, squatting to the cow again.

"You reckon he can drive a tractor when he don't know English?" she asked. "I don't think she's going to get her money's worth out of them. That boy can talk but he looks delicate. The one can work can't talk and the one can talk can't work. She ain't any better off than if she had more n.i.g.g.e.rs."

"I rather have a n.i.g.g.e.r if it was me," Mr. Shortley said.