Gaslight Sonatas Part 4

She danced to take it. "It's a grater, a darling grater for horseradish and nutmeg and cocoanut. I'm going to fix you a cocoanut cake for our honeymoon supper to-morrow night, honey-bee. Essie Wohlgemuth over in the cake-demonstrating department is going to bring me the recipe. Cocoanut cake! And I'm going to fry us a little steak in this darling little skillet. Ain't it the cutest!"

"Cute she calls a tin skillet."

"Look what's pasted on it. 'Little Housewife's Skillet. The Kitchen Fairy.'

That's what I'm going to be, Jimmie, the kitchen fairy. Give me that. It's a rolling-pin. All my life I've wanted a rolling-pin. Look, honey, a little string to hang it up by. I'm going to hang everything up in rows. It's going to look like Tiffany's kitchen, all s.h.i.+ny. Give me, honey; that's an egg-beater. Look at it whiz. And this--this is a pan for war bread. I'm going to make us war bread to help the soldiers."

"You're a little soldier yourself," he said.

"That's what I would be if I was a man, a soldier all in bra.s.s b.u.t.tons."

"There's a bunch of the fellows going," said Mr. Batch, standing at the window, looking out over roofs, dilly-dallying up and down on his heels and breaking into a low, contemplative whistle. She was at his shoulder, peering over it. "You wouldn't be afraid, would you, Jimmie?"

"You bet your life I wouldn't."

She was tiptoes now, her arms creeping up to him. "Only my boy's got a wife--a brand-new wifie to support, 'ain't he?"

"That's what he has," said Mr. Batch, stroking her forearm, but still gazing through and beyond whatever roofs he was seeing.

"Jimmie!"

"Huh?"

"Look! We got a view of the Hudson River from our flat, just like we lived on Riverside Drive."

"All the Hudson River I can see is fifteen smoke-stacks and somebody's wash-line out."

"It ain't so. We got a grand view. Look! Stand on tiptoe, Jimmie, like me.

There, between that water-tank on that black roof over there and them two chimneys. See? Watch my finger. A little stream of something over there that moves."

"No, I don't see."

"Look, honey-bee, close! See that little streak?"

"All right, then, if you see it I see it."

"To think we got a river view from our flat! It's like living in the country. I'll peek out at it all day long. G.o.d! honey, I just never will be over the happiness of being done with bas.e.m.e.nts."

"It was swell of old Higgins to give us this half-Sat.u.r.day. It shows where you stood with the management, Gert--this and a five-dollar gold piece.

Lord knows they wouldn't pony up that way if it was me getting married by myself."

"It's because my boy 'ain't shown them down there yet the best that's in him. You just watch his little safety-first wife see to it that from now on he keeps up her record of never in seven years punching the time-clock even one minute late, and that he keeps his stock shelves O. K. and shows his department he's a comer-on."

"With that bunch of b.o.o.bs a fellow's got a swell chance to get anywheres."

"It's getting late, Jimmie. It don't look nice for us to stay here so late alone, not till--to-morrow. Ruby and Essie and Charley are going to meet us in the minister's back parlor at ten sharp in the morning. We can be back here by noon and get the place cleared enough to give 'em a little lunch--just a fun lunch without fixings."

"I hope the old guy don't waste no time splicing us. It's one of the things a fellow likes to have over with."

"Jimmie! Why, it's the most beautiful thing in the world, like a garden of lilies or--or something, a marriage ceremony is! You got the ring safe, honey-bee, and the license?"

"Pinned in my pocket where you put 'em, Flirty Gertie."

"Flirty Gertie! Now you'll begin teasing me with that all our life--the way I didn't slap your face that night when I should have. I just couldn't have, honey. Goes to show we were just cut and dried for each other, don't it? Me, a girl that never in her life let a fellow even bat his eyes at her without an introduction. But that night when you winked, honey--something inside of me just winked back."

"My girl!"

"You mean it, boy? You ain't sorry about nothing, Jimmie?"

"Sorry? Well, I guess not!"

"You saw the way--she--May--you saw for yourself what she was, when we saw her walking, that next night after Ceiner's, nearly staggering, up Sixth Avenue with Budge Evans."

"I never took any stock in her, honey. I was just letting her like me."

She sat back on the box edge, regarding him, her face so soft and wont to smile that she could not keep her composure.

"Get me my hat and coat, honey. We'll walk down. Got the key?"

They skirmished in the gloom, moving through slit-like aisles of furniture and packing-box.

"Ouch!"

"Oh, the running water is hot, Jimmie, just like the ad said! We got red-hot running water in our flat. Close the front windows, honey. We don't want it to rain in on our new green sofa. Not 'til it's paid for, anyways."

"Hurry."

"I'm ready."

They met at the door, kissing on the inside and the outside of it; at the head of the fourth, third, and the second bal.u.s.trade down.

"We'll always make 'em little love landings, Jimmie, so we can't ever get tired climbing them."

"Yep."

Outside there was still a pink glow in a clean sky. The first flush of spring in the air had died, leaving chill. They walked briskly, arm in arm, down the asphalt incline of sidewalk leading from their apartment house, a new street of canned homes built on a hillside--the sepulchral abode of the city's trapped whose only escape is down the fire-escape, and then only when the alternative is death. At the base of the hill there flows, in constant hubbub, a great up-and-down artery of street, repeating itself, mile after mile, in terms of the butcher, the baker, and the "every-other-corner drug-store of a million dollar corporation". Housewives with perambulators and oil-cloth shopping bags. Children on rollerskates.

The din of small tradesmen and the humdrum of every city block where the homes remain unbearded all summer and every wife is on haggling terms with the purveyor of her evening roundsteak and mess of rutabaga.

Then there is the soap-box provender, too, sure of a crowd, offering creed, propaganda, patent medicine, and politics. It is the pulpit of the reformer and the housetop of the fanatic, this soapbox. From it the voice to the city is often a pious one, an impious one, and almost always a raucous one.

Luther and Sophocles, and even a Citizen of Nazareth made of the four winds of the street corner the walls of a temple of wisdom. What more fitting acropolis for freedom of speech than the great out-of-doors!

Turning from the incline of cross-street into this petty Baghdad of the petty wise, the voice of the street corner lifted itself above the inarticulate din of the thoroughfare. A youth, thewed like an ox, surmounted on a stack of three self provided canned-goods boxes, his in-at-the-waist silhouette thrown out against a sky that was almost ready to break out in stars; a crowd tightening about him.

"It's a soldier boy talkin', Gert."

"If it ain't!" They tiptoed at the fringe of the circle, heads back.

"Look, Gert, he's a lieutenant; he's got a shoulder-bar. And those four down there holding the flags are just privates. You can always tell a lieutenant by the bar."

"Uh-huh."