The Song of the Lark Part 40
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Fred closed the book. "Let me see, what was your n.o.ble brakeman's name?"
Thea looked up with surprise. "Ray, Ray Kennedy."
"Ray Kennedy!" he laughed. "It couldn't well have been better! Wunsch and Dr. Archie, and Ray, and I,"--he told them off on his fingers,--"your whistling-posts! You haven't done so badly. We've backed you as we could, some in our weakness and some in our might. In your dark hours--and you'll have them--you may like to remember us." He smiled whimsically and dropped the score into the trunk. "You are taking that with you?"
"Surely I am. I haven't so many keepsakes that I can afford to leave that. I haven't got many that I value so highly."
"That you value so highly?" Fred echoed her gravity playfully. "You are delicious when you fall into your vernacular." He laughed half to himself.
"What's the matter with that? Isn't it perfectly good English?"
"Perfectly good Moonstone, my dear. Like the readymade clothes that hang in the windows, made to fit everybody and fit n.o.body, a phrase that can be used on all occasions. Oh,"--he started across the room again,--"that's one of the fine things about your going! You'll be with the right sort of people and you'll learn a good, live, warm German, that will be like yourself. You'll get a new speech full of shades and color like your voice; alive, like your mind. It will be almost like being born again, Thea."
She was not offended. Fred had said such things to her before, and she wanted to learn. In the natural course of things she would never have loved a man from whom she could not learn a great deal.
"Harsanyi said once," she remarked thoughtfully, "that if one became an artist one had to be born again, and that one owed nothing to anybody."
"Exactly. And when I see you again I shall not see you, but your daughter. May I?" He held up his cigarette case questioningly and then began to smoke, taking up again the song which ran in his head:--
"DEUTLICH SCHIMMERT AUF JEDEM, PURPURBLATTCHEN, ADELAIDE!"
"I have half an hour with you yet, and then, exit Fred." He walked about the room, smoking and singing the words under his breath. "You'll like the voyage," he said abruptly. "That first approach to a foreign sh.o.r.e, stealing up on it and finding it--there's nothing like it. It wakes up everything that's asleep in you. You won't mind my writing to some people in Berlin? They'll be nice to you."
"I wish you would." Thea gave a deep sigh. "I wish one could look ahead and see what is coming to one."
"Oh, no!" Fred was smoking nervously; "that would never do. It's the uncertainty that makes one try. You've never had any sort of chance, and now I fancy you'll make it up to yourself. You'll find the way to let yourself out in one long flight."
Thea put her hand on her heart. "And then drop like the rocks we used to throw--anywhere." She left the chair and went over to the sofa, hunting for something in the trunk trays. When she came back she found Fred sitting in her place. "Here are some handkerchiefs of yours. I've kept one or two. They're larger than mine and useful if one has a headache."
"Thank you. How nicely they smell of your things!" He looked at the white squares for a moment and then put them in his pocket. He kept the low chair, and as she stood beside him he took her hands and sat looking intently at them, as if he were examining them for some special purpose, tracing the long round fingers with the tips of his own. "Ordinarily, you know, there are reefs that a man catches to and keeps his nose above water. But this is a case by itself. There seems to be no limit as to how much I can be in love with you. I keep going." He did not lift his eyes from her fingers, which he continued to study with the same fervor.
"Every kind of stringed instrument there is plays in your hands, Thea,"
he whispered, pressing them to his face.
She dropped beside him and slipped into his arms, shutting her eyes and lifting her cheek to his. "Tell me one thing," Fred whispered. "You said that night on the boat, when I first told you, that if you could you would crush it all up in your hands and throw it into the sea. Would you, all those weeks?"
She shook her head.
"Answer me, would you?"
"No, I was angry then. I'm not now. I'd never give them up. Don't make me pay too much." In that embrace they lived over again all the others.
When Thea drew away from him, she dropped her face in her hands. "You are good to me," she breathed, "you are!"
Rising to his feet, he put his hands under her elbows and lifted her gently. He drew her toward the door with him. "Get all you can. Be generous with yourself. Don't stop short of splendid things. I want them for you more than I want anything else, more than I want one splendid thing for myself. I can't help feeling that you'll gain, somehow, by my losing so much. That you'll gain the very thing I lose. Take care of her, as Harsanyi said. She's wonderful!" He kissed her and went out of the door without looking back, just as if he were coming again to-morrow.
Thea went quickly into her bedroom. She brought out an armful of muslin things, knelt down, and began to lay them in the trays. Suddenly she stopped, dropped forward and leaned against the open trunk, her head on her arms. The tears fell down on the dark old carpet. It came over her how many people must have said good-bye and been unhappy in that room.
Other people, before her time, had hired this room to cry in. Strange rooms and strange streets and faces, how sick at heart they made one!
Why was she going so far, when what she wanted was some familiar place to hide in?--the rock house, her little room in Moonstone, her own bed.
Oh, how good it would be to lie down in that little bed, to cut the nerve that kept one struggling, that pulled one on and on, to sink into peace there, with all the family safe and happy downstairs. After all, she was a Moonstone girl, one of the preacher's children. Everything else was in Fred's imagination. Why was she called upon to take such chances? Any safe, humdrum work that did not compromise her would be better. But if she failed now, she would lose her soul. There was nowhere to fall, after one took that step, except into abysses of wretchedness. She knew what abysses, for she could still hear the old man playing in the snowstorm, it was released in her like a pa.s.sion of longing. Every nerve in her body thrilled to it. It brought her to her feet, carried her somehow to bed and into troubled sleep.
That night she taught in Moonstone again: she beat her pupils in hideous rages, she kept on beating them. She sang at funerals, and struggled at the piano with Harsanyi. In one dream she was looking into a hand-gla.s.s and thinking that she was getting better-looking, when the gla.s.s began to grow smaller and smaller and her own reflection to shrink, until she realized that she was looking into Ray Kennedy's eyes, seeing her face in that look of his which she could never forget. All at once the eyes were Fred Ottenburg's, and not Ray's. All night she heard the shrieking of trains, whistling in and out of Moonstone, as she used to hear them in her sleep when they blew shrill in the winter air. But to-night they were terrifying,--the spectral, fated trains that "raced with death,"
about which the old woman from the depot used to pray.
In the morning she wakened breathless after a struggle with Mrs. Livery Johnson's daughter. She started up with a bound, threw the blankets back and sat on the edge of the bed, her night-dress open, her long braids hanging over her bosom, blinking at the daylight. After all, it was not too late. She was only twenty years old, and the boat sailed at noon.
There was still time!
PART VI. KRONBORG
I
It is a glorious winter day. Denver, standing on her high plateau under a thrilling green-blue sky, is masked in snow and glittering with sunlight. The Capitol building is actually in armor, and throws off the shafts of the sun until the beholder is dazzled and the outlines of the building are lost in a blaze of reflected light. The stone terrace is a white field over which fiery reflections dance, and the trees and bushes are faithfully repeated in snow--on every black twig a soft, blurred line of white. From the terrace one looks directly over to where the mountains break in their sharp, familiar lines against the sky. Snow fills the gorges, hangs in scarfs on the great slopes, and on the peaks the fiery suns.h.i.+ne is gathered up as by a burning-gla.s.s.
Howard Archie is standing at the window of his private room in the offices of the San Felipe Mining Company, on the sixth floor of the Raton Building, looking off at the mountain glories of his State while he gives dictation to his secretary. He is ten years older than when we saw him last, and emphatically ten years more prosperous. A decade of coming into things has not so much aged him as it has fortified, smoothed, and a.s.sured him. His sandy hair and imperial conceal whatever gray they harbor. He has not grown heavier, but more flexible, and his ma.s.sive shoulders carry fifty years and the control of his great mining interests more lightly than they carried forty years and a country practice. In short, he is one of the friends to whom we feel grateful for having got on in the world, for helping to keep up the general temperature and our own confidence in life. He is an acquaintance that one would hurry to overtake and greet among a hundred. In his warm handshake and generous smile there is the stimulating cordiality of good fellows come into good fortune and eager to pa.s.s it on; something that makes one think better of the lottery of life and resolve to try again.
When Archie had finished his morning mail, he turned away from the window and faced his secretary. "Did anything come up yesterday afternoon while I was away, T. B.?"
Thomas Burk turned over the leaf of his calendar. "Governor Alden sent down to say that he wanted to see you before he sends his letter to the Board of Pardons. Asked if you could go over to the State House this morning."
Archie shrugged his shoulders. "I'll think about it."
The young man grinned.
"Anything else?" his chief continued.
T. B. swung round in his chair with a look of interest on his shrewd, clean-shaven face. "Old Jasper Flight was in, Dr. Archie. I never expected to see him alive again. Seems he's tucked away for the winter with a sister who's a housekeeper at the Oxford. He's all crippled up with rheumatism, but as fierce after it as ever. Wants to know if you or the company won't grub-stake him again. Says he's sure of it this time; had located something when the snow shut down on him in December. He wants to crawl out at the first break in the weather, with that same old burro with the split ear. He got somebody to winter the beast for him.
He's superst.i.tious about that burro, too; thinks it's divinely guided.
You ought to hear the line of talk he put up here yesterday; said when he rode in his carriage, that burro was a-going to ride along with him."
Archie laughed. "Did he leave you his address?"
"He didn't neglect anything," replied the clerk cynically.
"Well, send him a line and tell him to come in again. I like to hear him. Of all the crazy prospectors I've ever known, he's the most interesting, because he's really crazy. It's a religious conviction with him, and with most of 'em it's a gambling fever or pure vagrancy. But Jasper Flight believes that the Almighty keeps the secret of the silver deposits in these hills, and gives it away to the deserving. He's a downright n.o.ble figure. Of course I'll stake him! As long as he can crawl out in the spring. He and that burro are a sight together. The beast is nearly as white as Jasper; must be twenty years old."
"If you stake him this time, you won't have to again," said T. B.
knowingly. "He'll croak up there, mark my word. Says he never ties the burro at night now, for fear he might be called sudden, and the beast would starve. I guess that animal could eat a lariat rope, all right, and enjoy it."
"I guess if we knew the things those two have eaten, and haven't eaten, in their time, T. B., it would make us vegetarians." The doctor sat down and looked thoughtful. "That's the way for the old man to go. It would be pretty hard luck if he had to die in a hospital. I wish he could turn up something before he cashes in. But his kind seldom do; they're bewitched. Still, there was Stratton. I've been meeting Jasper Flight, and his side meat and tin pans, up in the mountains for years, and I'd miss him. I always halfway believe the fairy tales he spins me. Old Jasper Flight," Archie murmured, as if he liked the name or the picture it called up.
A clerk came in from the outer office and handed Archie a card. He sprang up and exclaimed, "Mr. Ottenburg? Bring him in."
The Song of the Lark Part 40
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The Song of the Lark Part 40 summary
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