In the Claws of the German Eagle Part 10

"It would be a bally good idea to take those cartridges out first."

Some fellow might think his cartridge was blank or try to fire wild, just as a joke in order to see me jump. I wasn't going to take any risk and flatly refused to play my part until the cartridges were ejected. Even when the bandage was readjusted "Didn't-know-it- was-loaded" stories still were haunting me. In a moment, however, it was over and I was promised my picture within a fortnight.

A week later I picked up the London Daily Mirror from a newsstand. It had the caption:

Belgian Soldiers Shoot a German Spy Caught at Termonde

I opened up the paper and what was my surprise to see a big spread picture of myself, lined up against that row of Melle cottages and being shot for the delectation of the British public.

There is the same long raincoat that runs as a motif through all the other pictures. Underneath it were the words:

"The Belgians have a short, sharp method of dealing with the Kaiser's rat-hole spies. This one was caught near Termonde and, after being blindfolded, the firing-squad soon put an end to his inglorious career."

One would not call it fame exactly, even though I played the star- role. But it is a source of some satisfaction to have helped a royal lot of fellows to a first-cla.s.s scoop. As the "authentic spy-picture of the war," it has had a broadcast circulation. I have seen it in publications ranging all the way from The Police Gazette to "Collier's Photographic History of the European War." In a university club I once chanced upon a group gathered around this identical picture. They were discussing the psychology of this "poor devil" in the moments before he was shot. It was a further source of satisfaction to step in and arbitrarily contradict all their conclusions and, having shown them how totally mistaken they were, proceed to tell them exactly how the victim felt. This high- handed manner nettled one fellow terribly:

"Not so arbitrary, my friend!" he said. "You haven't any right to be so devilish c.o.c.ksure."

"Haven't I?" I replied. "Who has any better right? I happen to be that identical man!" But that little episode has been of real value to me. It is said that if one goes through the motions he gets the emotions. I believe that I have an inkling of how a man feels when he momentarily expects a volley of cold lead to turn his skull into a sieve.

That was a very timely picture. It filled a real demand. For spies were at that time looming distressingly large in the public mind.

The deeds they had done, or were about to do, cast a cold fear over men by day and haunted them by night. They were in the Allies' councils, infesting the army, planning destruction to the navy. Any wild tale got credence, adding its bit to the general paralysis, and producing a vociferous demand that "something be done." The people were a.s.sured that all culprits were being duly sentenced and shot. But there was no proof of it. There were no pictures thereof extant. And that is what the public wanted.

"Give the public what it wants," was the motto of this enterprising newspaper man. Herewith he supplied tangible evidence on which they could feast their eyes and soothe their nerves.

As to the ethics of these pictures, they are "true" in that they are faithful to reality. In this case the photographer acted up to his professional knowledge and staged the pictures as he had actually seen the spy shot. They must find their justification on the same basis as fiction, which is "the art of falsifying facts for the sake of truth." And who would begrudge them the securing of a few pictures with comparative ease?

Most of the pictures which the public casually gazes on have been secured at a price--and a large one, too. The names of these men who go to the front with cameras, rather than with rifles or pens, are generally unknown. They are rarely found beneath the pictures, yet where would be our vivid impression of courage in daring and of skill in doing, of cunning strategy upon the field of battle, of wounded soldiers sacrificing for their comrades, if we had no pictures? A few pictures are faked, but behind most pictures there is another tale of daring and of strategy, and that is the tale concerning the man who took it. That very day thrice these same men risked their lives.

The apparatus loaded in the car, we were off again. Past a few barricades of paving-stones and wagons, past the burned houses which marked the place where the Germans had come within five miles of Ghent, we encountered some uniformed Belgians who looked quite as dismal and dispirited as the fog which hung above the fields. They were the famous Guarde Civique of Belgium. Our Union Jack, flapping in the wind, was very likely quite the most thrilling spectacle they had seen in a week, and they hailed it with a cheer and a cry of "Vive l'Angleterre!" (Long live England!) The Guarde Civique had a rather inglorious time of it. Wearisomely in their wearisome-looking uniform, they stood for hours on their guns or marched and counter-marched in dreary patrolling, often doomed not even to scent the battle from afar off.

Whenever we were called to a halt for the examination of our pa.s.sports, these men crowded around and begged for newspapers.

We held up our stock, and they would clamor for the ones with pictures. The English text was unintelligible to most of them, but the pictures they could understand, and they bore them away to enjoy the sight of other soldiers fighting, even if they themselves were denied that excitement. Our question to them was always the same, "Where are the Germans?"

Out of the conflicting reports it was hard to tell whether the Germans were heading this way or not. That they were expected was shown by the sign-posts whose directions had just been obliterated by fresh paint--a rather futile operation, because the Germans had better maps and plans of the region than the Belgians themselves, maps which showed every by-path, well and barn. The chauffeur's brother had been shot in his car by the Germans but a week before, and he didn't relish the idea of thus flaunting the enemy's flag along a road where some German scouting party might appear at any moment. The Union Jack had done good service in getting us easy pa.s.sage so far, but the driver was not keen for going further with it.

It was proposed to turn the car around and back it down the road, as had been done the previous day. Thus the car would be headed in the home direction, and at sight of the dreaded uniform we could make a quick leap for safety. At this juncture, however, I produced a small Stars and Stripes, which the chauffeur hailed with delight, and we continued our journey now under the aegis of a neutral flag.

It might have secured temporary safety, but only temporary; for if the Englishmen with only British pa.s.sports had fallen into the hands of the Germans, like their unfortunate kinsmen who did venture too far into the war zone, they, too, would have had a chance to cool their ardor in some detention-camp of Germany.

This cheerful prospect was in the mind of these men, for, when we espied coming around a distant corner two gray-looking men on horseback, they turned white as the chauffeur cried, "Uhlans!"

It is a question whether the car or our hearts came to a dead standstill first. Our shock was unnecessary. They proved to be Belgians, and a.s.sured us that the road was clear all the way to Termonde; and, except for an occasional peasant tilling his fields, the country-side was quite deserted until at Grembergen we came upon an unending procession of refugees streaming down the road. They were all coming out of Termonde. Termonde, after being taken and retaken, bombarded and burned, was for the moment neutral territory. A Belgian commandant had allowed the refugees that morning to return and gather what they might from among the ruins.

In the early morning, then, they had gone into the city, and now at high noon they were pouring out, a great procession of the dispossessed. They came tracking their way to where--G.o.d only knows. All they knew was that in their hearts was set the fear of Uhlans, and in the sky the smoke and flames of their burning homesteads. They came laden with their lares and penates,-- mainly dogs, feather beds, and crayon portraits of their ancestors.

Women came carrying on their heads packs which looked like their entire household paraphernalia. The men were more una.s.suming, and, as a rule, carried a package considerably lighter and comporting more with their superior masculine dignity. I recall one little woman in particular. She was bearing a burden heavy enough to send a strong American athlete staggering down to the ground, while at her side majestically marched her faithful knight, bearing a bird-cage, and there wasn't any bird in it, either.

Nothing could be more mirth-provoking than that sight; yet, strangely enough, the most tear-compelling memory of the war is connected with another bird-cage. Two children rummaging through their ruined home dug it out of the debris. In it was their little pet canary. While fire and smoke rolled through the house it had beat its wings against the bars in vain. Its prison had become its tomb. Its feathers were but slightly singed, yet it was dead with that pathetic finality which attaches itself to only a dead bird--its silver songs and flutterings, once the delight of the children, now stilled forever.

The photographers had long looked for what they termed a first- cla.s.s sob-picture. Here it was par excellent. The larger child stood stroking the feathers of her pet and murmuring over and over "Poor Annette," "Poor Annette!" Then the smaller one snuggling the limp little thing against her neck wept inconsolably.

Instead of seizing their opportunity, the movie man was clearing his throat while the free lance was busy on what he said was a cinder in his eye. Yet this very man had brought back from the Balkan War of 1907 a prime collection of horrors; corpses thrown into the death-cart with arms and legs sticking out like so much stubble; the death-cart creeping away with its ghastly load; and the dumping together of bodies of men and beasts into a pit to be eaten by the lime. This man who had gone through all this with good nerve was now touched to tears by two children crying over their pet canary. There are some things that are too much for the heart of even a war-photographer.

To give the whole exodus the right tragic setting, one is tempted to write that tears were streaming down all the faces of the refugees, but on the contrary, indeed, most of them carried a smile and a pipe, and trudged stolidly along, much as though bound for a fair.

Some of our pictures show laughing refugees. That may not be fair, for man is so const.i.tuted that the muscles of his face automatically relax to the click of the camera. But as I recall that pitiful procession, there was in it very little outward expression of sorrow.

Undoubtedly there was sadness enough in all their hearts, but people in Europe have learned to live on short rations; they rarely indulge in luxuries like weeping, but bear the most unwonted afflictions as though they were the ordinary fortunes of life. War has set a new standard for grief. So these victims pa.s.sed along the road, but not before the record of their pa.s.sing was etched for ever on our moving-picture films. The coming generation will not have to reconstruct the scene from the colored accounts of the journalist, but with their own eyes they can see the hegira of the homeless as it really was.

The resignation of the peasant in the face of the great calamity was a continual source of amazement to us. Zola in "Le Debacle"

puts into his picture of the battle of Sedan an old peasant plowing on his farm in the valley. While sh.e.l.ls go screaming overhead he placidly drives his old white horse through the accustomed furrows. One naturally presumed that this was a dramatic touch of the great novelist. But similar incidents we saw in this Great War over and over again.

We were with Consul van Hee one morning early before the clinging veil of sleep had lifted from our spirits or the mists from the low-lying meadows. Without warning our car shot through a bank of fog into a spectacle of medieval splendor--a veritable Field of the Cloth of Gold, spread out on the green plains of Flanders.

A thousand horses strained at their bridles while their thousand riders in great fur busbies loomed up almost like giants. A thousand pennons stirred in the morning air while the sun burning through the mists glinted on the tips of as many lances. The crack Belgian cavalry divisions had been gathered here just behind the firing-lines in readiness for a sortie; the Lancers in their cherry and green and the Guides in their blue and gold making a blaze of color.

It was as if in a trance we had been carried back to a tourney of ancient chivalry--this was before privations and the new drab uniforms had taken all glamour out of the war. As we gazed upon the glittering spectacle the order from the commander came to us:

"Back, back out of danger!"

"Forward!" was the charge to the Lancers.

The field-guns rumbled into line and each rider unslung his carbine. Putting spurs to the horses, the whole line rode past saluting our Stars and Stripes with a "Vive L'Amerique." Bringing up the rear two ca.s.socked priests served to give this pageantry a touch of prophetic grimness.

And yet as the cavalcade swept across the fields thrilling us with its color and its action, the nearby peasants went on spreading fertilizer quite as calm and unconcerned as we were exhilarated.

"Stupid," "Clods," "Souls of oxen," we commented, yet a protagonist of the peasant might point out that it was perhaps as n.o.ble and certainly quite as useful to be held by a pa.s.sion for the soil as to be caught by the glamour of men riding out to slaughter.

And Zola puts this in the mind of his peasants.

"Why should I lose a day? Soldiers must fight, but folks must live.

It is for me to keep the corn growing."

Deep down into the soil the peasant strikes his roots. Urban people can never comprehend when these roots are cut away how hopelessly-lost and adrift this European peasant in particular becomes. Wicked as the Great War has seemed to us in its bearing down upon these innocent folks, yet we can never understand the cruelty that they have suffered in being uprooted from the land and sent forth to become beggars and wanderers upon the highroads of the world.

Chapter X

The Little Belgian Who Said, "You Betcha"

In the fighting around Termonde the bridge over the Scheldt had been three times blown up and three times reconstructed. Wires now led to explosives under the bridge on the Termonde side, and on the side held by the Belgians they led to a table in the room of the commanding officer. In this table was an electric b.u.t.ton. By the b.u.t.ton stood an officer. The entrance of the Germans on that bridge was the signal for the officer to push that b.u.t.ton, and thus to blow both bridge and Germans into bits.

But the Belgians were taking no chances. If by any mishap that electric connection should fail them, it would devolve upon the artillery lined upon the bank to rake the bridge with shrapnel. A roofed-over trench ran along the river like a levee and bristled with machine guns whose muzzles were also trained upon the bridge.

Full caissons of ammunition were standing alongside, ready to feed the guns their death-dealing provender, and in the rear, all harnessed, were the horses, ready to bring up more caissons.

Though in the full blaze of day, the gunners were standing or crouching by their guns. The watchers of the night lay stretched out upon the ground, sleeping in the warm sun after their long, anxious vigil. Stumbling in among them, I was pulled back by one of the photographers.