Dangerous Ground Part 11

Into this scene of revelry, while it is yet early, before the music has reached its wildest strains, and the dancing its giddiest whirl, comes a smart servant girl, leading by the hand a child of four or five summers, a dainty fair-haired creature. In her fairy costume of white satin with its silvery frost work and gleaming pearls; with her gossamer wings and glittering aureole of spun gold; her dainty wand and childish grace, she is the loveliest sight in the midst of all that loveliness, for no disfiguring mask hides the beautiful, eager face that gazes down the long vista of decorated drawing rooms, library, music room, boudoir, in wondering, half frightened expectation.

"They're beginning to dance down there," says the maid, drawing the child toward a lofty archway, through which they can watch the swiftly whirling figures of the dancers. "Why, _do_ come along, Miss Daisy; one would think your Pa's house was full of bears and wild-cats, to see your actions."

But the child draws back and grasps fearfully at the skirts of her attendant.

"What makes 'em look so queer, Millie? Isn't you afraid?"

"Why no, Miss Daisy. There's nothing to be afraid of. See; all these funny-looking people are your papa's friends, and your new mamma's, and your uncle Alan's. Look, now,"--drawing the reluctant child forward,--"just look at them! There goes a--a _Turk_, I guess, and--"

"What makes they all have black things on their faces, Millie?"

"Why, child, that's the fun of it all. If it wasn't for them masks everybody would know everybody else, and there wouldn't be no masquerade."

"No what?"

"No _masquerade_, child. Now look at that; there goes a pope, or a cardinal; and there, oh my! that must be a Gipsy--or an Injun."

"A Gipsy or an Indian; well done, Millie, ha ha ha!"

At the sound of these words they turn swiftly. A tall masker, in a black and scarlet domino, is standing just behind them, and little Daisy utters one frightened cry and buries her face in Millie's drapery.

"Why, Daisy;" laughs the masker; "little Daisy, are you frightened?

Come, this will never do."

With a quick gesture he flings off the domino and removes the mask from his face, thus revealing a picturesque sailor's costume, and a handsome face that bears, upon one cheek, the representation of a tattooed anchor.

While he is thus transforming himself, the outer door opens and admits a figure clad in soft flowing robes of scarlet and blue and white, with a mantle of stars about the stately shoulders, and the cap of Liberty upon the well-poised head. The entrance of the G.o.ddess of Liberty is unnoticed by the group about the archway, and, after a swift glance at them, that august lady glides behind a screen which stands invitingly near the door, and, sinking upon a divan in the corner, seems intent upon the cla.s.sic arrangement of her white and crimson draperies.

"Now look," says Alan Warburton, flinging the discarded domino upon a chair; "look, Daisy, darling. Why, pet, you were afraid of your own uncle Alan."

The little one peers at him from behind Millie's skirts and then comes slowly forward.

"Why, uncle Alan, how funny you look, and--your face is dirty!"

"Oh! Daisy," taking her up in his arms and smiling into her eyes; "you are a sadly uncultivated young person. My face is tattooed, for 'I'm a sailor bold.'"

[Ill.u.s.tration: "See all those funny-looking people are your papa's friends."--page 65]

While uncle and niece are thus engaged in playful talk, and Millie is intently watching the dancers, they are again approached; this time by two ladies,--one in the flowing, glittering, gorgeous robes of Sunlight, the other in a dainty Carmen costume of scarlet and black and gold. Both ladies are masked, and, as they enter from an alcove in the rear of the room, they, too, approach unperceived. Seeing the group about the archway, one of them makes a signal of silence. They stop, and standing close together, wait.

"It just occurs to me, Millie," says Alan Warburton, turning suddenly to the maid; "it just occurs to me to inquire how you came in charge of Miss Daisy here. Where is Miss Daisy's maid?"

The girl throws back her head, with a gesture that causes every ribbon upon her cap to flutter, as she replies, with a look of defiance and an indignant sniff:

"_Mrs._ Warburton put Miss Daisy in my care, sir, and I don't know _where_ Miss Daisy's maid may be."

"Umph! well it seems to me that--" He stops and looks at the child.

"That I ain't the properest person to look after Miss Daisy, I 'spose you mean--"

"Millie, you are growing impertinent."

"Because I'm a poor girl that the _mistress_ of this house took in out of kindness--"

"Millie; _will_ you stop!" and he puts little Daisy down with a gesture of impatience.

"I'm trying to do my duty," goes on the irate damsel; "and Mrs.

Warburton, _my_ mistress, has given me my orders, sir, _consequently_--"

"Oh! if Mrs. Warburton has issued such judicious orders," and he takes up his mask and domino, "I retire from the field."

"It's time to stop them, Winnie," says the lady in the garments of Sunlight, taking off her mask hastily. "Alan never could get on with a raw servant. I see war in Millie's eyes."

Then she comes forward, mask in hand, and followed by the laughing Carmen.

"Alan, you are in difficulty, I see," laughing, in spite of her attempt at gravity. "Millie, I fear, is not quite up to your standard of silent perfection."

"May I ask, Mrs. Warburton, if she is your ideal of a companion for this child?"

The tone is faintly tinged with scorn and sternness, and Leslie Warburton's eyes cease to smile as she replies, with dignity:

"She is my servant, Mr. Warburton. We will not discuss her merits in her presence. I will relieve you of any further trouble on her account."

"Where, may I ask, is Daisy's own maid?"

"In her room, with a headache that unfits her for duty. Come here, Daisy."

Up to this moment Alan Warburton has kept the hand of the child clasped in his own. He now releases it with evident reluctance, and the little fairy bounds toward her stepmother.

"Mamma, how lovely you look!" reaching up her arms to caress the head that bends toward her. "Mamma, take me with you where the music is."

"Have you been to Papa's room, Daisy? You know we must not let him feel lonely to-night."

"Exceeding thoughtfulness," mutters Alan Warburton to himself, as he turns to resume his domino. Then aloud, to his sister-in-law, he says:

"I have just visited my brother's room, Mrs. Warburton; he wished to see you for a moment, I believe. Daisy, will you come with me?"

He extends his hand to the child, who gives a willful toss of the head as she replies, clinging closer to her stepmother the while:

"No; I going to stay with my new mamma."

As Alan Warburton turns away, with a shade of annoyance upon his face, he meets the mirthful eyes of Carmen, and is greeted by a saucy sally.

"What a bear you can be, Alan, when you try your hand at domestic discipline. Put on your domino and your dignity once more. You look like a school boy who has just been whipped."

"Ah, Winnie," he says seriously, coming close to her side and seeking to look into the blue, mocking eyes, "no need for me to see _your_ face, your sweet voice and your saucy words both betray you."

"Just as your bad temper has betrayed you! It's a pity you can't appreciate Millie, sir; but then your sense of the ridiculous is shockingly deficient. There goes a waltz," starting forward hastily.